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-->'''San, The Mononoke Hime:''' ''(she dismounts and runs to her adoptive matriarch and [[EstablishingCharacterMoment immediately begins to suck the gunpowder out of the bullet wound in her mother's chest, along with a full mouthful of blood]] and expectorates founts of the poison without a care)''

to:

-->'''San, The Mononoke Hime:''' ''(she dismounts and runs to her adoptive matriarch and [[EstablishingCharacterMoment immediately begins to suck the gunpowder bullet out of the bullet wound in her mother's chest, along with a full mouthful of blood]] and expectorates founts of the poison without a care)''
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/tumblr_ltibchw98v1r3tvt7o1_500.jpg]]
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* On the flip-side, Lady Eboshi manages to calmly take a on a girl who literally ran through her village's men like they weren't even there and took out her right-hand man with two blows, with a [[SmugSmiler Smug Smile]] on her regal face to boot.

to:

* On the flip-side, Lady Eboshi manages to calmly take a on a girl who literally ran through her village's men like they weren't even there and took out her right-hand man with two blows, with a [[SmugSmiler Smug Smile]] on her regal face to boot.
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* [[BattleCouple Lady Eboshi and Gonza]] having the [[NervesOfSteel sheer courage]] to stand still in the path of a charging [[BigBadassWolf Moro‑no‑kimi]] as she decimates their rice convoy. They let her get just close enough for Eboshi to plant a would-be-fatal bullet in her chest and Gonza to blast her over the cliff edge with his flamethrower.

to:

* [[BattleCouple Lady Eboshi and Gonza]] having the [[NervesOfSteel sheer courage]] to stand still in the path of a charging [[BigBadassWolf Moro‑no‑kimi]] Moro‑no‑kimi as she decimates their rice convoy. They let her get just close enough for Eboshi to plant a would-be-fatal bullet in her chest and Gonza to blast her over the cliff edge with his flamethrower.
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-->'''Ashitaka:''' ''(emerges from his hiding place, taking off his kerchief to address them)'' MY NAME IS ASHITAKA. I'VE TRAVELLED FAR FROM LANDS TO THE EAST. ARE YOU ANCIENT GODS AND HAVE I AT LAST TO THE REALM OF THE SPIRIT OF THE FOREST?

to:

-->'''Ashitaka:''' ''(emerges from his hiding place, taking off his kerchief to address them)'' MY NAME IS ASHITAKA. I'VE TRAVELLED FAR FROM LANDS TO THE EAST. ARE YOU ANCIENT GODS AND HAVE I COME AT LAST TO THE REALM OF THE SPIRIT OF THE FOREST?
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-->'''Ashitaka:''' ''(emerges from his hiding place, taking off his kerchief to address them)'' My name is Ashitaka. I've travelled far from lands to the East. Are you ancient gods and have I come at last to the realm of the Spirit of the Forest?

to:

-->'''Ashitaka:''' ''(emerges from his hiding place, taking off his kerchief to address them)'' My name is Ashitaka. I've travelled far from lands to the East. Are you ancient gods and have MY NAME IS ASHITAKA. I'VE TRAVELLED FAR FROM LANDS TO THE EAST. ARE YOU ANCIENT GODS AND HAVE I come at last to the realm of the Spirit of the Forest? AT LAST TO THE REALM OF THE SPIRIT OF THE FOREST?
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* San gets attacked by a burly monk with a knife; she [[CheeryTapping effortlessly dodges his strikes]] and knocks him out with two jumping kicks to the noggin.

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* San gets attacked by a burly monk with a knife; she [[CheeryTapping [[CherryTapping effortlessly dodges his strikes]] and knocks him out with two jumping kicks to the noggin.

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* Moro, having just used the last of her strength to pull San free from Okkoto and is being consumed by the death slime, opens her eyes when she hears Lady Eboshi's voice and just ''her head'' dives towards Eboshi and ''bites off her arm in revenge''.
* Toki showcasing leadership skills in the siege of Iron Town and when the Night-walker attacks.

to:

* Moro, having just used the last of her strength to pull San free from Okkoto and is her head being consumed melted from her body by the death slime, opens her eyes when she hears Lady Eboshi's voice and just ''her newly severed head'' dives propels herself along the ground before diving towards Eboshi and ''bites ''biting off her entire right arm in revenge''.
* Toki showcasing leadership skills in the siege of Iron Town and when the Night-walker Nightwalker attacks.


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* San gets attacked by a burly monk with a knife; she [[CheeryTapping effortlessly dodges his strikes]] and knocks him out with two jumping kicks to the noggin.
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-->'''Gonza:''' Stay back! ''(Ashitaka grabs the tip of the blade and begins to bend it back as if it's made of thin cardboard, all while the larger man sweats and puffs as he tries to resist the boy's unnatural strength)'' H-Halt!

to:

-->'''Gonza:''' Stay back! ''(Ashitaka grabs the tip of the blade between his thumb and two fingers and begins to bend it back as if it's it was made of thin cardboard, all while the larger man sweats and puffs as he tries to resist the boy's unnatural strength)'' H-Halt!



* One for the fact that San and Ichi [[OffscreenMomentOfAwesome survived the massacre of Okotto's tribe.

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* One for the fact that San and Ichi [[OffscreenMomentOfAwesome survived the massacre of Okotto's tribe.tribe]].

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* She also survives a shot from Eboshi's new rifles. Keep in mind, these are the same match-locks meant to pierce samurai armour like paper and it shatters her mask made of clay but all it does is ''knock her out cold''.

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* She also survives a shot from Eboshi's new rifles. Keep in mind, these are the same match-locks meant to pierce samurai armour like paper and it shatters her mask made of clay but all it does is ''knock ''[[MadeOfIron knock her out cold''.cold]]''.



* Our first sighting of the Night-walker.

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* Our first sighting of the Night-walker.Nightwalker.


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* One for the fact that San and Ichi [[OffscreenMomentOfAwesome survived the massacre of Okotto's tribe.
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-->'''Gonza:''' Stay back! ''(Ashitaka grabs the tip of the blade and begins to bend it back as if it's made of thin cardboard)'' Halt!
-->'''Ashitaka:''' ''(turns the sword into a loop of bent steel)'' Step aside.

to:

-->'''Gonza:''' Stay back! ''(Ashitaka grabs the tip of the blade and begins to bend it back as if it's made of thin cardboard)'' Halt!
cardboard, all while the larger man sweats and puffs as he tries to resist the boy's unnatural strength)'' H-Halt!
-->'''Ashitaka:''' ''(turns the sword into a loop of bent steel)'' steel that just stops before the samurai's face)'' Step aside.
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-->'''Gonza:''' Villain! I knew you were one of them! ''(brandishes his [[BFS six foot ÅŒdachi]] at the oncoming boy)''

to:

-->'''Gonza:''' Villain! I knew you were one of them! ''(brandishes his [[BFS [[BigFuckingSword six foot ÅŒdachi]] at the oncoming boy)''
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-->'''Gonza:''' Villain! I knew you were one of them! ''(brandishes his six foot Nodachi at the oncoming boy)''

to:

-->'''Gonza:''' Villain! I knew you were one of them! ''(brandishes his [[BFS six foot Nodachi ÅŒdachi]] at the oncoming boy)''

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Removed: 71

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* Ashitaka is just made of these. In particular, when he opens the great timber portcullis that takes the strength of ten men to lift, while carrying San and with a blood pouring from a gunshot wound through his torso.
** And then there's the part where he bends a sword in half like paper!

to:

* Ashitaka is just made of these. In particular, when he opens the great timber portcullis that takes the strength of ten men to lift, while carrying San and with a good two or three pints of his blood pouring from a gunshot wound through his torso.
** And then there's the part where he bends a sword in half like paper!
torso.



* Ashitaka's defining moment is breaking up the fight between Eboshi and San, while summing up the GrayAndGrayMorality of the film.

to:

* Let's not forget the build-up to said scene. A wind rustles around the young man from the east. His curse seems about to take over, but Ashitaka masters it this time and purple wraith shadows of Nago's curse tendrils engulf his right arm in a coruscating display of power.
-->'''Gonza:''' Villain! I knew you were one of them! ''(brandishes his six foot Nodachi at the oncoming boy)''
-->'''Ashitaka:''' ''(walking ominously towards him)''
-->'''Gonza:''' Stay back! ''(Ashitaka grabs the tip of the blade and begins to bend it back as if it's made of thin cardboard)'' Halt!
-->'''Ashitaka:''' ''(turns the sword into a loop of bent steel)'' Step aside.
* Ashitaka's defining moment is breaking up the fight between halting Eboshi and San, San from their fight to the death, all while summing up the GrayAndGrayMorality of the film.
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* San taking on Eboshi, who's armed with a much more far reaching sword and a needle in her off-hand; with a bone dagger. ''[[SuperReflexes And holding her own]]''.

to:

* San taking on Eboshi, who's armed with a much more far reaching sword and a needle in her off-hand; all with just a bone dagger. ''[[SuperReflexes And holding her own]]''.
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* Ashitaka taking out the Tatarigami (Demon) that attacks his village, scoring a hit in its left eye with an arrow while mounted and travelling at full gallop is awesome enough, then he mortally wounds the deranged boar ''by driving the shaft of his first arrow even deeper with his second shot's pin-point accuracy''.

to:

* Ashitaka taking out the Tatarigami (Demon) that attacks his village, scoring a hit in its left eye with an arrow while mounted and travelling at full gallop is awesome enough, then he mortally wounds the deranged boar ''by ''[[ImprobableAimingSkills by driving the shaft of his first arrow even deeper with his second shot's pin-point accuracy''.accuracy]]''.
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* Jigo telling San and Ashitaka about how everybody wishes for everything and he's finally going to get what he's wished for in an attempt to convince the couple to just let the Night-walker disappear and for him to get away with the head only to have Ashitaka quietly come to the end of his enormous tether and say: "please don't make me kill you." in an "I've tolerated your two-faced nonsense long enough" tone of voice.

to:

* When Jigo telling tells San and Ashitaka about how everybody wishes for everything wants to possess heaven and earth and how he's finally going to get what he's wished for in an attempt to convince the couple to just let the Night-walker disappear and for him to get away with the head only to have head. Ashitaka quietly come to the end of his enormous tether and say: "please don't make me kill you." in an "I've tolerated your two-faced nonsense long enough" tone of voice.
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* Nii jumping out of the trees about fifty feet downwards onto a dolmen while he and Ashitaka (who's on his back) race to save San, [[NotQuiteFlight then bounding outwards another thirty feet on the landing]].
* Ashitaka ripping through the demonic tendrils with his bare hands to save San, regardless of the cost to himself.

to:

* Nii jumping out of the trees about fifty feet downwards onto a dolmen while he and Ashitaka (who's on his back) race to save San, their loved ones, [[NotQuiteFlight then bounding outwards another thirty feet on the landing]].
* Ashitaka ripping through the demonic tendrils with his bare hands to save reach a trapped San, regardless of the cost to himself.

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Removed: 442

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* Lady Eboshi. She buys up the bond of every brothel girl she meets and gives them a new and better life in Iron Town. Also, she kills gods.
** How about taking a bunch of lepers and turning them into military engineers?
** Keep in mind, we have no idea who Eboshi was or why she decided to defend Iron Town. This woman just showed up with a bunch of warriors [[CrazyAwesome and started fighting off forest gods]]. All without breaking a sweat.


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* Lady Eboshi. She buys up the bond of every brothel girl she meets and gives them a new and better life in Iron Town. Also, she kills gods.
** How about taking a bunch of lepers and turning them into military engineers?
** Keep in mind, we have no idea who Eboshi was or why she decided to defend Iron Town. This woman just showed up with a bunch of warriors [[CrazyAwesome and started fighting off forest gods]]. All without breaking a sweat.


Added DiffLines:

* Our first sighting of the Night-walker.
* Yakul making two enormous leaps, one over a Ronin's naginata attempting to slice the mount's legs out from under him and the second carrying him and his master about five metres into the lake. And people say this Miyazaki film has no flight sequences, pfft!
* Ashitaka cutting the arrows out of the air they send after him, while he's swimming through said lake.
* The Tataraba men turning on Jigo's monks when they attempt to kill Ashitaka with blow-pipes for freeing San's younger brother.
* "STAY BACK OR YOU DIE! THEN ALL IN THIS FOREST WILL SEE WHAT YOU TRULY ARE!"
* Nii jumping out of the trees about fifty feet downwards onto a dolmen while he and Ashitaka (who's on his back) race to save San, [[NotQuiteFlight then bounding outwards another thirty feet on the landing]].
* Ashitaka ripping through the demonic tendrils with his bare hands to save San, regardless of the cost to himself.
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-->'''Ashitaka:''' Look everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive and very soon now it will kill me. Fear and anger only make it grow faster."

to:

-->'''Ashitaka:''' Look everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive ''alive'' and very soon now it will kill me. ''kill me''. Fear and anger only make it grow faster."faster!
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* Jigo telling San and Ashitaka about how everybody wishes for everything and he's finally going to get what he's wished for in an attempt to convince the couple to just let the Night-walker disappear and for him to get away with the head only to have Ashitaka quietly come to the end of his enormous tether and say: "please don't make me kill you." in an "I've put up with your nonsense long enough" tone of voice.

to:

* Jigo telling San and Ashitaka about how everybody wishes for everything and he's finally going to get what he's wished for in an attempt to convince the couple to just let the Night-walker disappear and for him to get away with the head only to have Ashitaka quietly come to the end of his enormous tether and say: "please don't make me kill you." in an "I've put up with tolerated your two-faced nonsense long enough" tone of voice.



* When Ashitaka is trying to convince a now trapped Jigo to give the Forest Spirit his head back, Jigo still tries to make excuses... only to have San step in and ask (no, ''snarl'') "Why are you wasting your breath talking to him?" If you look closely, you notice Jigo makes a sheepish smile at her condemnation, as if to say: "yeah, listen to your woman, Ashitaka, she has a point."

to:

* When Ashitaka is trying to convince persuade a now trapped Jigo to give the Forest Spirit his head back, Jigo still tries to make excuses... only to have San step in and ask (no, ''snarl'') "Why are you wasting your breath talking to him?" If you look closely, you notice Jigo makes a sheepish smile at her condemnation, as if to say: "yeah, listen to your woman, Ashitaka, she has a point."
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None


* [[BattleCouple Lady Eboshi and Gonza]] having the sheer courage to stand still in the path of a charging [[BigBadassWolf Moro‑no‑kimi]] as she decimates their rice convoy. They let her get just close enough for Eboshi to plant a would-be-fatal bullet in her chest and Gonza to blast her over the cliff edge with his flamethrower.

to:

* [[BattleCouple Lady Eboshi and Gonza]] having the [[NervesOfSteel sheer courage courage]] to stand still in the path of a charging [[BigBadassWolf Moro‑no‑kimi]] as she decimates their rice convoy. They let her get just close enough for Eboshi to plant a would-be-fatal bullet in her chest and Gonza to blast her over the cliff edge with his flamethrower.
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->'''Yakul:''' ''(his ears perk up as his master lays down the two injured men he's dragged from the river)''
->'''Prince Ashitaka:''' ''(noticing his mount's wariness, he puts up his balaclava, rushes up behind a large boulder on the rapids and peeks through the branches of a fallen tree. His eyes widen as he sees three massive white wolves on the river's far side. The largest, the two-tailed Alpha-female is wounded but this is not what draws his attention, riding on the back of one of her cubs is a spry young girl clad in a pelt of her own)''
->'''San, The Mononoke Hime:''' ''(she dismounts and runs to her adoptive matriarch and [[EstablishingCharacterMoment immediately begins to suck the gunpowder out of the bullet wound in her mother's chest, along with a full mouthful of blood]] and expectorates founts of the poison without a care)''
->'''Moro, The Wolf Goddess:''' ''(who has remained silent and still as her daughter administers to her, growls lowly, she has picked up a stranger's scent)''
->'''San:''' ''(turns her head in a flash, her earrings chime and tingle as she locks gazes with the spying banished prince)''
->'''Ashitaka:''' ''(he can't break from her stare; he's been hit by a Sicilian Thunderbolt)''
->'''San:''' ''(rises, spits one last jet of crimson as a statement, before she wipes her mother's blood from her maw messily with the back of her hand)''
->'''Ashitaka:''' ''(emerges from his hiding place, taking off his kerchief to address them)'' My name is Ashitaka. I've travelled far from lands to the East. Are you ancient gods and have I come at last to the realm of the Spirit of the Forest?
->'''San and Ashitaka:''' ''([[HeldGaze they both gauge the measure of their hearts and souls]])''

to:

->'''Yakul:''' -->'''Yakul:''' ''(his ears perk up as his master lays down the two injured men he's dragged from the river)''
->'''Prince -->'''Prince Ashitaka:''' ''(noticing his mount's wariness, he puts up his balaclava, rushes up behind a large boulder on the rapids and peeks through the branches of a fallen tree. His eyes widen as he sees three massive white wolves on the river's far side. The largest, the two-tailed Alpha-female is wounded but this is not what draws his attention, riding on the back of one of her cubs is a spry young girl clad in a pelt of her own)''
->'''San, -->'''San, The Mononoke Hime:''' ''(she dismounts and runs to her adoptive matriarch and [[EstablishingCharacterMoment immediately begins to suck the gunpowder out of the bullet wound in her mother's chest, along with a full mouthful of blood]] and expectorates founts of the poison without a care)''
->'''Moro, -->'''Moro, The Wolf Goddess:''' ''(who has remained silent and still as her daughter administers to her, growls lowly, she has picked up a stranger's scent)''
->'''San:''' -->'''San:''' ''(turns her head in a flash, her earrings chime and tingle as she locks gazes with the spying banished prince)''
->'''Ashitaka:''' -->'''Ashitaka:''' ''(he can't break from her stare; he's been hit by a Sicilian Thunderbolt)''
->'''San:''' -->'''San:''' ''(rises, spits one last jet of crimson as a statement, before she wipes her mother's blood from her maw messily with the back of her hand)''
->'''Ashitaka:''' -->'''Ashitaka:''' ''(emerges from his hiding place, taking off his kerchief to address them)'' My name is Ashitaka. I've travelled far from lands to the East. Are you ancient gods and have I come at last to the realm of the Spirit of the Forest?
->'''San -->'''San and Ashitaka:''' ''([[HeldGaze they both gauge the measure of their hearts and souls]])''

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* Lady Eboshi. She buys up the bond of every brothel girl she meets and gives them a new and better life in Irontown. Also, she kills gods.

to:

* [[SceneryPorn The Journey to the West]].
* Lady Eboshi. She buys up the bond of every brothel girl she meets and gives them a new and better life in Irontown.Iron Town. Also, she kills gods.



* [[BattleCouple Lady Eboshi and Gonza]] having the sheer courage to stand still in the path of a charging [[BigBadassWolf Moro‑no‑kimi]] as she decimates their rice convoy. They let her get just close enough for Eboshi to plant a would-be-fatal bullet in her chest and Gonza to blast her over the cliff edge with his flamethrower.
** ''This doesn't kill her''.
* One of many near-silent scenes in the film is the iconic introduction to our deuteragonist and it is breath-taking.
->'''Yakul:''' ''(his ears perk up as his master lays down the two injured men he's dragged from the river)''
->'''Prince Ashitaka:''' ''(noticing his mount's wariness, he puts up his balaclava, rushes up behind a large boulder on the rapids and peeks through the branches of a fallen tree. His eyes widen as he sees three massive white wolves on the river's far side. The largest, the two-tailed Alpha-female is wounded but this is not what draws his attention, riding on the back of one of her cubs is a spry young girl clad in a pelt of her own)''
->'''San, The Mononoke Hime:''' ''(she dismounts and runs to her adoptive matriarch and [[EstablishingCharacterMoment immediately begins to suck the gunpowder out of the bullet wound in her mother's chest, along with a full mouthful of blood]] and expectorates founts of the poison without a care)''
->'''Moro, The Wolf Goddess:''' ''(who has remained silent and still as her daughter administers to her, growls lowly, she has picked up a stranger's scent)''
->'''San:''' ''(turns her head in a flash, her earrings chime and tingle as she locks gazes with the spying banished prince)''
->'''Ashitaka:''' ''(he can't break from her stare; he's been hit by a Sicilian Thunderbolt)''
->'''San:''' ''(rises, spits one last jet of crimson as a statement, before she wipes her mother's blood from her maw messily with the back of her hand)''
->'''Ashitaka:''' ''(emerges from his hiding place, taking off his kerchief to address them)'' My name is Ashitaka. I've travelled far from lands to the East. Are you ancient gods and have I come at last to the realm of the Spirit of the Forest?
->'''San and Ashitaka:''' ''([[HeldGaze they both gauge the measure of their hearts and souls]])''



* Ashitaka has just been shot and is bleeding heavily. Even so, he doesn't stop walking out of Irontown with San and Yakul.

to:

* Ashitaka has just been shot and is bleeding heavily. Even so, he doesn't stop walking out of Irontown Iron Town with San and Yakul.

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Changed: 65

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* On the flip-side, Lady Eboshi manages to calmly take a on a girl who literally ran through her village and took out her right-hand man with two blows, all with a [[SmugSmiler Smug Smile]].

to:

* On the flip-side, Lady Eboshi manages to calmly take a on a girl who literally ran through her village village's men like they weren't even there and took out her right-hand man with two blows, all with a [[SmugSmiler Smug Smile]]. Smile]] on her regal face to boot.
* San taking on Eboshi, who's armed with a much more far reaching sword and a needle in her off-hand; with a bone dagger. ''[[SuperReflexes And holding her own]]''.

Added: 385

Removed: 317

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* When Ashitaka is trying to convince Jigo to give the Forest Spirit his head back, Jigo refuses... only to have San step in and ask (no, ''snarl'') "Why are you wasting your breath talking to him?" If you look closely, you notice Jigo makes a sheepish smile at her accusation, as if to say: "yeah, she has a point."


Added DiffLines:

* When Ashitaka is trying to convince a now trapped Jigo to give the Forest Spirit his head back, Jigo still tries to make excuses... only to have San step in and ask (no, ''snarl'') "Why are you wasting your breath talking to him?" If you look closely, you notice Jigo makes a sheepish smile at her condemnation, as if to say: "yeah, listen to your woman, Ashitaka, she has a point."
Is there an issue? Send a MessageReason:
None


* Ashitaka taking out the Tartagami (Demon) that attacks his village, getting it in its left eye with an arrow while mounted at full speed is awesome enough, then he mortally wounds the deranged boar ''by driving the shaft of his first arrow even deeper with his second shot's pin-point accuracy''.

to:

* Ashitaka taking out the Tartagami Tatarigami (Demon) that attacks his village, getting it scoring a hit in its left eye with an arrow while mounted and travelling at full speed gallop is awesome enough, then he mortally wounds the deranged boar ''by driving the shaft of his first arrow even deeper with his second shot's pin-point accuracy''.

Added: 553

Changed: 875

Removed: 867

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* Ashitaka taking out the Tartagami (Demon) that attacks his village, getting it in its left eye with an arrow while mounted at full speed is awesome enough, then he mortaly wounds the deranged boar ''by driving the shaft of his first arrow even deeper with his second shot's pin-point accuracy''.

to:

\n* Ashitaka taking out the Tartagami (Demon) that attacks his village, getting it in its left eye with an arrow while mounted at full speed is awesome enough, then he mortaly mortally wounds the deranged boar ''by driving the shaft of his first arrow even deeper with his second shot's pin-point accuracy''. accuracy''.
* Lady Eboshi. She buys up the bond of every brothel girl she meets and gives them a new and better life in Irontown. Also, she kills gods.
** How about taking a bunch of lepers and turning them into military engineers?
** Keep in mind, we have no idea who Eboshi was or why she decided to defend Iron Town. This woman just showed up with a bunch of warriors [[CrazyAwesome and started fighting off forest gods]]. All without breaking a sweat.



** Then she's up, fighting (and leaping five metres feet) in twenty seconds of recovery time.
* On the flip-side, Lady Eboshi manages to calmly take a on a girl who literally ran through her village and took out her RightHandMan with two blows, all with a [[SmugSmiler Smug Smile]].

to:

** Then she's up, fighting (and leaping five metres feet) metres) in twenty seconds of recovery time.
* On the flip-side, Lady Eboshi manages to calmly take a on a girl who literally ran through her village and took out her RightHandMan right-hand man with two blows, all with a [[SmugSmiler Smug Smile]].




* Lady Eboshi. She buys up the bond of every brothel girl she meets and gives them a new and better life in Irontown. Also, she kills gods.
** How about taking a bunch of lepers and turning them into military engineers?
** "Now watch closely, everyone. I'm going to show you how to kill a god." Even if I didn't want her to succeed, I couldn't help to smile at the pure badassery of those words.
** Keep in mind, we have no idea who Eboshi was or why she decided to defend Iron Town. This woman just showed up with a bunch of warriors [[CrazyAwesome and started fighting off forest gods]]. All without breaking a sweat.
* Moro, having just used the last of her strength to pull San free from Okkoto and is being consumed by the death slime, opens her eyes when she hears Lady Eboshi's voice and just ''her head'' dives towards Eboshi and ''bites off her arm in revenge''.



-->'''Ashitaka:''' "Look everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive and very soon now it will kill me. Fear and anger only make it grow faster."

to:

-->'''Ashitaka:''' "Look Look everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive and very soon now it will kill me. Fear and anger only make it grow faster."
"




to:

* "Now watch closely, everyone. [[BadassBoast I'm going to show you how to kill a god."]]
* Moro, having just used the last of her strength to pull San free from Okkoto and is being consumed by the death slime, opens her eyes when she hears Lady Eboshi's voice and just ''her head'' dives towards Eboshi and ''bites off her arm in revenge''.



* Toki showcasing leadership skills in the siege of Iron Town and when the Nightwalker attacks.
* Jigo tries telling San and Ashitaka about how everybody wishes for everything and he's finally going to get what he's wished for in an attempt to convince the couple to just let the Nightwalker disappear and for him to get away with the head only to have Ashitaka quietly come to the end of his enormous tether and say: "please don't make me kill you." in an "I've put up with your nonsense long enough" tone of voice.
** Jigo putting up a fight with Ashitaka is also epic, especially with his small stature.
* Just when things are at their worst, San and Ashitaka raise the head of the Forest Spirit to return it and the clear green gloop the head is exuding accelerates the curse marks on both San and Ashitaka

to:

* Toki showcasing leadership skills in the siege of Iron Town and when the Nightwalker Night-walker attacks.
* Jigo tries telling San and Ashitaka about how everybody wishes for everything and he's finally going to get what he's wished for in an attempt to convince the couple to just let the Nightwalker Night-walker disappear and for him to get away with the head only to have Ashitaka quietly come to the end of his enormous tether and say: "please don't make me kill you." in an "I've put up with your nonsense long enough" tone of voice.
** Jigo putting up a fight with Ashitaka is also surprisingly epic, especially with his small stature.
* Just when things are at their worst, San and Ashitaka raise the head of the Forest Spirit to return it and the clear green gloop the head is exuding accelerates the curse marks on both San and Ashitaka to flare up all over and for one horrible moment we think our heroine and hero are about to die. This makes their triumph even sweeter.

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* While the film was ultimately about how hatred and violence only leads to bad things, it's still great when Ashitaka steps up to fight, whether it's simply to break up a fight between San and Eboshi, or CATCH A DAMN ARROW AND SEND IT BACK.
* Moro, running on what little strength she has, [[spoiler: [[MamaBear fights a demonized Okkotto in order to save San]]]]. Also counts as a CrowningMomentOfHeartwarming and a TearJerker.
--> '''Moro''': "GIVE ME BACK MY DAUGHTER, YOU ''DEMON''!"
* San surviving a shot from Eboshi's new rifles. Keep in mind, these are the same rifles meant to pierce samurai armor like paper and it shatters her mask made of clay but all it does is '''knock her out cold'''.
* Ashitaka is made of these. In particular is when he opens the door that takes the strength of ten men to lift, while carrying San and with a blood pouring from a gunshot wound through his torso.

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* While Ashitaka taking out the film was ultimately about how hatred and violence only leads to bad things, Tartagami (Demon) that attacks his village, getting it in its left eye with an arrow while mounted at full speed is awesome enough, then he mortaly wounds the deranged boar ''by driving the shaft of his first arrow even deeper with his second shot's pin-point accuracy''.
* [[RedBaron The Princess Mononoke]] busting into the village by herself, with a little help from her siblings; her LeParkour is animated so fluidly
it's still great when Ashitaka steps up to fight, whether it's simply to break up a fight between San and Eboshi, or CATCH A DAMN ARROW AND SEND IT BACK.
just incredible.
* Moro, running on what little strength she has, [[spoiler: [[MamaBear fights a demonized Okkotto in order to save San]]]]. Also counts as a CrowningMomentOfHeartwarming and a TearJerker.
--> '''Moro''': "GIVE ME BACK MY DAUGHTER, YOU ''DEMON''!"
* San surviving
She also survives a shot from Eboshi's new rifles. Keep in mind, these are the same rifles match-locks meant to pierce samurai armor armour like paper and it shatters her mask made of clay but all it does is '''knock ''knock her out cold'''.
cold''.
** Then she's up, fighting (and leaping five metres feet) in twenty seconds of recovery time.
* On the flip-side, Lady Eboshi manages to calmly take a on a girl who literally ran through her village and took out her RightHandMan with two blows, all with a [[SmugSmiler Smug Smile]].
* Ashitaka is just made of these. In particular is particular, when he opens the door great timber portcullis that takes the strength of ten men to lift, while carrying San and with a blood pouring from a gunshot wound through his torso.



* Which was really just the final moment in a chain of awesome. Starting with tossing a massive beam of wood to keep the townsfolk from attacking a stunned San, and reaching a pinnacle as he plows through the crowd, all tranquil fury, to break up said fight. Like a boss.
* San busting into the village by herself, surviving getting ''shot in the face'' and taking on Lady Eboshi by herself is BADASS.
** On the flipside, Lady Eboshi was calmly taking a on a woman who literally ran through her village with a [[SmugSmiler Smug Smile]] on her face without breaking a sweat.

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* Which was really just the final moment in a chain of awesome. Starting with tossing a ripped-up massive beam of wood to keep the townsfolk from attacking a stunned San, and reaching a pinnacle as he plows ploughs through the crowd, all tranquil fury, to break up said fight. Like a boss.
* San busting into the village by herself, surviving getting ''shot in the face'' and taking on Lady Eboshi by herself is BADASS.
** On the flipside, Lady Eboshi was calmly taking a on a woman who literally ran through her village with a [[SmugSmiler Smug Smile]] on her face without breaking a sweat.



* Moro, [[spoiler: having just used the last of her strength to pull San free from Akoto and is being consumed by the death slime, opens her eyes when she hears Lady Eboshi's voice and just ''her head'' dives towards Eboshi and ''bites off her arm in revenge''.]]
* Ashitaka's defining moment is breaking up the fight between Eboshi and San, while summing up the GrayAndGrayMorality of the movie.

to:

* Moro, [[spoiler: having just used the last of her strength to pull San free from Akoto Okkoto and is being consumed by the death slime, opens her eyes when she hears Lady Eboshi's voice and just ''her head'' dives towards Eboshi and ''bites off her arm in revenge''.]]
revenge''.
* Ashitaka's defining moment is breaking up the fight between Eboshi and San, while summing up the GrayAndGrayMorality of the movie.film.






* Just when things are at their worst, San and Ashitaka raise the [[spoiler:head of the forest god to return it]]. Ashitaka's curse [[spoiler:spreads to San and covers both of them in seconds.]]

to:

* Just when things are at their worst, San Moro, running on what little strength she has, [[MamaWolf fights a demonized Okkoto in order to save San]]. Also counts as a CrowningMomentOfHeartwarming and Ashitaka raise the [[spoiler:head of the forest god to return it]]. Ashitaka's curse [[spoiler:spreads to San and covers both of them in seconds.]] a TearJerker.
-->'''Moro:''' GIVE ME BACK MY DAUGHTER, ''DEMON''!



* Jigo tries telling San and Ashitaka about how everybody wishes for somethings and he's finally going to get what he wished for in an attempt to convince Ashitaka to just let the Nightwalker disappear and for him to get away with the head only to have Ashitaka just say "Please don't make me kill you." in a "I'm tired of your shit right now" kind of voice.

to:

* Jigo tries telling San and Ashitaka about how everybody wishes for somethings everything and he's finally going to get what he he's wished for in an attempt to convince Ashitaka the couple to just let the Nightwalker disappear and for him to get away with the head only to have Ashitaka just say "Please quietly come to the end of his enormous tether and say: "please don't make me kill you." in a "I'm tired of an "I've put up with your shit right now" kind nonsense long enough" tone of voice.


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* Just when things are at their worst, San and Ashitaka raise the head of the Forest Spirit to return it and the clear green gloop the head is exuding accelerates the curse marks on both San and Ashitaka
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* "Look everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive and very soon now it will kill me. Fear and anger only make it grow faster."
** Ashitaka's defining moment is breaking up the fight between Eboshi and San, while summing up the GrayAndGrayMorality of the movie.

to:

* Ashitaka's defining moment is breaking up the fight between Eboshi and San, while summing up the GrayAndGrayMorality of the movie.
-->'''Ashitaka:'''
"Look everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive and very soon now it will kill me. Fear and anger only make it grow faster."
** Ashitaka's defining moment is breaking up the fight between Eboshi and San, while summing up the GrayAndGrayMorality of the movie.
"

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