1 Days Left to Support a Troper-Created Project : Personal Space (discuss)

Hollywood Hype Machine

And then came the Hype Backlash. What a twist!

"There's no business like show business, like no business I know..."

Ever since Hollywood has been in existence, it has tried to make new stars. A new big star can sell a movie, and once they're proven a success, they can sell many other movies. This is especially handy when the fickle viewing audience turns on a big-name actor with star power, or Real Life Writes the Plot and they do something scandalous. Having a long line of replacements always pays off, and you can never have too many major stars.

The Hollywood Hype Machine refers to the massive set-up that is in place to create said new stars, or new TV shows, books or movies. An aspiring, good-looking young actor, after getting a few noteworthy roles in indie films, TV shows, or their home country under his or her belt, will be chosen by a studio to be the "Next Big Thing" (or "It Girl" if female) and will thus get a major headlining role. They'll immediately appear in celebrity magazines and on entertainment programs and be touted as the Next Big Thing, and they'll give interviews in every medium possible. Several new roles will be announced at once. Tabloids will start following them around. Men's/women's interest magazines will be lining up to offer them a sexy photo shoot. They'll show up to host Saturday Night Live. They'll make People's list of the 50 Most Beautiful People and, if they're female, the "Top 100 Hottest Women" list of any men's magazine. Meanwhile, failed stars will suddenly drop off these lists. Did they suddenly become less good-looking? No, they're just not worth pushing any more.

If the resulting push succeeds, great. If it bombs...? Well, the star will linger for a year or two before disappearing, as people wonder "what the hell ever happened to...?". At best, they will continue working in indie flicks, low-key studio pictures, and television, and may even be able to mount a comeback later. At worst, they will be in rehab, unemployment lines, and "Where Are They Now?" specials (or worse). Sometimes, even if they're successful, the actors may get overwhelmed and suffer public burn-outs, become typecast or too associated with a particular role, or simply reject Hollywood for a normal life.

The Hollywood Hype Machine is very fickle, but has a never-ending supply of willing young stars and starlets ready to take the place of the old one. The reason that magazines, tabloids and TV shows (even ones unaffiliated with Hollywood studios) get into it is because, by pushing these new big stars, they can have big headlines and have paparazzi follow them around, thus selling more magazines and getting higher ratings.

Not even the might of the Hype Machine can determine what the public's tastes are going to be and while it can be powerful, it requires a certain delicacy of touch; trying too hard to make someone the Next Big Thing is a very good way of making the public sick of them very quickly. Still, The very existence of Hollywood and the television industry depends on fresh young talent. It's likely that every major star of today, good and bad, has at one point benefited from this.

Women seem more affected by this than men, perhaps as a result of roles and stardom coming to the most recent pretty new girl on the scene. As the female stars age, Hollywood decides they aren't pretty enough anymore, and casts the new young thing. Male stars, meanwhile, are offered a lot more leeway with their looks, and can even be downright unattractive (and can therefore get known for things besides their bodies), so they are less affected and are generally less replaceable. The main exceptions are, of course, young bishonen actors whose main purpose is to make young women squee their way to the theater. For every Leonardo DiCaprio who makes it to the top, there are countless young studs off of The WB or The CW who don't.

Compare Deader Than Disco, Hype Aversion, Hype Backlash, Music Is Politics. Also compare it to the "star system" employed by the studios during The Golden Age of Hollywood, which this is effectively a modernized version of. A related term in Professional Wrestling is referred to by fans as "pushed to the moon." Basically, when the people backstage take a particular shine to a new wrestler, they're hyped ("pushed" in wrestling slang) and promoted well beyond their current skill set (both wrestling ability and characterization and ability to cut promos, known as "mic work.") Some can catch up and become superstars, others sadly can't.

Many examples of actors and directors from all folders can be found in "What the Hell Happened?"


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Real Life Examples:

     Examples that didn't hold up 


  • Kevin James rose to become the next top comedy star with the popularity of The King of Queens and the success of Hitch marking high notes in his career. He then he took a downturn with I Now Pronounce You Chuck and Larry, which was criticized for gay stereotyping, though he bounced back with Paul Blart: Mall Cop which became the highest grossing film released in January, then he took another downturn with Zookeeper which received bad reviews and did mediocre business at the box-office. He isn't gone yet, but he doesn't have anywhere near the mainstream success he used to.
  • Chris Tucker was actually considered to be "the next Eddie Murphy" after Friday and the first Rush Hour movie in the mid-late '90s. Unfortunately, Tucker wasn't much motivated to branch out and capitalize immediately; he had become born-again during that time, and declined to reprise his role in Next Friday due to its raunchy content. The only movies that Tucker has done since 1998 have been the two sequels to Rush Hour (Tucker was apparently paid $20 million for Rush Hour 2). Tucker has seemed to be more passionate about his charity work, buddying up with the late Michael Jackson, and his stand-up. Rumor has it he was offered the same type roles over and over again, and turned them down out of frustration. After landing a major supporting role in the 2012 acclaimed comedy Silver Linings Playbook, he has an opportunity to make a comeback in film, only time will tell if he does.
  • Josh Hartnett rocketed to super-stardom in the late 90's and early 00's with roles in teen films like The Virgin Suicides, Halloween H20: Twenty Years Later, and The Faculty, and was voted several times by People Magazine as one of their top teen stars of the year. Gradually, however, his momentum died down — in spite of a starring turn in the critically acclaimed Black Hawk Down, Hartnett was in a long list of commercial flops including Town And Country, Pearl Harbor, and Hollywood Homicide. His last work of note, 2007's 30 Days of Night, barely recouped its production budget, and he's spent the late '00s and early '10s working on small indie projects. He's started a small comeback in the Showtime horror series Penny Dreadful, but time will tell if he'll be able to return to maiunstream success.
  • Daniel Stern. While he wasn't much of a big name to begin with, he had supporting roles in smaller fare in the early 1980s, but then he changed when he co-stared in the 1982 comedy drama Diner, a film that was largely applauded by critics that it gave Stern a shed of light to being the next young comedy star in Hollywood (to the point where the producers of the Back to the Future series offered him the role of Biff Tannen, which he unfortunately turned down), and years later he got a voice part in the largely successful sitcom The Wonder Years, which would last over six seasons. His biggest career pushes, however, came with Home Alone and City Slickers, both of which grossed over the $100 million mark at the box office and renewed Hollywood producers' attention toward Stern.

    His newfound success, however, did not last long. While he tried to look for main roles in films, he still was degraded to the supporting role he had played in many of his works, and his works after City Slickers suffered heavily as a result. Home Alone 2: Lost in New York ended up grossing less than its predecessor, Rookie of the Year wasn't much of a hit, and City Slickers II nearly floppednote . After these snags, he was finally given a starring role in the two comedy movies Bushwhacked and Celtic Pride (which he intended to be Star Making Roles for him), both of which fared so badly with critics that they were massive box office flops that literally obliterated all the hype Stern had built for his entire career. Since then, he's only made television appearances and direct-to-video movies, including turning down offers to reprise his role in the third and fourth Home Alone movies, and his comeback attempt in Whip It was a box office disaster, despite being applauded for his role.
    • He was cast in a supporting role alongside Miranda Cosgrove in the upcoming NBC sitcom Girlfriend in a Coma, but the series didn't go ahead. However, he did get cast on Manhattan, and the series has been renewed for a second season.
  • Edward Burns was heavily hyped as being a future voice in independent film after starring and directing in the acclaimed The Brothers McMullen in 1995. However, numerous attempts at trying to recapture the success of that film and his follow-up She's The One, combined with attempts to break into acting (despite those talents not being as good as his directing skills) and a failed attempt to make his ex-girlfriend a star, failed to catch on and his hype died out fast. He's still around, but most of his films (starring or directing), like A Sound of Thunder and the One Missed Call remake, were critical and commercial failures and either go Direct-to-Video or get barely released.
  • Dougray Scott got a lot of hype after his role as Prince Charming in Ever After and soon became the front-runner for roles such as Wolverine and James Bond. But after Mission: Impossible II went over schedule, he was forced to give up the Wolverine role to a little-known Australian actor named Hugh Jackman. While Jackman became a huge star, Scott's career fell into a tailspin as he's spent much of his career toiling away in TV movies, short-lived TV series (plus a single season on Desperate Housewives, just as the show was beginning its long descent in ratings and buzz) and little-seen movies (his possible low point being the 2011 film Love's Kitchen, which grossed just £121 at the UK box office).
  • Emile Hirsch was a rising star who had built up much acclaim from films such as Into the Wild and Alpha Dog. Then the failure of Speed Racer (an attempt to turn him into a big star) more or less led his hype to dry up, as he would not appear in another lead role until the 2011 flop The Darkest Hour. Though he still has the occasional supporting role, Hirsch's time seems to have passed.
  • After appearing in a number of well-regarded supporting appearances in various films and TV shows, Brandon Routh got a massive push when he was cast in the role made famous by Christopher Reeve in Superman Returns in 2006. His Star-Making Role ended up being a dead end when the film received mixed reviews, general viewer apathy and (despite making $400 million at the box office) negative profit due to prior production costs. Routh then disappeared for two years before landing a pair of cameo roles in a couple of films (Zack and Miri Make a Porno, Scott Pilgrim vs. The World) and a guest spot on the third season of Chuck, all of which failed to make much impact with audiences. His intended comeback in Dylan Dog: Dead of Night, based on a bestselling comic series, also flopped at the box office ($4 million against a $20 million budget). Barring a major hit, it seems like he'll be stuck making small indie projects for quite some time. Though, he got a major role in Arrow as Ray Palmer aka The Atom and then, he's one of the main cast of the spin-off, Legends of Tomorrow so, at least, playing another superhero doesn't hurt.
    • Routh is only one of several actors who are believed to fall victim to the second version of the "Superman Curse." Namely that the role is so iconic, any actor who plays him is inevitably doomed to type casting and is unable to shake it. Routh is but one example, with Tom Welling and Dean Cain also seen as examples of it. People are already telling Henry Cavill to be careful because of it.
  • Mike Myers was one of the bigger stars of Saturday Night Live at the turn of The '90s, especially after a movie based on the Wayne's World sketches he toplined was a hit. The sequel and So I Married an Axe Murderer weren't as successful, but a few years after those he struck gold with the first Austin Powers film and his two highly quotable characters in it. Though not a box-office blockbuster, it proved so successful on the video market that the 1999 sequel was. His star rose even higher after he voiced the title character in Shrek.

    However, he developed a reputation for being egotistical and tough to work with, walked out of a planned movie adaptation of the SNL "Sprockets" sketches, and the Austin Powers sequels were met with frostier critical reactions (primarily due to vulgarity and Sequelitis) than the original had. A Star-Derailing Role came with his critically roasted turn as The Cat in the Hat in 2003, which was so terrible that Dr. Seuss' estate has prohibited any more live-action adaptations of his works, and it was his last live-action leading role for five years. In the interim he continued with the Shrek franchise, but that went into decline with the third installment. 2008's The Love Guru was intended as a comeback vehicle but bombed spectacularly. With the Shrek saga closing out quietly in 2010, and no leading roles in the pipeline, early hopes that he would be the second coming of Peter Sellers have proven unfounded.
  • Martin Lawrence was one of the fastest rising comedic stars of the '90s. His sitcom, Martin, was incredibly popular, and then in 1995 he starred along with Will Smith in Bad Boys, which was the Star-Making Role for both actors.note  Unfortunately, real life drug issues and a sexual harassment suit would stain his career. On the film side, while Smith went on to star in other smash hits, Lawrence stuck with acting in comedies that only produced lukewarm responses (the first Big Mommas House and Wild Hogs arguably being exceptions).
  • Might come as a surprise, but Kadeem Hardison was actually fairly popular in the early '90s (at least in the black community). It was assumed (perhaps naively) that he was going to become a huge breakout star after A Different World ended. Needless to say, for whatever reason that never happened. It might be a case of both Critical Dissonance and Pop-Culture Isolation. Same could be said for Jasmine Guy, and Lisa Bonet.
  • After the success of Garden State and the popularity of Scrubs, much was expected from Zach Braff. Then The Last Kiss (which he was given near-complete creative control over in an attempt to create another Garden State) fared so badly with critics and audiences that he more or less disappeared after the cancellation of the latter and little has been heard from him since (his first film project after this one was the little-seen 2011 film The High Cost of Living).
  • ABC threw Eddie Cibrian in every single "beefcake Latin Lothario" role they could think of for a three-year period, including Ugly Betty and the failed Football Wives pilot, even though nobody was interested in him and the Ugly Betty fan reaction when he was paired up with Betty's sister was 'anyone but him'. ABC eventually gave up and after the mess of his personal life involving his affair and eventual tabloid-ready marriage with LeAnn Rimes was dredged up (we also have him to blame for his ex-wife and mistress becoming Real Housewives regulars) and a quick season of CSI: Miami where he did nothing memorable, he was poison, and his derided role in The Playboy Club assured his star burned out quickly; everything he's done since then has been C-level cable network work, and his 2014 VH-1 reality series with his wife saw substandard ratings which should make sure he never sees a major television role again.
  • Much was expected from Freddie Highmore after his roles in Finding Neverland and Charlie and the Chocolate Factory (both of which paired him with megastar Johnny Depp). However, a series of flops (such as Arthur and the Invisibles and August Rush) and criticisms that his acting talent never improved past his earlier successes derailed his chances of a successful career in his teenage and adult years. An attempt to do an edgier role in The Art of Getting By resulted in awful reviews and low box office, signaling a potential end to his career as a leading man. In 2013 he moved to the small screen with Bates Motel, in which he plays a young Norman Bates.
  • The Sixth Sense got the then-eleven-year-old Haley Joel Osment an Oscar nomination for Best Supporting Actor in 1999, making him the hottest child actor since Macaulay Culkin. Unfortunately, his first film role afterward was as the saintly hero of Pay It Forward, a failed piece of Oscar Bait that became Snark Bait instead. He had one more chance to prove himself as a star with A.I.: Artificial Intelligence the following summer, but that film proved to be a divisive box-office underperformer. Afterward he did several films' worth of voiceover work for Disney and Secondhand Lions; his highest-profile gigs since then have been voicing Sora in the Kingdom Hearts video game franchise.
  • There was at one point in the late-2000s, when there were three movies made in an attempt at turning Dane Cook into a movie star, beginning with Employee of the Month and continuing with Good Luck Chuck. The last film, My Best Friends Girl, ended up a flop, and showed that success as a comedian doesn't always translate into a successful acting career. Since then, Cook has mostly done stand-up and supporting roles in both films and TV.
  • Shia LaBeouf - who ironically didn't get the hype machine from Disney like his contemporaries, has had the most post-Disney success. While being featured in several big blockbusters in a supporting role (such as I, Robot and Constantine) helped to establish his cred, it was his relationship with Steven Spielberg that pushed him over the edge. Through Spielberg, LaBeouf got cast as the lead in the Transformers franchise and one of the leads of Indiana Jones and the Kingdom of the Crystal Skull. Overtime though, LaBeouf developed a negative reputation when he started to publically slam the movies he was part of. Though unlike most, LaBeouf's falling off ended up being his own decision after revealing he hates the studio system. Then he was found to be plagiarizing a Daniel Clowes comic for a short film that he premiered at a festival and was reviled for months(to the point where he wore a paper bag over his head), though the backlash eventually died down and now he has a supporting role in David Ayer's WW2 film Fury (2014), whether that will be enough to get him back remains to be seen.
  • Colin Farrell, starting with Hart's War, had a big push in the early to mid-00's, starring in or having large supporting roles in blockbusters like Minority Report, Daredevil, S.W.A.T., The New World and most infamously, Oliver Stone's Alexander and Michael Mann's Miami Vice. With the exception of Minority Report, all of these films flopped or under-performed, and Colin went under the radar for a few years, starring in smaller budget/indie films. While he's had some small hits like In Bruges and Fright Night (2011), he's still made flops like the Total Recall (2012) remake, and regardless his career is nowhere near the A-List status it once was. Then, he's one of the main cast in the second season of True Detective as one of the main leads. He was praised for his performance on the show if it wasn't bogged by the convoluted plot, making the second season a Tough Act to Follow. Apparently, his next film is the Harry Potter spin-off, Fantastic Beasts and Where to Find Them, but it's too soon to tell.
  • Keanu Reeves first made a splash with the Bill & Ted stoner comedy films. Soon after he got a big push with such films like Point Break (1991) and Bram Stoker's Dracula. However it would be 1994's Speed that would cement Reeves as an A-List star. While he maintained steady work throughout the rest of the '90s, people were beginning to notice his limited acting range and his star power began to fade. Then came 1999 and the release of The Matrix, and Reeves was once again launched into super-stardom for a time. Unfortunately, this new rise to fame went as quickly as it had come. The highly anticipated Matrix sequels left a bad taste in both audience and critics' mouths, and The Matrix franchise would be Deader Than Disco by mid-decade. Coupled with, again, criticism of Reeves' acting range (or lack thereof) the rest of his films in the '00s were flops or under performers. The 2013 film 47 Ronin seemed to be one last attempt to bring him back to the A-List status, but the film was plague with a Troubled Production and was a Box Office Bomb. Now he's attempting a comeback yet again with John Wick, only time will tell if it brings him back to his former glory.
  • Stephen Collins made a name of himself beginning with his critically-praised role in Star Trek: The Motion Picture and the cult series Tales of the Gold Monkey, but he wouldn't hit the big time until seventeen years later when he was cast as the Reverend Eric Camden in the television drama 7th Heaven, which became the highest-rated program of The WB for much of the network's existence and caused studios left and right to offer Collins roles in various films and shows. However, none of these roles offered Collins the star power he had with 7th Heaven, and thus the spotlight began turning away from him, especially following the cancellation of 7th Heaven after just one season on The CW. Since then, Collins tried to find suitable roles and avoid being cast as Eric Camden again, to little success. He made several appearances in the ABC series Private Practice and Scandal, but all that became overshadowed by his highly-publicized divorce with Faye Grant and the nasty proceedings that followed. And then came TMZ leaking an audio tape of Collins admitting to Grant during a private therapy session that he had molested several children decades prior, and the Hype Backlash came. Role Ending Misdemeanor doesn't even begin to describe the immediate fallout from the scandal, such as his character in Scandal getting McLeaned, Collins resigning from his position at the Screen Actors Guild board, getting fired from production of the sequel to Seth MacFarlane's Ted, and multiple stations and networks yanking reruns of 7th Heaven from their schedules. With all these events, it's safe to say Collins may never be able to repair his career.
  • After coming to the public's attention with his role in Skins, Dev Patel's career exploded with the success of Slumdog Millionaire. He was nominated for many awards, and looked to be a star in the making. Unfortunately, his next role was as Zuko in The Last Airbender, a critically-derided bomb that quickly put a stop to his rising international career. He managed to repair his reputation somewhat in Britain with The Best Exotic Marigold Hotel and landed a good supporting role in Aaron Sorkin's The Newsroom, so he's not completely gone, but his chance at superstardom seems to be long past.
  • Armie Hammer has now suffered repeated disappointments, including one legendary bomb. After several years of TV roles he got a breakthrough part (or parts) in The Social Network. All of Hammer's subsequent projects - Mirror, Mirror, J. Edgar and The Lone Ranger - have flopped critically and financially. He's still getting high-profile roles, including the The Man from U.N.C.L.E. (2015) remake... but it failed to light the world on fire.
  • Ryan Reynolds had the fortune/misfortune of coming along when Hollywood had a dearth of young leading males. After getting his big break in the ABC series Two Guys, a Girl and a Pizza Place, Reynolds starred in a number of well-regarded comedic roles. However, most of his films from the late '00s and early '10s (with the exception of Buried) received mixed reviews at best. His intended dramatic breakout performance in 2011's Green Lantern was also a critical and commercial underperformer, and then The Change-Up didn't do well either; thus he was not the bankable star Hollywood perceived him to be. It's hard to say how well his career will turn out at this point, though the success of 2012's Safe House (though Denzel Washington was obviously the big draw, and there's a lot of debate about how much Reynolds' presence really contributed) could help him regain momentum. The bombing of R.I.P.D. and the under-performance of Turbo, on the same weekend no less, seems to suggest his momentum is trending downward once more. But with the critical and commercial success of Deadpool film, with much praise for his performance as the lead character, this might change.


  • Silent film actress Clara Bow was the original "It Girl" (because she starred in a movie called It). Natural charisma and an earthy sexuality uncommon for that era made her a huge star in the latter 1920s. She was able to overcome a thick Brooklyn accent and transition to talkies, but an exceedingly fragile psyche combined with an adversarial relationship with Paramount Pictures led to a nervous breakdown in 1931. Paramount fired her, and after an abortive comeback attempt she retired from movies at the age of 28.
  • Kate Hudson had a huge star-making role as a drugged-out groupie in Almost Famous. Immediately, she was given major role after major role in romantic comedies, all of which did middling business and resulted in critics (including Roger Ebert) hemming and hawing over how far she had fallen. Years of magazine covers, bikini shots, and other big movie roles haven't done much for her career, though that certainly hasn't stopped her from trying. Almost Famous is the only film of hers still fondly remembered today.
  • Alicia Silverstone exploded into Hollywood in 1995 thanks to Clueless, gaining so much fame that she even had a 3-picture deal with Columbia that even gave her a production company, First Kiss Productions, to call her own. The summer of 1997 completely derailed her career before it could continue, thanks to the one two-punch of serial career killer Batman & Robin and her company's first (and only) project, Excess Baggage, becoming a major flop. Silverstone is today remembered as a quintessential One-Hit Wonder in the acting world.
  • Gretchen Mol was touted as another "It Girl" when she debuted in Rounders. It didn't pan out, with Rounders doing middling business, and even she (with newfound indie-cred from playing the lead role in The Notorious Bettie Page) admits that it was a particularly bad example building up an unprepared starlet. She is doing quite well with films and a recurring role on critical favourite Boardwalk Empire.
  • Lindsay Lohan. This one wasn't related to any lack of talent — Meryl Streep, of all people, vouched for her acting ability, as did her Mean Girls co-star Tina Fey. Instead, her problems came from a combination of a disastrous relationship with her parents, chronic partying and drug/alcohol abuse (which eventually led to legal troubles), and a reputation for being a diva who often showed up to set late and hung over. Attempts to revitalize her career — such as the Lifetime biopic Liz And Dick — have mostly flopped, with the qualified success of her 2014 West End theatre debut in Speed-the-Plow the one exception. An awful case of What Could Have Been.
  • Paris Hilton. Unlike the other people on this list, this heiress and socialite did not earn her fame through "legitimate" routes (film, TV, music), but through a Home Porn Movie that was "leaked" online in advance of the debut of her Reality Show The Simple Life. Not only did the video turn her into a mega-star virtually overnight, it also established the home sex tape as a viable route for would-be celebrities and fading stars to boost their careers. She went on to channel her fame into careers in music and (non-pornographic) film, both of which have been non-starters, and the latter notable only for producing her performance in Repo! The Genetic Opera. Despite these failures to branch out she remained a tabloid mainstay until about 2008, when she was replaced as America's favorite reality TV starlet by Kim Kardashian (who rose to fame under similar circumstances as Hilton). Because of this, by and large the media stopped paying attention to her. She attempted a comeback in 2011 with a new reality show The World According To Paris, but the series was cancelled after only one season. Since then she's kept a pretty low profile, with only an occasional mention in the local Hollywood papers.
  • Marion Davies is a famous historical example, since it was William Randolph Hearst who financed her bid for movie stardom. While her looks were as good as people expected from a former Ziegfeld girl, and she was far more talented and off-screen amiable than her Roman à Clef opera singer counterpart in Citizen Kane, Hearst kept pushing for her to be cast in heavy-duty "respectable" dramatic roles when she was much better at comedy.
  • ABC in the early 2000's attempted to push Kiele Sanchez in anything they could, first in the three-episode flop That Was Then, and later in the sitcom Married to the Kellys without stirring up much in ratings or interest in the actress. Her role as the female half of the infamous Nikki and Paulo couple on Lost though finally ended any interest in building her up after Nikki and Paulo were hastily dropped, and after a run in Samantha Who to finish up her ABC deal, eventually found steady work in the A&E series The Glades and DirecTV's Kingdom.
  • Jessica Biel has faltered badly, much to her fans' chagrin. Despite a lot of hype early on from 7th Heaven, an amazing fitness-girl body that still frequently shows up in magazines, having a high-profile marriage to Justin Timberlake, and several potential break-out roles, she has had a string of critically trashed box-office bombs like Blade: Trinity and Stealth (a massive dud that also sank Jamie Foxx's post-Ray hype and, along with Poseidon, halted Josh Lucas's career in its tracks). When she finally got naked in a "serious" movie (hoping for the extra career boost that it usually provides hot, young, fading actresses), it was a straight-to-video stripper role (Powder Blue) that earned her zero legit cred — and sadly for all concerned, is more likely to be remembered as Patrick Swayze's final film. The bombing of the Total Recall (2012) remake, which reportedly cost Sony over $200 million in losses, seems to cement her even further into this, especially as her "generation" of actresses include megastars like Anne Hathaway and Scarlett Johansson. To date, despite being on tons of magazine covers, she's still just a minor star, and at this point is basically "Justin Timberlake's Wife".
  • Denise Richards started out with mostly mediocre movies, but got breast implants and an all-star nude role in Wild Things, making her a household name (amongst men) overnight. A bit of the Hype Machine got underway, but most of her subsequent films were trashed by critics and weren't too successful at the box-office (with the exception of The World Is Not Enough, and that was hardly down to her), she stopped doing nudity and basically vanished from Hollywood within the year. A failed marriage to Charlie Sheen later, and she's now more tabloid-bait than an actual star.
  • Kate Bosworth had bit parts and a cancelled-after-one-season TV show on The WB called Young Americans before her starring role in Blue Crush. Once that hit, she was catapulted to the position of It Girl, hyped as the greatest and most beautiful actress of her generation (sometimes this phrase was used verbatim), and she became a regular tabloid and fashion mag staple because she was dating the premiere heartthrob of the time. Fast forwarding to 2010, and just about every film since Blue Crush, with the exception of Superman Returns, has been a critical and/or commercial failure, though not for lack of trying for that great comeback.
  • Rachel Bilson was something of a TV It Girl during her days on The O.C. Once that ended, Bilson did a few underperforming films like Jumper and forgettable TV appearances and, like Bosworth, is now mostly known for attending various Hollywood functions and getting paparazzi photos of herself performing mundane daily tasks. However, she did score a TV series with Hart Of Dixie.
  • Rachael Leigh Cook first came to fame thanks to her role in a famous anti-heroin Public Service Announcement in which she demolishes a kitchen, and became a star proper when She's All That came out. The flop of 2001's Josie and the Pussycats and, to a lesser extent, Antitrust and Texas Rangers (she had supporting roles in those films, and unluckily for her, they came out the same year as Josie) derailed her career, and she spent the following decade playing bit parts on television and various forgettable straight to DVD flicks. In recent years, however, she has had some success as a voiceover artist and plum guest roles in the likes of Psych and Ghost Whisperer, so a comeback isn't an entirely unrealistic prospect. She stars in Perception, alongside Eric McCormack.
  • Pia Zadora is a notorious example from The '80s. After years of bit parts (including a small role in Santa Claus Conquers the Martians as a child), her bid for fame started when she married billionaire Meshulam Riklis in 1977. Her career peaked in 1981, when she won the Golden Globe for Best New Star of the Year for the film Butterfly, which was largely financed by Riklis. However, it has long been rumored that Riklis had "bought" Pia her Golden Globe by financing lavish trips to Las Vegas for the Hollywood Foreign Press Association, allegations not helped by the fact that her performance also won her two Razzies for Worst Actress and Worst New Star. She won the Worst Actress Razzie again the following year for her performance in The Lonely Ladynote , a film that essentially killed her acting career and left her doing small parts and cameos. She wound up having far more success as a singer, even earning a Grammy nomination in 1984.
  • Elizabeth Berkley was supposed to be the Next Big Thing with Showgirls. Too bad that trainwreck of a film completely derailed whatever film career she may have had. The fallout was so bad that when she requested $2,500 to be interviewed for the V.I.P. DVD edition of the film, she was turned down. Ouch.
  • The CGI actress Aki Ross from Final Fantasy: The Spirits Within was supposed to have a long "career". The intention was for the computer model created for the movie to be used in projects unrelated to Final Fantasy and spanning multiple media formats (movies, games, etc.). "She" even got a photo spread in Maxim, including a plot on their "Hottest Women" list, and was promoted as the very first in what would be a long line of virtual actors. The failure of the movie to even recoup its astronomical production costs, and the subsequent collapse of the studio that financed it, resulted in a somewhat shorter career than numerous magazines had been predicting. It also ensured that the trend of "virtual actors" was stillborn, no doubt leading many SAG members to breathe sighs of relief (and ensuring that the Hype Machine would remain necessary for the foreseeable future).
  • Demi Moore has had various ups and downs, but has been hyped a lot. She was the most successful member of the '80s Brat Pack, and went on to some major success in The '80s, but a string of huge box office bombs in The '90s completely derailed her star. The Scarlet Letter was universally loathed by critics, and Striptease, a wannabe star-defining role for which she earned the then-highest paycheque of any female in Hollywood history, was another mega-bomb. She vanished for literally a decade, only resurfacing as Ashton Kutcher's new wife, and a storm of hype from her hot body (despite her age) in Charlie's Angels: Full Throttle failed to amount to anything. Now, since her breakup with Kutcher and subsequent dating of an even younger man, she's best known as "that older chick who's into younger guys."
  • Julia Ormond was an unknown in the US when she landed lead roles three big mid-nineties films (Legends of the Fall, First Knight, and the remake of Sabrina), starring opposite such actors as Brad Pitt, Anthony Hopkins, Sean Connery, Richard Gere, and Harrison Ford, but all were box-office and critical disappointments. She's still working, but she never became the "star" Hollywood expected.
  • Jennifer Garner was promoted as the next big Action Girl after coming to public attention with the TV series Alias. But she turned out to be remarkably unsuccessful in headlining movies. Her big action film debut in Elektra flopped, whereupon she turned to romantic comedies and did only marginally better (13 Going on 30 being a minor hit). These days, she seems stuck in small supporting roles, such as in Juno, Valentine's Day (with Jessica Biel, mentioned above), the Arthur remake and Alexander and the Terrible, Horrible, No Good, Very Bad Day. After a career spanning almost fifteen years, Sydney Bristow is still far and away her most iconic role.
  • Shannyn Sossamon was another teen actor who was a media darling, having catapulted herself to the A-List in 2001-2002 with starring roles in A Knight's Tale, 40 Days and 40 Nights, and The Rules of Attraction. Afterwards, she spent the 2000's starring in a long string of DTV and indie films, as well as some TV work (most notably on the short-lived CBS vampire series Moonlight), but it failed to drum up any major following.
  • Nia Vardalos came out of nowhere to star in and write My Big Fat Greek Wedding, which became the biggest indie film and romantic comedy of all-time. After getting an Academy Award nomination for her script, big things were expected from her. However, her star fell as soon as it rose with a series of flops (the TV spinoff My Big Fat Greek Life, Connie and Carla) and she faded back into obscurity. A couple attempts at a comeback (starring in 2009's My Life in Ruins and writing 2011's Larry Crowne) have resulted in critical drubbing and box office failure (the latter was also a rare misstep for Tom Hanks).
  • Canadian actress Estella Warren got a huge push in 2001 when she starred as the love interest and femme fatale in two major Hollywood films — the Planet of the Apes (2001) remake and the Sylvester Stallone racing film Driven. That, along with dating her Driven co-star Kip Purdue and landing a spot on Maxim's Hot 100 Babe List before she had a single film out, did a lot to jumpstart her fledgling career in spite of both films' middling box office and scathing reviews. However, Kangaroo Jack killed any momentum she had. What followed were a string of unsuccessful direct-to-video flops and indie films, along with an unsuccessful marketing push in 2005 (features in FHM and a supporting role in Mr. & Mrs. Smith, which was cut prior to the film's release). These days, she's more well-known for her tabloid antics (including trying to break out of a police station after being arrested) than her film career.
  • Elisabeth Shue had a solid career as a child/teen actress, with prominent roles in The Karate Kid, Adventures in Babysitting, Cocktail and Back to the Future Part II and III, but really hit the big time with a critically acclaimed performance alongside Nicolas Cage in Leaving Las Vegas, going against her previously established, girl-next-door image. Big things were expected, but a few high-profile critical and commercial flops (such as The Saint with Val Kilmer and Hollow Man with Kevin Bacon) didn't really hit the heights that were anticipated, and she had a more-or-less solid but unremarkable career since then. She parodied this with a starring role in Hamlet 2, where she played a fictionalized version of herself who quits acting in disillusionment to become a nurse. She may be on the verge of... something... replacing Marg Helgenberger on CSI in 2012.
  • Sophie Marceau was expected by many to have a successful crossover in American films, having found success in her native France and having played major roles in Braveheart and the James Bond film The World Is Not Enough. However, a number of flops and a bizarre, rambling speech she made at the Cannes Film Festival in 1999 fast derailed her in the US. She still makes films, but many of them barely get released outside of France (you would think Ne Te Retourne Pas, a film where she teams up with Monica Bellucci and which they embraced topless on the cover of Paris Match to promote, would have gotten a decent international push).
  • Susan Ward was hyped as a potential "next big thing" after marrying one of the heads of Morgan Creek and having a movie built around her (The In Crowd). Then, the movie bombed and her hype fell as fast as it rose. Nowadays, she's known for her numerous plastic surgeries (which began before making the movie) rather than the numerous straight-to-DVD movies she appears in (or her regular role on the first two seasons of Make It Or Break It).
  • Nikki Blonsky is a rather sad example of this. After being heavily hyped for her role in Hairspray, a lot was expected of her. Sadly, Hollywood didn't know what to do with her and she's been mostly stuck being typecast as the fat girl in little-seen TV movies and the short-lived Huge. Her first post-Hairspray film role wasn't until four years later (a small role in the critically panned Waiting For Forever) and it's since been discovered that she's been working in a salon to pay the bills.
  • The younger actors in American Beauty, Thora Birch, Wes Bentley, and Mena Suvari. The three got huge pushes from the movie but none of them ever really amounted to anything.
    • Suvari was probably the most successful, as she also got major hype from American Pie (detailed above), but all in all is not that big of a star.
    • Birch had already established herself before the film, but had a Star-Derailing Role in the form of Dungeons & Dragons. She later won acclaim for Ghost World, but threw any momentum away when she refused to part ways with her father, whose Stage Dad tendencies cost her several major roles.
    • Bentley got some notable roles like the main antagonist in Ghost Rider, but an out-of-control drug habit seemed to have destroyed his career. However, he had no less than six films scheduled for released in 2012, including Seneca Crane in the successful film version of The Hunger Games, so only time will tell if he can make it work or disappear into oblivion.
  • Megan Fox came out of Transformers as the new It Girl sex symbol, and promptly rode it to tons of covers, press coverage, etc. So far, however, it doesn't look good. Jennifer's Body and Jonah Hex were spectacular failures that seem to be sticking to her, her attempt to go indie with Passion Play failed (though her performance itself was praised), and she either left or got booted from the third Transformers film. Though she did get supporting roles in Friends With Kids and This Is 40 and she re-united with Michael Bay for the TMNT reboot, so while she's not quite the hot commodity people were expecting, she's still getting work nonetheless, and motherhood and marriage have mellowed her considerably.
  • After a long string of appearances in failed pilots and short-lived series, Adrianne Palicki finally broke through the mainstream when she took the role of Tyra Collette in Friday Night Lights, which received significant critical and commercial acclaim. However, her roles after the series ended have been weak at best - she starred in the FOX flop Lone Star (cancelled after two episodes) and had the title role in the Wonder Woman (2011 pilot), which wasn't picked up and was trashed by critics and fans. The Red Dawn (2012) remake was similarly torn apart by critics and bombed in theatres (32.5 million box office against a 65 million dollar budget), with Palicki's presence in the film barely getting a mention from most critics and viewers. However, G.I. Joe: Retaliation did well enough at the box office ($122.5 million domestically and over twice that overseas) to justify a third film; while waiting to see if she returns, she's transferred from the Joes to S.H.I.E.L.D.
  • Octavia Spencer got major acclaim and Oscar Nominations for their roles in The Help. However, like her co-star, Viola Davis, she hasn't done anything really big since then; this isn't due to lack of talent, but more of how what kind of roles Hollywood offers Black actresses. She got her own series, Red Band Society on Fox and got a prominent role as Johanna in the Divergent movies at least.
  • Amanda Bynes is a rather sad example. Debuting on All That as a preteen before segueing into her own spinoff The Amanda Show, her knack for physical comedy drew multiple comparisons to Lucille Ball. She was able to successfully graduate off the chidren's networks to the WB's What I Like About You and did moderately well in her ventures to lead roles in films (and even better in supporting roles such as Hairspray and Easy A.) However, in the new tens, it started to unravel. Several brushes with the law and bizarre behavior in real life and on Twitter made people worry for her mental health. As of 2015, she hasn't worked in several years, has repeatedly "retired" from acting for short periods of time, and has been put under several psychiatric holds.
  • Nancy Valen could be regarded as a starlet who unfortunately never got any traction in her career. After a couple of bit parts in movies (such as Porky's Revenge and Loverboy as Patrick Dempsey's love interest) and TV (such as Miami Vice and Charles in Charge), she got the cover of TV Guide as one of the stars of an ill-fated attempt at a TV musical drama series on NBC called Hull High. Like Steven Bochco's similar show Cop Rock on ABC, it failed after only a few episodes. After that, she went back to occasional guest-starring roles on TV (like Murder, She Wrote, Full House, Boy Meets World, Friends, Walker, Texas Ranger and perhaps most notably, in the second season of Saved by the Bell as the sexy new school nurse in a role that was originally meant for swimsuit model Kathy Ireland) and appearing in small B-Movie roles. Oddly enough, at least twice she seemed poised to get a long-term role which suddenly evaporated. The first occurred on the late-night USA Network series Silk Stalkings. After appearing as an IRS auditor in Season 3, she returned in Season 4 to play the role of Dr. Jillian Michaels, who became the love interest of Detective Chris Lorenzo (Rob Estes), one of the show's two main characters. But the storyline was never continued. Two years later, she got her gig on Baywatch as the new lieutenant, Samantha 'Sam' Thomas (which is pretty much, her best known acting role), who was brought in to replace the long-running character Lt. Stephanie Holden, played by Alexandra Paul. That particular season ended with Sam in bed with none other than David Hasslehoff himself with the two of them discussing how to break the news of their relationship to Hasslehoff's on-screen son, Hobie. So everything seemed set for her to return the next year with an expanded role as Mitch Buchanan's girlfriend and partner in command. Alas, that didn't happen. Baywatch instead returned with even more former Playboy Playmates, including Carmen Electra and Angelica Bridges as the newer lieutenant, and Nancy Valen's character Samantha had disappeared with no explanation. After guest appearing during the final season of Spin City, Valen seemed to go into semi-retirement from acting. She only had two more roles (last appearing in the 2007 Christian drama film The Wager) only to resurface as an infomercial host.
  • Amanda Seyfried, after well-received early appearances in Veronica Mars and Mean Girls, was seemingly on a streak of success in becoming a top box-office draw (with hits such as Mean Girls and Mamma Mia!). But in an eleven-month period from 2011 to 2012, she had three major flops in a row (Red Riding Hood, In Time, and Gone) with some reviews for the third one questioning if she even had appeal or talent in the first place (though others reviewers contended she was better than the material). Les Misérables (2012), in which she played Cosette, was successful critically and commercially, but most of the acclaim was directed at Anne Hathaway and Hugh Jackman. Her role as the title character in Lovelace has gotten her a lot of praise, but the movie made only half a million at the box office. Hollywood has long-since given up on an A-List role for her, but she can probably maintain a solid career as long as she doesn't overreach. Her attempt at becoming part of a franchise to boost her success crashed and burned with the critical and commercial failure that was 2015's Pan.
  • Big things were expected of Bo Derek. After a minor role in Orca: The Killer Whale, she got her big break in Ten, which propelled both her and Dudley Moore to stardom. She was even unironically compared to Marilyn Monroe. However, her follow-up movie, 1980's A Change in Seasons, got unfavorable reviews and disappointed at the box office. The 1981 movie Tarzan, the Ape Man, while a box office success, was mutilated by critics and earned her a Worst Actress Razzie (shared with Faye Dunaway for Mommie Dearest). She didn't get another film offer until 1984's Bolero, which bombed at the box office, and earned her another Razzie. She took a five-year hiatus, and her intended comeback film, Ghosts Can't Do It, intended as an imitation of the same year's Ghost, only put her career even further in the ground. She spend the next few years making TV films, not returning to the big screen until Woman of Desire came out to very little fanfare. After that, her most prominent role was in the 2006 telenovela Fashion House. By this point, it's safe to say that her career is toast, with some debating whether she even had one in the first place.
  • Shannen Doherty became a star in the late 80s and early 90s with hits such as Heathers and three respectable TV shows - Little House on the Prairie, Our House and Beverly Hills 90210. The late 90s were kind to her as well, when she headlined the supernatural drama Charmed. But cracks started to appear as early 1994 when she was fired from 90210 for getting into fights with her co-stars. Stories surfaced about her difficulty on the Charmed set too - with actor TW King leaving after the first season being rumoured to be because she didn't like him. Tension between her and co-star Alyssa Milano caused her to be fired again. After being fired from two hit network shows, she was given a few reality TV projects to headline - all of which did middling business. After that she stuck to doing TV movies and her star power quickly faded.


  • Most of the "New Brat Pack" (a pun on the Brat Pack of The '80s) that emerged from the American Pie movies ended up like this. Many of them got star pushes of different levels, but in the end, only Alyson Hannigan went on to bigger fame — and this most likely had more to do with her pre-Pie exposure on Buffy the Vampire Slayer than anything else. Examples:
    • Shannon Elizabeth became a sex sensation after Pie came out. She showed up in countless men's magazines (including an all-nude shoot in Playboy) and got a half-dozen roles in films like Jay and Silent Bob Strike Back, Thir13en Ghosts, and Tomcats. Just a couple of years later, she was a bit player and was essentially gone from any mainstream Hollywood attention. This may or may not have to do with her decision to no longer do nudity in film, even though that was what made her a star in the first place. She's since become more famous as a professional poker player and as a Dancing with the Stars contestant, and though she does still act, most of her films now go Direct-to-Video and it's unlikely she'll do anything noteworthy anytime soon.
    • Mena Suvari, between Pie and American Beauty, got a decent push, but slowly vanished from the spotlight and is now best known for indie films. She even inspired a blogger to start a series on the Hype Machine's victims once he was shocked to see her in Day of the Dead (2008).
    • Jason Biggs tried playing the same down-on-his-luck regular guy character (especially in The Loser) a bit too much, and he now mostly plays supporting roles in films like My Best Friend's Girl and Over Her Dead Body. His luck seems to be improving as of late following a stint as the voice of Leonardo on the latest Teenage Mutant Ninja Turtles series and a role on Orange Is the New Black. However, he ruined this opportunity by turning his Twitter feed into a place where he boasted about questionable sexual practices with his wife, terribly sexist jokes about the wives of Republican candidates, and racist jokes about the Malaysian Airlines missing plane. This, along with tantrums over TMNT fans and parents who criticize him for his off-screen vulgarity made him seem like poison to anyone hoping to promote their products. The only reason his character existed in OITNB is because of the source material, and fan response to Larry has been of him as The Scrappy of the show. He was written out of season 3 of the latter with a nearly-closed invitation to return only when needed, and season 3 of the former saw him be permanently replaced by Seth Green, which may means he's again on a downward slope.
    • Similar to Biggs, Seann William Scott did mostly the same kind of "big dumb happy guy" roles and mostly vanished from the limelight after the Hotter and Sexier The Dukes of Hazzard film came out. He now mostly plays supporting roles in films like Cop Out, however his roles in the Ice Age franchise has made him the most financially successful of his former cast mates.
    • Tara Reid had one of the better shots, but problems with drugs and alcohol, botched plastic surgery, and a penchant for carrying the Idiot Ball (though she claimed that she was only "acting" dumb, most people aren't sure of whether that's true or not) derailed her into a mess, though that still hasn't stopped her from doing DTV films.
    • Chris Klein was an ill-fated attempt to establish an attractive leading man that went nowhere after his hoped-for star turn, the remake of Rollerball, turned into a Star-Derailing Role instead.
    • Eddie Kaye Thomas (Finch) went from Pie to a series of "dorky, lovable loser" roles in films like the infamous flops Freddy Got Fingered and Dirty Love, as well as a string of DTV films rebranded under the "National Lampoon" banner. However, he has at least attempted to restore his cred in recent years with appearances in the Harold & Kumar Go to White Castle film series, as well as a starring voice on American Dad!, the HBO series How To Make It In America and his current gig on Scorpion. Only time will tell whether he can bring his star back.
    • Ironically, John Cho, who plays a minor character in the film, is the one whose movie career is most on the rise, between Harold & Kumar Go to White Castle, Star Trek, and the Total Recall (2012) remake.
    • Natasha Lyonne is an especially unhappy case. She got even more cred with But I'm a Cheerleader, but a serious problem with drugs and alcohol, as well as health problems and extreme mental illness, have all but destroyed her career. There was even a period where she was living homeless on the streets of New York after being evicted from her apartment for her behavior. Eventually she came back with a cameo American Reunion), and is finally coming back to prominence for her praised role in the Netflix series Orange Is the New Black. Unlike Biggs, Lyonne completely escaped the shadow of Pie after landing the show.
  • The cast of Twilight all enjoyed a big push, particularly Kristen Stewart, Robert Pattinson, and Anna Kendrick. Stewart's first big post-Twilight role was Joan Jett in the biopic The Runaways, Pattinson had the romantic dramas Remember Me (which seems to be more famous for its controversial ending than anything else) and Water for Elephants and the complicated David Cronenberg drama Cosmopolis, and Kendrick went for indie and Oscar cred with her performance in Up in the Air, not to mention mainstream success in Pitch Perfect. She even got a top ten chart hit in "Cups", a track from the aforementioned film's soundtrack. Only one of their pushes seems to have panned out, however...
    • Taylor Lautner parlayed his good looks and fame from playing Jacob into the action movie Abduction, but it was panned by critics and flopped at the box office. He's largely-disappeared.
    • Kellan Lutz seems to be on even shakier ground, since his biggest claim to fame is being shirtless at every available opportunity. He recently dragged out the "I want to be taken seriously" line, but since he has yet to put his shirt back on, some people didn't really believe him. His first big post-Twilight work, The Legend of Hercules, was a flop.
    • If anything, the franchise's rapid fall from popularity after ending put the nail on the coffin of the careers of Stewart (whose stone-faced performance of Bella became a running pop culture gag), Pattinson, and Lautner. If anything, only Kendrick (who has a sarcastic and self-depreciating demeanor in real life) has maintained stardom following the end of the franchise, and appears ready to hit the next level.
  • The cast of the MTV reality show Laguna Beach fell under this. When it premiered, Laguna was the first teen-oriented reality series on the network, and rode a wave of commercial acclaim, teen mag appearances and ratings domination. The teenage cast members all attempted to parlay their exposure into different avenues (to various levels of success), with most falling into obscurity after high-profile appearances in series or films. Lauren Conrad made the jump to her own successful spinoff, The Hills, but left the program after several seasons to unsuccessfully try her hand at a fashion line. Kristin Cavallari took up Lauren's spot as the main character of The Hills, but she mostly does DTV films now. Jason Wahler is more well-known for his guest stint on Celebrity Rehab than any of his prior work. Audrina Patridge's self-titled spinoff didn't last long. Only Stephen Colletti from the first season (who parlayed his fame into a long-running role on One Tree Hill) has had a relative degree of success.

     Examples that did hold up 
  • Angelina Jolie. Years of indie-cred roles in Gia, Hackers, and other films paid off with a big push from Girl, Interrupted in 1999, which won her the Best Supporting Actress Oscar and resulted in a near-endless push that got her big roles in such films as Lara Croft: Tomb Raider and Mr. & Mrs. Smith. When the latter got her together with Brad Pitt, the "Brangelina" media juggernaut was born. Clearly a major success story for everyone involved, as her films do generally well (though she stopped making them so quickly and focused on her home life and activist work), and the magazines get to make money off of her image (proof that being tabloid-bait isn't always a bad thing — only if that's all you're known for). Ironically, Jolie has stated on several occasions that she wants to give up acting for her growing family.
  • Tom Cruise got a big push in The '80s, and tons of film roles. Virtually every one proved to be a success. Obviously, he kept on being famous and having huge box office smashes until he royally screwed up and went crazy in the mid-2000s, with the infamous couch-jumping incident on The Oprah Winfrey Show being the telltale sign of his downfall. Twenty years? A pretty good run. Currently, he and the Hype Machine are going into overdrive to re-make him as a successful A-Lister, as he pokes fun at himself with humorous roles, and tries to fit back into the "romantic Action Hero" archetype once again, with Mission: Impossible – Ghost Protocol coming out to rave reviews and Oblivion (2013), Edge of Tomorrow and Jack Reacher also being modest hits. With the continued success of Mission: Impossible – Rogue Nation solidifying both the franchise's continued bankability and Cruise's return to stardom, the future is looking bright, with Mission 6 already confirmed, Jack Reacher 2 filming, and a biopic, Mena, forthcoming.
  • Nicole Kidman received a big push after earning critical praise for her role in To Die For, and her career has held up pretty well since then. Though her career didn't really take off until Tom Cruise dumped her and she won an Oscar for her role in The Hours.
  • Hulk Hogan: Began this way in late 1980/early 1981 as an extension of his arrogant heel character in the WWF, when he bragged endlessly on TV about being the "next big thing" in movies and wrestling. In an era before Entertainment Tonight and the Internet (TMZ.com wasn't even a twinkle in anyone's eye, for instance), it was possible for on-screen announcers to roll their eyes and be skeptical about Hogan's "supposed" connections with Sylvester Stallone and that he had been cast as a professional wrestler named "Thunderlips" in Rocky III, and successfully pull off their skepticism that he was actually going to be in the movie and be the next big thing because of it. Of course, that all did come to pass, Rocky III was a huge box-office success (in part because of Hogan) ... and although Hogan's acting career wasn't exactly a major success, his wrestling career would become legendary.
  • Heath Ledger started out as this in a big way, to the point where they even made a joke about it in Josie and the Pussycats. However, the reclusive Ledger went back to having a low profile until Brokeback Mountain established him as an actor to truly be taken seriously. Sadly, he then experienced the greatest career surge of all — a premature death. The Dark Knight helped establish his legacy, and at the very least, he will be more remembered for his latest work than for being a Teen Idol.
  • Leonardo DiCaprio did some very well-received work in indie films (notably the retarded brother in What's Eating Gilbert Grape alongside Johnny Depp) before being cast as the romantic, bishonen male lead in Titanic (1997). Starring in the highest-grossing film (before inflation) of the 20th century will turn anyone into a star. Even when Titanic wound up getting hit hard with Hype Backlash, DiCaprio's career and reputation managed to come out almost fully intact, thanks to his work with Martin Scorsese and ability to take on different roles.
    • The same goes for his co-star Kate Winslet, who luckily had some cred under her belt before (including an Oscar nomination) and who chose her projects well, making her a critical darling and eventually landing an Oscar.
  • Sandra Bullock got her big push from Speed much like Keanu Reeves did. However, she has had much better luck channeling that into a long-lasting career. There was initial worry as the "Chick Flick" movement slowed down in the late '90s and she vanished for a while, but with a long string of more recent hit movies running through the Turn of the Millennium, including the two biggest hits of her career (one of which won her an Oscar) in 2009, there's no doubt about her place on the A-List.
  • Julia Roberts got her huge push with Pretty Woman in 1990, and Hollywood got behind her as they rarely ever do for a female star not known for nudity. Twenty years later, she's still a bankable A-List star, though with less "legit" cred as she sticks to more mainstream, pedestrian "chick flicks" than serious films. Still, movies like Erin Brockovich gave her some critical acclaim (and in Erin's case, a Best Actress Oscar).
  • Cameron Diaz got tons of publicity after The Mask became a Top 10 box-office hit and for several years after she was in many critically and/or commercially successful films such as My Best Friend's Wedding, Gangs of New York, There's Something About Mary, and Being John Malkovich. She is the second actress to earn $20 million for a film, after Julia Roberts. Also branched out into voice work and struck gold with the Shrek film series.
  • Gwyneth Paltrow got a huge amount of hype right from around Se7en and several high-profile romances with major Hollywood hunks (including Brad Pitt and Ben Affleck). Unlike most flash-in-the-pan hotties with famous boyfriends, she proved her acting chops and won an Oscar for Shakespeare in Love, had several hits (enough to offset the occasional bombs — and she was in her fair share, enough to derail almost any career), and has managed to become a legitimate star in her own right. Her movies are rarely blockbusters (Iron Man notwithstanding), but she has artistic cred and enough of a name to get almost any role (it's unlikely anyone regrets her being on Glee, especially after she won an Emmy).
  • Reese Witherspoon certainly worked out well. After being a fairly run-of-the-mill actress in the early '90s, she all of a sudden got this massive push, first with the critically acclaimed Election and then commercial success with the Legally Blonde series and various Chick Flicks. She effectively became the next Julia Roberts, and even got an Oscar for her trouble (for Walk the Line).
  • Robert Downey, Jr. has been a Zig Zag with the Hype Machine. Starting off as a member of the Brat Pack in the 80's, Downey got his big break in the late '80s - early '90s which culminated with him getting an Oscar Nomination for his role as Charlie Chaplin in the biopic Chaplin. Unfortunately he had a real life downward spiral that led to drug abuses and arrests. After gaining sobriety in the mid 2000s, Downey returned to acting in the indie scene. He ended up making his Career Resurrection in 2008 with his starring role in Iron Man and has since then taken off and hasn't looked back since.
  • Ben Affleck, like Thurman, is an example of both failure and success in the Hype Machine. After Good Will Hunting and Armageddon, there was a period from 1998 through 2003 in which he was the biggest star in Hollywood. Then came Daredevil, Gigli, and the entire Bennifer saga, which derailed his career so badly that he wouldn't do any movies at all in 2005. He became a Hollywood punchline in the mid-'00s. However, he was able to quickly bounce back with "legit cred" in 2006 and after, not only as an actor in films like Hollywoodland, State of Play, and Company Men, but also as a director with the critically acclaimed crime dramas Gone Baby Gone and The Town. He was comfortably married with kids to Jennifer Garner, and he mostly stays out of the tabloid limelight. In 2012 he topped himself by directing and starring in Argo, which went over big with critics and audiences and won three Academy Awards - although he wasn't nominated either for acting or directing, he still received one for Best Picture (this Oscar is awarded to a film's producers, which in this case included Affleck himself). In recent years, his acting career has also improved with turns in his own work, being cast in David Fincher's Gone Girl and, most notably, being cast as Batman in the hotly anticipated Batman v Superman: Dawn of Justice.
  • In recent years, Melissa McCarthy has become a seemingly unstoppable draw for audiences in television and movies alike. For a while, she was usually known for various supporting roles (such as her character Sookie on Gilmore Girls), but after garnering an Academy Award nomination for her much-lauded role in Bridesmaids, she continued her streak of box-office successes with Identity Thief and The Heat. Her proverbial Midas touch hasn't been lost in her television work, either. She won an Emmy for her role on Mike & Molly, and she's been Emmy-nominated for guest-hosting Saturday Night Live not once, but twice. With a Distaff Counterpart film of the James Bond series planned with frequent collaborate Paul Feig, it's safe to say that she'll be around to stay for quite some time.
  • In Matthew McConaughey's case when A Time to Kill and Lone Star came out in 1996, he was called the "next Brad Pitt" and given a ton of new major roles. People covers soon followed, and he was expected to become the next A-list star. What ended up happening was a major string of box-office disappointments and minor roles over the course of the '00s, and he became instead known for appearing shirtless in "Celebrity Beach Body" specials, showing up in Direct-to-Video indie films, and being the romantic male lead in Chick Flicks. Not quite what was expected. It was only in the early '10s when he had a Career Resurrection as a "mature" leading man, with his acclaimed performances in The Lincoln Lawyer, Killer Joe, Magic Mike, Mud and Dallas Buyers Club. And with winning an Oscar for Best Actor for the latter film and starring in Christopher Nolan's film, Interstellar, there's a good chance that he's going back in the limelight.
  • Will Smith had a huge one. Starting out as a comedic rap star, of all things, he had a pretty funny sitcom for years with The Fresh Prince of Bel-Air, and had a decently-sized box office hit with the buddy-cop action movie Bad Boys. Then, starting with Independence Day and never stopping, he was showing up in one guaranteed A-List movie every other year. His comedies and action/explosion movies all make huge money (even his bombs make $100 million), and he has earned legit cred from his more artistic or serious movies. His career has slowed in recent years, with no movies at all from 2009 to 2011 (presumably his own choice), but he did have a hit with Men in Black 3 in 2012 and only really stumbled with After Earth, but he's nevertheless still high in demand and could easily come back. And now, he's set to play as Deadshot for the upcoming 2016 DC Extended Universe film, Suicide Squad, which shows that he's still around.
  • Jennifer Lawrence is considered one of the better actresses of the new generation, and is currently one of the biggest stars in Hollywood. She first came to notice with Winter's Bone which earned her an Oscar nomination but it seems to be The Hunger Games that is getting her the most press. That franchise as well as her role as Mystique in X-Men: First Class and her roles in films like Silver Linings Playbook (which won her a best Actress Oscar) and American Hustle (which got her another Oscar nomination) are likely to keep her around for a while.
  • Benedict Cumberbatch is not very known outside of UK until he played the titular character in BBC's Sherlock which earned him a lot of praise and fans (most of them are girls) and few years later, he won an Emmy. Because of this, he appeared in several critically acclaimed films such as Tinker, Tailor, Soldier, Spy, 12 Years a Slave and The Imitation Game (which earned him an Oscar nomination for Best Actor) and three franchises (The Hobbit, Star Trek Into Darkness and the Marvel Cinematic Universe where he will soon take the role of Doctor Strange). And since he's listed in Time magazine's "Most Influential People in the World" in 2014, he will be around for a long time.
  • Will Ferrell. After a stint with The Groundlings for several years, he first got his big break as a cast member of Saturday Night Live in 1995. There, he performed many of the most memorable impressions of the show's history, namely that of Robert Goulet, George W. Bush and Alex Trebek, and became one of Saturday Night Live's most beloved cast members. During Ferrell's final season at SNL in 2001, he performed as the antagonist in the Cult Classic Zoolander, and two years later had his first starring film role post-SNL in the moderately-recieved Old School. But his career soon got a huge push later that year, when he was cast as Buddy in the Christmas comedy film Elf, which was highly successful critically and commercially and solidified Ferrell's status as an A-list comedy superstar. He followed the film up a year later with Anchorman: The Legend of Ron Burgundy, which became a pop culture touchstone throughout the mid-2000's. Despite a slip-up in 2005 with The Producers '05, Kicking & Screaming and Curious George, he soon bounced back with Stranger Than Fiction and Blades of Glory. Since then, his films continue to draw critical praise and large crowds, and even though he's also balanced his major work with less-known indie fare, he's likely going to be a big name in Hollywood for a long, long time.
  • Cate Blanchett. In a big way. After her Star-Making Role in Elizabeth earned her widespread critical praise, numerous high profile magazine covers (such as Vogue, Vanity Fair, e.t.c) and an Oscar nomination for Best Actress, she was tipped for very big things. Immediately following that she was cast as Galadriel in Peter Jackson's The Lord of the Rings trilogy which went on to become the most financially successful movie trilogy of all time, as well as one of the most popular and critically acclaimed. Since then she's barely put a foot wrong in the eyes of, well, near enough everyone. She won her first Oscar (Best Supporting Actress) in 2005 for her role as Katharine Hepburn in Martin Scorsese's The Aviator (making her the only actor in history to win an Oscar for playing another Oscar winning actor), and has since gone on to receive five more Oscar nominations for Notes on a Scandal, I'm Not There, Elizabeth: The Golden Age, Blue Jasmine and Carol. She won her second Oscar (this time for Best Actress) for Blue Jasmine, and in fact achieved the largest awards sweep for a single movie performance of all time, earning an astonishing 46 individual industry awards for her performance. These days, as one of Hollywood's most acclaimed and profitable actresses (not to mention, "the greatest actress of her generation", as the media is constantly calling her), she is in the very enviable position of being able to pick and choose her movie roles, fitting them around her work in the theatre (her first love) and her role as the mother of four children. Whereas, in her earlier career, she was often called 'the next Meryl Streep', the young up and coming actresses of this generation sometimes have the honor of being called 'the next Cate Blanchett'.
  • Keira Knightley was predicted as a possible new star with highly praised roles in Pirates of the Caribbean. A lot of the blockbusters she headlined were hit and miss, but she became a critical darling with an Oscar nomination for Pride and Prejudice. She tried to resist typecasting in period films at first, but eventually embraced it and delivered very well received performances in Atonement, Anna Karenina, The Duchess, Seeking a Friend for the End of the World and eventually a second Oscar nomination for The Imitation Game. She has also successfully made the transition to the stage, with praised appearances on the West End and Broadway.

     Examples on the fence 
  • The entire cast of Friends were given countless movie roles the second that show became a sensation. The results have been mixed.
    • Courteney Cox and Matthew Perry have gone back to TV. The former had a flop with Dirt, and while Cougar Town was initially a hit, declining ratings led to it being put on hiatus in the middle of S2, held for mid-season in S3, and pushed from ABC to TBS for S4. The latter was 0 for 3 with Studio 60 on the Sunset Strip, Mr. Sunshine and Go On, though critics like his recurring appearances on The Good Wife and he finally landed a series that didn't get cancelled after one season with The Odd Couple.
    • Matt LeBlanc made a series of hellacious bombs: he did Ed, a movie with a baseball-playing chimp, and Lost in Space... and then there was Joey. He's currently starring in the low-rated but critically successful Showtime comedy series Episodes (playing himself, no less).
    • David Schwimmer started directing, where he seems happy, while Lisa Kudrow went for indie cred, partially to avoid being typecast.
    • Jennifer Aniston has fared the best so far — while she didn't headline a $100 million hit until 2011's Horrible Bosses (which arguably was helped out by the other heavyweights like Jason Bateman and Kevin Spacey in the film — she's never had a starring role do that well until We're the Millers in 2013, and is mostly known for Romantic Comedies), she was fortunate enough not to have a major flop during the time in between, and at the very least she's treated like a major star by most of Hollywood.
  • Jude Law spent years as a bit player as well as earning two Oscar nominations for both The Talented Mr. Ripley and Cold Mountain before receiving his big Hollywood marketing push in 2004, starring in Sky Captain and the World of Tomorrow, the remake of Alfie, and half a dozen other films. Chris Rock engaged in some Lampshade Hanging at his expense at the Oscars ceremony, making fun of how this "Tom Cruise Lite" was receiving so much hype for what seemed to be no reason. Of course, every film either bombed or was a disappointment, and then he got caught cheating on his then-fiance Sienna Miller with his children's nanny. Oops. Even with his career damaged, however, Law has continued plugging away, with major roles in Sherlock Holmes, Repo Men, and other recent Hollywood films. It's a serviceable career, although not nearly the highly bankable, Cruise-style A-lister that the studios were hoping he would be.
  • Uma Thurman was victimized by this. After notable roles in the late '80s with films like Dangerous Liaisons and The Adventures of Baron Munchausen, she became an "It Girl" with Pulp Fiction. This push ultimately faltered within three years after subsequent films, particularly Batman & Robin and The Avengers (1998), did poorly, and she vanished from the limelight (rumour has it she took time off to concentrate on motherhood, which might have killed buzz even further) before Kill Bill reignited her career in 2003. Since then it's partially faltered again (her film Motherhood set a British record by only selling eleven tickets in its opening weekend), but most people like her acting no matter how the film itself does.
  • Louis C.K. started out as a struggling hack comedian with a few unsuccessful projects under his belt like Pootie Tang, which he wrote and directed, and his HBO show "Lucky Louie" which only lasted one season. Eventually he revised his comedy act using George Carlin's method of writing new material every year and scrapping his old material, since then he has become one of the most popular stand up comedians in the world. He parlayed his success with standup into other forms of entertainment, giving well received performances in films like American Hustle and Blue Jasmine. He also created and stars in "Louie" a tv show based on his life that is popular with both audiences and critics. Only time will tell if this current wave of success lasts but due to his age it's likely he'll be popular for the rest of his life much like his idol George Carlin.
  • Catherine Zeta-Jones made a major splash with her Fanservice-y role in The Mask of Zorro, and instantly became a household name (internationally, anyway - she had already been fairly well-known for a while in the UK). Unfortunately, before she could get much work, she hooked up with Michael Douglas and practically vanished for years, only making the occasional movie like Chicago (for which she won an Oscar). She doesn't seem to mind her current obscurity, but she could have been as A-List as anybody given enough of a push.
  • Orlando Bloom appeared in The Lord of the Rings and Pirates of the Caribbean trilogies and was one of the biggest stars of the early-mid '00s. Since then, his career has suffered several hits, including critical thrashing and Hype Backlash, but he works steadily in highly regarded (if small) productions, for which he is finally starting to receive positive attention from the critics. His career appears to be thriving, but it's doubtful it will reach its former stratospheric heights. By all accounts, this seems to be his intention (he reportedly turned down Jake Gyllenhaal's role in Prince of Persia: The Sands of Time).note 
  • Disney has started creating an alarming number of Kid Coms in recent years, starting with the success of Lizzie McGuire and Hilary Duff. With Duff, they managed to create a crossover starlet (with movies, TV shows, albums, and clothing lines coming out) of high repute. They immediately created a formula with this, spawning Hannah Montana and others, with all their myriad starlets being built up the exact same way. Most of them (although there are exceptions) have only received minor hype after their Disney shows' runs were finished, and have mostly failed to find real stardom outside of their original shows.
  • Jennifer Lopez practically became an A-list star overnight after her performance in Selena was praised by critics, and she followed it up with several critically acclaimed films such as Out of Sight and The Cell. She also became noteworthy for being one of the few thespians who was able to successfully juggle both a singing and acting career. Though some critics were disappointed when she later switched over to starring in middling romantic comedies like The Wedding Planner, Monster-in-Law, and Maid in Manhattan, but her films were still successful box-office wise for the most part, and even the critically mauled Gigli didn't seem to stall her career much. But then she took a four-year break from her film career, and her first film since her break, The Back-Up Plan received worse reviews then any other film she's starred in so far, so while Lopez is still getting work in films (and television), it's pretty likely she'll never return to her former A-list status.
  • Eddie Murphy was the hottest comedian around back in The '80s. He started out on Saturday Night Live during one of its toughest Dork Ages, perhaps being the reason SNL escaped cancellation. He would soon bring his wit to the big screen in films like 48 Hrs., Trading Places, Beverly Hills Cop and Beverly Hills Cop II, and Coming to America (his only misstep was 1986's The Golden Child), as well as his standup specials Delirious and Raw, and even a couple of hit songs such as "Party All the Time". But after the failure of his 1989 vanity project Harlem Nights, in which he starred with his comic idols Richard Pryor and Redd Foxx, Murphy's career plummeted in The '90s, with Another 48 Hours, The Distinguished Gentleman, Boomerang, Beverly Hills Cop III, and Vampire in Brooklyn all bombing. He had become a walking punchline, infamously mocked by David Spade on SNL in 1995 when he said "Look, kids! a falling star! Make a wish!", which really made him mad. He bounced back with his 1996 remake of The Nutty Professor, and other films like Metro, Dr. Dolittle, Mulan, Life, and Bowfinger. But in the 2000s, Murphy slipped again as he made more family-friendly films, which, with the exception of the Shrek series, were poorly received. Films like Daddy Day Care, The Haunted Mansion, Meet Dave, and Imagine That, were panned by audiences and critics, and 2002's The Adventures of Pluto Nash was one of the biggest bombs in Hollywood history. He received an Academy Award nomination as Best Supporting Actor for Dreamgirls in 2006, but the much-maligned 2007 film Norbit probably torpedoed his hopes of winning. He was praised for starring in Tower Heist in 2011, but 2012 brought A Thousand Words (filmed several years before its release), which was universally panned (and had the "privilege" of being his first film to go Direct-to-DVD in Britain). He has expressed an interest in making more adult-oriented movies, so only time will tell whether he'll recover.
  • Similar to Eddie Murphy, Jim Carrey was the big comedian of the 1990s. Carrey started off playing supporting or minor roles in movies in The '80s, but after the back-to-back successes of Ace Ventura, The Mask, and Dumb and Dumber in 1994, his star shot up like a rocket. Unfortunately for him, while his comedic roles brought a major bank, it made him severely typecast as an actor. Attempts at more dramatic fare, such as The Truman Show, Man on the Moon, The Majestic, and Eternal Sunshine of the Spotless Mind, while earning him praise from critics, under-performed if not flopped at the box officenote  compared to his broad comedies. Unlike most however, Carrey's status is more self-imposed, making a conscious decision to pursue more serious works rather than continue with the comedies that made him incredibly popular. After making a second Ace Venture film, he repeatedly refused to star in sequels to his comedic works, which was likely a wise choice given the critical receptions those films wound up getting.
  • Ryan Gosling became a star with The Notebook and a critical darling with Half Nelson, and Hollywood seems intent on selling the idea that he is sexier than sex. It's debatable whether there's widespread audience agreement. His movies have done fairly well financially, but a lot of that could be the result of high-profile co-stars like George Clooney and Steve Carell. Critics still love him, but he has yet to headline a real blockbuster, and given that he tends to choose small-scale dramas over special-effects spectacles, he might never become another Tom Cruise or Will Smith. (It's possible or even probable that he prefers it that way, though.) It should be also noted that he's somewhat becoming typecasted after Drive, with all his upcoming or released projects being bend on giving him similar roles of tough guys in very violent (read: R-rated) actionesque flicks.
  • In a tragic example of this trope, Aaliyah was never able to prove whether or not she deserved all the hype she was given. After being the female lead in the surprise 2000 hit Romeo Must Die, it was widely predicted that she was going to be a big thing, resulting in her getting the title role in Queen of the Damned, and also getting a major part in The Matrix Reloaded and The Matrix Revolutions. Unfortunately, right after finishing principal photography on Queen of the Damned, she was killed in a plane crash, and the rock performance-heavy nature of the film meant it was extremely reliant on ADR dubbing, which she never had the chance to do before her death, meaning that nearly all her character's dialogue in the finished film was recorded by a sound-alike (her part in the Matrix sequels was subsequently recast with Nona Gaye). If nothing else however, the enduring success of her music well over a decade later shows that the hype around her R&B career was entirely justified.
  • Much was expected of Rachel McAdams after her roles in Mean Girls and The Notebook, and she was immediately hailed as Hollywood's new it girl. With the successes of Wedding Crashers and Red Eye, the hype appeared to be justified. But then she took a break from 2006 to 2007, halting her career in its tracks, and admitted that she had never wanted to be a big movie star. She did eventually make a return, with high points including The Time Traveler's Wife, Midnight in Paris and the Sherlock Holmes franchise, but her films have been hit or miss outside of that. Her career appears to be thriving, but she could have been as A-list as anybody given the chance.
  • James Franco had a slower climb to the top than most, with noted roles in the short-lived Freaks and Geeks and the Sam Raimi Spider-Man movies. His push didn't come until 127 Hours and being named the Sexiest Man Living in 2009. For the next three or so years, he headlined a lot of big films - some did well and others less so. He took a step back from acting to focus on his education, and has leaned more towards becoming a producer and director in addition to acting.
  • Ginnifer Goodwin received something of a Kate Hudson-esque push, getting numerous romantic comedy roles and magazine covers. But she didn't do a film after Something Borrowed until 2016's Zootopia (a five year gap). She was however chosen as the headliner of ABC's Once Upon a Time which has been a consistently hit with viewers. She appears to be slowing down after giving birth, and has had consistently less screen time in recent years.
  • Mila Kunis was well-known to audiences for her roles in That '70s Show and Family Guy, but she got a big breakthrough with Forgetting Sarah Marshall - taking much of the spotlight away from Kristen Bell (mentioned above). She won lots of acclaim for her role as Lily in Black Swan, and was named the Sexiest Woman Alive in 2013. Although her next big blockbuster Oz: The Great and Powerful made plenty of money, her performance was widely panned. Not helping matters was her first headlining role - Jupiter Ascending - being a Box Office Bomb. She has Family Guy to fall back on, and plenty of magazine covers, so time will tell.
  • Alyssa Milano got fame as a child star in the 80s with Who's the Boss? and got a huge Japanese following - enough to sign her to a five album recording contract over there. As she entered her twenties, she suffered the age-old Contractual Purity that dogs many child stars. She finally succeeded in breaking out of her nice girl image with erotic films that became cult classics. Magazine covers and cosmetic endorsements followed, as did a Ms. Fanservice push in Melrose Place and Charmed. The latter lasted a shocking eight seasons and it was predicted she would become a breakout star from it. Film offers came but she never had a notable hit. In The New Tens, she settled comfortably into the host of Project Runway: All Stars. It's not the career it could have been, but she doesn't seem stuck for work.

     Too early to call 
  • Emma Roberts was heavily hyped as being the next big thing due to her relation to Julia Roberts (she's her niece) and roles in a few high-profile movies. After an adaptation of Nancy Drew in 2007 (among other flops like Wild Child and, which both went Direct-to-DVD in North America), it looked that she was never going to break out. Despite the obvious fact that no-one was biting, Hollywood continued to push her, which led to lackluster performances of Scream 4 and The Art of Getting By. Emma's still around, but it will take a major hit film to turn things around for her. On the brighter side, hooking up with Ryan Murphy helped - she got positive reviews for her role on American Horror Story: Coven, returned for American Horror Story: Freak Show, and now stars on Scream Queens (2015).
  • Michael Cera came out with a vengeance after Arrested Development went off the air, appearing in several films that got mainstream recognition and artistic credibility (particularly Juno), and things were looking up. But his push fell apart in 2010, as both of his films that year (Scott Pilgrim vs. The World and Youth in Revolt), despite positive critical reception, flopped badly. His problem? Cera played the exact same nerdy-shy-guy character in every film he's been in so far, right down to specific mannerisms and vocal style. He's not gone yet, but he's heading in that direction.
  • Following Avatar and Terminator Salvation, Sam Worthington has gotten a big push as Hollywood's next big Action Hero. The Clash of the Titans remake followed, as well as a number of smaller action movies. Time will tell if he goes on to be the next Arnold Schwarzenegger or the next Steven Seagal. Like several others on this list, however, Worthington has taken criticism for playing more or less the same character in most of his roles.
  • Gerard Butler. After roles in such films as Dracula 2000 and the Lara Croft: Tomb Raider sequel, People magazine predicted he would become a megastar upon the release of the movie version of the musical The Phantom of the Opera (2004). However, not only was that film a modest performer at the box-office, but Butler turned out to be a big reason for the fandom's Broken Base. In early 2006, he finally attracted big-time attention via 300, and since then has alternated between action films (Gamer, Law Abiding Citizen) and Chick Flick/Romantic Comedy fare (The Bounty Hunter, The Ugly Truth). He's getting plenty of work, but The Onion probably had a point when it joked that saying Butler is starring in a film is just false advertising.
  • Alexander Skarsgård is getting a lot of attention for True Blood and for dating former starlets, but what his current fans perceive as famewhoring and paparazzi baiting seems to be turning them off. He's on the fence until future efforts succeed in replenishing the ranks. Solid and Ho Yay-riffic work on Generation Kill seems to be doing the trick.
  • Jake Gyllenhaal and Maggie Gyllenhaal. Hollywood seems entranced by the both of them, despite their continued failure to gain traction with audiences. The movie Bloom turned down, Prince of Persia: The Sands of Time, performed under expectations, and even Maggie's presence in The Dark Knight hasn't been enough to bolster her career, with most of the praise she received only being in comparison to Katie Holmes, the woman she replaced. Her unconventional facial appearance (big jowls and looking much older than the current crop of young starlets) is part of it as well. But the suits seem undeterred, so who knows? Maybe someday, one of them will hit it big. Family Guy, naturally, was not above pointing all of this out with a cutaway gag in which the two bickered over which one was "more offputting" and "more unappealing in a lead role."
  • Scarlett Johansson. An indie darling in the late '90s, she was crowned the new "It Girl" in 2003 on the back of her two acclaimed performances in Lost in Translation and Girl with a Pearl Earring. Her failure to secure an Oscar nomination for either film did a lot to stall her momentum, and her follow-ups were not nearly so well received. Luckily for her, Woody Allen declared her his latest muse and they made three films together, including one of his most popular latter-day films, Match Point. This kept her career on life support until she made a stab at a mainstream comeback with Iron Man 2 and The Avengers (2012). She followed this up with acclaimed turns in Her and Under the Skin, and with Lucy being her biggest hit outside the Marvel Cinematic Universe (and her first film as a solo lead to pass $100 million) it's looking bright for her.
  • Kristen Bell has been pushed heavily by Hollywood in the past few years, but it was her Forgetting Sarah Marshall co-stars, Mila Kunis and Russell Brand (himself in danger of this trope), who became bigger stars out of the deal. So far, she's decently well-known, but is nowhere near what Hollywood was hoping. While she had a lead role in Disney's box office juggernaut Frozen, voice-over success tends to not translate back into live-action (ask Tangled's Mandy Moore,) and the majority of the hype that did come out of Frozen seems to have gone to Idina Menzel (or even Josh Gad). She's only been in two live-action films that grossed more than $40 million (Marshall and Couples Retreat) and she was part of an ensemble with both; with the Veronica Mars film having a simultaneous launch on video-on-demand, her cold live-action streak will live on.
  • Katherine Heigl. After several years of TV appearances in stuff like Roswell and Grey's Anatomy, she gained a lot of fans for her starring role in Knocked Up... only to throw them all away within weeks. Not long after Knocked Up came out, she did a very vocal interview where she attacked basically everyone involved in the film, calling director Judd Apatow a sexist and lead actor Seth Rogen a slob, among other things. Despite the backlash, her next two works, 27 Dresses and The Ugly Truth, did very well at the box office despite not-so-great reviews. However, her reputation took another hit when she criticized the writing of Grey's Anatomy publicly on multiple occasions and was eventually Put on a Bus (so bad was the backlash to her behavior that she did an interview with Entertainment Weekly to apologize for her antics). Since 2009, her films have opened under $16m and have grossed less than $60m total domestically, and her latest try at television, in 2014-15 with State Of Affairs, was derided by critics and canned after one season despite airing behind The Voice.
  • The fictional character Batwoman. When the character was announced as appearing in the weekly comic series 52 in 2007 there was a massive media response, even branching into non-comic related formats. The character was a recreation of the classic character from the 1950's, but was written as a lesbian involved with one of the primary characters for the series. Most of the media focus was on her sexuality, and she became regarded as the highest profile gay superhero in The DCU. Dan DiDio, Chief Editor of DC Comics, has said that even he was completely unprepared for the massive news fixation on the character, and did not know how to properly respond. Though unconfirmed, rumors circulate that the Batgirl series being published at the time of her introduction was canceled in order to make room for her character. However, the amount of coverage on the character was completely out of proportion to her role in the series, which was a supporting role spread out over a year, and she spent the following two years as a minor and unused character, only appearing in guest spots in other series. However, in 2009 she became the headline character in Detective Comics and received a well-received title-series by Greg Rucka that effectively delved into her backstory.
  • Justin Bieber rode an immense wave of success in the early years of his career (despite releasing the same album three times note  and a Christmas album), with his third album (and second album of all original music) going platinum in several countries. He was a major sensation to pre-teen girls, but like most people with that target fanbase, their careers are prone to flaming out quickly. The biggest threat to Bieber's career as a mature performer was initially people getting completely sick of him, as he saturated every form of media out there, even appearing on shows and in magazines that have nothing to do with his target demographic of young children and teens. Hype Backlash was thus a major concern.
    • Recent years have not been so kind — in 2012, a certain British boy band started to cannibalize his fanbase. He did manage another successful album (Believe, considered to have grown the beard) and another successful world tour... but his next concert film flopped and his subsequent album was withdrawn from iTunes. He soon got an arrest and a DUI under his belt, adding to the likeliness that he's gonna burn out.
    • However, the tables are starting to turn - after spending the first half of 2015 on an apology tour and doing his best to undo the damage of his 2014 scandals, along with the surprise hit with Skrillex and Diplo "Where Are Ü Now", his highly-promoted comeback single "What Do You Mean?" shot to the top of the iTunes charts on the day of its release, breaking One Direction's record in the process; his subsequent album Purpose was released on the same day as 1D's, and went on to trounce it, debuting at number one (subsequently ending 1D's perfect #1 album streak at 4) and having two enormously successful followup singles ("Sorry" and "Love Yourself"). While he's still on shaky ground (and 1D arguably still has a bigger "hardcore" following), he gained a larger casual following than he or 1D ever had. It's certainly a positive turning point and the future looks bright.
  • The boys of Supernatural. Both Jensen Ackles and Jared Padalecki have gotten incredible praise for the show (including helping to raise it above the Sci-Fi Ghetto), and for being a couple of members of "Young Hot Hollywood" who can actually act instead of relying on their good looks. However, both of their attempts at film careers after starting Supernatural (Jensen in My Bloody Valentine 3D and Jared in the Friday the 13th (2009) remake) went nowhere. The big test will be when they branch out of the sci-fi/horror genre, and when Supernatural ends (the current plan is to go for 10 seasons, so the show will run at least until 2015) and they can be choosier about film roles (since right now they are limited to what they can do while Supernatural is on break).
  • Patrick Dempsey had a serviceable but unremarkable film career for a while. Once Grey's Anatomy became successful, Hollywood started trying to promote him as the next big thing. Of the leading-man roles he's had since then, only Enchanted was really a critical and / or commercial success, and that one was arguably helped by having the Disney name behind it as well. His other roles haven't really set the world on fire, though he readily admits that his acting on Grey's mainly helps finance his auto racing career and he wouldn't mind pursuing motorsports full-time.
  • Gemma Arterton began being hyped as the next big UK starlet after a One-Scene Wonder role as Strawberry Fields in Quantum of Solace (managing to overshadow even lead female Olga Kurylenko). However, none of her post 007 roles (The Disappearance Of Alice Creed, Tamara Drewe, Prince of Persia: The Sands of Time, Clash of the Titans, Hansel & Gretel: Witch Hunters) have managed to meet the hype. There's still a slight chance that she could pull it off but it's looking very unlikely.
  • Justin Timberlake: A lot of ups and downs for this pretty boy. His entrance into Hollywood was rough: Alpha Dog had mixed reviews, but his performance was mostly praised. Then Southland Tales, Shrek the Third, and The Love Guru ruined the careers of everyone involved, including him. Nobody cared for The Open Road, but then The Social Network gave him a massive career boost. From then on it was bumpy again: voicing another CGI character, picking the wrong sci-fi thriller to star in, and being hit or miss with the rom-com genre. A supporting role in Inside Llewyln Davis may keep him afloat acting-wise in the short term; to work with both David Fincher and The Coen Brothers illustrate that some big-name directors still have a lot of faith in him.
  • Seth Rogen has been dancing around this trope for a while. He's been acting since the late nineties but he got his biggest push from Knocked Up in 2007. Like Michael Cera, he was then on the receiving end of criticism for playing the same character (The vulgar but loveable slacker) too many times in films that weren't successful or were despite his presence. The biggest exception was Observe and Report, in which he played against type as a delusional, sinister mall cop, but it received mixed reviews. Though he earned back quite a bit of cred with his surprising dramatic performance in 50/50 which have made people view him in a better light, and This Is the End, which he co-wrote and starred in, was a commercial and critical success, as was his follow-up Neighbors and his infamous North Korea comedy The Interview. Also he's to star in Danny Boyle's Steve Jobs biopic which will probably keep him on the map for some time.
  • Emily Blunt became known outside of the UK in 2006 with her performance in The Devil Wears Prada and a Golden Globe win for the drama Gideon's Daughter. But since then, her career has been a rollercoaster of critical hits (The Adjustment Bureau, Sunshine Cleaning, Salmon Fishing in the Yemen) and major misfires (The Wolfman (2010), The Five Year Engagement). She still has a shot of having a big hit outside of her native country but outside of the arthouse crowd, she's likely to remain best known as John Krasinski's wife. She actually had to decline the role of Black Widow in Iron Man 2 (and the subsequent appearances in films like the box-office juggernaut The Avengers) because of a scheduling conflict with Gulliver's Travels, which was a box office bomb during the 2010 holiday season. However, this might change in 2014 after the success of Edge of Tomorrow and Into the Woods.
  • Julianne Hough is touted as "The Next Big Thing" by The Machine, and America will be subjected to the Dancing with the Stars performer's films left and right for the next several years until she either hits it big or they give up. The remake of Footloose was a good first step, the box-office and commercial flop Rock of Ages (which also included Tom Cruise and Catherine Zeta-Jones elsewhere on this page)... not so much. However, Safe Haven became commercially successful despite not getting good notices from critics.
  • Guy Henry, better known as Henrik Hanssen in Holby City has become critically acclaimed, and has avoided things such as Small Name, Big Ego etc. Unlike Justin Bieber, he isn't criticised or the subject of jokes, and is considered attractive by a lot of women - as much as the aforementioned individual.
  • Beth Behrs, from 2 Broke Girls has also received critical acclaim as well, and time will tell if this lasts or not. However, her Germans Love David Hasselhoff status - in the United Kingdom - probably counts for this too.
  • Viola Davis has had a string of very well-received roles over the past few years starting with the acclaimed Doubt. However she haven't done anything really big since then; this isn't due to lack of talent, but more of how what kind of roles Hollywood offers Black actresses. Viola Davis's later films included small supporting parts in Ender's Game, Beautiful Creatures, and Prisoners; something she's not very happy about, calling these roles "mammy-ish" and "down-trodden". But she landed her own series with How to Get Away with Murder on ABC which got renewed for a second season, and resulted in her winning an Emmy. She also has Suicide Squad coming up so, her career is going steady for her.
  • Although prominent since Clueless, character actor Paul Rudd's stint as a Hollywood leading man has been built upon the popularity of the Judd Apatow films he has appeared in. He had a promising start with Role Models and I Love You, Man, but practically every film since then have been either box-office flops or disappointments. This Is 40 has gotten a lot of praise though and he's guaranteed a career in prominent supporting roles. His performance as Scott Lang in the 2015 Marvel Cinematic Universe film Ant-Man boosted his career a bit and he's set to be in Captain America: Civil War. People are looking forward for his role in the future MCU movies with Ant-Man and The Wasp planned in 2018.
  • Andrew Garfield had a string of indie successes (Boy A, Lions For Lambs, The Imaginarium of Doctor Parnassus) before hitting it big with The Amazing Spider-Man. Even critics who didn't care much for it praised him in the title role, favorably comparing him to Tobey Maguire (who also found the right balance between big budget films and small dramatic films). With his attachment to that big franchise and acclaimed roles in fare such as The Social Network (which many felt he was overlooked for at the Academy Awards), it's looking hopeful he'll stay big for a long while. His co-star (and possible lover) in that movie, Emma Stone, also fits, with the film crowning a rise after a series of well-received movies (Zombieland, Easy A, The Help).
  • Jeremy Renner seems to be avoiding this trope so far, helped by the fact that, at forty-two, he is much older than most of the stars usually being hyped. While he's been working pretty consistently since 1995 and got attention for his roles in Dahmer and The Assassination of Jesse James by the Coward Robert Ford, it was his role in The Hurt Locker in 2008 that brought him huge acclaim and an Oscar nomination. He's since followed it up with critical acclaim and another Oscar nomination for The Town, a supporting role in Mission: Impossible – Ghost Protocol and a central role in The Avengers (2012) as Hawkeye. While Hansel & Gretel: Witch Hunters and The Bourne Legacy did well at the box-office but not so well with critics, it looks like his career will be strong for awhile.
  • Ever since the Pussycat Dolls split up, Hollywood has been trying their absolute damnedest to make Nicole Sherzinger a pop superstar. She had one album, long stuck in Development Hell, released in 2010, to mild success. She's also won a season of Dancing with the Stars, had multiple TV spots, including judging spots on the UK and US versions of The X Factor and her own episode of Behind The Music. It's still up in the air if all of it will finally pay off.
  • The entire cast of the 2009 Star Trek reboot has gotten huge hype from their roles but arguably none more so than Chris Pine, playing the role of Captain Kirk. While he had some hits and critical acclaim before, it was his role in the 2009 reboot that put him firmly on the A-List. Since then, he's had some great success with roles in Unstoppable, This Means War! and Rise of the Guardians. He was also recently cast as Jack Ryan in the film of the same name, taking over a role previously held by Harrison Ford, Alec Baldwin and Ben Affleck.
  • Australian star Jason Clarke, similar to Jeremy Renner, is an older actor who is gaining huge success in his forties with roles in Zero Dark Thirty, Lawless and The Great Gatsby as well as a leading role in the Dawn of the Planet of the Apes and Terminator Genisys. Time will tell if he can keep it up.
  • Tom Hardy was once considered the next big star with a role in Star Trek: Nemesis. However the film flopped badly and nearly killed his career before it got started. This resulted in Hardy falling into an addiction to alcohol and crack cocaine which he eventually overcame. His role in Bronson helped revive his fortunes but it was his role in Inception that made him big again. He followed it up with Tinker, Tailor, Soldier, Spy, Warrior, This Means War!, Lawless and, most notably, his role as Bane in The Dark Knight Rises which was a colossal hit and earned him huge acclaim. His role as Max in the upcoming Mad Max: Fury Road reboot will hopefully keep him around for another while.
  • Aaron Tveit has kicked around Broadway for a few years with the occasional recurring part, but the Powers That Be have been actively looking for a vehicle to introduce him to the mainstream. It finally happened with a turn in the film adaptation of Les Misérables (2012) and the new show Graceland. However, as seen under Amanda Seyfried's entry, much of the attention of Les Mis was directed toward Anne Hathaway and Hugh Jackman, and while he's getting great praise for Graceland, its status as a darker show on the normally bright and optimistic USA Network has made its reception a little lukewarm.
  • Michael Shannon had been kicking around for years in prominent supporting roles in films such as 8 Mile and Bad Boys 2 but it was his scene-stealing role in Revolutionary Road in which he just about stole the film from Leonardo DiCaprio, Kate Winslet and Kathy Bates with ten minutes of screen time, that earned him huge praise and an Oscar nomination. Since then, he has gone from one success to another with acclaimed starring roles in films like The Iceman and Take Shelter, rave reviews for supporting roles in Premium Rush and The Runaways and most notably his role in HBO's Boardwalk Empire and his role as Zod in blockbuster Man of Steel. While he may not exactly be anyone's idea of a leading man, it is likely he will stay around for a while.
  • Bryan Cranston has been acting for over three decades, but 2008 onwards have seen him make his way up to the A-List. Already famous and acclaimed for his role in Malcolm in the Middle, it was his role on Breaking Bad that saw him win enormous acclaim, three Emmys and has since been considered one of the best actors on television. His film career has been shaky with his some flops (Total Recall (2012), Rock of Ages, John Carter) and some big hits (Argo, Godzilla), but he was not the major box-office draw of these films. Like Michael Shannon and Jeremy Renner, he has the advantage of being considerably older and having a more distinctive presence than most other actors and he has a hugely dedicated fanbase, with type casting being a lesser issue as he has already proven he can reinvent himself even late in his career. Time will tell what happens next.
  • Cranston' costar from Breaking Bad Aaron Paul is less lucky. He won three Emmy Awards for his role as Jesse Pinkman. However the films he starred after his breakthrough, Need For Speed and A long Way Down, were critical flops.
  • Boy band One Direction took America practically overnight. While they had a slower rise in Europe, they were relatively unheard of in the United States—and then they started appearing everywhere. Although initially pegged as rivals to fellow rising boy band The Wanted, One Direction made short work of them, and The Wanted's career fizzled after one big hit. Then, the band's eyes were set on Justin Bieber. One Direction shocked the world when they defeated Justin Bieber at the 2012 Video Music Awards, which was a sign that Bieber's reign atop the teen world was coming to an end. One Direction proved that the victory was no fluke by continuing to dwarf his accomplishments and sales. Not only were the Brits' popularity skyrocketing past the Canadian's and closing in on his peak, but it was also obvious that Bieber's popularity was starting to fall (his own behavior would hurt it even worse). It's quite clear that One Direction are the biggest teen phenomenon since NSYNC.
  • Taylor Kitsch has been having a rough time with this trope as of late. He first rose to prominence with his role in Friday Night Lights showing he could be a very good actor in addition to being fan service. His post career has been very rough with 2012 proving a disastrous year with three high-profile disasters in Battleship, Savages and most notably John Carter, which was one of the biggest box-office disasters in recent memory. He does have an advantage in that he wasn't blamed for any of the failures, with John Carter's attributed to a very poor marketing campaign and an enormously bloated budget, and the fact that critics and audiences already know how well he can act. He's been confirmed for the second season of True Detective, and if that can match the success of the first season he might pick up some steam.
  • It might be a bit early to tell, but Channing Tatum's career enjoyed a fantastic 2012. After years of starring in different films to varying success, 2012 saw him in a string of three big hits (The Vow, 21 Jump Street, and Magic Mike), and G.I. Joe: Retaliation was even postponed to give his character more to do before he's killed off. Channing's 2013 output has been somewhat lackluster, at least compared to the initial run of theatrical hits that made him a household name; his role in Side Effects was a mere selling point for the film, White House Down underperformed because audiences had already gotten their fill of White House-set thrillers earlier in the year (although White House Down was the more successful of the two internationally) and his purportedly-extended role in G.I. Joe: Retaliation wasn't exactly the reason for its financial success. He did, however, have well-received cameos in This Is the End and Don Jon, so it's not as though he went ignored throughout the year. With a buzzy (and potentially Oscar-worthy) performance in the upcoming Foxcatcher, on top of sure-fire hit sequel 22 Jump Street, he'll likely regain some momentum in 2014.
  • Chris Evans has had his ups and downs with this trope. After his role in Not Another Teen Movie, he got a number of prominent roles, most notably as the Human Torch in the Fantastic Four franchise. While most of his films did fairly well, they were usually not well-received by critics, and he never broke out as a major star. While he did get some positive press for his roles in Sunshine and Scott Pilgrim vs. The World, they didn't do very well at the box office. However, his career started to pick up in 2011, when he was cast as Captain America in Captain America: The First Avenger and the subsequent Marvel Cinematic Universe films. While his films outside it (The Iceman and Snowpiercer) have been only moderately successful, his Marvel roles should keep him around for a while. Especially with the success of Captain America: The Winter Soldier.
    • If anything kills Evans's career it may well be Evans himself; he's expressed ambivalence about his blockbusters and stated that he may well retire after his Marvel contract is up to focus on directing. He has seemed more enthusiastic during the lead-up to Avengers: Age of Ultron, though, and recently suggested he may be willing to extend his contract. We'll see what happens.
  • Since Divergent is considered by several in terms of hype to be "The New Hunger Games," being a film adaptation of a popular Young Adult book series (and every new such franchise launched between the two has bombed), there are already some press that are hyping up Divergent star Shailene Woodley as "The New Jennifer Lawrence." Adding to this comparison is the fact that both got their first break on low-budget cable series (The Bill Engvall Show for Lawrence, The Secret Life of the American Teenager for Woodley.) Time will tell if Woodley can live up to the hype, but the box office success of The Fault in Our Stars is certainly a step in the right direction.
  • Olivia Wilde, after a successful stint as Thirteen on House, was given a big push in by starring in such blockbusters as TRON: Legacy, Cowboys and Aliens, and In Time. While all of these movies under-performed, she is still getting steady work in film and TV, so another (successful) push is not out of the question...
  • The entire Inhumans franchise is going through this. After years of being a minor group in the Marvel universe, usually in supporting roles, they had a number of well-received series. Then came the Marvel Cinematic Universe, which cannot use mutants, which are tied to the X-Men franchise (which is currently owned by 20th Century Fox, locking them out of being able to appear in the Disney-owned Marvel Films,) but are still using some characters that are normally mutants. While this hasn't been confirmed, the majority of readers see the latest Inhuman push to be an attempt to popularise them so that they can be used in the Marvel Cinematic Universe as a Suspiciously Similar Substitute to mutants (the Guardians of the Galaxy were similarly pushed before their film was announced, but nowhere to the degree the Inhumans are). After months of being hyped up as Marvel's next big thing, the main Inhuman series was delayed, leaving a bunch of tie-ins to a story which nobody knew anything about. Then, months behind schedule, the series finally came and... needless to say, the response was not what Marvel wanted, with a heavy 'meh' heard across the comic world, and the general consensus being that it was not worth the wait. The first issue of the series wasn't even able to break the top 10 of the month, and the second issue dropped all the way to barely making the top 50. However, the series is only two issues old at this point, so time will tell if the Inhuman push works, but it doesn't seem likely.
  • 5 Seconds of Summer are an Australian pop rock boy band who got their big break opening for One Direction, and the success they experienced was enormous, becoming the only boy-band able to stand toe-to-toe with them. Groups like The Wanted and Big Time Rush had their careers flushed down the toilet by their rivals, whereas upcoming groups like Emblem3, Midnight Red, and Union J were unable to take off, so 5 Seconds of Summer was expected to suffer the same fate. But instead, the group debuted at number-one with their first album, outsold One Direction's opening, got 5 top 40 hits in only three months, and are apparently next in line for the teen idol throne.
  • Michelle Dockery came to national attention for her role as Lady Mary in the worldwide hit Downton Abbey and much was expected of her. She didn't do much work outside of Downton so it remains to be seen if she'll remain prominent now the show has ended.

Fictional Examples:

Comic Books

  • Much of The Fade Out is about the studio's attempts to make an up-and-comer a star after a film's starlet is strangled to death late in production. The studio sets her up in a public relationship with a secretly gay actor to kill two birds with one stone.

  • Discussed in How to Lose Friends and Alienate People with the characters of Vincent Lepak, a pretentious "hip" filmmaker, and Sophie Maes, an up-and-coming starlet. (There's also the older actress who comes back into the spotlight after suffering from obscurity for many years.)

Live-Action TV
  • An episode of Angel dealt with a young actress who, knowing that she'd be spit out by the Hype Machine in a few years, tries to become a vampire so that she could retain her youth and beauty (and, by extension, her career) forever.
  • A two part episode of The Fresh Prince of Bel-Air was devoted to this trope in regard to Ashley. Will helps Ashley breakout as a singer, turning her into an overnight success. Ashley quickly develops an ego due to her new found success but no less than a few weeks later her album completely bombs because people got sick of her. This also becomes a rather unfortunate "Funny Aneurysm" Moment because Tatyana Ali's real life efforts to break out into the music business failed miserably.

Web Animation
  • The transformed (not) winners of the Lottery in Lucky Day Forever are frequently displayed on the news and are frequently cast aside as soon as another Prole wins.

  • Allegra Coleman. In 1996, Esquire ran an article on the "Next Big Thing." They created their own Hype Machine behind her, talking about her role in a new Woody Allen film, her rocky relationship with David Schwimmer, and her friendship with Deepak Chopra. The problem? Allegra wasn't real. The whole thing was an elaborate fabrication created by writer Martha Sherrill as a hoax/publicity stunt/Take That. The interesting part of the whole thing was that, despite not being real, the Allegra Coleman hype machine still worked, jump-starting the acting career of the model used in the photo shoot, future Heroes star Ali Larter.