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The best way to psych up your war comrades: A double neck guitar... with a flamethrower. By the way, that's not CGI. And, no, you will NEVER be this metal.

Really just the whole damn film,note  but specifically:

  • Max's frenzied attempt to escape the Citadel, even after enduring a crash, being dragged along behind his Pursuit Special while chained to the tail-gate, quite likely deprived of food and water as befitting a crazy-ass road warrior, forcibly shorn, back tattooed and nearly branded; he manages to fight off multiple War Boys unarmed before being overwhelmed by sheer numbers and even then it is due more to his hallucinations of those he failed crippling him with self-loathing above survival.
  • A minor one, right when Furiosa first deviates off course from Gastown; the Warboys under her command barely even question her "detour", showing just how much respect she commands from them.
    • The fact that Furiosa managed to outrun Citadel's forces and Buzzards almost entirely alone is worth mentioning on it's own.
  • One of the War Boys is mortally wounded when fighting the Buzzards attacking the War Rig. He slowly stands up to the cheering of his fellow War Boys, sprays his teeth with silver metallic paint and proclaims "WITNESS ME!" before jumping off the War Rig with a pair of grenade-tipped spears and destroys the pursuing Buzzard car.
    • This gets echoed in the finale when Nux decides to make his Heroic Sacrifice, he speaks the line towards Capable, who had befriended him earlier and helped him on his path away from Immortan Joe. He then proceeds to blockade the entire canyon by rolling the War Rig.
      • Slit, despite being a jerk to his comrades throughout the movie, manages to eke out his own moment of awesome, as he sees his imminent fiery death: "VALHALLA!!!!!!"
      • Pretty impressive when you consider his death is essentially mediocre.
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  • A brief moment during the fight with the Buzzards, when Ace calls for a grenade from Furiosa - she stomps the pedal lock into place, reaches for her double crossbow, opens the cab door and leans out alongside Ace to fire a simultaneous bolt shot with a grenade that totals two pursuit vehicles at once. These two characters clearly had an amazing Bash Brothers relationship.
  • The shot of the interior of the giant electromagnetic storm. And the part when Furiosa smashes the smaller truck of war boys into a twister-vortex. You will gape like Nux does at the sheer majesty of the flame lightning tornado. Now that is CG used right.
    Nux: [seeing the other vehicle crash over them; ecstatic at the sight] Oh, what a day! What a lovely day!
  • Max enduring the full-on super-sandstorm, while stuck outside of Nux's vehicle... with next to no protection.
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  • Nux manages to be the only War Boy to get to the War Rig, with a flat tire and a very angry man strapped to the front of his car, and while having a blood transfusion, in the middle of a giant fucking storm. Is he not Crazy Awesome?!
  • Part of Immortan Joe's wheeled retinue is a man known only as Coma The Doof Warrior, who plays his electric guitar nonstop which also spews fire periodically! The Power of Rock at its finest! And by "nonstop" we mean nothing can prevent him from rocking out. Being a part of a brutal three way melee between Max and one of the Imperators? He will keep playing. Being swung around like a rag-doll? He will keep playing! Even better: he actually played a guitar that had an ACTUAL FLAMETHROWER IN IT! It's a shame he dies as part of Nux's Heroic Sacrifice; one can't help but feel sorry for him as his guitar does a Ping-Pong shot out of the wreckage.
    • The awesomeness of this death scene sinks in even better once you realize that its background music ends with a resounding final riff of Coma's guitar.
    • This becomes way more impressive if you get a good look at Coma's face, or know about his backstory; he's completely blind. He's not just missing his sight, he doesn't even have eyes.
  • Furiosa and Max fighting each other to a standstill. The choreography of this needs to be noted. Max is still chained to Nux with a car door, while Furiosa is without her mechanical arm. Nux regains consciousness and joins the fight, while the Wives try to intervene by pulling the chain connecting them. Max and Furiosa struggle for a pistol, Max ejects the magazine (which Nux gets) and manages to dodge the round in the chamber despite Furiosa having the muzzle pressed into his jaw, and the four-way melee continues until Nux crashes to the ground, Max rolls Furiosa down, while slamming the pistol onto the magazine that Nux held up for him, and unloading three warning shots into the sand to defuse the situation.
    • The best part is the great teamwork that Nux displayed toward what was previously nothing more than an object of convenience for him. At the end he's completely forgotten this was a man whose lifeblood he'd been consuming.
    • Keep in mind that this is shortly after the second horrific car crash Max has survived in a matter of days, (and in this one he was on the outside of the car), after spending hours hanging upside down with his blood draining out, against six opponents, one of whom is Furiosa, while still chained to Nux. Max wins.
    • A subtle win for compassion and humanity in the midst of this brutal fight scene. Keep in mind that Furiosa attacked him first, and as such was almost certainly expecting to be killed when he grabbed the gun. When Max fires into the sand instead of her head, this is the exact moment where she realizes that he's not just another brute bent solely on survival, but still a good man who can be reasoned with and doesn't believe in unnecessary violence. You can almost see the wheels turning in Furiosa's head as she thinks "A guy this tough, and he's got standards? Huh... I can work with this."
  • The War Rig's first journey through the canyon, with Max and Furiosa fending off a horde of frequently-airborne Rock Riders. Not just for the action, which is phenomenal—sniping cyclists out of the sky, dodging flying bikes, a motorist grabbing Furiosa whilst sliding his bike under the Rig—but also for the dramatic shift in Max and Furiosa's relationship, as the mutual mistrust that had been slowly subsiding between them abruptly vanishes, and without so much as exchanging a word, they become a remarkably efficient fighting unit, completely in sync with one another.
    • There's a special blink-and-you'll-miss-it moment when the Wives pull Furiosa back into the Rig's cabin and Max, who's driving, hands her a shotgun over his shoulder without even looking back. The awesomeness in terms of character is threefold:
      1. Max is smart enough to realize that the survival of everyone on the Rig depends on Furiosa being properly armed (especially with the only other available fighter having at least one hand at the wheel).
      2. Max is enough of a badass to feel that even though she was trying to kill him only hours ago, and despite being outnumbered five to one, Max is comfortable handing her a shotgun because he knows he can deal with her.
      3. After he hands it to her, Furiosa just stares at him for a second, and you can almost see the gears turning in her head as she realizes that this gesture of trust means Max is not just a tool or just an ally, but a friend.
    • Just the shot of the War Rig lowering its sandshield to put out the fire. The rousing, triumphant music and the beauty of the cinematography means that a literal shot of a truck kicking up sand has never been so badass.
  • Max's thumbs up to Splendid Angharad. It's the first explicit sign of human empathy he's shown since the start of the film, and he's acknowledging Angharad's rather awesome save of the War Rig. Mundane Made Awesome? You bet.
  • Furiosa using Max as a rifle stand to shoot out the Bullet Farmer's spotlight with their last rifle round.
    • Let's not forget that doing so ends up blinding the Bullet Farmer, forcing him to go Guns Akimbo as he shoots madly into fog and almost hits the group a few times.
    • And that Max was smart enough to realize that Furiosa was the better shot with a sniper rifle, instead of stubbornly trying to do it himself.
  • Max's Offscreen Moment of Awesome while the War Rig is bogged down and he decides to personally handle the Bullet Farmer, arming himself with only a kukri and a jerry can of gas. A few moments later, a massive explosion happens and he returns covered in blood whilst carrying a load of freshly-acquired munitions (plus a steering wheel for the Rig and a boot for Nux). One of the Wives notices the blood and asks about his wounds, to which Furiosa notes that the blood isn't his. The smile on her face confirms she's starting to realize Max is as much of a badass as she is - and he's on their side.
    • Show, Don't Tell: In a Meta sense, the fact that we don't witness Max's off-screen heroics is because the film-makers trust the audience enough to remember Max is an established Badass. We don't need to see him kicking ass for it to be awesome, we know he's getting it done. The enjoyment for the audience is watching him walk back victorious and with all the cool item drops he picked up from the fight. His body language growls, "..oh, that? That was easy. Give me a real challenge."
    • Even better when you consider it from the Wives' perspective: Max warns them off with an If I Do Not Return, so for all they know he's making a Heroic Sacrifice to help them escape. So they busy themselves with cooling the engine block down, wondering if they're going to lose their best ally. Then all of a sudden—BOOM. And as the crows fly away and everyone goes out to look, Max comes strolling out of the dust with a bunch more guns and ammo. No sacrifices today, ladies (and Nux). Just one supremely badass man with no plans to lose anyone, anytime soon.
      • Also, the Bullet Farmer is basically driving a tank and has a shitload of guns. What does Max take to fight him? A kukri. Guess who wins?
    • Give one to Furiosa in this scene. Max walks back with blood splattered on his head, and the wives (and the audience) are thinking 'Oh shit, it's good that he survived, but that must have been a tough fight'. But Furiosa just calmly says "It's not his blood", and the wives (and the audience) all realize 'Holy shit, he is a badass', and then realize 'Furiosa saw what we couldn't, therefore she's also a badass'.
  • Furiosa making repairs underneath the War Rig. While it's still driving at 60+ miles per hour.
  • Junkie XL's soundtrack counts as well. There's a reason why the film has a 98% rating on Rotten Tomatoes, and the soundtrack plays a huge role in fleshing it out.
  • The Wives collectively, but especially Angharad, when Immortan Joe catches up to them. He has a clear shot at Furiosa...until the back door of the War Rig swings open, and Angharad hangs out, her sisters holding onto her, to serve as a human shield. She stares Joe down, and he can do nothing.
  • Just the fact that the Wives never fall victim to Bystander Syndrome. Ever. They may have no combat experience, but if they can intervene in a fight, they will take the numbers advantage. And if they can't do that, spit in Immortan Joe's face. And even when they aren't dealing with people shooting each other and throwing explosives, they'll help with maintaining the War Rig and taking ammo inventory when they get a chance of quiet.
  • The start of the climax. Max had spent the entire movie thus far just surviving, fighting when necessary, keeping his erstwhile "allies" at near gunpoint. And then, just before they ride off to certain death in the salt flats, he finally gets it in him to give the Wives a shot at the hope they've held onto and Furiosa a chance to redeem herself. By telling them to go back and cut through Joe's pursuit. What seals it is the brief moment he offers his hand to Furiosa; they shake hands and share a look of approval... Immortan Joe has noooo idea what's about to hit him.
  • Everything that Furiosa does in the climax while suffering from a massive stab wound.
  • Every car smash, every firebomb, every dip of the pole-grabbers during the final chase sequence. A virtuoso ballet of violence - just that two-second clip of Max swinging overhead on a pole while another rig epically explodes in the background would be a stand-out Awesome moment in another action movie - that leaves audiences wowed (and wondering how many stunt workers were horribly maimed in the process because damn.) The answer, by the way, is none - there were no injuries worse than chapped lips.
  • Nux has a sweet moment where he saves Max, who is in danger of falling to his death from the War Rig as only a mortally wounded Furiosa is barely holding onto him, by kicking him so hard Max is thrown upon the front of the People Eater's War Rig.
  • Max beating the shit out of Rictus with one of his own bottles of moonshine during the final battle. The best point about this is how it toys with out expectations, and still comes out satisfying. Rictus absolutely towers over Max and we're totally expecting there to be a brutal boss battle with him, where Max only wins through skill and ingenuity, right? Nope. Max pretty much trounces him all the way through.
    • On that note, shoutout to the one surviving Vuvalini woman who, when Rictus has Max by the throat and his weapon raised, whips out her rifle and blasts Rictus right in the air tank.
  • Badass Grandmas who delight in headshots! Meta-awesome: apparently the actresses who portrayed the Vuvalini did their own stunts. 60 and 70-year old actresses ladies and gentlemen. Remember that the next time you feel too tired to do a little physical activity.
  • This:
    Furiosa: Remember me? (hooks Joe's mask to the wheels of his car, causing them to rip his face off and kill him)
  • Rictus tearing off one of the War Rig's superchargers and hoisting it over his head to crush Nux with. The former War Boy's face is just: "oh, hell, yes...!" Partly a tearjerker too, as Nux's reaction is one of near-religious awe because he realizes: "This is it. This is how I will die historic on the Fury Road."
    • There's another layer here that needs to be called to attention. Superchargers are known to reach some dangerously high temperatures when they're in use, to the point that it's not safe to even touch them.note  Rictus ripped that supercharger out of the War Rig with his bare hands. It wasn't just anger that caused him to let loose that maddened, beastlike war-cry; he was fighting through all kinds of agony just from making skin contact with that thing.
    • There's also the fact that he was standing directly over the burning hood of the War Rig, entirely unfazed by the flames scorching his lower half. An engine-fueled fire was cooking him all the way up to his balls, and he still didn't give a fuck.
    • And doubling as a Heartwarming Moment, previous to this scene, war boys always shout "Witness me!" at the top of their lungs, trying to make their death seen by everyone. But Nux whispers it, with his eyes locked on Capable's, who witnesses his death, and his sacrifice, and reaches out to symbolically take his soul into her.
  • Max giving blood. It Makes Sense in Context.
  • The youngest and most frightened of the wives, Cheedo the Fragile, tricks Rictus into getting off of Joe's car by having him jump onto the War Rig to grab her. When he puts her down, she's in the perfect position to help an injured Furiosa climb up onto the Gigahorse, and Rictus is cornered by the Vuvalini and Max. Especially awesome since Cheedo had earlier tried to run back to Rictus and the Warboys due to genuine Stockholm Syndrome, and is able to show her newfound strength by tricking Rictus like this - using her previous fear as a disguise.
  • An understated moment comes from the Wives' caretaker, Miss Giddy. When Joe realizes his Wives have fled and storms into their vault, she's waiting for him with a shotgun. If Joe had been just a little less quick on the uptake, Miss Giddy would have put him down right then and there.
    Miss Giddy: You cannot own a human being!
    • To be fair, that counts as a moment for Joe himself. Walking straight up to someone pointing a shotgun at you and knocking it aside without so much as flinching is awesome no matter who does it.
  • Nux eats a bug. An Australian bug, probably with giant fangs and venom glands the size of testicles. Talk about a Death Seeker...
    • It's not just an Australian bug, it's a post-apocalyptic, probably irradiated, Australian bug!
  • When the creepy pole-cat mook stabs Furiosa, Keeper of the Seeds comes out of an injured stupor to stab him in the eye with a bullet and Cheedo grabs him and throws the mook off the rig. Cheedo's act is a sign that she's come very far from the scared little girl she was.
    • Keep in mind, Keeper is in her seventies and just took a chainsaw wound to the neck five minutes earlier, and, she has enough strength to take him out, not with a knife, not with a gun, not with a pistol, but with a measly little bullet.
      • Said creepy pole-cat mook, nicknamed "Baby Doll" due to the creepy doll's head on the back of his mask, gets something of a CMOA all on his own. In a movie where most henchmen are dispatched by the main characters in seconds, if not milliseconds, this one bastard, survives being impaled and knocked off the truck, and manages to return, spear Max in the face with a crossbow bolt, and mortally wound Furiosa. Evil? Probably. Creepy? Absolutely. But you cannot say that guy lacked persistence.
  • If there is a more awesome way to kill someone than smashing them off a monster truck with a flamethrowing electric guitar to the face, it hasn't yet been invented.
  • Our babies will not be warlords. Stolen and kept as breeding stock by the most powerful man with an army of brainwashed war boys, with no fighting prowess at all and no way to protect themselves, the wives still had the guts to not only escape with the help of Furiosa, but to leave a taunting message for Joe. Joe might have kidnapped them, but he never owned them.


  • Nux's backstory in the comics where he, a toddler, tries to climb onto the lifting ramp. One of the guards notices and makes a game of scaring him to a fatal fall. But as he holds on, the other war boys take notice and start cheering for him to the point where the guard sees Nux's potential and sweeps him on board.


  • The fact that all of the film's stunts were done without CGI; CGI was used for cleanup and, of course, the sandstorm. One of the most well-known examples is the Doof Warrior's guitar-flamethrower combo, which was completely functional as both.
    • There is still buzz about the incredible stuntwork of this film. When the Behind The Scenes clips and film footage sans CGI came out a year later, fans were still impressed by how beautiful it all looked.
  • Say it with us, now, mates: "OH, what a DAY! WHAT A LOVELY DAY!!!"
  • Watch it literally break a man's cynicism here.
  • Three days before it even hits theaters, and Fury Road has already managed to get a 98% Fresh rating on Rotten Tomatoes with 50+ reviews.
  • The fact that this film adhered so strongly to Show, Don't Tell was met with nothing but appreciation from everyone. It clearly respected its audience and trusted them to be able to follow everything without needless exposition. It's a small thing sure, but it's awesome to have an action film that avoids going the route of Viewers Are Morons. Let's not forget the World Building George Miller crafts yet again. Immortan Joe takes us on a tour of Citadel after learning of Furiosa's betrayal, showing just how the Citadel gets its food and sustenance without one word being uttered. Then you have the mayors of other towns and other tribes being introduced naturally, and you feel as if this world really exists somewhere.
    • It also deserves credit for it's one inversion of Show, Don't Tell, the situation of the Wives. Most other movies would have uncomfortable scenes to "justify" why the Wives would want to escape Joe. Fury Road instead asks: Why would they want to escape a place where they have bountiful food, water and safety in the post-apocalypse? It can't be that bad can it? Yes. Yes it is. Take our word for it, it's bad enough that they want out now.
  • Let's face it: almost no one thought this would be good considering its Troubled Production and how long it's been since Beyond Thunderdome. Not to mention how past films with a similar history have been really divisive at best, there was a lot going against this film. And then the film came along, and proved everyone wrong.
    • This even extended to people who worked on the film. There was a lot of tension between George Miller, Tom Hardy, and Charlize Theron on-set. One of the reasons for Hardy was because the filming process made it look like to him that Miller didn't have a clue what he was doing. When he finally saw the finished cut, he was so impressed that he gave a public apology to Miller for how he acted on-set, saying there was simply no way he could have properly explained his incredible vision in words.
  • The film also broke the taboo of using old people in action scenes, and defied traditional portrayals of the elderly in movies. As Melissa Jaffer puts it, most people her age only get to play the roles of dying elders or dementia patients. She instead got to play a badass grandma and do her own stunts. In her own words, she "enjoyed every minute of it."
    Melissa Jaffer: "The roles that one is offered at this age, quite frankly, you're either in a nursing home, you're in a hospital bed dying, you're suffering from dementia, or in fact, in two cases, I was offered two characters who'd actually died and come back to life. When this role came along, I thought well, I won't get another chance like this before I die, and that's why I took it. It was absolutely wonderful."
  • Speaking of old people: a bow for mastermind George Miller, who hasn't made a live-action movie since 1998, stepped up to the plate and showed the rest of Hollywood's young, macho action movie types what a real car-chase movie is like. And he did it when he was 70.
  • Let's also not forget Cirque du Soleil's stuntwork. The pole grabbers are genuinely awesome and unnerving at the same time.
  • The fact that Fury Road is probably the most female-empowering action film since Aliens, featuring a largely female cast on the side of the heroes, passing narrative tests like The Bechdel Test and the Mako Mori Test with flying colors, and not shying away from exploring explicitly feminist themes like the objectification of women. And then absolutely killing it at the box office, likely paving the way for more strong female characters in future blockbusters.
    • Hell, not just the most female-empowering action film; Fury Road is loudly, blatantly, unapologetically feminist in a way few movies of any genre can compare. Few movies have female main characters, fewer still have female ensembles, and virtually none have female ensembles of multiple races who range in age from mid-teens to mid-70s, spend the whole movie supporting each other, and literally scream that women are not things to be owned and that toxic masculinity breeds violence.
    • The fact that the entire plot is based upon women supporting and helping one another is nothing short of incredible. Aliens was hailed as feminist for giving a "man's role" to a woman, but Fury Road goes a step farther and gives women's roles the same depth and weight as men's roles. Furiosa, the Wives, and the Vuvalini are written just like the men, and yet the story would make no sense if they actually were men.
    • The fact that there are so many women in this film that one of them is literally named Cheedo the Fragile and yet it's obviously not a statement on the fragility of women. When there are only a few people of a marginalized group visible, whether in fiction or in real life, there's an implicit pressure to act as a spokesperson for that entire group, and everything you say is seen as representative of the group as a whole. Fury Road has enough women that that pressure isn't there—none of them are expected to represent every woman in the world, so they instead get to have different personalities and beliefs and points of view. You know, like real women.
    • Possibly the most awesome part of this is that it was unintentional—George Miller didn't even realize he'd written a feminist movie until Charlize Theron pointed it out to him. He wasn't doing it for brownie points or to try to cash in on the feminist movement; he just genuinely thought that a story about women of diverse ages, races, and personalities fighting for freedom and equality was worth telling.
    • And yet Fury Road is still Rated M for Manly.
    • Even better: Fury Road does all of this without ever being confrontational towards men who don't subscribe towards a hyper-masculine power fantasy and the main crux of the narrative is both genders working together to solve a greater problem that affects both of them.
    • Better yet, Nux can be viewed as a takedown of said hyper-masculine power fantasies. Unlike the other war boys, he's small, weedy, not all that intimidating (by comparison) and childish, and his character arc is finding his own way to be a man by embracing his strengths, as opposed to finally meeting the standard and being something he's not. Which is a huge win - it's rare to see that approach.
    • To go with this, Furiosa's fighting style, especially during her first meeting with Max and Nux. Unlike virtually every other movie out there, there is no pressure for her to fight in a "feminine" or graceful or even sexy way. Instead, she fights the way a real human being would, gritty and just as enraged as her name suggests, which adds a lot of authenticity to those scenes.
  • At a press conference, a reporter asked Tom Hardy if he ever thought, "Why are all these women in here? I thought this was supposed to be a man's movie." Hardy's response:
    "No. Not for one minute."
  • The fact that the film manages to convey that the Wives have likely been raped without a rape scene is a testament to the skills of the filmmakers.
    • It's also a nice example of how you don't need to have explicit stuff like that to get the message across.
  • The fact that Max, despite his clear mental illness, is a heroic character fighting against a tyrannical warlord. In any other movie, he'd probably be an Ax-Crazy Sociopathic Hero. But here, he's depected as a deeply flawed character with feelings, thoughts, and emotions. Just like everyone else.
  • From the home release special features: the very last video is a dedication to the hard work of the Mad Max: Fury Road Production Team. What does it consist of? Commentaries? Interviews? ... no. It's a mind blowing montage of a ton of original unedited shots of some of the amazing practical stuntwork and effects that brought the film to life. Even without the post-work and digital cleanup added in, the raw footage looks nothing short of spectacular.
  • The casting of Hugh Keays-Byrne as Immortan Joe certainly qualifies. Raise your hands if you knew who he was before this movie. Now raise them if you're a fan of him now. Keep in mind, this is is an actor whose face nobody would recognize, whose name few remember, and whose biggest break probably came in the first movie almost 40 years ago. And throughout the whole film, you never see his face from the nose down, and yet merely with his body language, appearance, and upper face, he delivers a deliciously evil portrait of a messianic dictator, annihilates the scenery every chance he gets, and creates a character who has now become emblematic of not just the movie, but the entire franchise, easily standing his own against the Lord Humungus and his own earlier turn as Toecutter, the man who killed Max's family and essentially jump-started the entire franchise. Doubles as a heartwarming moment for George Miller giving him a chance to shine again after largely being forgotten.
  • The fact that the film managed to win the International Federation of Film Critics (FIPRESCI) Grand Prix for best film of 2015, beating out acclaimed movies like Son of Saul, The Assassin, and Taxi. To put it in perspective, previous winners of the prize include lauded features like Boyhood, Amour, and The Tree of Life.
  • In what has been a complete surprise even to the film's biggest fans, it's ending up a stunningly strong contender in awards season for big categories, taking home numerous early Best Picture awards and nominations, including Golden Globe nominations for Best Drama Film and Best Director, leading many to genuinely wonder if it might get a Best Picture nomination from the Academy, an almost unheard of nomination for a summer action blockbuster, especially one released as early as May.
  • The film earning a whopping 10 Oscar nominations (including Best Picture and Best Director for George Miller), the second most, trailing only The Revenant's 12. And even then, some were surprised it wasn't 11 with the omission of Charlize Theron, but nevertheless, the avalanche of nominations for what is essentially the purest of action movies is almost unheard of in awards season, which tends to favor more mass-appeal blockbusters amidst the prestigious Oscar Bait.
    • It managed to bring home six Oscars, (Editing, Costume Design, Production Design, Makeup, Sound Editing and Sound Mixing), the most out of any film released in 2015.
      • The best part of its six Oscar wins? Fury Road is now the most successful award winning Australian film in history. May it ride into Valhalla, shiny and chrome!
  • Fury Road has now spawned its own feminist benchmark, the Furiosa Test. From
    ''[The] Furiosa Test is a simple standard for to judge a piece of media's feminist qualities. It passes if:
    It causes misogynists to boycott it.
  • Charlize Theron's performance as Imperator Furiosa has been hailed as possibly the most revolutionary Action Girl performance in film since Sigourney Weaver in Aliens nearly three decades before. Even more impressive as there's barely any dialogue in the movie, with her performance relying almost completely on visual acting such as body movement and subtle facial expressions.
  • Here's one with a touch of Retraux: Someone went and edited the video for "We Don't Need Another Hero" to make it look like a video for Fury Road and not Beyond Thunderdome.


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