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alt title(s): Character Clusterfuck
Well, to be fair, a galaxy is a big place

"Which brings us to our next little problem. What are we going to do with thirteen X-Men?"

A show that has so many regulars that you can't fit them all into one episode. Therefore, one week some characters will appear, another some different people. You'll rarely get the same combination twice. This is especially common in Long Runners, as characters tend to accumulate over time.

Similarly, some video games involve collecting as many distinct, unique soldiers for your army as possible. Given that such games typically include plot relevant to these characters only leading up to and during the time when you get them on your team, it's easy to forget about such second-string soldiers. Other video games, such as fighting games, start with just a few characters but keep adding characters to the roster as more sequels come out, until you eventually have enough characters to populate an entire Verse.

With animation, it's much more common in Japanese anime due to more often being based on an established manga series. Also many producers hold the belief that viewers are severely lacking in the attention needed to keep track of more than three people.

Almost long gone are the days of The Simpsons where a handful of American voice actors are able to professionally produce unique, varying vocal ranges for over a hundred different characters.

A main bonus of the practice is it becomes very easy to write filler, as you're bound to find any story that can fit at least one of the personalities. The downside of fitting everyone into the episode though is it slows the plot to a crawl.

Unfortunately, with having a large cast, one-dimensional characterization is invariably a given, a characterization version of a Kudzu Plot. A major fan negative is the temptation to get attached to a character who you know the writers are apt to ignore for a whole season when it's convenient...

Creating a Cast Of Snowflakes with these loads is an achievement and will make the story lively and colorful. If the writers are smart, they'll start making a Cast Herd. The Love Dodecahedron is a way to spice things up, the Geodesic Cast makes use of the characters through variations on a theme, and The Clan happens when the loads are related. A Character Magnetic Team can sometimes create this effect. Gets really convoluted if everyone is somehow related.

See also Everyone Get In Here. May result in/from You ALL Share My Story. Compare Revolving Door Casting.

Please note that this is for extreme examples of regularly occurring characters. It's really not uncommon for a story to have twelve or fifteen characters. Especially with a Villain Of The Week format of course there can be upwards of forty characters with names, and there are often many characters who can reappear a few seasons later. As a general rule of thumb, take the main characters and times it by two; if there aren't that many secondary characters showing up on a frequent basis (i.e. at least two or three times a season), then it isn't loads and loads of characters. In the case of the main cast numbering over 10 characters at one time, that alone would likely count.

Also, a guideline as regards Expanded Universe works: characters that appear only in the EU and are not recognize by their parent series do not generally count toward the work they are based on. They may count independently of it, particularly when the EU fleshes out a bunch of characters that were fairly minor characters in the original (i.e. a Lower Deck Episode). Fanon work is generally right out. Also, if a franchise work or The Verse is divided into several non-contiguous series, those count separately of each other. (The books of the Wheel Of Time series count together, for example, but you can't lump together, say, every character in the DC Universe, unless it's the works page of a massive crossover series.)

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Limited Social CircleEnsemblesCast Herd
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