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** It also deserves credit for it's one [[InvertedTrope inversion]] of ShowDontTell, the situation of the Wives. Most other movies would have uncomfortable scenes to "justify" why the Wives would want to escape Joe. Fury Road instead asks "Why would they want to escape a place where they have bountiful food, water and safety in the post-apocalypse? It can't be that bad can it? ''Yes. Yes it is. Take our word for it, it's bad enough that they want out now.''
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*** Pretty impressive when you consider his death is essentially [[EpicFail mediocre]].

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*** **** Pretty impressive when you consider his death is essentially [[EpicFail mediocre]].
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*** Slit, despite being a jerk to his comrades throughout the movie, manages to eke out his own moment of awesome, as he sees his imminent fiery death: [[BringItOn "VALHALLA!!!!!!"]]

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*** Slit, despite being a jerk to his comrades throughout the movie, manages to eke out his own moment of awesome, as he sees his imminent fiery death: [[BringItOn "VALHALLA!!!!!!"]][[BringIt "VALHALLA!!!!!!"]]
*** Pretty impressive when you consider his death is essentially [[EpicFail mediocre]].
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*** Slit, despite being a jerk to his comrades throughout the movie, manages to eke out his own moment of awesome, as he sees his imminent fiery death: [[BringItOn "VALHALLA!!!!!!"]]


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**** On top of all of this, it may have been a way for Max to take out the Bullet Farmer in a way that didn't decay his sympathetic protagonist character: after all, he's going to kill a man who is freshly blind and cannot reasonably fight back.
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* The War Rig's first journey through the canyon, with Max and Furiosa fending off a horde of frequently-airborne Rock Riders. Not just for the action, which is phenomenal - sniping cyclists out of the sky, dodging flying bikes, a motorist grabbing Furiosa ''whilst sliding his bike under the rig'' - but also for the dramatic shift in Max and Furiosa's relationship, as the mutual mistrust that had been slowly subsiding between them abruptly vanishes, and without so much as exchanging a word, they become a remarkably efficient fighting unit, completely in sync with one another.

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* The War Rig's first journey through the canyon, with Max and Furiosa fending off a horde of frequently-airborne Rock Riders. Not just for the action, which is phenomenal - sniping cyclists out of the sky, dodging flying bikes, a motorist grabbing Furiosa ''whilst sliding his bike under the rig'' - but also for the dramatic shift in Max and Furiosa's relationship, as the mutual mistrust that had been slowly subsiding between them abruptly vanishes, [[BashSiblings and without so much as exchanging a word, they become a remarkably efficient fighting unit, completely in sync with one another.]]
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adding awesome moments


Really just the whole damn film, but specifically:

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Really just the whole damn film, film,[[note]]We keep editing in just one word but someone keeps editing it out. One word. ''YES''.[[/note]] but specifically:
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** Just the shot of the War Rig lowering its sandshield to put out the fire. The [[AwesomeMusic rousing, triumphant music]] and the beauty of the cinematography means that a literal shot of [[MundaneMadeAwesome a truck kicking up sand]] has never been so badass.

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** Just the shot of the War Rig lowering its sandshield to put out the fire. The [[AwesomeMusic [[SugarWiki/AwesomeMusic rousing, triumphant music]] and the beauty of the cinematography means that a literal shot of [[MundaneMadeAwesome a truck kicking up sand]] has never been so badass.
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* Her performance in ''Film/MadMaxFuryRoad'' as Imperator Furiosa has been hailed as possibly the most revolutionary ActionGirl performance in film since Creator/SigourneyWeaver in ''Film/{{Aliens}}'' nearly three decades before. Even more impressive as there's barely any dialogue in the movie, with her performance relying almost completely on visual acting such as body movement and subtle facial expressions.

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* Her Charlize Theron's performance in ''Film/MadMaxFuryRoad'' as Imperator Furiosa has been hailed as possibly the most revolutionary ActionGirl performance in film since Creator/SigourneyWeaver in ''Film/{{Aliens}}'' nearly three decades before. Even more impressive as there's barely any dialogue in the movie, with her performance relying almost completely on visual acting such as body movement and subtle facial expressions.
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* Her performance in ''Film/MadMaxFuryRoad'' as Imperator Furiosa has been hailed as possibly the most revolutionary ActionGirl performance in film since Creator/SigourneyWeaver in ''Film/{{Aliens}}'' nearly three decades before. Even more impressive as there's barely any dialogue in the movie, with her performance relying almost completely on visual acting such as body movement and subtle facial expressions.
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[[caption-width-right:350:The best way to psych up your war comrades: A [[ThePowerOfRock double neck]] [[AutobotsRockOut guitar]]... with a ''[[RuleOfCool flamethrower]]''. By the way, [[PracticalEffects that's not CGI]]. And, no, [[WebVideo/HonestTrailers you will NEVER be this metal.]]]]

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[[caption-width-right:350:The best way to psych up your war comrades: A [[ThePowerOfRock double neck]] [[AutobotsRockOut guitar]]... with a ''[[RuleOfCool flamethrower]]''. By the way, [[PracticalEffects that's not CGI]]. And, no, [[WebVideo/HonestTrailers ''[[WebVideo/HonestTrailers you will NEVER be this metal.]]]]
]]'']]
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**And doubling as a CrowningMomentOfHeartwarming, previous to this scene, war boys always shout "Witness me!" at the top of their lungs, trying to make their death seen by everyone. But Nux whispers it, with his eyes locked on Capable's, who witnesses his death, and his sacrifice, and reaches out to symbolically take his soul into her.
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* ''Our babies will not be warlords.'' Stolen and kept as breeding stock by the most powerful man with an army of brainwashed war boys, with no fighting prowess at all and no way to protect themselves, the wives still had the guts to not only escape with the help of Furiosa, but to leave a taunting message for Joe. Joe might have kidnapped them, but he never owned them.
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Really just the whole damn film, but specifically:
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* Speaking of old people: a bow for ''mastermind'' George Miller, who hasn't made a live-action movie since ''1998'', stepped up to the plate and showed the rest of Hollywood's young, macho action movie types what a ''real'' car-chase movie is like. And he did it when he was [[BadassGrandpa 70.]]

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* Speaking of old people: a bow for ''mastermind'' George Miller, who hasn't made a live-action movie since ''1998'', stepped up to the plate and showed the rest of Hollywood's young, macho action movie types what a ''real'' car-chase movie is like. And he did it when he was [[BadassGrandpa 70.]]

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* Everything that Furiosa does in the climax while [[spoiler: suffering from a massive stab wound.]]



* Nux has a sweet moment where he saves Max, who is in danger of falling to his death from the War Rig as only a mortally wounded Furiosa is barely holding onto him, by kicking him so hard Max is thrown upon the front of the People Eater's War Rig.

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* Nux has a sweet moment where he saves Max, who is in danger of falling to his death from the War Rig as only a mortally wounded Furiosa [[spoiler: Furiosa]] is barely holding onto him, by kicking him so hard Max is thrown upon the front of the People Eater's War Rig.
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** There's a special blink-and-you'll-miss-it moment when the Wives pull Furiosa back into the rig's cabin and Max, who's driving, hands her a shotgun over his shoulder without even looking back. The awesomeness in terms of character is threefold: One, Max is smart enough to realize that the survival of everyone on the rig depends on Furiosa being properly armed. Two, Max is enough of a badass to feel that even though she was trying to kill him only hours ago, and despite being outnumbered five to one, Max is comfortable handing her a shotgun because ''he knows he can deal with her.'' And three, after he hands it to her, Furiosa just [[DoubleTake stares at him for a second]], and you can almost see the gears turning in her head as she realizes that this gesture of trust means Max is not just a tool and not just an ally, but a ''[[FireForgedFriends friend]]''.
** Just the shot of the War Rig lowering its sandshield to put out the fire. The [[AwesomeMusic rousing, triumphant music]] and the beauty of the cinematography means that a literal shot of [[MundaneMadeAwesome a truck kicking up sand]] has never been so badass.
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** On that note, shoutout to the one surviving Vuvalini woman who, when Rictus has Max by the throat and his weapon raised, whips out her rifle and blasts Rictus [[AttackItsWeakPoint right in the air tank.]]
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* The fact that all of the film's CMOA were done ''mostly, if not entirely, without CGI whatsoever''. One of the most well-known examples is the Doof Warrior's guitar-flamethrower combo, which was ''completely functional as both.''

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* The fact that all of the film's CMOA stunts were done ''mostly, if not entirely, without CGI; CGI whatsoever''.was used for cleanup and, of course, the sandstorm. One of the most well-known examples is the Doof Warrior's guitar-flamethrower combo, which was ''completely functional as both.''
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* Fury Road has now spawned [[TheBechdelTest its own feminist benchmark,]] the Furiosa Test. From Fanlore.com:

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* Fury Road has now spawned [[TheBechdelTest [[UsefulNotes/TheBechdelTest its own feminist benchmark,]] the Furiosa Test. From Fanlore.com:
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* The fact that ''Fury Road'' is probably the most female-empowering action film since ''Film/{{Aliens}}'', featuring a largely female cast on the side of the heroes, passing narrative tests like the BechdelTest and the [[Film/PacificRim Mako Mori Test]] with flying colors, and not shying away from exploring explicitly feminist themes like the objectification of women. And then absolutely killing it at the box office, likely paving the way for more strong female characters in future blockbusters.

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* The fact that ''Fury Road'' is probably the most female-empowering action film since ''Film/{{Aliens}}'', featuring a largely female cast on the side of the heroes, passing narrative tests like the BechdelTest UsefulNotes/TheBechdelTest and the [[Film/PacificRim Mako Mori Test]] with flying colors, and not shying away from exploring explicitly feminist themes like the objectification of women. And then absolutely killing it at the box office, likely paving the way for more strong female characters in future blockbusters.
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* Nux eats a bug. [[DeathWorld An]] ''[[AustralianWildlife Australian]]'' [[EverythingTryingToKillYou bug]], probably with giant fangs and venom glands the size of testicles. Talk about a DeathSeeker...

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* Nux eats a bug. [[DeathWorld An]] ''[[AustralianWildlife ''[[UsefulNotes/AustralianWildlife Australian]]'' [[EverythingTryingToKillYou bug]], probably with giant fangs and venom glands the size of testicles. Talk about a DeathSeeker...
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* Max [[NoHoldsBarredBeatdown beating the shit out of]] [[TheDragon Rictus]] with one of his own bottles of moonshine during the final battle.

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* Max [[NoHoldsBarredBeatdown beating the shit out of]] [[TheDragon Rictus]] with one of his own bottles of moonshine during the final battle. The best point about this is how it toys with out expectations, and still comes out satisfying. Rictus absolutely ''towers'' over Max and we're totally expecting there to be a brutal boss battle with him, where Max only wins through skill and ingenuity, right? Nope. Max [[CurbstompBattle pretty much trounces him all the way through.]]
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* Speaking of old people: a bow for ''mastermind'' George Miller, who hasn't made a live-action movie since ''1998'', stepped up to the plate and showed the rest of Hollywood's young, macho action movie types what a ''real'' car-chase movie is like. And he did it when he was [[BadassGrandpa 70.]]
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** Even better when you consider it from the Wives' perspective: Max warns them off with an IfIDoNotReturn, so for all they know he's making a HeroicSacrifice to help them escape. So they sit anxiously waiting if they're going to lose their best ally. Five seconds later, ''BOOM'', and Max comes strolling out of the mist with a bunch ''more'' guns and ammo. No sacrifices today, ladies ([[MyFriendsAndZoidberg and]] [[TheOneGuy Nux.]]) Just one supremely badass man with no plans to lose anyone, anytime soon.
*** Also, the Bullet Farmer is basically driving a ''tank'' and has a shitload of guns. What does Max take to fight him? A ''kukri.'' Guess who wins?
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** A subtle win for compassion and humanity in the midst of this brutal fight scene. Keep in mind that Furiosa attacked him ''first'', and as such was almost certainly expecting to be killed when he grabbed the gun. When Max fires into the sand instead of her head, this is the exact moment where she realizes that he's not just another brute bent solely on survival, but still a good man who can be reasoned with and doesn't believe in ''[[PragmaticHero unnecessary]]'' violence. You can almost see the wheels turning in Furiosa's head as she thinks "A guy this tough ''and'' he's got morals? Oh hell yeah, I can work with this."
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** Keep in mind that this is shortly after the ''second'' horrific car crash Max has survived in a matter of hours, (and in this one he was on the ''[[MadeOfIron outside]]'' of the car), ''after'' spending hours hanging upside down with his blood draining out, against six opponents, one of whom is [[ActionGirl Furiosa]], while still [[UpToEleven chained to Nux.]] Max ''wins''.
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* The casting of Hugh Keays-Byrne as Immortan Joe certainly qualifies. Race your hands if you knew who he was before this movie. Now raise them if you're a fan of him ''now.'' Keep in mind, this is is an actor whose face nobody would recognize, whose name few remember, and whose biggest break probably came in the first movie almost 40 years ago. And throughout the whole film, you never see his face from the nose down, and yet merely with his body language, appearance, and upper face, he delivers a [[LoveToHate deliciously evil]] portrait of a messianic dictator, [[ChewingTheScenery annihilates the scenery]] every chance he gets, and creates a character who has now become emblematic of not just the movie, but the entire franchise, easily standing his own against the Lord Humungus and his own earlier turn as Toecutter, the man who killed Max's family and essentially jump-started the entire franchise. Doubles as a heartwarming moment for George Miller giving him a chance to shine again after largely being forgotten.

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* The casting of Hugh Keays-Byrne as Immortan Joe certainly qualifies. Race Raise your hands if you knew who he was before this movie. Now raise them if you're a fan of him ''now.'' Keep in mind, this is is an actor whose face nobody would recognize, whose name few remember, and whose biggest break probably came in the first movie almost 40 years ago. And throughout the whole film, you never see his face from the nose down, and yet merely with his body language, appearance, and upper face, he delivers a [[LoveToHate deliciously evil]] portrait of a messianic dictator, [[ChewingTheScenery annihilates the scenery]] every chance he gets, and creates a character who has now become emblematic of not just the movie, but the entire franchise, easily standing his own against the Lord Humungus and his own earlier turn as Toecutter, the man who killed Max's family and essentially jump-started the entire franchise. Doubles as a heartwarming moment for George Miller giving him a chance to shine again after largely being forgotten.
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* Nux manages to be the only War Boy to get to the War Rig, with a flat tire and a very angry man strapped to the front of his car, and while having a blood transfusion, in the middle of a giant fucking storm. Is that not CrazyAwesome?!

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* Nux manages to be the only War Boy to get to the War Rig, with a flat tire and a very angry man strapped to the front of his car, and while having a blood transfusion, in the middle of a giant fucking storm. Is that he not CrazyAwesome?!
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* The fact that the film managed to win the International Federation of Film Critics (FIPRESCI) Grand Prix for best film of 2015, beating out acclaimed movies like ''Son of Saul'', ''The Assassin'', and ''Taxi''. To put it in perspective, previous winners of the prize include lauded features like ''Film/{{Boyhood}}'', ''Film/{{Amour}}'', and ''Film/{{The Tree Of Life}}''.

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* The fact that the film managed to win the International Federation of Film Critics (FIPRESCI) Grand Prix for best film of 2015, beating out acclaimed movies like ''Son of Saul'', ''Film/SonOfSaul'', ''The Assassin'', and ''Taxi''. To put it in perspective, previous winners of the prize include lauded features like ''Film/{{Boyhood}}'', ''Film/{{Amour}}'', and ''Film/{{The Tree Of Life}}''.

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