Useful Notes / Louis XIV
So good looking, they needed 2 Leonardo DiCaprios to play him.

Je m'en vais, mais l'État demeurera toujours. (I am leaving, but the State will remain forever.)

The longest-reigning King of France (5 September 1638—1 September 1715)—and indeed the longest-reigning monarch of any European Great Powernote —known as Louis the Great or the Sun King. He was the most influential monarch of the 17th century. His most visible legacy is his ludicrously grand palace at Versailles.

Louis' impact on French history require a bit of context: namely, the fact that feudalism is decentralized. In theory, in a feudal government, when the king says, "Go do this," everyone has to obey, but in practice the other knights, barons, viscounts, counts, barons, dukes and princes have some leeway to hem, haw and etc. Plus there was the fact that there were innumerable customs, traditions, and laws that, while the king could try to override them, any attempt to change them would generally provoke concerted opposition from the lords if he tried doing that. And because feudal lords' status in the system was built on their access to resources and therefore raise armies, the monarch could only do so much to impose his will by force or fiat. Even when the king's army was biggest, strongest, and best in the country (and it often wasn't), it was rarely so strong that it could be trusted to win every fight, and even when it could, not every political dispute was worth turning into a civil war. A feudal monarch thus relied on his own charisma and influence, rather than the power or resources of his office, at least partially... And Louis's father, the thirteenth of his name, was a bit limp in this area, despite having The Three Musketeers working for him.

Louis XIV fixed this by doing his best to turn himself into an "absolute monarch." He did this by using his charisma—in which he was not lacking—combined with some bending and reviving of old traditions to get the nobles to wait on him hand and foot. Seriously, they treated him like they were teen girls and he was a Teen Idol. You see, one power the king always had was the power to invite lords to come to him and join his court—not because he could really "force" anyone to come, mind you, but because refusing such an invitation was seen as the height of ingratitude and therefore declining the king's invitation was not a decision taken lightly. Once at court, he could hand out official roles and duties in the court to the various nobles, which he did with abandon; by the end of his reign, it took 200 noble lords to help him get up and get dressed in the morning (officially, anyway—unofficially, he woke up two hours earlier to handle the royal paperwork). With the lords all at Versailles, Louis could keep track of who was fawning over him, reward them appropriately, and essentially keep them prisoner, able to stay only on his sufferance and not able to go home to their own fiefs and interfere with his rule. This was a genius political move, but it allowed Louis free rein (or free reign) as a—still limited by fundamental laws of the kingdom—autocrat, which he exploited without compunction.

This being said, the problem with a Cult of Personality is that you need a successor of equal ability and charisma, or else the whole thing will collapse when you die. Louis XIV's successor, Louis XV (actually his great-grandson) was nowhere near as effective, and his successor, Louis XVI (his grandson), despite being a lot more able on the business side of things than he generally got credit for, was severely lacking in charisma and thus could not prevent the crisis of absolutist France devolving into the Revolution of 1789. Later historians feel that the Revolution was largely a consequence of Louis XIV's impossible-to-sustain absolute monarchy. They note that Louis XIV was inspired to take power as a result of the English Civil War and the rise of Cromwell (Charles II—the elder son of Louis' aunt Henriette Marienote —was an exile in France much of this timenote ). The changes in England as a result of the Civil War and regicide, which led to greater power in the hands of Parliament (consolidated subsequently in the Glorious Revolution) did not create a parallel movement in France in the same period. This meant that civil institutions did not develop in France in the same way to erode state power, rather Louis XIV reformed and centralized power from the top. This reactionary approach meant that changes came belatedly in France and in a necessarily drastic form. Indeed, the political commentator Alexis de Tocqueville noted that Britain's extension of more autonomy to its localities and its overseas colonies allowed them to become more innovative and dynamic than a France that controlled everything from the top down. This in turn ultimately allowed Britain to become more powerful than France during the 18th century. However, Tocqueville also noted that the signal achievement of the Jacobins during the Revolution was to forge a unified centralized French state, a process that Louis XIV had begun, which they had completed and which Napoleon permanently consolidated with his Civil Code. Interestingly, the anti-Bourbon Napoleon himself had some respect for his predecessor, describing Louis XIV as "the only King of France worthy of the name".

Tropes as portrayed in fiction:

  • Historical Villain Upgrade: Like so many French rulers, tends to regularly fall victim of this in works written in English. Reality was grey, as usual.
  • Riddle for the Ages: The mysterious "Man in the Iron Mask" immortalized by Alexandre Dumas. In actual fact, his mask was one of Black Velvet. In the reign of The Sun King, a man described by his warden as "Eustache Dauger" and described as "merely a valet" was kept imprisoned in various places in a specially constructed cell. The unusual conditions of his captivity, the fact that he was well taken care of implies that he was far more high profile than people believe. This naturally supplied several conspiracy theories, starting from Voltaire that he was the King's illegitimate brother and that Louis XIV was in-fact a usurper and The Wrongful Heir to the Throne. Other theories suggest that he was the King's illegitimate son, while other historians links him to a real-life Eustache Dauger who was involved in "The Affair of the Poisons". The fact remains, his real identity has never been established.

Appears in the following works:

  • The Vicomte de Bragelonne, the final novel of Alexandre Dumas's The Three Musketeers trilogy.
    • The Iron Mask, based on a subplot from that novel.
    • The Man in the Iron Mask, another film based on the same subplot from that novel.
    • He also appears in Twenty Years After as a child.
    • In the film D'Artagnan's Daughter starring Sophie Marceau and Philippe Noiret, Louis XIV appears as a teenager at the time of his coronation.
  • Civilization and its various iterations, in which Louis is sometimes a playable ruler
  • La Prise du Pouvoir par Louis XIV by Roberto Rossellini is a French film available on The Criterion Collection that shows how the King, in collusion with finance minister Colbert created Versailles and established himself as the absolute monarch. Historically accurate to a fault.
  • The series of Angelique novels by Anne Golon set during his reign has Louis XIV as the main antagonist throughout. His portrayal as a Magnificent Bastard and/or Well-Intentioned Extremist aroused a minor scandal when the first novel was sent to the editors in France during the 1950s, as there was an unwritten convention since the revolutionary days that Bourbon Kings were always tyrants and nothing more. The first novel got published in 1956 in Germany and only the next year in France.
  • Louis XIV and his court also appear in the movies Vatel (about the famous French cuisinier) and Le roi danse (about composer Jean Baptiste Lully).
  • He and his court are the main characters in the 2015 TV series Versailles.