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Literature: The Club Dumas
The Club Dumas is a novel by Arturo Pérez-Reverte. It centers around Lucas Corso, an expert on rare books. A client, Varo Borja, asks Corso to authenticate his copy of The Nine Gates of the Kingdom of Shadows. The book has three copies surviving, due to the rest being burned at the stake in 1667 with its author - because the book is supposedly an adaptation of another book co-written by Lucifer himself.

As Corso attempts to figure out which of the three copies is the genuine one, he discovers that the Nine Gates has a purpose - when used correctly, the book will raise the Devil himself and grant the summoner great supernatural power. Corso is not the only person who has figured this out, and is chased by others who want the power and protected by a mysterious girl. The deeper Corso delves into the mystery of the book, the deeper the pile of bodies left behind becomes.

Corso has a second mission which involves "The Anjou Wine", a chapter of the original manuscript of The Three Musketeers by Alexandre Dumas, père. This manuscript was once owned by the late Enrique Taillefer, a millionaire who specialized in cookbooks, who killed himself. While traveling around Europe on his mission(s), he finds himself being stalked by a man and woman who look uncannily like Milady de Winter and Comte de Rochefort.

What do these two strangers want with him and what is the connection between The Three Musketeers and the Devil?

The novel was adapted into the 1999 Roman Polanski film The Ninth Gate starring Johnny Depp.


This book provides examples of:

  • Affably Morally Ambiguous: "Irene Adler" (or whatever her real, demonic name is).
  • Angel Unaware: While the movie only implied it, The Girl is specifically stated to be a fallen angel in the book.
  • Antihero: Corso is thoroughly amoral, and unlike in the movie of the book, doesn't get a final redemption or even a Pet the Dog moment.
  • Aristocrats Are Evil: Borja and to a lesser degree, Ungern.
  • Bald of Evil: Varo Borja
  • The Baroness: Baroness Ungern, while actually holding the title, is not one.
  • Black and Grey Morality.
  • Blondes are Evil: Liana Taillefer
  • Butch Lesbian: Makarova, who in the words of the author "looked like a fitter from a ball-bearing factory in Leningrad."
  • Call Back: One of the manuscripts mentioned is a fencing treatise by Don Astarloa - the protagonist from Perez-Reverte's older book The Fencing Master, who spent most of the story working on said treatise.
  • The Devil Is a Loser: The Girl seems to think so. And she would know.
  • Femme Fatale: Liana and the Girl
  • Genre Savvy: Discussed, played with and ultimately subverted. The Genre Savvy Corso recognizes the connection between the two plotlines, only to find out that there was no such connection, and that by reading too much into the situation he was distracted from what was actually going on.
  • Ghostapo: Baroness Ungern was the assistant of Hitler's personal astrologer when she was younger. Corso produces a photo of her with Himmler to blackmail her at one point.
  • Green Eyes: The Girl's are dwelt on in detail.
  • Hell Seeker: Borja
  • Historical Villain Upgrade: Discussed, in regard to Dumas' treatment of Cardinal Richelieu in his books.
    • Occurs in-story with Giordano Bruno, who while a bit of a kook, was not a devil worshipper by any means. Much the same goes for Madame de Montespan. She was certainly vain and arrogant, but not a devil worshipper, either.
  • Impoverished Patrician: Viktor Fargas
  • How We Got Here:
  • Icy Blue Eyes: Liana's
  • Karmic Death: Varo Borja
  • Meaningful Name: Boris Balkan
    • Intentional or not, Borja is the Spanish version of "Borgia." Yes, those Borgias.
    • Taillefer was a Norman juggler who fought at the Battle of Hastings.
  • Meta Fiction
  • Money, Dear Boy: Baroness Ungern confesses to Corso that she's not as interested in the occult as she once was and writes occult books to maintain her lavish lifestyle.
    • Enrique Taillefer wrote cookbooks for the same reason.
  • Nazi Nobleman: Sort of. While apparently friendly with Nazis, Baroness Ungern was not a noblewoman back then.
  • Nouveau Riche: Enrique and Liana Taillefer who "have more money than taste," according to Corso.
  • Plagiarism In Fiction: Enrique Taillefer plagiarized an obscure novel, Angeline de Gravaillac, for his book, The Dead Man's Hand, or Anne of Austria's Page. Balkan's discovery of this fact drove him to suicide.
  • Rooting for the Empire: In-universe, Liana is a big fan of Milady de Winter and hates the Musketeers.
  • Shout-Out: Listing all of them would take up a page on its own.
    • Most obviously, there's a blatant shout-out to Sherlock Holmes when the Girl identifies herself once as Irene Adler.
    • And the entire interaction between Corso and The Girl is a reference to Jacques Cazotte's The Devil in Love.
  • Shown Their Work: On every subject from book-collecting to forgery to Alexandre Dumas' personal life to demonology.
  • Smug Snake: Varo Borja, so much.
  • Summoning Artifact
  • Textual Celebrity Resemblance: According to Baroness Ungern, Lucifer looks like John Barrymore in Grand Hotel.
  • Tome of Eldritch Lore: The Nine Gates of the Kingdom of Shadows, as well as the Delomelanicon.
  • Ungern-Sternberg: Claimed to have been the great-uncle of Ungern's late husband.
  • Unwitting Pawn: Varo Borja suspected from the beginning that the authentic engravings were spread across three books and sent out Corso to confirm this theory and to serve as a fall guy for the murders of Fargas and Ungern.

Chronicle of a Death ForetoldSpanish LiteratureDiario de un Zombi
Children of the Last DaysConspiracy LiteratureThe Crying of Lot 49

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