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Film: The Killing
The Killing is a 1956 Film Noir by Stanley Kubrick that follows the last heist of career criminal Johnny Clay. With 2 million dollars at stake in the racetrack counting room Clay sets up an elaborate plan to get the money and get everyone involved their share. At the time of the heist the film splits off to show the perspective of every character involved in the heist.


Provides examples of:

  • Alas, Poor Villain: Johnny at the end, when his entire scheme is blown and he finds himself being confronted by two undercover policemen. His girlfriend urges him to run, but Johnny shamefacedly gives it up right there.
  • Anti-Hero: Johnny Clay
  • Asshole Victim: Randy Kennan, Sherry, Val, and Val's gunman.
  • The Bartender: Mike O'Reilly
  • Berserk Button: George gets two of these: When Sherry is implying to him that Johnny raped her, and when Sherry's lover, Val, tries to stick the criminals up, demanding to know where the money is as well as George the "jerk." George angrily responds with, "The jerk's right here!" and guns down Val and his assistant gunman.
  • Billing Displacement: Colleen Gray and Vince Edwards have noticeably less screen time than some of the other supporting players, but are billed just after Sterling Hayden and the title; likely this is because their names were more prominent at the time.
  • The Caper: The robbing of a racetrack counting room.
  • Chekhov's Gun: Sebastian the poodle.
  • Chiaroscuro: Especially prominent in scenes with George Peatty.
  • Deadpan Snarker: Sherry fits this trope to a T, especially in her first scene.
  • Dirty Cop: Randy Kennan
  • Film Noir: Stanley Kubrick's take.
  • The Film of the Book: Based on the novel Clean Break by Lionel White.
  • Five-Bad Band:
  • Genius Bruiser: Maurice Oboukhoff, played by professional wrestler Kola Kwariani, spends his time playing chess when he isn't holding his own against 6 or mooks.
  • Henpecked Husband: George
  • Ineffectual Sympathetic Villain: Elisha Cook, Jr. at his most Ineffectually Sympathetically Villainous.
  • Ironic Echo: "Just one big joke without a punchline..."
  • Kill 'em All: Only Johnny and Fay survive to the end of the movie, but Johnny is presumably captured by the police to pay the price for his crime. Maurice also lives, but not without a beating from about eight cops that he almost wins.
  • Loan Shark: Policeman Randy Kennan's reason for joining the caper.
  • Malevolent Masked Man: Johnny Clay wears a clown mask and hat at the climax of the caper.
  • Manipulative Bitch: Sherry. She had poor George wrapped around her finger the entire time.
  • Narrator
  • Not-So-Harmless Villain: In hindsight, George actually kills the most people in the movie, shooting his wife's lover and his assistant gunman, as well as his own wife as revenge for her lurid affair.
  • Punch Clock Villains: Everyone involved in the caper except Johnny Clay.
    "None of these men are criminals in the usual sense. They've all got jobs, they all live seemingly normal, decent lives. But they've got their problems and they've all got a little larceny in them." - Johnny Clay
  • Senseless Violins: Johnny gets a gun into a motel room by hiding it in a guitar case.
  • Sexy Discretion Shot: Done with Johnny and his lover, Sherry and her lover, and Sherry and George.
  • Simultaneous Arcs: During the heist.
  • Star-Making Role: For Kubrick, whose previous work consisted of a few documentary shorts and two ultra-low-budget features. This film got Hollywood's attention.
  • The Stoic: Johnny
  • Your Cheating Heart: Sherry

Jason and the ArgonautsDanny Peary Cult Movies ListKing Kong
Mike HammerFilm NoirSweet Smell of Success
The GeneralRoger Ebert Great Movies ListKind Hearts and Coronets
The Jazz SingerFilms of the 1950sThe King and I

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