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YMMV: The Haunting (1999)
  • Big Lipped Alligator Moment: The giant, corpse-like statue of Hugh Crain trying to drown Dr. Marrow (in a fountain of blood, no less). He doesn't get a chance to explain what happened to him due to Nell screaming, and the event is never mentioned afterward. Mary's moment with the harpischord, even geared as it may have been to remove the only possible psychic in the group (other than Nell) from the house, comes across as this too since other than one recording Marrow makes it's never mentioned again, and neither she nor Todd (the guy who takes her to the hospital) ever come back.
  • Complete Monster: Hugh Crain is a child-killer extraordinaire, though Nell does say at one point after she's connected to the house and its ghosts that Crain "just wanted children, but it all went wrong", implying he wasn't always so. Wanting a family, he abducted children from his mills, and when they tried to leave his house he murdered them, mutilated their bodies, and burned them in a fireplace (then covered this up in his records by merely claiming they'd died of illness or factory injuries). He also drove his first wife to suicide and (it's strongly implied) murdered his second for discovering his secret. After his death, he comes back as an all-powerful ghost who keeps the spirits of the children trapped in the house and kills any newcomers.
  • Crowning Music of Awesome: The whole soundtrack, really, done by the incomparable Jerry Goldsmith. Of particular note are the Creepy Circus Music from the carousel room (including the more disturbing variation later when it is played in counterpoint to the deep, loud, groaning sounds Hill House is known for), the music from the climax (starting from when Crain manifests out of his Spooky Painting), and the genuinely unsettling strings which play the main theme.
  • Esoteric Happy Ending: Hugh Crain is banished to Hell, the children's ghosts are freed to go to Heaven, and the haunting is presumably ended. (And Nell finally finds a place to belong, and peace.) But Luke dies, Nell dies, and Marrow's experiment was ruined and never finished. The movie ends with Mr. Dudley's rhetorical question, "Did you find what you were looking for?" that Marrow can't answer...so was it all worth it?
  • Hilarious in Hindsight: Liam Neeson as a scientist who studies fear.
  • Narm: A lot of the dialogue, particularly Marrow and Luke's awkward conversation in the hallway at midnight, his inane "I wonder what happened to him" in reference to Crain's statue, and much of Nell's dialogue during her final confrontation with Crain. Hugh Crain's ghost has been described as "the ghost of Cotton Mather" and looks like a giant Ringwraith while Owen Wilson manages to destroy any hope of tension the movie has and is ultimately decapitated by a lion's head flue that drops out of the fireplace. Also Eleanor is now a Messianic Archetype who defeats Crain with The Power of LoveTropes Are Not Bad, but the presentation ...
    • Imagine Crain appearing on Grand Designs. "Right, over there I want a pool with a giant statue of me looking dead and a fountain of blood, over there I want a statue of an eagle, above the fireplace I want a lion head that drops out of the fireplace because it will be really funny and no-one will expect it and over there I want the Gates of Hell. Okay?" (Kevin McCloud looks slightly scared)
  • Special Effects Failure: There's ridiculous CG up the wazoo, not to mention horribly outdated CG.
  • Spiritual Licensee: This may be the closest we'll ever get to having a The 7th Guest movie.
  • They Wasted a Perfectly Good Plot: Two of them! Both the "fake sleep study that is actually a fear study" (and the ethical nature thereof) and the investigation to discover the nature of the haunting and how to end it are intriguing plots...but combining them in one movie and not allowing either the full time to be developed causes both to suffer.
  • Uncanny Valley: The statues of the children.

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