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He, somehow, got worse.
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* ''Webcomic/{{Sinfest}}'' started to drift into this territory around 2011, with Tatsuya Ishida's newly-found second-wave radical feminism quickly becoming [[PlotTumor the only point of the comic,]] with particular emphasis on the supposed evils of pornography and sex work. This alone led to an AudienceAlienatingEra, even amongst those who generally agreed with feminist politics, but there were still occasional gag strips here and there. Around 2019, however, Ishida pivoted ''hard'' into far-right politics, overt bigotry, and conspiracy theories, dropping any non-transphobic feminist views entirely and [[CerebusSyndrome not even bothering with jokes anymore]]. Once a mainstay of gag-a-day webcomics on the early internet, these two [[FilibusterFreefall Filibuster Freefalls]] in under a decade have caused most readers to drop it entirely, with a few sticking around only out of BileFascination.
to:
* ''Webcomic/{{Sinfest}}'' started to drift into this territory around 2011, with Tatsuya Ishida's newly-found second-wave radical feminism quickly becoming [[PlotTumor the only point of the comic,]] with particular emphasis on the supposed evils of pornography and sex work. This alone led to an AudienceAlienatingEra, even amongst those who generally agreed with feminist politics, but there were still occasional gag strips here and there. Around 2019, however, Ishida pivoted ''hard'' into far-right politics, overt bigotry, and conspiracy theories, dropping any non-transphobic feminist views entirely and [[CerebusSyndrome not even bothering with jokes anymore]]. Once a mainstay As of gag-a-day webcomics on the early internet, these two [[FilibusterFreefall Filibuster Freefalls]] in under a decade have caused most readers 2024, the comic underwent ''yet another'' pivot, and now just repeats literal nazi propaganda to drop it entirely, with a the few sticking around only out of BileFascination.people who still bother to pay attention to it.
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Changed line(s) 17 (click to see context) from:
* ''Webcomic/{{Sinfest}}'' started to drift into this territory around 2011, with the Tatsuya Ishida's newly-found second-wave radical feminism quickly becoming [[PlotTumor the only point of the comic,]] with particular emphasis on the supposed evils of pornography and sex work. This alone led to an AudienceAlienatingEra, even amongst those who generally agreed with feminist politics, but there were still occasional gag strips here and there. Around 2019, however, Ishida pivoted ''hard'' into far-right politics, overt bigotry, and conspiracy theories, dropping any non-transphobic feminist views entirely and [[CerebusSyndrome not even bothering with jokes anymore]]. Once a mainstay of gag-a-day webcomics on the early internet, these two [[FilibusterFreefall Filibuster Freefalls]] in under a decade have caused most readers to drop it entirely, with a few sticking around only out of BileFascination.
to:
* ''Webcomic/{{Sinfest}}'' started to drift into this territory around 2011, with the Tatsuya Ishida's newly-found second-wave radical feminism quickly becoming [[PlotTumor the only point of the comic,]] with particular emphasis on the supposed evils of pornography and sex work. This alone led to an AudienceAlienatingEra, even amongst those who generally agreed with feminist politics, but there were still occasional gag strips here and there. Around 2019, however, Ishida pivoted ''hard'' into far-right politics, overt bigotry, and conspiracy theories, dropping any non-transphobic feminist views entirely and [[CerebusSyndrome not even bothering with jokes anymore]]. Once a mainstay of gag-a-day webcomics on the early internet, these two [[FilibusterFreefall Filibuster Freefalls]] in under a decade have caused most readers to drop it entirely, with a few sticking around only out of BileFascination.
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I usually try not to just completely rewrite an entry, but this was originally written when Ishida was still mid-pivot. He's gotten a LOT worse since then, sad to say.
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* The fire-and-brimstone, overbearing, self-righteous writing style of ''Webcomic/{{Sinfest}}'' can ocassional tilt into [[https://i.redd.it/s9tm4jafaj941.png self-parody.]] ''All the people I picked fights with are trying to fight me! Who knew I'd have so many enemies when I hate everyone!''
to:
* The fire-and-brimstone, overbearing, self-righteous writing style of ''Webcomic/{{Sinfest}}'' can ocassional tilt started to drift into [[https://i.redd.it/s9tm4jafaj941.png self-parody.]] ''All the people I picked fights this territory around 2011, with are trying the Tatsuya Ishida's newly-found second-wave radical feminism quickly becoming [[PlotTumor the only point of the comic,]] with particular emphasis on the supposed evils of pornography and sex work. This alone led to fight me! Who knew I'd an AudienceAlienatingEra, even amongst those who generally agreed with feminist politics, but there were still occasional gag strips here and there. Around 2019, however, Ishida pivoted ''hard'' into far-right politics, overt bigotry, and conspiracy theories, dropping any non-transphobic feminist views entirely and [[CerebusSyndrome not even bothering with jokes anymore]]. Once a mainstay of gag-a-day webcomics on the early internet, these two [[FilibusterFreefall Filibuster Freefalls]] in under a decade have so many enemies when I hate everyone!''caused most readers to drop it entirely, with a few sticking around only out of BileFascination.
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None
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* ''Webcomic/ExistentialComics'' shifted from mostly absurdly poking fun at famous philosophers' quirks to mostly proselytizing the author's anarcho-socialist beliefs after the first year or so.
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* Earlier strips of ''Webcomic/TalesOfTheQuestor''were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.\\\
to:
* Earlier strips of ''Webcomic/TalesOfTheQuestor''were ''Webcomic/TalesOfTheQuestor'' were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.\\\
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* ''Webcomic/LovelyPeople'' clearly opposes Christianity to a fictional politcally correct and consumerist social credit based society. In the comic itself, there is a point where the version of ''Literature/TheBible'' distributed by the MegaCorp is replaced by a more politically correct version, while the afterword criticizes the entire idea of a social credit system while talking about how finding Christianity made the author's life better.
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None
Changed line(s) 16 (click to see context) from:
* While in previous years ''Webcomic/{{Sinfest}}'' tended to stick towards light humour and general satire, it gradually shifted towards discussing radical second-wave feminism. These days, it's rare to see a comic that doesn't in some way promote Ishida's views.
to:
* While in previous years The fire-and-brimstone, overbearing, self-righteous writing style of ''Webcomic/{{Sinfest}}'' tended can ocassional tilt into [[https://i.redd.it/s9tm4jafaj941.png self-parody.]] ''All the people I picked fights with are trying to stick towards light humour and general satire, it gradually shifted towards discussing radical second-wave feminism. These days, it's rare to see a comic that doesn't in some way promote Ishida's views.fight me! Who knew I'd have so many enemies when I hate everyone!''
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Rewriting to be more neutral
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* The ''Music/{{Flobots}}'' webcomic has varying levels of [[{{Anvilicious}} Anviliciousness]].
to:
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* While in previous years ''Webcomic/{{Sinfest}}'' tended to stick towards light humour and general satire, it gradually adopted [[{{Anvilicious}} a more preachy]] feminist propaganda tone. These days, it's rare to see a comic that doesn't in some way promote Ishida's views.
to:
* While in previous years ''Webcomic/{{Sinfest}}'' tended to stick towards light humour and general satire, it gradually adopted [[{{Anvilicious}} a more preachy]] feminist propaganda tone.shifted towards discussing radical second-wave feminism. These days, it's rare to see a comic that doesn't in some way promote Ishida's views.
Changed line(s) 18,19 (click to see context) from:
* ''Webcomic/TinyDickAdventures'', a side webcomic by one of the creators of ''Webcomic/LookingForGroup'' does this very often, almost too often. At first, the strip started off rather lighthearted and charming, much like the original series, but then gradually turned into a soapbox for the author's views on subjects like religion, government, presidential elections, transgenderism, homosexuality, LinkedIn, and so on. As one could probably guess, some of these episodes [[FlameBait didn't sit well]] with the audience.
* ''Webcomic/TalesOfTheQuestor'' -- While the comic has become incredibly more reasonable about this, earlier strips were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.\\\
* ''Webcomic/TalesOfTheQuestor'' -- While the comic has become incredibly more reasonable about this, earlier strips were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.\\\
to:
* ''Webcomic/TinyDickAdventures'', a side webcomic by one of the creators of ''Webcomic/LookingForGroup'' does this very often, almost too often. At first, the strip started off rather lighthearted and charming, much like the original series, but then gradually turned into a soapbox for the author's views on subjects like religion, government, presidential elections, transgenderism, homosexuality, LinkedIn, [=LinkedIn=], and so on. As one could probably guess, some of these episodes [[FlameBait didn't sit well]] with the audience.
* ''Webcomic/TalesOfTheQuestor'' -- While the comic has become incredibly more reasonable about this, earlieron.
* Earlier stripswere of ''Webcomic/TalesOfTheQuestor''were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.\\\
* ''Webcomic/TalesOfTheQuestor'' -- While the comic has become incredibly more reasonable about this, earlier
* Earlier strips
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* ''Webcomic/UnicornJelly'' and ''Webcomic/PastelDefenderHeliotrope'', both by Jennifer Diane Reitz, both start out as (respectively) amusing and cute fantasy and science fiction stories, but the Author's soapboxes about religion, homosexuality, and transgenderism [[{{Anvilicious}} overwhelm the plot]] more than once. It is revealed at the end of ''Pastel Defender Heliotrope'' that it was about anti-piracy legislation as well (which seems like an AssPull to boot since it only comes up in the last page or two).
** This even happens in the only commercially available video game she made, ''VideoGame/{{Boppin}}'', a mostly inoffensive PuzzleGame (well, except when the main characters kill themselves...) where the plot is set in motion by crazy, holier-than-thou MoralGuardians who want to erase all bad guys from videogames, and one of these is explicitly identified as a priest.
** This even happens in the only commercially available video game she made, ''VideoGame/{{Boppin}}'', a mostly inoffensive PuzzleGame (well, except when the main characters kill themselves...) where the plot is set in motion by crazy, holier-than-thou MoralGuardians who want to erase all bad guys from videogames, and one of these is explicitly identified as a priest.
to:
* ''Webcomic/UnicornJelly'' and ''Webcomic/PastelDefenderHeliotrope'', both by Jennifer Diane Reitz, Creator/JenniferDianeReitz, both start out as (respectively) amusing and cute fantasy and science fiction stories, but the Author's soapboxes about religion, homosexuality, and transgenderism [[{{Anvilicious}} overwhelm the plot]] plot more than once. It is revealed at the end of ''Pastel Defender Heliotrope'' that it was about anti-piracy legislation as well (which seems like an AssPull to boot since it only comes up in the last page or two).
** This even happens in the only commercially available video game she made, ''VideoGame/{{Boppin}}'', a mostly inoffensive PuzzleGame (well, except when the main characters kill themselves...) where the plot is set in motion by crazy, holier-than-thou MoralGuardians who want to erase all bad guys from videogames, and one of these is explicitly identified as a priest.well.
** This even happens in the only commercially available video game she made, ''VideoGame/{{Boppin}}'', a mostly inoffensive PuzzleGame (well, except when the main characters kill themselves...) where the plot is set in motion by crazy, holier-than-thou MoralGuardians who want to erase all bad guys from videogames, and one of these is explicitly identified as a priest.
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* Creator/DanaSimpson tended to veer into left-wing politics in regards to her OrphanedSeries ''WebComic/RaineDog'', with {{Anvilicious}} soapboxing about "Blue State" Democrats and transgenderism, coupled with the UnfortunateImplications of the various intended metaphors. Previously, ''I Drew This!'' was pretty openly a political comic, but even her ''least'' political webcomic, ''WebComic/OzyAndMillie'', still had political commentary, usually with geoglobal politics boiled down to playground puppets, and famously [[GenkiGirl Millie's]] [[UsefulNotes/GeorgeWBush Mr. W sockpuppet]]. (''ComicStrip/PhoebeAndHerUnicorn'', however, has averted this trope, which may explain in part why it was the first Simpson comic to win syndication.)
to:
* Creator/DanaSimpson tended to veer into left-wing politics in regards to her OrphanedSeries ''WebComic/RaineDog'', with {{Anvilicious}} soapboxing about "Blue State" Democrats and transgenderism, coupled with the UnfortunateImplications of the various intended metaphors.transgenderism. Previously, ''I Drew This!'' was pretty openly a political comic, but even her ''least'' political webcomic, ''WebComic/OzyAndMillie'', still had political commentary, usually with geoglobal politics boiled down to playground puppets, and famously [[GenkiGirl Millie's]] [[UsefulNotes/GeorgeWBush Mr. W sockpuppet]]. (''ComicStrip/PhoebeAndHerUnicorn'', however, has averted this trope, which may explain in part why it was the first Simpson comic to win syndication.)
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* When not simply joking about the various cultures it parodies, sometimes to the extent that it [[DontExplainTheJoke often relies on the author point-blank telling you what's so funny]] because chances are you otherwise wouldn't get it, ''Webcomic/ScandinaviaAndTheWorld'' [[{{Anvilicious}} wears its left-wing views on its sleeve]], and doesn't pull punches with regard to its type-2 views on {{Eagleland}}. It's not surprising that the vast majority of the registered users on the series' official website lean in the same political direction.
to:
* When not simply joking about the various cultures it parodies, sometimes to the extent that it [[DontExplainTheJoke often relies on the author point-blank telling you what's so funny]] because chances are you otherwise wouldn't get it, ''Webcomic/ScandinaviaAndTheWorld'' [[{{Anvilicious}} wears its left-wing views on its sleeve]], sleeve, and doesn't pull punches with regard to its type-2 views on {{Eagleland}}. It's not surprising that the vast majority of the registered users on the series' official website lean in the same political direction.
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* Parodied in ''Webcomic/TheAdventuresOfDrMcNinja'' when the AltText claimed that:
--> This whole comic has been a setup for me to push my views on you that man should not fly.
* ''Webcomic/{{Fans}}'' is vehement in its defense of fanboys, portraying them as having the [[PlotTailoredToTheParty specific combination of strengths]] that makes them the only ones capable of defending Earth, and that the biggest, geekiest fanboys alive will be revered by future generations as heroes who made all of society possible.
* ''Webcomic/{{Shortpacked}}'' seems to take the opposite tack in its satire and often portrays fans with complaints of any sort as self-entitled morons. Not surprisingly, what is considered unfair and what is considered perfectly okay seems to coincide with the author's tastes
** Willis often acknowledges that obsessiveness fanishness, ''even his own'', is Not Okay. This was parodied when he shows up at the store and gets in an armed fight with Ethan over an Administrivia/EditWar. The arc ends with him and his girlfriend sneaking into Ethan's apartment--[[AuthorAppeal Maggie in a Transformers costume]]--and smashing up his computer so he wouldn't be able to edit the wiki. Then there was the time he made fun of people who said that the second ''[[Film/TransformersRevengeOfTheFallen Transformers]]'' movie sold out because of all the marketing. In case you don't get it, ''Franchise/{{Transformers}}'' is probably the most popular and transparently MerchandiseDriven franchise ever.
* ''Webcomic/VeganArtbook'' is an incredibly pure example. There's barely any story or character, just non-vegans endlessly getting smacked down by their vegan counterparts who act as mouthpieces for the creator's beliefs.
* The ''Music/{{Flobots}}'' webcomic has varying levels of [[{{Anvilicious}} Anviliciousness]].
* ''Webcomic/GeneralProtectionFault'' briefly delved into this in the 'Providence' arc in 2005, showing Akhilesh (a [[FriendToAllLivingThings kindly doctor]] bordering on Ned Flanders-like religious outlook) witnessing to Trudy, with verse upon verse of scripture, accompanied by author commentary.
* ''Webcomic/JesusAndMo'' is an unabashed Author Tract ridiculing religion. The comment box is headed with the note "This comments section is provided as a safe place for readers of J&M to talk, to exchange jokes and ideas, to engage in profound philosophical discussion, and to ridicule the sincerely held beliefs of millions. As such, comments of a racist, sexist or homophobic nature will not be tolerated."
* ''Kit N Kay Boodle'' is entirely a vehicle for Richard Katellis' views on free love, yiffing, and the plight of the furry community. The world outside of idyllic, nudist Yiffburg is full of monstrous dictatorships and ruthless capitalist states that criticize Yiffburg for being horny layabouts. Any character who ''doesn't'' constantly want sex with total strangers is either an evil fascist or an oppressed soul, and the answer is invariably anonymous sex, either to defeat or convert them to the yiffy way of life. It doesn't help matters that the story is occasionally interrupted by the author describing the sexual exploits he and his wife have with their parents.
* With ''Webcomic/TheLastDaysOfFoxhound'', this is bound to happen when a biochemistry student writes a comic about Metal Gear Solid, but it's noticeable how he still makes it funny. Mantis is the typical mouthpiece. [[http://gigaville.com/comic.php?id=272 Dr. Naomi Hunter supplements Mantis' rants with more reasonable but obviously frustrated objections]].
** Also played with when the plot stops so that Mantis can rant against banning gay marriage. The best part is that it is ''entirely'' in-character -- he isn't so much arguing ''for'' gay marriage as he is saying that having sex with reproduction is just as gross as having sex without reproducing.
* ''Webcomic/{{MAGISA}}'' -- this comic contains political and religious issues that reek of [[ComicBook/ChickTracts Jack Chick]]. The author is often suspected of being part of the "Christian Conservative Right Wing" but he is not if you read deeper into his work.
* ''Webcomic/TheOrderOfTheStick'' unashamedly pokes fun at gamer attitudes which Rich Burlew finds obnoxious, such as players whose paladins use [[http://www.giantitp.com/comics/oots0251.html the letter of the rules]] to act like {{Sociopathic Hero}}es until their class status is endangered, then perform a token good deed to retain it.
* In ''Webcomic/ScenesFromAMultiverse'' Internet {{troll}}s and [[TheFundamentalist fundamentalists]] end up on the receiving end of the author's pen.
* While in previous years ''Webcomic/{{Sinfest}}'' tended to stick towards light humour and general satire, it gradually adopted [[{{Anvilicious}} a more preachy]] feminist propaganda tone. These days, it's rare to see a comic that doesn't in some way promote Ishida's views.
* In ''Webcomic/{{Sunstone}}'' it is common to encounter short speeches from the characters' mouths about BDSM informing the reader of such things like the importance of considering safety, the responsibility of the Dom and the importance of trust and honesty in the relationship. The reasoning given is that this comic partially exists to educate and dispel BDSM myths.
* ''Webcomic/TinyDickAdventures'', a side webcomic by one of the creators of ''Webcomic/LookingForGroup'' does this very often, almost too often. At first, the strip started off rather lighthearted and charming, much like the original series, but then gradually turned into a soapbox for the author's views on subjects like religion, government, presidential elections, transgenderism, homosexuality, LinkedIn, and so on. As one could probably guess, some of these episodes [[FlameBait didn't sit well]] with the audience.
* ''Webcomic/TalesOfTheQuestor'' -- While the comic has become incredibly more reasonable about this, earlier strips were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.\\\
Every other comic by the author, on the other hand, is still chock-full of pro-Christian, American (especially Southern), libertarian soapboxing and anti-pretty much everything else.
* ''Webcomic/UnicornJelly'' and ''Webcomic/PastelDefenderHeliotrope'', both by Jennifer Diane Reitz, both start out as (respectively) amusing and cute fantasy and science fiction stories, but the Author's soapboxes about religion, homosexuality, and transgenderism [[{{Anvilicious}} overwhelm the plot]] more than once. It is revealed at the end of ''Pastel Defender Heliotrope'' that it was about anti-piracy legislation as well (which seems like an AssPull to boot since it only comes up in the last page or two).
** This even happens in the only commercially available video game she made, ''VideoGame/{{Boppin}}'', a mostly inoffensive PuzzleGame (well, except when the main characters kill themselves...) where the plot is set in motion by crazy, holier-than-thou MoralGuardians who want to erase all bad guys from videogames, and one of these is explicitly identified as a priest.
* Critics of ''Webcomic/YuMeDream'' have branded it an author tract, saying that all straight characters are portrayed as evil, especially in the first section.
* Creator/DanaSimpson tended to veer into left-wing politics in regards to her OrphanedSeries ''WebComic/RaineDog'', with {{Anvilicious}} soapboxing about "Blue State" Democrats and transgenderism, coupled with the UnfortunateImplications of the various intended metaphors. Previously, ''I Drew This!'' was pretty openly a political comic, but even her ''least'' political webcomic, ''WebComic/OzyAndMillie'', still had political commentary, usually with geoglobal politics boiled down to playground puppets, and famously [[GenkiGirl Millie's]] [[UsefulNotes/GeorgeWBush Mr. W sockpuppet]]. (''ComicStrip/PhoebeAndHerUnicorn'', however, has averted this trope, which may explain in part why it was the first Simpson comic to win syndication.)
* Parodied in ''Webcomic/LsEmpire'' when a character deconstructs the concept of a soul. The local FourthWallObserver [[RageAgainstTheAuthor threatens to kill the author]] if he continues to inject his philosophical beliefs.
* When not simply joking about the various cultures it parodies, sometimes to the extent that it [[DontExplainTheJoke often relies on the author point-blank telling you what's so funny]] because chances are you otherwise wouldn't get it, ''Webcomic/ScandinaviaAndTheWorld'' [[{{Anvilicious}} wears its left-wing views on its sleeve]], and doesn't pull punches with regard to its type-2 views on {{Eagleland}}. It's not surprising that the vast majority of the registered users on the series' official website lean in the same political direction.
----
--> This whole comic has been a setup for me to push my views on you that man should not fly.
* ''Webcomic/{{Fans}}'' is vehement in its defense of fanboys, portraying them as having the [[PlotTailoredToTheParty specific combination of strengths]] that makes them the only ones capable of defending Earth, and that the biggest, geekiest fanboys alive will be revered by future generations as heroes who made all of society possible.
* ''Webcomic/{{Shortpacked}}'' seems to take the opposite tack in its satire and often portrays fans with complaints of any sort as self-entitled morons. Not surprisingly, what is considered unfair and what is considered perfectly okay seems to coincide with the author's tastes
** Willis often acknowledges that obsessiveness fanishness, ''even his own'', is Not Okay. This was parodied when he shows up at the store and gets in an armed fight with Ethan over an Administrivia/EditWar. The arc ends with him and his girlfriend sneaking into Ethan's apartment--[[AuthorAppeal Maggie in a Transformers costume]]--and smashing up his computer so he wouldn't be able to edit the wiki. Then there was the time he made fun of people who said that the second ''[[Film/TransformersRevengeOfTheFallen Transformers]]'' movie sold out because of all the marketing. In case you don't get it, ''Franchise/{{Transformers}}'' is probably the most popular and transparently MerchandiseDriven franchise ever.
* ''Webcomic/VeganArtbook'' is an incredibly pure example. There's barely any story or character, just non-vegans endlessly getting smacked down by their vegan counterparts who act as mouthpieces for the creator's beliefs.
* The ''Music/{{Flobots}}'' webcomic has varying levels of [[{{Anvilicious}} Anviliciousness]].
* ''Webcomic/GeneralProtectionFault'' briefly delved into this in the 'Providence' arc in 2005, showing Akhilesh (a [[FriendToAllLivingThings kindly doctor]] bordering on Ned Flanders-like religious outlook) witnessing to Trudy, with verse upon verse of scripture, accompanied by author commentary.
* ''Webcomic/JesusAndMo'' is an unabashed Author Tract ridiculing religion. The comment box is headed with the note "This comments section is provided as a safe place for readers of J&M to talk, to exchange jokes and ideas, to engage in profound philosophical discussion, and to ridicule the sincerely held beliefs of millions. As such, comments of a racist, sexist or homophobic nature will not be tolerated."
* ''Kit N Kay Boodle'' is entirely a vehicle for Richard Katellis' views on free love, yiffing, and the plight of the furry community. The world outside of idyllic, nudist Yiffburg is full of monstrous dictatorships and ruthless capitalist states that criticize Yiffburg for being horny layabouts. Any character who ''doesn't'' constantly want sex with total strangers is either an evil fascist or an oppressed soul, and the answer is invariably anonymous sex, either to defeat or convert them to the yiffy way of life. It doesn't help matters that the story is occasionally interrupted by the author describing the sexual exploits he and his wife have with their parents.
* With ''Webcomic/TheLastDaysOfFoxhound'', this is bound to happen when a biochemistry student writes a comic about Metal Gear Solid, but it's noticeable how he still makes it funny. Mantis is the typical mouthpiece. [[http://gigaville.com/comic.php?id=272 Dr. Naomi Hunter supplements Mantis' rants with more reasonable but obviously frustrated objections]].
** Also played with when the plot stops so that Mantis can rant against banning gay marriage. The best part is that it is ''entirely'' in-character -- he isn't so much arguing ''for'' gay marriage as he is saying that having sex with reproduction is just as gross as having sex without reproducing.
* ''Webcomic/{{MAGISA}}'' -- this comic contains political and religious issues that reek of [[ComicBook/ChickTracts Jack Chick]]. The author is often suspected of being part of the "Christian Conservative Right Wing" but he is not if you read deeper into his work.
* ''Webcomic/TheOrderOfTheStick'' unashamedly pokes fun at gamer attitudes which Rich Burlew finds obnoxious, such as players whose paladins use [[http://www.giantitp.com/comics/oots0251.html the letter of the rules]] to act like {{Sociopathic Hero}}es until their class status is endangered, then perform a token good deed to retain it.
* In ''Webcomic/ScenesFromAMultiverse'' Internet {{troll}}s and [[TheFundamentalist fundamentalists]] end up on the receiving end of the author's pen.
* While in previous years ''Webcomic/{{Sinfest}}'' tended to stick towards light humour and general satire, it gradually adopted [[{{Anvilicious}} a more preachy]] feminist propaganda tone. These days, it's rare to see a comic that doesn't in some way promote Ishida's views.
* In ''Webcomic/{{Sunstone}}'' it is common to encounter short speeches from the characters' mouths about BDSM informing the reader of such things like the importance of considering safety, the responsibility of the Dom and the importance of trust and honesty in the relationship. The reasoning given is that this comic partially exists to educate and dispel BDSM myths.
* ''Webcomic/TinyDickAdventures'', a side webcomic by one of the creators of ''Webcomic/LookingForGroup'' does this very often, almost too often. At first, the strip started off rather lighthearted and charming, much like the original series, but then gradually turned into a soapbox for the author's views on subjects like religion, government, presidential elections, transgenderism, homosexuality, LinkedIn, and so on. As one could probably guess, some of these episodes [[FlameBait didn't sit well]] with the audience.
* ''Webcomic/TalesOfTheQuestor'' -- While the comic has become incredibly more reasonable about this, earlier strips were suffused with a certain subset of Christian theology, culminating when the author updated with rants about other belief systems. Those rants have since been moved elsewhere, but the author still provides nods towards Christianity now and again.\\\
Every other comic by the author, on the other hand, is still chock-full of pro-Christian, American (especially Southern), libertarian soapboxing and anti-pretty much everything else.
* ''Webcomic/UnicornJelly'' and ''Webcomic/PastelDefenderHeliotrope'', both by Jennifer Diane Reitz, both start out as (respectively) amusing and cute fantasy and science fiction stories, but the Author's soapboxes about religion, homosexuality, and transgenderism [[{{Anvilicious}} overwhelm the plot]] more than once. It is revealed at the end of ''Pastel Defender Heliotrope'' that it was about anti-piracy legislation as well (which seems like an AssPull to boot since it only comes up in the last page or two).
** This even happens in the only commercially available video game she made, ''VideoGame/{{Boppin}}'', a mostly inoffensive PuzzleGame (well, except when the main characters kill themselves...) where the plot is set in motion by crazy, holier-than-thou MoralGuardians who want to erase all bad guys from videogames, and one of these is explicitly identified as a priest.
* Critics of ''Webcomic/YuMeDream'' have branded it an author tract, saying that all straight characters are portrayed as evil, especially in the first section.
* Creator/DanaSimpson tended to veer into left-wing politics in regards to her OrphanedSeries ''WebComic/RaineDog'', with {{Anvilicious}} soapboxing about "Blue State" Democrats and transgenderism, coupled with the UnfortunateImplications of the various intended metaphors. Previously, ''I Drew This!'' was pretty openly a political comic, but even her ''least'' political webcomic, ''WebComic/OzyAndMillie'', still had political commentary, usually with geoglobal politics boiled down to playground puppets, and famously [[GenkiGirl Millie's]] [[UsefulNotes/GeorgeWBush Mr. W sockpuppet]]. (''ComicStrip/PhoebeAndHerUnicorn'', however, has averted this trope, which may explain in part why it was the first Simpson comic to win syndication.)
* Parodied in ''Webcomic/LsEmpire'' when a character deconstructs the concept of a soul. The local FourthWallObserver [[RageAgainstTheAuthor threatens to kill the author]] if he continues to inject his philosophical beliefs.
* When not simply joking about the various cultures it parodies, sometimes to the extent that it [[DontExplainTheJoke often relies on the author point-blank telling you what's so funny]] because chances are you otherwise wouldn't get it, ''Webcomic/ScandinaviaAndTheWorld'' [[{{Anvilicious}} wears its left-wing views on its sleeve]], and doesn't pull punches with regard to its type-2 views on {{Eagleland}}. It's not surprising that the vast majority of the registered users on the series' official website lean in the same political direction.
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