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[[/folder]]
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Slightly better link
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* This site (and other wikis, for that matter) itself when it comes to links. [[HomePage Normal links show up in blue]], [[LinkDiscussion discussion links or]] [[CutList links to certain pages are in orange,]] and [[ItLooksLikeThis links to nonexistent articles are in red]]. Checking out the new edits gives even ''more'' colors.
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* This site (and other wikis, for that matter) itself when it comes to links. [[HomePage [[TVTropes Normal links show up in blue]], [[LinkDiscussion discussion links or]] [[CutList links to certain pages are in orange,]] and [[ItLooksLikeThis links to nonexistent articles are in red]]. Checking out the new edits gives even ''more'' colors.
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* Intoxication Mechanic
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* Intoxication MechanicIntoxicationMechanic
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%%* Intoxication Mechanic - Stealth Launched Trope; restore once properly relaunched.
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%%* IntoxicationMechanic - Stealth Launched Trope; restore once properly relaunched.
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%%* IntoxicationMechanic Intoxication Mechanic - Stealth Launched Trope; restore once properly relaunched.
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* IntoxicationMechanic
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Moved to Administrivia/ per TRS
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** TVTropesMoreLikeTVQuotes
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** TVTropesMoreLikeTVQuotesAdministrivia/TVTropesMoreLikeTVQuotes
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[[/folder]]
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'''Subtropes include:'''
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!!Sub-tropes:
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[[folder: Professional Wrestling]]
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[[folder:Real Life]]
* Ride/UniversalStudios' Ride/TheIncredibleHulkCoaster suddenly hurls the passengers forward during the climb up the first hill, right when the audio says the experiment they're listening to goes wrong. The engineer says this represents the sudden surge of uncontrollable power experienced by Bruce Banner upon turning into the Hulk.
[[/folder]]
[[folder: Repeatedly used in this very wiki]]
* Ride/UniversalStudios' Ride/TheIncredibleHulkCoaster suddenly hurls the passengers forward during the climb up the first hill, right when the audio says the experiment they're listening to goes wrong. The engineer says this represents the sudden surge of uncontrollable power experienced by Bruce Banner upon turning into the Hulk.
[[/folder]]
[[folder: Repeatedly used in this very wiki]]
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* Ride/UniversalStudios' Ride/TheIncredibleHulkCoaster suddenly hurls the passengers forward during the climb up the first hill, right when the audio says the experiment they're listening to goes wrong. The engineer says this represents the sudden surge of uncontrollable power experienced by Bruce Banner upon turning into the Hulk.
[[/folder]]
[[folder: Repeatedly used in this very wiki]]
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[[folder:Real Life]]
* Ride/UniversalStudios' Ride/TheIncredibleHulkCoaster suddenly hurls the passengers forward during the climb up the first hill, right when the audio says the experiment they're listening to goes wrong. The engineer says this represents the sudden surge of uncontrollable power experienced by Bruce Banner upon turning into the Hulk.
[[/folder]]
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* PaintingTheMedium/WebComics
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* PaintingTheMedium/{{Webcomics}}
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* Ride/UniversalStudios' The ComicBook/IncredibleHulk [[https://www.youtube.com/watch?v=jVdZROJf9Ag&feature=related roller coaster]] suddenly hurls the passengers forward during the climb up the first hill, right when the audio says the experiment they're listening to goes wrong. The engineer says this represents the sudden surge of uncontrollable power experienced by Bruce Banner upon turning into the Hulk.
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* Ride/UniversalStudios' The ComicBook/IncredibleHulk [[https://www.youtube.com/watch?v=jVdZROJf9Ag&feature=related roller coaster]] Ride/TheIncredibleHulkCoaster suddenly hurls the passengers forward during the climb up the first hill, right when the audio says the experiment they're listening to goes wrong. The engineer says this represents the sudden surge of uncontrollable power experienced by Bruce Banner upon turning into the Hulk.
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* Here's a really meta one: the early Disney ''[[Disney/TheManyAdventuresOfWinnieThePooh Winnie the Pooh]]'' shorts were played out as readings of the books, down to the animated characters being able to walk on the text, a hurried page-turning at one point to keep Pooh from flying out of the book, and so forth. Thus it [[MediumAwareness played with the concept that it was a book]], when in fact it ''wasn't''. All this in a cartoon for children.
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* Here's a really meta one: the early Disney ''[[Disney/TheManyAdventuresOfWinnieThePooh ''[[WesternAnimation/TheManyAdventuresOfWinnieThePooh Winnie the Pooh]]'' shorts were played out as readings of the books, down to the animated characters being able to walk on the text, a hurried page-turning at one point to keep Pooh from flying out of the book, and so forth. Thus it [[MediumAwareness played with the concept that it was a book]], when in fact it ''wasn't''. All this in a cartoon for children.
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* In Disney's ''Disney/BrotherBear'', when Kenai is transformed, the movie changes its aspect ratio to subtly tell the viewer that he's seeing through different eyes now.
* In ''Disney/TheEmperorsNewGroove'', Kuzco-the-{{narrator}} freezes the frame and literally paints on the screen to bring the story back to himself. He then continues to interrupt the story so it focuses on himself. Later on in the story, Kuzco-the-character yells at Kuzco-the-narrator to stop talking and leave him alone. From then on, the movie is un-narrated.
* In ''Disney/TheEmperorsNewGroove'', Kuzco-the-{{narrator}} freezes the frame and literally paints on the screen to bring the story back to himself. He then continues to interrupt the story so it focuses on himself. Later on in the story, Kuzco-the-character yells at Kuzco-the-narrator to stop talking and leave him alone. From then on, the movie is un-narrated.
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* In Disney's ''Disney/BrotherBear'', ''WesternAnimation/BrotherBear'', when Kenai is transformed, the movie changes its aspect ratio to subtly tell the viewer that he's seeing through different eyes now.
* In''Disney/TheEmperorsNewGroove'', ''WesternAnimation/TheEmperorsNewGroove'', Kuzco-the-{{narrator}} freezes the frame and literally paints on the screen to bring the story back to himself. He then continues to interrupt the story so it focuses on himself. Later on in the story, Kuzco-the-character yells at Kuzco-the-narrator to stop talking and leave him alone. From then on, the movie is un-narrated.
* In
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* In ''Disney/{{Tangled}}'', Literature/{{Rapunzel}} ''literally'' paints the fourth wall.
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* In ''Disney/{{Tangled}}'', ''WesternAnimation/{{Tangled}}'', Literature/{{Rapunzel}} ''literally'' paints the fourth wall.
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Fix
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** JustForFun/AllBlueEntry
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** JustForFun/AllBlueEntrySelfDemonstrating/AllBlueEntry
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** AllBlueEntry
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** AllBlueEntryJustForFun/AllBlueEntry
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* There are two main functions of [[AC: the AC font]]: AI dialogue to show their synthesised voicebox, and giving proper gravitas to the words 'In SPACE!'.
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* In Schoenberg's opera ''Moses und Aron'', the composer illustrates the two lead characters' differences by a radical break with the basic convention of opera:
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* In Schoenberg's Music/ArnoldSchoenberg's opera ''Moses und Aron'', the composer illustrates the two lead characters' differences by a radical break with the basic convention of opera:
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[[folder: Professional Wrestling]]
* Wrestling/OldeWrestling, which started in 2013 and is set in TheRoaringTwenties, deliberately scratches up the film to make it look old.
[[/folder]]
* Wrestling/OldeWrestling, which started in 2013 and is set in TheRoaringTwenties, deliberately scratches up the film to make it look old.
[[/folder]]
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Edited to consistently use unspaced em dashes
By Painting the Medium, a creator turns a transparent tool--meant to show the work behind it--into a part of the work.
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Some of the most popular variants have become so conventional that we stop noticing them completely -- for example, dialogue written in [[NoIndoorVoice ALL CAPITAL LETTERS]] is shouted. Heck, even we do it (check the entries in SelfDemonstratingArticle why not?)
By Painting The Medium, a creator turns a transparent tool -- meant to show the work behind it -- into a part of the work.
By Painting The Medium, a creator turns a transparent tool -- meant to show the work behind it -- into a part of the work.
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Some of the most popular variants have become so conventional that we stop noticing them completely -- for completely--for example, dialogue written in [[NoIndoorVoice ALL CAPITAL LETTERS]] is shouted. Heck, even we do it (check the entries in SelfDemonstratingArticle why not?)
By Painting The Medium, a creator turns a transparent tool -- meant to show the work behind it -- into a part of the work.
not?)
By Painting The Medium, a creator turns a transparent tool -- meant to show the work behind it -- into a part of the work.
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Please note: This trope is '''not''' 'Character interacts with the pages of the book/panels of the comic/film camera/suitable alternative for their story' - that trope is MediumAwareness. This trope is 'The setup, layout or presentation of the book/comic/film/whatever is changed to reflect a change in the characters' situation'. Please don't put incorrect examples on pages they shouldn't be on, thank you. Splatter on the camera lens may be acceptable as a way of showing just how much rain/blood/liquid is flying around the scene at that point.
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Please note: This trope is '''not''' 'Character interacts with the pages of the book/panels of the comic/film camera/suitable alternative for their story' - that story'--that trope is MediumAwareness. This trope is 'The setup, layout or presentation of the book/comic/film/whatever is changed to reflect a change in the characters' situation'. Please don't put incorrect examples on pages they shouldn't be on, thank you. Splatter on the camera lens may be acceptable as a way of showing just how much rain/blood/liquid is flying around the scene at that point.
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* [[https://www.youtube.com/watch?v=ewc1hixzYPY "Madvillain - All Caps."]] It's an animated comic book -- literally.
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* [[https://www.youtube.com/watch?v=ewc1hixzYPY "Madvillain - – All Caps."]] It's an animated comic book -- literally.book--literally.
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* The [[https://www.youtube.com/watch?v=HZwMX6T5Jhk music video for Kanye West's "Love Lockdown"]], if watched on a standard-definition TV or Youtube, is letterboxed. At about one minute in, a character in the video races towards the camera, then actually jumps ''out'' of the letterbox.
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* The [[https://www.youtube.com/watch?v=HZwMX6T5Jhk music video for Kanye West's "Love Lockdown"]], Lockdown,"]] if watched on a standard-definition TV or Youtube, is letterboxed. At about one minute in, a character in the video races towards the camera, then actually jumps ''out'' of the letterbox.
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* [[https://www.youtube.com/watch?v=ewc1hixzYPY Madvillain - All Caps]]. It's an animated comic book -- literally.
* The video for [[{{Music/Justice}} Justice]]'s remix of Lenny Kravitz's "[[https://www.youtube.com/watch?v=TDDxBSvOYB8 Let Love Rule]]" feature the end of a fictitious movie and its credits sequence. Early on, the lead character's sleeve gets caught on one line of the credits. At first, things are fun, but then the video deconstructs the idea of having a credits sequence be a physical part of the world.
* The video for [[{{Music/Justice}} Justice]]'s remix of Lenny Kravitz's "[[https://www.youtube.com/watch?v=TDDxBSvOYB8 Let Love Rule]]" feature the end of a fictitious movie and its credits sequence. Early on, the lead character's sleeve gets caught on one line of the credits. At first, things are fun, but then the video deconstructs the idea of having a credits sequence be a physical part of the world.
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* [[https://www.youtube.com/watch?v=ewc1hixzYPY Madvillain "Madvillain - All Caps]]. Caps."]] It's an animated comic book -- literally.
* The video for [[{{Music/Justice}} Justice]]'s remix of Lenny Kravitz's"[[https://www.[[https://www.youtube.com/watch?v=TDDxBSvOYB8 Let "Let Love Rule]]" Rule"]] feature the end of a fictitious movie and its credits sequence. Early on, the lead character's sleeve gets caught on one line of the credits. At first, things are fun, but then the video deconstructs the idea of having a credits sequence be a physical part of the world.
* The video for [[{{Music/Justice}} Justice]]'s remix of Lenny Kravitz's
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** ''[[color:blue:House]] [[Literature/HouseOfLeaves of Leaves]]''
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** ''[[color:blue:House]] [[Literature/HouseOfLeaves of Leaves]]''''Literature/HouseOfLeaves''
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This functionality was removed YEARS ago...
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* TheScrappy and other [[YMMV/HomePage YMMV tropes]] are helpfully highlighted with a solid red bullet.
** Except when they're not, [[MindScrew such as this very example.]]
** Except when they're not, [[MindScrew such as this very example.]]
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* TheScrappy and other Many ''very'' old-timer tropers will be able to recount when the various [[YMMV/HomePage YMMV tropes]] are were helpfully highlighted with a solid red bullet.
** Except when they're not, [[MindScrew such asbullet. This was removed during one of the first revamps to the site, though this very example.]]functionality still lives on, with tropes instead displaying their proper symbol next to them if not in their proper namespace.
** Except when they're not, [[MindScrew such as
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[[quoteright:310:[[ComicStrip/{{Pogo}} https://static.tvtropes.org/pmwiki/pub/images/painting-the-medium_pogo_9141.jpg]]]]
[-[[caption-width-right:310:A circus barker speaking in a circus poster's [[UsefulNotes/{{Fonts}} typeface]].]]-]
[-[[caption-width-right:310:A circus barker speaking in a circus poster's [[UsefulNotes/{{Fonts}} typeface]].]]-]
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[[quoteright:320:[[ComicStrip/{{Pogo}} https://static.tvtropes.org/pmwiki/pub/images/painting-the-medium_pogo_9141.jpg]]]]
[-[[caption-width-right:320:A circus barker speaking in a circus poster's [[UsefulNotes/{{Fonts}} typeface]].]]-]
[-[[caption-width-right:320:A circus barker speaking in a circus poster's [[UsefulNotes/{{Fonts}} typeface]].]]-]
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[[folder:Opera]]
* In Schoenberg's opera ''Moses und Aron'', the composer illustrates the two lead characters' differences by a radical break with the basic convention of opera:
** The tongue-tied Moses, whose direct contact with the God of Israel has shown him the inadequacy of human words to describe Him, ''never sings a note''. Instead, he speaks in ordinary non-musical prose throughout.
** By contrast, Moses' brother and spokesman--the plausible, tactful, crowd-pleasing Aaron--sings in a gorgeous tenor.
[[/folder]]
* In Schoenberg's opera ''Moses und Aron'', the composer illustrates the two lead characters' differences by a radical break with the basic convention of opera:
** The tongue-tied Moses, whose direct contact with the God of Israel has shown him the inadequacy of human words to describe Him, ''never sings a note''. Instead, he speaks in ordinary non-musical prose throughout.
** By contrast, Moses' brother and spokesman--the plausible, tactful, crowd-pleasing Aaron--sings in a gorgeous tenor.
[[/folder]]