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* Roy Batty's [[DyingMomentOfAwesome death soliloquy]] is quite possibly the CrowningMomentOfAwesome for Creator/RutgerHauer as an actor, too, considering that he ad-libbed it.
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* Roy Batty's [[DyingMomentOfAwesome death soliloquy]] is quite possibly the CrowningMomentOfAwesome SugarWiki/MomentOfAwesome for Creator/RutgerHauer as an actor, too, considering that he ad-libbed it.
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* The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds (howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
* Jordan Cronenweth, for staying with the film and continuing to work on it despite his failing health due to Parkinson's. What he delivered is considered to be his best work by everyone, [[Main/CrowningMomentofHeartwarming including his own son Jeff]].
* Jordan Cronenweth, for staying with the film and continuing to work on it despite his failing health due to Parkinson's. What he delivered is considered to be his best work by everyone, [[Main/CrowningMomentofHeartwarming including his own son Jeff]].
to:
* The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds (howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
SugarWiki/MomentOfAwesome.
* Jordan Cronenweth, for staying with the film and continuing to work on it despite his failing health due to Parkinson's. What he delivered is considered to be his best work by everyone,[[Main/CrowningMomentofHeartwarming [[SugarWiki/HeartwarmingMoments including his own son Jeff]].
* Jordan Cronenweth, for staying with the film and continuing to work on it despite his failing health due to Parkinson's. What he delivered is considered to be his best work by everyone,
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/bladerunnereye.jpg]]
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Changed line(s) 1 (click to see context) from:
* The film's opening wide shot of the city. Anyone watching for the first time ''will'' drop their jaw in awe and wonder, even all these years later.
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* [[https://www.google.com/search?q=blade+runner+opening+shot&client=ms-android-americamovil-us&prmd=ivn&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjo4P7607LXAhWIbiYKHaX4BQkQ_AUIEigB&biw=534&bih=239&dpr=1.5#imgrc=GmqgvZg1_hHd8M: The film's opening wide shot of the city.city]]. Anyone watching for the first time ''will'' drop their jaw in awe and wonder, even all these years later.
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* [[FlyingCar Spinners]]. No wonder why their design was so influential in the genre.
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* Rachael saving Deckard's life by [[BoomHeadshot shooting Leon in the head]].
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* Rachael saving Deckard's life by [[BoomHeadshot shooting Leon in the head]].head]] with Deckard's blaster.
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* The film's opening wide shot of the city. Anyone watching for the first time ''will'' drop their jaw in awe and wonder, even all these years later.
* Rachael saving Deckard's life by [[BoomHeadshot shooting Leon in the head]].
* Rachael saving Deckard's life by [[BoomHeadshot shooting Leon in the head]].
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* The film's opening wide shot of the city. Anyone watching for the first time ''will'' drop their jaw in awe and wonder, even all these years later.
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* Roy Batty's [[DyingMomentOfAwesome death soliloquy]] is quite possibly the CrowningMomentOfAwesome for Creator/RutgerHauer as an actor, too, considering that he ad-libbed it.
Deleted line(s) 2,4 (click to see context) :
--->--- '''Roy Batty, Nexus 6'''
* Roy Batty's [[DyingMomentOfAwesome death soliloquy]] quoted above is quite possibly the CrowningMomentOfAwesome for Rutger Hauer as an actor, too, considering that he ad-libbed it.
* Roy Batty's [[DyingMomentOfAwesome death soliloquy]] quoted above is quite possibly the CrowningMomentOfAwesome for Rutger Hauer as an actor, too, considering that he ad-libbed it.
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Changed line(s) 7 (click to see context) from:
* Jordan Cronenweth get's for staying with the film and continuing to work on it despite his failing health due to Parkinson's. What he delivered is considered to be his best work by everyone, [[Main/CrowningMomentofHeartwarming including his own son Jeff]].
to:
* Jordan Cronenweth get's Cronenweth, for staying with the film and continuing to work on it despite his failing health due to Parkinson's. What he delivered is considered to be his best work by everyone, [[Main/CrowningMomentofHeartwarming including his own son Jeff]].
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Changed line(s) 5 (click to see context) from:
* The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds(howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
to:
* The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds(howling sounds (howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
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* AwesomeMusic:
** Most of the soundtrack by Vangelis. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.
** The contrast between the various "official" versions and the famous "workprint" version of the scene where Rachael watches Deckard try to clean himself up after [[CurbStompBattle almost getting beaten to death]] is a great illustration of how music works in movies:
*** In the workprint, creepy dissonant noise music highlights that Deckard is vulnerable and Rachael could easily kill him at that point if she decided it was her best chance at survival and freedom.
*** In the later "normal" cuts, romantic music implies Rachael feels sorry for Deckard and protective of him. The entire meaning of the scene is completely different, even though nothing changed except the music.
** Most of the soundtrack by Vangelis. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.
** The contrast between the various "official" versions and the famous "workprint" version of the scene where Rachael watches Deckard try to clean himself up after [[CurbStompBattle almost getting beaten to death]] is a great illustration of how music works in movies:
*** In the workprint, creepy dissonant noise music highlights that Deckard is vulnerable and Rachael could easily kill him at that point if she decided it was her best chance at survival and freedom.
*** In the later "normal" cuts, romantic music implies Rachael feels sorry for Deckard and protective of him. The entire meaning of the scene is completely different, even though nothing changed except the music.
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Changed line(s) 1 (click to see context) from:
-->''"I've… ''seen'' things you people wouldn't believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments… will be lost in time, like [small cough] tears… in… rain. Time… to die."''
to:
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-->--'''Roy Batty, Nexus 6'''
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Changed line(s) 1,3 (click to see context) from:
--->''"I've… ''seen'' things you people wouldn't believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments… will be lost in time, like [small cough] tears… in… rain. Time… to die."''
-->'''Roy Batty, Nexus 6'''
-->'''Roy Batty, Nexus 6'''
to:
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We shall make it into a page quote.
Changed line(s) 1,4 (click to see context) from:
* Roy Batty's death soliloquy. Quite possibly the CrowningMomentOfAwesome for Rutger Hauer as an actor, too, considering that he ad-libbed it.
** It's so good, it bears quoting:
---> I've… ''seen'' things you people wouldn't believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments… will be lost in time, like [small cough] tears… in… rain. Time… to die.
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds(howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
** It's so good, it bears quoting:
---> I've… ''seen'' things you people wouldn't believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments… will be lost in time, like [small cough] tears… in… rain. Time… to die.
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds(howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
to:
** It's so good, it bears quoting:
---> I've…
**
-->'''Roy Batty, Nexus 6'''
* Roy Batty's [[DyingMomentOfAwesome death soliloquy]] quoted above is quite possibly the CrowningMomentOfAwesome for Rutger Hauer as an actor, too, considering that he ad-libbed it.
* The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds(howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
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* Jordan Cronenweth get's for staying with the film and continuing to work on it despite his failing health due to Parkinson's. What he delivered is considered to be his best work by everyone, [[Main/CrowningMomentofHeartwarming including his own son Jeff]].
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Changed line(s) 4 (click to see context) from:
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
to:
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds sounds(howling like a wolf) and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a CrowningMomentOfAwesome.
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Changed line(s) 3 (click to see context) from:
---> I've… seen things you people wouldn't believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments… will be lost in time, like [small cough] tears… in… rain. Time… to die.
to:
---> I've… seen ''seen'' things you people wouldn't believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments… will be lost in time, like [small cough] tears… in… rain. Time… to die.
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Changed line(s) 1 (click to see context) from:
* Roy Batty's death soliloquy. Quite possibly the [=CMoA=] for Rutger Hauer as an actor, too, considering that he ad-libbed it.
to:
* Roy Batty's death soliloquy. Quite possibly the [=CMoA=] CrowningMomentOfAwesome for Rutger Hauer as an actor, too, considering that he ad-libbed it.
Changed line(s) 3,4 (click to see context) from:
---> I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time, like tears in rain. Time to die.
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a [=CMoA=].
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a [=CMoA=].
to:
---> I've I've… seen things you people wouldn't believe. believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. Tannhäuser Gate. All those moments moments… will be lost in time, like tears in [small cough] tears… in… rain. Time Time… to die.
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a[=CMoA=].CrowningMomentOfAwesome.
** The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a
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Changed line(s) 10 (click to see context) from:
* The film's opening wide shot of the city. Anyone watching this film for the first time ''will'' drop their jaw in awe and wonder, even all these years later.
to:
* The film's opening wide shot of the city. Anyone watching this film for the first time ''will'' drop their jaw in awe and wonder, even all these years later.
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* The film's opening wide shot of the city. Anyone watching this film for the first time ''will'' drop their jaw in awe and wonder, even all these years later.
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** It's so good it bears quoting
to:
** It's so good good, it bears quotingquoting:
Changed line(s) 4 (click to see context) from:
** This troper gets shivers every time she watches the entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a [=CMoA=].
to:
** This troper gets shivers every time she watches the The entire ending sequence, where Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a [=CMoA=].
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Changed line(s) 4 (click to see context) from:
** This troper gets shivers every time she watches the entire ending sequence, where Roi is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roi's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a [=CMoA=].
to:
** This troper gets shivers every time she watches the entire ending sequence, where Roi Roy is chasing Deckard through that creepy building, lights flashing, and the freaky sounds and dialogue on Roi's Roy's part. Then the climax up on the roof, even Deckard was reduced to trembling. That scene embodies a [=CMoA=].
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Changed line(s) 5 (click to see context) from:
* CrowningMusicOfAwesome:
to:
* CrowningMusicOfAwesome:AwesomeMusic:
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Added DiffLines:
* CrowningMusicOfAwesome:
** Most of the soundtrack by Vangelis. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.
** The contrast between the various "official" versions and the famous "workprint" version of the scene where Rachael watches Deckard try to clean himself up after [[CurbStompBattle almost getting beaten to death]] is a great illustration of how music works in movies:
*** In the workprint, creepy dissonant noise music highlights that Deckard is vulnerable and Rachael could easily kill him at that point if she decided it was her best chance at survival and freedom.
*** In the later "normal" cuts, romantic music implies Rachael feels sorry for Deckard and protective of him. The entire meaning of the scene is completely different, even though nothing changed except the music.
** Most of the soundtrack by Vangelis. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.
** The contrast between the various "official" versions and the famous "workprint" version of the scene where Rachael watches Deckard try to clean himself up after [[CurbStompBattle almost getting beaten to death]] is a great illustration of how music works in movies:
*** In the workprint, creepy dissonant noise music highlights that Deckard is vulnerable and Rachael could easily kill him at that point if she decided it was her best chance at survival and freedom.
*** In the later "normal" cuts, romantic music implies Rachael feels sorry for Deckard and protective of him. The entire meaning of the scene is completely different, even though nothing changed except the music.