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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process
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* UncannyValley: The album cover looks a little . . . unsettling.
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* PainfulRhyme: An argument could be made for pretty much every lyric in the album. Especially egregious in ''Toba the Tura,'' between trying to rhyme "flipped it" with "latent" and the inexcusable syllabic butchering to make "You had a life of/privilege-hope-AND-love" work.
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Per the ATT thread, character alignment is considered Flame Bait and doesn't go on work or YMMV pages unless it's explicitly acknowledged by the creator of the work. Also, it's not necessary to use the Main/ namespace to link to articles in Main/.
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* Main/ChaoticEvil: Barayas the spider, probably. His motivations for encouraging Ahrima to literally SetTheWorldOnFire remain unexplained. [[Main/ForTheEvulz Perhaps some spiders just want to watch the world burn.]]
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8 Main/ChaoticEvil: Barayas the spider, probably. His motivations for encouraging Ahrima to literally SetTheWorldOnFire remain unexplained. [[Main/ForTheEvulz Perhaps some spiders just want to watch the world burn.]]
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8 Main/ChaoticEvil: Barayas the spider, probably. His motivations for encouraging Ahrima to literally SetTheWorldOnFire remain unexplained. [[Main/ForTheEvulz Perhaps some spiders just want to watch the world burn.]]
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* CrowningMusicOfAwesome: It's a freaking [[TheMusical musical!]]
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* CrowningMusicOfAwesome: SugarWiki/AwesomeMusic: It's a freaking [[TheMusical musical!]]
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* PainfulRhyme: An argument could be made for pretty much every lyric in the album. Especially egregious in ''Toba the Tura,'' between trying to rhyme "flipped it" with "latent" and the inexcusable syllabic butchering to make "You had a life of/privilege-hope-AND-love" work.
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* AccidentalInnuendo: ''The Oracle'''s proclamation that "inside her lock he'll turn the key" is a little... [[FreudWasRight phallic]]. At least the fact that the key metaphor is used earlier in the soundtrack with a male[[note]]Ahrima[[/note]] as the "lock" and a female[[note]]Nidria[[/note]] as the "key" makes it slightly better (or perhaps [[RefugeInAudacity even worse]]).
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* AccidentalInnuendo: ''The Oracle'''s proclamation that "inside her lock he'll turn the key" is a little... [[FreudWasRight phallic]].little phallic. At least the fact that the key metaphor is used earlier in the soundtrack with a male[[note]]Ahrima[[/note]] as the "lock" and a female[[note]]Nidria[[/note]] as the "key" makes it slightly better (or perhaps [[RefugeInAudacity even worse]]).
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** Adakias is a minefield of moral grayness. Did he deserve to be able to run off and decide his own destiny, or was it selfish of him to abandon both his brother and homeland when they were all asking him to help rule over the kingdom? Adding to that, to what level of responsibility should he be held for making Anhura ill? Did he always know he was risking her health, or did he only realize it after she actually got sick? Did he do the right thing by sticking by her side to try and find a cure, or was staying close by only infecting her more and making everything worse? Was his refusal to admit to her that he was from the dark (and therefore the cause of her illness) just a minor detail, or an unforgivable sin that denied Anhura informed consent over her own health?
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unfortunate implications need citations.
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* UnfortunateImplications: Out of the fourteen named characters (fifteen if you feel like counting TheNarrator), only two are female, and ''both'' of them serve as the SatelliteLoveInterest for their respective half of the musical.
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* UnfortunateImplications: Out of the fourteen named characters (fifteen if you feel like counting TheNarrator), only two are female, and ''both'' of them serve as the SatelliteLoveInterest for their respective half of the musical.
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* AccidentalInnuendo: ''The Oracle'''s proclamation that "inside her lock he'll turn the key" is a little... [[FreudWasRight phallic]]. At least the fact that the key metaphor is used earlier in the soundtrack with a male[[note]]Ahrima[[/note]] as the "lock" and a female[[note]]Nidria[[/note]] as the "key" makes it slightly better (or perhaps [[RefugeInAudacity even worse]]).
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** Anhura spontaneously announcing that she really wants to have Adakais's babies can raise a few eyebrows.
* NarmCharm: Could this musical have been written with characters who don't take themselves so seriously and are less prone to ChewingTheScenery? Yes. Would it have been anywhere near as fun? Absolutely not.
* NarmCharm: Could this musical have been written with characters who don't take themselves so seriously and are less prone to ChewingTheScenery? Yes. Would it have been anywhere near as fun? Absolutely not.
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* AlternateCharacterInterpretation: Is Ahrima a good guy who just didn't get enough affection from his father figure, or a whiny brat who throws world-shattering temper tantrums when he's not the center of attention?
** Is Pallis a well meaning case of BigBrotherInstinct gone ''way'' too far, or a textbook example of DarkIsEvil who would tear down anyone in his way to preserve the status quo?
** Is Pallis a well meaning case of BigBrotherInstinct gone ''way'' too far, or a textbook example of DarkIsEvil who would tear down anyone in his way to preserve the status quo?
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* CrowningMusicOfAwesome: It's a freaking [[TheMusical musical!]]
