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- But That Was In Another Country, an early Kingdom Hearts fic, chronicles the devastating fall of the Final Fantasy VII universe to the onslaught of the Heartless. It's narrated in the first person...by Yuffie Kisaragi. Hilarity and heartbreak ensue in equal measure.
Cid always told me I looked out for number one so hard that I could scratch a living on a rock, which I always kind of looked at as a compliment, because hooray! I'm Queen of the Rock!
- The Hitchhiker's Guide to the Galaxy originally had a cheerful, soothing narrator, played by Peter Jones (succeeded for the revival of the radio series by William Franklyn). The movie had Stephen Fry. In one particularly stressful scene in the television series, he assures the main characters' safety in advance while pleasant images appear on the screen.
- The film of The Color Purple depicts things like a teenage girl twice pregnant by her father against a backdrop of lush, bright colors and a charming array of Southern accents.
- The Green Mile is the epitome of this. People's faces are melted off more than once, but the tone is always that of an old man with good stories to tell. Stephen King novels in general have a very folksy, affable quality to the narration, no matter what nightmarish situation they're narrating.
- Old Man's War is similar, right down to the, well, old man. The aliens they fight each have their own unique way of being horrifying, but the narrator's matter-of-fact tone sees you through.
- This could almost be considered Amélie Nothomb's trademark style. Fear and Trembling is an excellent example.
- Ender's Game is a borderline case - Ender is not exactly a poster child for Angst? What Angst?, but he's still a child discovering new things, affording the proceedings a kind of wonder.
- Guy Gavriel Kay sometimes indulges in this, with the narrator reflecting on hard or horrible events as if looking back on them from decades later, or addressing them with a sort of gentle poetry or clinical detachment like a teacher lecturing his class. The overall effect is a sense that yes, things are horrible now, but life goes on and the world carries on.
- Ciaphas Cain has the Framing Device that they're Cain's memoirs, written while he's in retirement decades after the events he's describing have happened. Thus they're written in this rambling, detached manner, Cain sidetracking himself for whole paragraphs or recounting events that were terrifying at the time with his usual humour or Lovable Cowardice, regardless of whether he's describing the horrors of an Ork occupation, a pile of corpses sacrificed in a Chaos ritual surrounded by Brown Note-incuding sigils, or a colossal Tyranid swarm barreling towards a town. He drops this entirely however when during his expedition to a Necron Tomb World, which shows how much he still fears them.
Live Action TV
- A possible alternative name for this trope is "The David Attenborough Narration". Such a calm soothing voice, easing you through the violently graphic imagery of a seal being snatched from the beach and shredded by a killer whale.
- The narrator of Pushing Daisies was voiced by Jim Dale. Every episode we would hear him describing creatively violent murders in dulcet English tones.
- Invoked in a John Finnemore's Souvenir Programme sketch. An actor is hired to read an emergency broadcast which he believes is part of a movie script. Unbeknownst to him, he's actually recording a real emergency announcement, because the government is about to release a biohazard and needs a recording of a soothing voice telling people not to panic.
- GlaDOS of Portal describes everything from deadly experiments to your impending death with the same urgency as an automated recording announcing the next train to arrive. At the end and in the entirety of Portal 2, she drops this for a detached monotone that manages to be soothing and creepy at the same time.
- Vigil in Mass Effect lays out a million-years-old cycle of galactic-scale genocide in a relaxed, calm manner.
- Bastion applies this both visually (through a cute, childish art style) and aurally (Logan Cunningham, an actor with no previous major credits, has been noted by multiple reviewers to give very soothing narration even when listing off the names of all the dead people the protagonist finds in the street.)
- Transistor, Spiritual Successor to Bastion, has Royce Bracket, who retains the same soft, frail, scatterbrained voice regardless of whether he's describing the agents of the apocalypse or trying his best to kill you.
- Paul McGann has a soft, pleasant voice, and has said in an interview that for this reason he's often asked to narrate documentaries on frightening topics.
- Uh, Miles Richardson, anyone? This is the guy who played Irving Braxiatel.
- Morgan Freeman is the go-to guy for one of these as shown by XKCD.
- The British equivalent to Freeman, Stephen Fry, can also do this, and he in fact did with two very personal documentaries about very frightening things (HIV and bipolar disorder).
- As referenced above, Sir David Attenborough has a calm, soothing voice that make the most heart-rending scenes in a documentary less awful.
- The Little Fears, a YouTube personality, makes videos wherein she recites Creepypasta stories, 'true' accounts, and her own made up tales in this manner.
- Welcome to Night Vale has the velvety baritone of its narrator, Cecil Palmer, relate the various bizarre and horrifying events that regularly happen around town. Because Cecil is a local and is Conditioned to Accept Horror, he treats the news with disturbingly understated matter-of-factness. And even he is outdone by Kevin, his counterpart in Desert Bluffs, who veers straight into Stepford Smiler territory.
- Cryaotic has quite a voice, putting it to use in his "Cry Reads" series and several Let's Plays. People who are new to his content almost always point this out.
- Downplayed in Alice Isn't Dead. While the truck-driver Narrator is capable of displaying agitation and fear in her Captains Logs, she's remarkably coherent and relatively muted when describing horrifying paranormal events that occur both in the past and in real-time while she's driving, where panicked babbling or wordless screaming would be entirely understandable.