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History Art / TheBayeuxTapestry

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* HammerOfTheHoly: Queen Mathilde's depiction of bishop Odo Bayeux wielding a mace appears to be at least the TropeCodifier.
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It depicts the events leading up to the Norman conquest of UsefulNotes/{{England}} and concerns William, [[UsefulNotes/TheHouseOfNormandy Duke of Normandy]] (known as "[[TheMagnificent William the Conqueror]]" after the battle), and Harold Godwinson, Earl of Wessex, later King of England as Harold II, and culminates in the conquest itself and the battle of Hastings on October 14, 1066. It was made within a few years after the battle and ended up named after Bayeux, the UsefulNotes/{{Fr|ance}}ench city it was kept in the cathedral of for centuries, but it is now agreed to have been made in England.

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It depicts the events leading up to the Norman conquest of UsefulNotes/{{England}} and concerns William, [[UsefulNotes/TheHouseOfNormandy Duke of Normandy]] (known as "[[TheMagnificent William the Conqueror]]" after the battle), and [[UsefulNotes/AngloSaxons Anglo-Saxon]] king Harold Godwinson, Earl of Wessex, later King of England as Harold II, and culminates in the conquest itself and the battle of Hastings on October 14, 1066. It was made within a few years after the battle and ended up named after Bayeux, the UsefulNotes/{{Fr|ance}}ench city it was kept in the cathedral of for centuries, but it is now agreed to have been made in England.
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* BattleEpic: A 70-meter embroidery recounting the conquest of England by the Normans, culminating in the battle of Hastings. Its main characters are William the Conqueror, Duke of Normandy, and Harold Godwinson, Earl of Wessex who becomes the King of England.

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* BattleEpic: A 70-meter embroidery recounting the conquest of England by the Normans, culminating in the battle of Hastings. Its main characters are William the Conqueror, Duke of Normandy, and Harold Godwinson, Earl of Wessex who (who subsequently becomes the King of England.England) and William the Conqueror, Duke of Normandy (who also later becomes King of England, by defeating and killing Harold Godwinson at the Battle of Hastings).

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* {{Retcon}}: Scholars believe that the current final scene of the tapestry, depicting the English knights fleeing after King Harold's death demoralised them, was a modification added during a period of diplomatic turmoil between England & France in the 18th century; drawings of the tapestry made prior to that era have a different ending.

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* {{Retcon}}: Scholars believe that the current final scene tituli of the tapestry, depicting stating that the English knights are fleeing after King Harold's death demoralised them, was a modification added during a period of diplomatic turmoil between England & France in the 18th century; drawings of the tapestry made prior to that era have a different ending.



** There are several people who are merely identified and cannot be historically sourced elsewhere; finding out any further details about them is impossible without more documentation being discovered.
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* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

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* NoodleIncident: At one section, a caption reads "Here Ælfgyva [=Ælfgyva=] and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.
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* NoodleIncident: At one section, a caption reads "Here Æ lfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

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* NoodleIncident: At one section, a caption reads "Here Æ lfgyva Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.
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* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

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* NoodleIncident: At one section, a caption reads "Here Ælfgyva Æ lfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.
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Added: 342

Removed: 347

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* HistoricalRetcon: Scholars believe that the current final scene of the tapestry, depicting the English knights fleeing after King Harold's death demoralised them, was a modification added during a period of diplomatic turmoil between England & France in the 18th century; drawings of the tapestry made prior to that era have a different ending.


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* {{Retcon}}: Scholars believe that the current final scene of the tapestry, depicting the English knights fleeing after King Harold's death demoralised them, was a modification added during a period of diplomatic turmoil between England & France in the 18th century; drawings of the tapestry made prior to that era have a different ending.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* HistoricalRetcon: Scholars believe that the current final scene of the tapestry, depicting the English knights fleeing after King Harold's death demoralised them, was a modification added during a period of diplomatic turmoil between England & France in the 18th century; drawings of the tapestry made prior to that era have a different ending.
Is there an issue? Send a MessageReason:
None


* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

to:

* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.



** The origin of the thing. The first historical record of it dates to the 14th century, over 300 years after its supposed manufacture. Its commissioner and original display location are matters of conjecture.

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** The origin of the thing. The first historical record of it dates to the 14th century, over 300 years after its supposed manufacture. Its commissioner Who commissioned it and original display location where it was originally displayed are matters of conjecture.
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* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

to:

* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.



** There are several people who are merely identifed and cannot be historically sourced elsewhere; finding out any further details about them is impossible without more documentation being discovered.

to:

** There are several people who are merely identifed identified and cannot be historically sourced elsewhere; finding out any further details about them is impossible without more documentation being discovered.

Added: 201

Changed: -2

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* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

to:

* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.


Added DiffLines:

** There are several people who are merely identifed and cannot be historically sourced elsewhere; finding out any further details about them is impossible without more documentation being discovered.
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* EyeScream: Harold is depicted as being killed by an arrow shot in the eye.

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* EyeScream: Harold (possibly) is depicted as being killed by an arrow shot in the eye.



* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

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* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

Added: 554

Changed: 1

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* MoeGreeneSpecial: The tapestry depicts King Harold as going out like this, as a figure is shown apparently with an arrow in their eye, with the caption ''Harold rex interfectus est'' (King Harold is killed). Of course, since the tapestry is believed to be an abstract retelling, it's possible he didn't actually die this way, and needle marks suggest the arrow may have been something else before someone modified it.

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* MoeGreeneSpecial: The tapestry depicts King Harold Harold(?) as going out like this, as a figure is shown apparently with an arrow in their eye, with the caption ''Harold rex interfectus est'' (King Harold is killed). Of course, since the tapestry is believed to be an abstract retelling, it's possible he didn't actually die this way, and needle marks suggest the arrow may have been something else before someone modified it.



* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.

to:

* NoodleIncident: At one section, a caption reads "Here Ælfgyva and a cleric...", leaving what they did unexplained. The associated scene shows a cleric apparently smacking a woman in the face; a nearby marginal depiction of a naked man squatting, also with his hand out-thrust, has been linked to it by scholars.


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* RiddleForTheAges:
** The origin of the thing. The first historical record of it dates to the 14th century, over 300 years after its supposed manufacture. Its commissioner and original display location are matters of conjecture.
** The death of Harold: at that point, aside from the man getting an arrow to the eye, there is another man who is being struck down by a knight just to the left, who could equally be him.
** What happened after the English were routed is unknown due to at least the last 3 metres (10 feet) of the tapestry having been lost.

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