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* FilkSong: "The Wizard" is about [[Literature/TheLordOfTheRings Gandalf]].
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Their first two albums, ''Music/{{Black Sabbath|Album}}'' and ''Music/{{Paranoid}}'' (both released in 1970), brought them great popularity with songs like "Black Sabbath," "War Pigs," "Paranoid," and "Iron Man." Due to their darker style, they initially received no radio play, and Creator/VertigoRecords had to bribe radio stations to play "Iron Man," which scraped the [[UsefulNotes/TheUnitedStates US]] charts. Their next albums, ''Music/MasterOfReality'' and ''Volume 4'', spawned a new batch of classics, such as "Sweet Leaf," "Children of the Grave," "Into the Void," "Supernaut," and "Snowblind." It wasn't until their fifth album, ''Sabbath Bloody Sabbath'', that they finally got positive reviews from the mainstream media (although critics have reversed themselves and [[VindicatedByHistory retroactively praised]] the other four albums).

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Their first two albums, ''Music/{{Black Sabbath|Album}}'' and ''Music/{{Paranoid}}'' ''Music/{{Paranoid|Album}}'' (both released in 1970), brought them great popularity with songs like "Black Sabbath," "War Pigs," "Paranoid," and "Iron Man." Due to their darker style, they initially received no radio play, and Creator/VertigoRecords had to bribe radio stations to play "Iron Man," which scraped the [[UsefulNotes/TheUnitedStates US]] charts. Their next albums, ''Music/MasterOfReality'' and ''Volume 4'', spawned a new batch of classics, such as "Sweet Leaf," "Children of the Grave," "Into the Void," "Supernaut," and "Snowblind." It wasn't until their fifth album, ''Sabbath Bloody Sabbath'', that they finally got positive reviews from the mainstream media (although critics have reversed themselves and [[VindicatedByHistory retroactively praised]] the other four albums).



* 1970 - ''Music/{{Paranoid}}''

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* 1970 - ''Music/{{Paranoid}}''''Music/{{Paranoid|Album}}''



* AlbumFiller: "Paranoid" subverts this. Originally it was a quick filler Tony Iommi threw together for the album they wanted to call ''War Pigs''. Then the company made them change the title. It ended as one of the band's (and, by extension, HeavyMetal's) anthems.
* TheArtifact: As mentioned in the AlbumFiller entry above, the title of ''Paranoid'' was supposed to be ''War Pigs'', but got changed at the last minute due to the popularity of "Paranoid." The rest of the artwork remained unchanged, though, and the war pig on the cover makes very little sense.
* AscendedExtra: "Paranoid". It progressed from [[AlbumFiller a quick filler track to round out the album]] to a popular single to becoming the TitleTrack due to Executive Meddling (''{{Music/Paranoid}}'' was going to be called ''War Pigs'' until their record company, Vertigo, balked at possible backlash due to the then-ongoing [[{{UsefulNotes/The Vietnam War}} Vietnam War]]).

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* AlbumFiller: "Paranoid" subverts this. Originally it was a quick filler Tony Iommi threw together for the album they wanted to call ''War Pigs''. Then the record company made them change the title. It ended as one of the band's (and, by extension, HeavyMetal's) anthems.
* TheArtifact: As mentioned in the AlbumFiller entry above, the title of ''Paranoid'' was supposed to be ''War Pigs'', but got changed at the last minute due to the popularity of "Paranoid." The rest of the artwork remained unchanged, though, and the war pig on the cover makes very little sense.
sense, leading to CreatorBacklash. (The band had never liked the photo to begin with.)
* AscendedExtra: "Paranoid". It progressed from [[AlbumFiller a quick filler track to round out the album]] to a popular single to becoming the TitleTrack due to Executive Meddling (''{{Music/Paranoid}}'' (''{{Music/Paranoid|Album}}'' was going to be called ''War Pigs'' until their record company, Vertigo, balked at possible backlash due to the then-ongoing [[{{UsefulNotes/The Vietnam War}} [[UsefulNotes/TheVietnamWar Vietnam War]]).
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Loads And Loads Of Characters is no longer a trope


* LoadsAndLoadsOfCharacters: Existed since 1968. Since then, they've gone through a veritable menagerie of singers, bassists, and drummers, as well as a keyboardist, not counting touring members. Tony Iommi is the only constant member. They've gone through so many members, they have [[https://en.wikipedia.org/wiki/List_of_Black_Sabbath_band_members their own Wikipedia page dedicated to chronicling their gazillion and a half band members.]]
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* UnbuiltTrope: Since they played metal before it was a codified style, they display a lot of influences that are less commonly seen in later metal. Bill Ward's biggest early influences (Gene Krupa, Buddy Rich, and Louie Bellson) were all {{jazz}} drummers, and while numerous later metal drummers have certainly drawn plenty of influence from jazz as well, Ward's playing has a sense of swing to it that may still feel rather startling. Their song structure is unusual enough that, if they hadn't kickstarted their own genre, they might well have been retroactively classified as ProgressiveRock instead - their songs from TheSeventies rarely have anything resembling verse-chorus structure, often run for seven minutes or longer, and commonly go through numerous tempo and key signature changes; while ProgressiveMetal wasn't really codified as a genre until much later, Sabbath are arguably an oft-forgotten UrExample of it. (Also, Creator/VertigoRecords, Sabbath's record label throughout TheSeventies, mostly released ProgressiveRock at the time.) Sabbath's fusion of influences from {{jazz}}, {{blues}}, and heavy rock music is a large part of what made them unique at the time, and it's an important reason that, though so many bands have copied them, so few have equalled them.
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** Starting with ''Master of Reality'' the band started tuning their instruments down a minor third to give Ozzy more headroom and Ozzy's range greatly improved on the four albums in this tuning. Decades later this approach made live performances of these things more difficult, because while they could use the same trick on their songs recorded in standard tuning, it wasn't really effective on the songs that were already tuned down. As a result, many of the band's most popular songs didn't make the setlist on their final tours.
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YMMV


* FanNickname: Tony Iommi has recently picked up the nickname "Iron Man," especially prominent after his cancer diagnosis.
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** And then, Black Sabbath's official Facebook page once posted an archive photo of Tony [[https://www.facebook.com/permalink.php?story_fbid=10155296121854615&id=56848544614 with a sitar, in the bathtub, most probably on acid.]]
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* MohsScaleOfRockAndMetalHardness: Generally range from 5-7. They were ''the'' 10 for their day however, and have on occasion hit a low 8 by today's standards ("Black Sabbath" and "Symptom of the Universe" both come to mind). They also have 2s in the ballads "Changes" and "It's Alright" and the [[LyricalDissonance not-quite-ballad]] "Zeitgeist".
* MohsScaleOfLyricalHardness: Usually ranking from 6-8, as the band downright described their work as "horror movies set to music", and so the lyrics are frequently spooky and somber.
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That's fascinating, but unfortunately no longer a trope.


* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tony's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tony been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he held a guitar pick.
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* MistakenForInsane: "Paranoid", the singer says that people think he's crazy because [[PerpetualFrowner he's frowning all the time]].
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removed Up To Eleven wicks


* EpicRocking: Over the 8 minutes mark: "Warning," (10:32) "Wheels of Confusion," (8:00) "Megalomania," (9:40) and "The Writ," (8:10). Taken UpToEleven on ''13'', with five of the eight tracks being over the seven minute mark.

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* EpicRocking: Over the 8 minutes mark: "Warning," (10:32) "Wheels of Confusion," (8:00) "Megalomania," (9:40) and "The Writ," (8:10). Taken UpToEleven further on ''13'', with five of the eight tracks being over the seven minute mark.



* UrExample or TropeMakers: Although bands like Music/LedZeppelin, Music/DeepPurple, and Music/BlueCheer paved the way, many people consider Black Sabbath to be the world's first true HeavyMetal band. They are also considered the UrExample for DoomMetal, which basically takes the characteristics of Sabbath's music (slow, heavy, sludgy riffs) and turns them UpToEleven.

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* UrExample or TropeMakers: Although bands like Music/LedZeppelin, Music/DeepPurple, and Music/BlueCheer paved the way, many people consider Black Sabbath to be the world's first true HeavyMetal band. They are also considered the UrExample for DoomMetal, which basically takes the characteristics of Sabbath's music (slow, heavy, sludgy riffs) and turns them UpToEleven.up.
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* LyricalDissonance: "Symptom of the Universe" is the most aggressive song of the Ozzy-era and a prototype for thrash metal, but its lyrics wouldn't be out of place in a love ballad.
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** Keyboardist Geoff Nicholls often performed backstage and never appeared in promotional material with the band, despite being credited as a full member of the band throughout the majority of his 25-year tenure and being the fourth longest lasting member in the band's history.
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* LoadsAndLoadsOfCharacters: Existed since 1968. Since then, they've gone through a veritable menagerie of singers, bassists, and drummers, not counting touring members. Tony Iommi is the only constant member. They've gone through so many members, they have [[https://en.wikipedia.org/wiki/List_of_Black_Sabbath_band_members their own Wikipedia page dedicated to chronicling their gazillion and a half band members.]]

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* LoadsAndLoadsOfCharacters: Existed since 1968. Since then, they've gone through a veritable menagerie of singers, bassists, and drummers, as well as a keyboardist, not counting touring members. Tony Iommi is the only constant member. They've gone through so many members, they have [[https://en.wikipedia.org/wiki/List_of_Black_Sabbath_band_members their own Wikipedia page dedicated to chronicling their gazillion and a half band members.]]
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[[folder: Misc Tropes]]

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[[folder: Misc [[folder:Misc Tropes]]
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* WhamLine: "N.I.B." sounds like a love song at first, albeit a heavy one. Things get a little uncomfortable at the line "Now, I have you with me under my power", and then...
-->''Look into my eyes, you'll see who I am\\
My name is Lucifer, please take my hand''
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* ThoseTwoGuys: Geezer and Bill tend to get overshadowed by Tony's guitar mastery [[HandicappedBadass despite his handicap]] and Ozzy's... [[{{Cloudcuckoolander}} Every]][[CrazyAwesome thing.]]

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* ThoseTwoGuys: Geezer and Bill tend to get overshadowed by Tony's guitar mastery [[HandicappedBadass despite his handicap]] and Ozzy's... [[{{Cloudcuckoolander}} Every]][[CrazyAwesome Every]][[CrazyIsCool thing.]]
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* WoobieDestroyerOfWorlds: The song "Iron Man" tells a story of someone who traveled time to save mankind but, when he returned, he was turned to steel, leading to everyone ignoring him or rejecting him outright, which causes the titular character to become vengeful and kill the people he once saved.



* WoobieDestroyerOfWorlds: The song "Iron Man" tells a story of someone who traveled time to save mankind but, when he returned, he was turned to steel, leading to everyone ignoring him or rejecting him outright, which causes the titular character to become vengeful and kill the people he once saved.
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* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tony's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tony been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he
held a guitar pick.

to:

* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tony's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tony been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he
he held a guitar pick.
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Changed: 42

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-> ''"What is this that stands before me?''
-> ''Figure in black which points at me''
-> ''Turn around quick and start to run''
-> ''Find out I'm the chosen one''
-> ''Oh noooooo!"''

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\n%%
-> ''"What is this that stands before me?''
->
me?''\\
''Figure in black which points at me''
->
me''\\
''Turn around quick and start to run''
->
run''\\
''Find out I'm the chosen one''
->
one''\\
''Oh noooooo!"''



They started out in 1968 as a blues band called ''Earth'' until changing their style to a darker tone. Apocryphally, this was the result of one of the band members seeing a queue for a horror film at a cinema and commenting on how people pay to be scared. Their name did actually come from a 1963 horror movie named ''Film/BlackSabbath,'' starring Creator/BorisKarloff. Their sound has naturally changed over the decades. Their two most celebrated eras, the "classic" years (1969-1975) and the early Dio years (1980-1982), are marked by massive changes to the sound. For the classic era, they dabbled extensively with BluesRock, Jazz Rock, PsychedelicRock, early DoomMetal, and, of course, HeavyMetal. For the Dio era, they took up a more PowerMetal and traditional metal stance with some instances of SpeedMetal and vestiges of blues metal.

Their first two albums: ''Music/{{Black Sabbath|Album}}'' and ''Music/{{Paranoid}}'' (both released in 1970) brought them great popularity with songs like "Black Sabbath," "War Pigs," "Paranoid," and "Iron Man." Due to their darker style, they initially received no radio play, and Creator/VertigoRecords had to bribe radio stations to play "Iron Man," which scraped the [[UsefulNotes/TheUnitedStates US]] charts. Their next albums: ''Music/MasterOfReality'' and ''Volume 4'' spawned a new batch of classics, such as "Sweet Leaf," "Children of the Grave," "Into the Void," "Supernaut," and "Snowblind." It wasn't until their fifth album: ''Sabbath Bloody Sabbath'', that they finally got positive reviews from the mainstream media (although critics have reversed themselves and [[VindicatedByHistory retroactively praised]] the other four albums).

to:

They started out in 1968 as a blues band called ''Earth'' Earth until changing their style to a darker tone. Apocryphally, this was the result of one of the band members seeing a queue for a horror film at a cinema and commenting on how people pay to be scared. Their name did actually come from a 1963 horror movie named ''Film/BlackSabbath,'' starring Creator/BorisKarloff. Their sound has naturally changed over the decades. Their two most celebrated eras, the "classic" years (1969-1975) and the early Dio years (1980-1982), are marked by massive changes to the sound. For the classic era, they dabbled extensively with BluesRock, Jazz Rock, PsychedelicRock, early DoomMetal, and, of course, HeavyMetal. For the Dio era, they took up a more PowerMetal and traditional metal stance with some instances of SpeedMetal and vestiges of blues metal.

Their first two albums: albums, ''Music/{{Black Sabbath|Album}}'' and ''Music/{{Paranoid}}'' (both released in 1970) 1970), brought them great popularity with songs like "Black Sabbath," "War Pigs," "Paranoid," and "Iron Man." Due to their darker style, they initially received no radio play, and Creator/VertigoRecords had to bribe radio stations to play "Iron Man," which scraped the [[UsefulNotes/TheUnitedStates US]] charts. Their next albums: albums, ''Music/MasterOfReality'' and ''Volume 4'' 4'', spawned a new batch of classics, such as "Sweet Leaf," "Children of the Grave," "Into the Void," "Supernaut," and "Snowblind." It wasn't until their fifth album: album, ''Sabbath Bloody Sabbath'', that they finally got positive reviews from the mainstream media (although critics have reversed themselves and [[VindicatedByHistory retroactively praised]] the other four albums).






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* FutureSelfReveal: "Iron Man" features a man who travels back in time to stop some iron monster from causing a calamity. When no one believes him and instead they distrust him due to his being made of iron after his time-traveling methods had unforeseen side-effects, it's revealed that he decided ThenLetMeBeEvil and [[SelfFulfillingProphecy became the monster he was supposed to destroy]].

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* FutureSelfReveal: "Iron Man" features a man who travels back in time to stop some iron monster from causing a calamity. When no one believes him and instead they distrust him due to his being made of iron after his time-traveling methods had unforeseen side-effects, it's revealed that he decided ThenLetMeBeEvil and [[SelfFulfillingProphecy [[StableTimeLoop became the monster he was supposed to destroy]].
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* FutureSelfReveal: "Iron Man" features a man who travels back in time to stop some iron monster from causing a calamity. When no one believes him and instead they distrust him due to his being made of iron after his time-traveling methods had unforeseen side-effects, it's revealed that he decided ThenLetMeBeEvil and [[SelfFulfillingProphecy became the monster he was supposed to destroy]].
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This trope is In-Universe Examples Only.


* {{Mondegreen}}: Ozzy misheard the lyrics in the original version of "Warning" and sings "I was ''born without you''" rather than "warned about you".

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* {{Mondegreen}}: Ozzy misheard the lyrics in the original version of "Warning" and sings "I was ''born without you''" rather than "warned about you".



* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tony's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tony been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he held a guitar pick.

to:

* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tony's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tony been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he he
held a guitar pick.
Is there an issue? Send a MessageReason:
None


* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tommy's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tommy been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he held a guitar pick.

to:

* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tommy's Tony's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tommy Tony been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he held a guitar pick.
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* BringerOfWarMusic: "War Pigs" begins with lead guitarist Tony Iommi and bass player Geezer Butler constructing riffs around the main theme of Holst's ''Mars - Bringer of War''. Holst's theme is still in the final mix if you listen very closely.
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southpaw section which also explains why his accident was so important

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* TheSouthpaw: A case that was actually integral to the development of music as a whole. Being a southpaw, Tommy's right-hand was in charge of fretting. His factory accident to his right-hand forced him to find a whole new way to play, hence the down-tuning that was so critical to creating heavy metal. Had Tommy been a typical right-handed player, or switched to playing right-handed, his damaged hand would have been the strumming hand, which at worst probably would have forced him to slightly change the way he held a guitar pick.
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* AudienceParticipationSong: "Heaven and Hell" live performances with Dio would involve him leading the audience to singing "On and on and on!" with him during the slow mid portion of the song.
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** Music/RickWakeman went into the studio around the time of ''Sabbath Bloody Sabbath'' when he stopped caring about the ''[[Music/{{Yes}} Tales from Topographic Oceans]]'' sessions, and provided the keyboard parts in "Sabbra Cadabra". His son Adam would eventually be a touring member for the group and Ozzy Osbourne.

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** Music/RickWakeman went into the studio around the time of ''Sabbath Bloody Sabbath'' when he stopped caring about the ''[[Music/{{Yes}} Tales from Topographic Oceans]]'' sessions, ''Music/TalesFromTopographicOceans'' sessions while a member of Music/{{Yes}}, and provided the keyboard parts in "Sabbra Cadabra". His son Adam would eventually be a touring member for the group and Ozzy Osbourne.
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None


* MohsScaleOfRockAndMetalHardness: Generally range from 5-7. They were ''the'' 10 for their day however, and have on occasion hit a low 8 by today's standards ("Black Sabbath" and "Symptom of the Universe" come to mind). They also have 2s in the ballads "Changes" and "It's Alright" and the [[LyricalDissonance not-quite-ballad]] "Zeitgeist".

to:

* MohsScaleOfRockAndMetalHardness: Generally range from 5-7. They were ''the'' 10 for their day however, and have on occasion hit a low 8 by today's standards ("Black Sabbath" and "Symptom of the Universe" both come to mind). They also have 2s in the ballads "Changes" and "It's Alright" and the [[LyricalDissonance not-quite-ballad]] "Zeitgeist".

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