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Film: Twentieth Century
Twentieth Centry is a 1934 comedy starring John Barrymore and Carole Lombard and directed by Howard Hawks. Barrymore plays Oscar Jaffe, a Broadway producer who plucks a lingerie model named Mildred Plotka (Lombard) from obscurity, gives her the stage name Lily Garland, and makes her a star. They fall in love. The film then cuts to three years later, revealing that their relationship has soured due to Jaffe's maniacal jealousy. After Lily catches a private eye hired by Jaffe in the act of monitoring her phone calls, she leaves him, heads out to Hollywood, and makes it big as a film actress. Jaffe's career tanks, but he's given one last chance to rescue his situation when, while riding the train from Chicago to New York, he finds out that Lily is on board the same thing.

The last big role for Barrymore, who had been a star since the early silent film days but whose career went into decline due to his alcoholism. On the other hand, a Star-Making Role for Lombard, who would specialize in comic romances like this one, appearing in several classics before her untimely death in a plane crash in 1942. Twentieth Century did poorly at the box office but has since been recognized as helping establish the Screwball Comedy film genre. It was inducted in the National Film Registry in 2011.


Tropes:

  • Ambiguously Jewish: Oscar rags on rival producer Max Jacobs for changing his name from "Max Mandelbaum".
  • Bad Bad Acting: Lily is painfully inexperienced when Oscar brings her onstage in the opening scene to rehearse a play.
  • Blatant Lies:
    • Oscar's assistant Oliver Webb (Walter Connelly) begs Oscar to replace Lily in the play due to her bad acting, then says "I always knew you could do it!" to Lily after she is a smash hit in said play.
    • Oscar promises Lily he isn't going to be jealous and controlling anymore, and then immediately gets a private detective to tap her phones.
  • Book Ends: The last scene has Oscar and Lily rehearsing the same play they were at the beginning, with Oscar giving the same talk, though this time his "I love you all" clearly means more to Lily.
  • Enforced Method Acting: Oscar jabs Lily with a pin to get an authentic scream out of her.
  • Green-Eyed Monster: Oscar's jealousy drives Lily away.
  • Impossibly-Low Neckline: The dress Lily is wearing in Oscar's play does heroic service.
  • Have a Gay Old Time:
    Lily: Oh I've died so often, made love so often on the stage.
  • Large Ham: Oscar acts this way all the time. Lily calls him on it, calling him "Cheap ham!" as he's theatrically threatening to kill himself.
  • Ms. Fanservice: That bra-and-panties ensemble that Lombard wears in her apartment never would have been allowed if this film had been made just a little bit later, after Hollywood cracked down on The Hays Code.
  • Romantic False Lead: Lily has a boyfriend when she gets on the train, but Oscar dispatches him pretty easily.
  • Sexy Discretion Shot: Lampshaded—Oscar and Lily kiss in her dressing room after the play's a hit, she embraces him, she says "Don't leave me!", and he pushes the dressing room door shut with his foot.
  • Stage Name: Mildred Plotka to Lily Garland.
  • The Svengali: Oscar wants to be this, which Lily lampshades when she says "I'm no Trilby!".
  • Those Two Guys: Oscar's two bumbling assistants, the nervous, jittery Oliver and the Deadpan Snarker Owen O'Malley (Roscoe Karns).
  • Time Skip: Three years after the play's a hit, to demonstrate that the bloom is off the relationship, and then another time skip of unclear duration that establishes that Lily has become a big movie star while Oscar's career as a theater producer is in the toilet.
  • Title Drop: The train to New York is the 20th Century Limited, which was a real train.
TopperScrewball ComedyYou Can't Take It With You
The Scarlet PimpernelFilms of the 1930sThe 39 Steps
The KidNational Film RegistryBambi

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