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Trope was cut/disambiguated due to cleanup
Changed line(s) 12,13 (click to see context) from:
'''Eilonwy''': An enchantress and princess who [[MotorMouth talks constantly]] [[TalksLikeASimile in similes]] and serves as a [[HeroesWantRedheads romantic interest]] for Taran. She's also a {{Tsundere}} and a bit of an ActionGirl. One of the earliest modern examples of a RebelliousPrincess.
to:
'''Eilonwy''': An enchantress and princess who [[MotorMouth talks constantly]] [[TalksLikeASimile in similes]] and serves as a [[HeroesWantRedheads romantic interest]] interest for Taran. She's also a {{Tsundere}} and a bit of an ActionGirl. One of the earliest modern examples of a RebelliousPrincess.
Deleted line(s) 204 (click to see context) :
* HeroesWantRedheads: Eilonwy, whom the narrative notes has red-gold hair. A lot of artwork inaccurately depicts her as blonde, however, probably because of TheFilmOfTheBook. And when she ''is'' shown with red hair (see some editions of ''The Black Cauldron''), it's pure red, not the more subtle shade that "red-gold" is probably supposed to describe.
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Per TRS. Bishounen is a Definition-Only fan-speak term used only for Japanese/East-Asian media. Examples or audience reactions are not allowed. Moving In Universe acknowledgements/relevance to Pretty Boy. Removing any ZCE or misuse.
Deleted line(s) 85 (click to see context) :
%% * {{Bishounen}}: Adaon.
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Removing per Wick Cleaning Projects
Deleted line(s) 188 (click to see context) :
%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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* RobbingTheDead: As sneaking through the tunnels spreading beneath Spiral Castle, Taran and Eilonwy find a barrow: a bunch of dead armored warriors guarding a figure lying on a central stone slab. Since they need weapons, Taran snatches a sword from a corpse's hand, and Eilonwy grabs the sword of the dead man on the slab. Almost right away, the whole castle starts shaking and crumbling down.
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Changed line(s) 196 (click to see context) from:
** [[spoiler: As Dallben revelas towards the end of ''The High King'', this is quite literal, as it apparently covers the events of every possible timeline. As Dallben makes annotations at several points during the series, he's presumably noting which events ''actually'' take place for future reference.]]
to:
** [[spoiler: As Dallben revelas reveals towards the end of ''The High King'', this is quite literal, as it apparently covers the events of every possible timeline. As Dallben makes annotations at several points during the series, he's presumably noting which events ''actually'' take place for future reference.]]
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Changed line(s) 69,70 (click to see context) from:
%% * BarefootSage: Medwyn.
%% * BattleCouple: Taran and Eilonwy again.
%% * BattleCouple: Taran and Eilonwy again.
to:
%% * BarefootSage: Medwyn.
%%Medwyn.* BattleCouple: Taran and Eilonwy again.
%%
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* KillOneOthersGetStronger: This is the main distinguishing characteristic of the Huntsmen of Annuvin. Unlike the Cauldron-Born they can be killed, but when one of them is, its fellows gain its strength, making them more dangerous as their numbers dwindle.
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Changed line(s) 34,35 (click to see context) from:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which started in 2015 and as of 2023 is about three quarters through the first book.
to:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which started in 2015 and as of 2023 is about three quarters through the first book.
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Changed line(s) 58,60 (click to see context) from:
* AuthorityEqualsAsskicking: Played straight, especially with Prince Gwydion and King Smoit. In a land like Prydain, you ''only'' become royalty by being able to kick everyone else's ass.
** Averted, ironically enough, with [[spoiler:Arawn. His greatest strengths were always trickery & deception.]]
** Subverted every so often, depending on the situation. One notable instance is when Taran finds out about how two noblemen living in King Smoit's domain constantly are at each other's throats, causing damage to innocent civilians in the process. Smoit's usual solution is to try to knock sense into them and shove them in his dungeons. Taran suggests he try something different since it clearly isn't working. His proposed solution centers around humbling them and showing them the severity of the damage they've caused (making them serve as laborers for the farmer whose land they destroyed) as well as finding a third option for what to do with the prize cow they were fighting over (give it to the same farmer and have the cow's next, equally-valuable, twin calves be split between the two). Since the two noblemen are seen standing peacefully together at the end of ''The High King'', it presumably left an impression on them.
** Averted, ironically enough, with [[spoiler:Arawn. His greatest strengths were always trickery & deception.]]
** Subverted every so often, depending on the situation. One notable instance is when Taran finds out about how two noblemen living in King Smoit's domain constantly are at each other's throats, causing damage to innocent civilians in the process. Smoit's usual solution is to try to knock sense into them and shove them in his dungeons. Taran suggests he try something different since it clearly isn't working. His proposed solution centers around humbling them and showing them the severity of the damage they've caused (making them serve as laborers for the farmer whose land they destroyed) as well as finding a third option for what to do with the prize cow they were fighting over (give it to the same farmer and have the cow's next, equally-valuable, twin calves be split between the two). Since the two noblemen are seen standing peacefully together at the end of ''The High King'', it presumably left an impression on them.
to:
* AuthorityEqualsAsskicking: AsskickingLeadsToLeadership: Played straight, especially with Prince Gwydion and King Smoit. In a land like Prydain, you ''only'' become royalty by being able to kick everyone else's ass.
** Averted, ironically enough, with [[spoiler:Arawn. His greatest strengths were always trickery & deception.]]
** Subverted every so often, depending on the situation. One notable instance is when Taran finds out about how two noblemen living in King Smoit's domain constantly are at each other's throats, causing damage to innocent civilians in the process. Smoit's usual solution is to try to knock sense into them and shove them in his dungeons. Taran suggests he try something different since it clearly isn't working. His proposed solution centers around humbling them and showing them the severity of the damage they've caused (making them serve as laborers for the farmer whose land they destroyed) as well as finding a third option for what to do with the prize cow they were fighting over (give it to the same farmer and have the cow's next, equally-valuable, twin calves be split between the two). Since the two noblemen are seen standing peacefully together at the end of ''The High King'', it presumably left an impression on them.ass.
** Averted, ironically enough, with [[spoiler:Arawn. His greatest strengths were always trickery & deception.]]
** Subverted every so often, depending on the situation. One notable instance is when Taran finds out about how two noblemen living in King Smoit's domain constantly are at each other's throats, causing damage to innocent civilians in the process. Smoit's usual solution is to try to knock sense into them and shove them in his dungeons. Taran suggests he try something different since it clearly isn't working. His proposed solution centers around humbling them and showing them the severity of the damage they've caused (making them serve as laborers for the farmer whose land they destroyed) as well as finding a third option for what to do with the prize cow they were fighting over (give it to the same farmer and have the cow's next, equally-valuable, twin calves be split between the two). Since the two noblemen are seen standing peacefully together at the end of ''The High King'', it presumably left an impression on them.
* RankScalesWithAsskicking:
** The royals of Prydain as a result of AsskickingLeadsToLeadership.
** Averted, ironically enough, with [[spoiler:Arawn. His greatest strengths were always trickery & deception.]]
** Subverted every so often, depending on the situation. One notable instance is when Taran finds out about how two noblemen living in King Smoit's domain constantly are at each other's throats, causing damage to innocent civilians in the process. Smoit's usual solution is to try to knock sense into them and shove them in his dungeons. Taran suggests he try something different since it clearly isn't working. His proposed solution centers around humbling them and showing them the severity of the damage they've caused (making them serve as laborers for the farmer whose land they destroyed) as well as finding a third option for what to do with the prize cow they were fighting over (give it to the same farmer and have the cow's next, equally-valuable, twin calves be split between the two). Since the two noblemen are seen standing peacefully together at the end of ''The High King'', it presumably left an impression on them.
** The royals of Prydain as a result of AsskickingLeadsToLeadership.
** Averted, ironically enough, with [[spoiler:Arawn. His greatest strengths were always trickery & deception.]]
** Subverted every so often, depending on the situation. One notable instance is when Taran finds out about how two noblemen living in King Smoit's domain constantly are at each other's throats, causing damage to innocent civilians in the process. Smoit's usual solution is to try to knock sense into them and shove them in his dungeons. Taran suggests he try something different since it clearly isn't working. His proposed solution centers around humbling them and showing them the severity of the damage they've caused (making them serve as laborers for the farmer whose land they destroyed) as well as finding a third option for what to do with the prize cow they were fighting over (give it to the same farmer and have the cow's next, equally-valuable, twin calves be split between the two). Since the two noblemen are seen standing peacefully together at the end of ''The High King'', it presumably left an impression on them.
Changed line(s) 350,352 (click to see context) from:
* RoyalsWhoActuallyDoSomething: Roughly half of the important characters are royalty. They also tend to be [[AuthorityEqualsAsskicking totally badass.]]
* RunningGag: A string on Fflewddur's harp breaks whenever he lies (which is often). The bigger the lie, the more strings break.
** Another is Eilonwy informing Taran, often, that she's not speaking to him. Except, of course, to remind him that she's not speaking to him.
* RunningGag: A string on Fflewddur's harp breaks whenever he lies (which is often). The bigger the lie, the more strings break.
** Another is Eilonwy informing Taran, often, that she's not speaking to him. Except, of course, to remind him that she's not speaking to him.
to:
* RoyalsWhoActuallyDoSomething: Roughly half of the important characters are royalty. They also tend to be [[AuthorityEqualsAsskicking [[RankScalesWithAsskicking totally badass.]]
*RunningGag: RunningGag:
** A string on Fflewddur's harp breaks whenever he lies (which is often). The bigger the lie, the more strings break.
**Another is Eilonwy informing Taran, often, that she's not speaking to him. Except, of course, to remind him that she's not speaking to him.
*
** A string on Fflewddur's harp breaks whenever he lies (which is often). The bigger the lie, the more strings break.
**
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Changed line(s) 34,35 (click to see context) from:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which started in 2015 and as of 2023 was about three quarters through the first book.
to:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which started in 2015 and as of 2023 was is about three quarters through the first book.
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Changed line(s) 34,35 (click to see context) from:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which started in 2015 and as of July 2017 was about halfway through the first book.
to:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which started in 2015 and as of July 2017 2023 was about halfway three quarters through the first book.
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Changed line(s) 34,35 (click to see context) from:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which as of July 2017 was about halfway through the first book.
to:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which started in 2015 and as of July 2017 was about halfway through the first book.
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Changed line(s) 34,35 (click to see context) from:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which is currently (as of July 2017) about halfway through the first book.
to:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which is currently (as as of July 2017) 2017 was about halfway through the first book.
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None
Changed line(s) 34,35 (click to see context) from:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''[[VideoGame/PhantasyStarIII]]'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which is currently (as of July 2017) about halfway through the first book.
to:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and ''[[VideoGame/PhantasyStarIII]]'' ''VideoGame/PhantasyStarIII'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which is currently (as of July 2017) about halfway through the first book.
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None
Changed line(s) 34,35 (click to see context) from:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and [[VideoGame/PhantasyStarIII Phantasy Star III remake]]; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which is currently (as of July 2017) about halfway through the first book.
to:
Also, ''The Book of Three'' has a [[https://rpgmaker.net/games/91/ freeware game adaptation]] by [=Lysander86=], the developer of ''VideoGame/ABlurredLine'' and [[VideoGame/PhantasyStarIII Phantasy Star III remake]]; ''[[VideoGame/PhantasyStarIII]]'' remake; and [[http://thebookofthree.thecomicseries.com an ongoing webcomic adaptation]] with exceptionally high-quality artwork by Saeriellyn, which is currently (as of July 2017) about halfway through the first book.
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Changed line(s) 25,31 (click to see context) from:
#''The Book of Three (1964)''
#''The Black Cauldron (1965)''
#''The Castle of Llyr (1966)''
#''Taran Wanderer (1967)''
#''The High King (1968)''
#''The Foundling and Other Tales From Prydain (1973)''
#''The Black Cauldron (1965)''
#''The Castle of Llyr (1966)''
#''Taran Wanderer (1967)''
#''The High King (1968)''
#''The Foundling and Other Tales From Prydain (1973)''
to:
#''The Book of Three (1964)''
Three'' (1964)
#''The BlackCauldron (1965)''
Cauldron'' (1965)
#''The Castle ofLlyr (1966)''
Llyr'' (1966)
#''TaranWanderer (1967)''
Wanderer'' (1967)
#''The HighKing (1968)''
King'' (1968)
#''The Foundling and Other Tales FromPrydain (1973)''
Prydain'' (1973)
#''The Black
#''The Castle of
#''Taran
#''The High
#''The Foundling and Other Tales From
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They Do is now a disambig page
Changed line(s) 426 (click to see context) from:
* WillTheyOrWontThey: Dragged out until the ''very last page'' of the final book with Taran and Eilonwy. [[spoiler:TheyDo, of course.]] Eilonwy [[LampshadeHanging lampshades]] the whole situation with her response to Taran's [[spoiler:marriage proposal: "Well, indeed. I wondered if you'd ever get round to asking. Of course I will, and if you'd given half a thought to the question you'd have already known my answer."]]
to:
* WillTheyOrWontThey: Dragged out until the ''very last page'' of the final book with Taran and Eilonwy. [[spoiler:TheyDo, of course.]] Eilonwy [[LampshadeHanging lampshades]] {{lampshade|Hanging}}s the whole situation with her response to Taran's [[spoiler:marriage proposal: "Well, indeed. I wondered if you'd ever get round to asking. Of course I will, and if you'd given half a thought to the question you'd have already known my answer."]]
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** [[spoiler: As Dallben revelas towards the end of ''The High King'', this is quite literal, as it apparently covers the events of every possible timeline. As Dallben makes annotations at several points during the series, he's presumably noting which events ''actually'' take place for future reference.]]
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Crosswicking new trope
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* SinisterDeerSkull: The Horned King is a monstrous warrior covered in blood-red body paint and wearing an antlered deer mask that conceals his face.
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Changed line(s) 232 (click to see context) from:
* ImpoverishedPatrician: Ellidyr is a prince, but his family squandered its wealth before he was even born. All he really has are his title and his horse.
to:
* ImpoverishedPatrician: ImpoverishedPatrician:
** Ellidyr is a prince, but his family squandered its wealth before he was even born. All he really has are his title and hishorse.horse.
** There's really not much left of the kingdom that Eilonwy is the princess of, and all she personally has are the family name, some half-trained magic powers and an enchanted glowing sphere that's mostly useless to anyone except her. Unlike Ellidyr, she doesn't really care about her title at all and is content doing farm work as long as she's away from Achren and [[EveryoneCanSeeIt gets to be around Taran]].
** Ellidyr is a prince, but his family squandered its wealth before he was even born. All he really has are his title and his
** There's really not much left of the kingdom that Eilonwy is the princess of, and all she personally has are the family name, some half-trained magic powers and an enchanted glowing sphere that's mostly useless to anyone except her. Unlike Ellidyr, she doesn't really care about her title at all and is content doing farm work as long as she's away from Achren and [[EveryoneCanSeeIt gets to be around Taran]].
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Deleted line(s) 254,255 (click to see context) :
* KillEmAll: Many, many characters died in the last book, ''The High King''. Perhaps for this reason it's left off many a school reading list that contains the other four books in the series. This is despite the fact that it won a [[DeathByNewberyMedal Newbery Medal]]...
** The closing body count at the end of the book is: [[spoiler:Coll, Magg, High King Math, Annlaw Clay-Shaper, Llonio, King Rhun, King Pryderi, Arawn, Achren, and Taran's gwythaint]]. If you count returning to the "Summer Country" as a metaphor for death (which it is in some belief systems), then the book also claims [[spoiler:Gwydion, Fflewddur, Llyan, Taliesin, Gurgi, Glew, Dallben and the Sons and Daughters of Don]] ''writ large'', since following Arawn's death TheMagicGoesAway, so to speak.
** The closing body count at the end of the book is: [[spoiler:Coll, Magg, High King Math, Annlaw Clay-Shaper, Llonio, King Rhun, King Pryderi, Arawn, Achren, and Taran's gwythaint]]. If you count returning to the "Summer Country" as a metaphor for death (which it is in some belief systems), then the book also claims [[spoiler:Gwydion, Fflewddur, Llyan, Taliesin, Gurgi, Glew, Dallben and the Sons and Daughters of Don]] ''writ large'', since following Arawn's death TheMagicGoesAway, so to speak.
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Changed line(s) 310 (click to see context) from:
** Played straight with Morda, whose ForcedTransformationof several of the heroes is instantly reversed upon his death.
to:
** Played straight with Morda, whose ForcedTransformationof ForcedTransformation of several of the heroes is instantly reversed upon his death.
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Removing trope misuse; Berserk Button is about (often comic) overreactions to trivial things. It does not cover things that people can legitimately get angry about.
Deleted line(s) 79,81 (click to see context) :
* BerserkButton:
** Do ''not'' judge Eilonwy based on her gender. Don't call her a "little girl" or suggest she [[StayInTheKitchen stick to "women's work."]]
** Do not insult her in front of Taran. [[HypocriticalHeartwarming Not even if he was just criticizing her himself.]]
** Do ''not'' judge Eilonwy based on her gender. Don't call her a "little girl" or suggest she [[StayInTheKitchen stick to "women's work."]]
** Do not insult her in front of Taran. [[HypocriticalHeartwarming Not even if he was just criticizing her himself.]]
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Grumpy Bear is no longer a trope. Moving examples to other tropes when applicable.
Deleted line(s) 206 (click to see context) :
* GrumpyBear: Doli and King Eiddileg both seem to channel Grumpy from Disney's ''WesternAnimation/SnowWhiteAndTheSevenDwarfs.''
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Bald Of Awesome has been disambiguated and is no longer a trope.
Deleted line(s) 71 (click to see context) :
* BaldOfAwesome: Lampshaded by Gwydion (when speaking of Coll), who points out that he's "never known courage to be judged by the length of a man's hair. Or, for the matter of that, whether he has any hair at all.”
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* BaldOfAwesome: Lampshaded by Gwydion (when speaking of Coll), who points out that he's "never known courage to be judged by the length of a man's hair. Or, for the matter of that, whether he has any hair at all.”
Changed line(s) 114 (click to see context) from:
* CharacterDevelopment: '''The''' reason these books are so good.
to:
* CharacterDevelopment: '''The''' reason these books are so good.good (well, one of the major ones, anyway).
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* ForcedTransformation: One of Morda's more frightening powers, as he demonstrates by turning [[spoiler: Doli]] into a frog, [[spoiler: Fflewddur into a hare]], and attempts to do the same to the other heroes. It's also repeatedly implied to be within the powers of the three enchantresses of Morva.
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Baleful Polymorph was renamed per TRS. As is typical with dewicking projects, zero-context examples were deleted, as it is impossible to tell if they are misuse.
Deleted line(s) 71 (click to see context) :
* BalefulPolymorph: One of Morda's more frightening powers. It's also repeatedly implied to be within the powers of the three enchantresses of Morva.
Changed line(s) 312,313 (click to see context) from:
* NoOntologicalInertia: Played with. Destroying [[spoiler:the Black Cauldron]] does not kill the existing Cauldron-born, but using [[spoiler:Dyrnwyn]] on just one of them slays them all.
** Played straight with Morda, whose BalefulPolymorph of several of the heroes is instantly reversed upon his death.
** Played straight with Morda, whose BalefulPolymorph of several of the heroes is instantly reversed upon his death.
to:
* NoOntologicalInertia: NoOntologicalInertia:
** Played with. Destroying [[spoiler:the Black Cauldron]] does not kill the existing Cauldron-born, but using [[spoiler:Dyrnwyn]] on just one of them slays them all.
** Played straight with Morda, whoseBalefulPolymorph of ForcedTransformationof several of the heroes is instantly reversed upon his death.
** Played with. Destroying [[spoiler:the Black Cauldron]] does not kill the existing Cauldron-born, but using [[spoiler:Dyrnwyn]] on just one of them slays them all.
** Played straight with Morda, whose
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Changed line(s) 4,5 (click to see context) from:
''The Chronicles of Prydain'' is a five-book series of fantasy novels by the late American author Creator/LloydAlexander. Based (very) loosely on the Literature/{{Mabinogion}} and taking place in the fantasy world of Prydain, which bears no small resemblance to UsefulNotes/{{Wales}}. The novels feature a series of epic adventures in a land of HighFantasy, but place more emphasis on [[ComingOfAgeStory the protagonist's growing maturity and his journey into manhood.]]
to:
''The Chronicles of Prydain'' is a five-book series of fantasy novels by the late American author Creator/LloydAlexander. Based (very) loosely on the Literature/{{Mabinogion}} ''Literature/{{Mabinogion}}'' and taking place in the fantasy world of Prydain, which bears no small resemblance to UsefulNotes/{{Wales}}. The novels feature a series of epic adventures in a land of HighFantasy, but place more emphasis on [[ComingOfAgeStory the protagonist's growing maturity and his journey into manhood.]]
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Changed line(s) 122 (click to see context) from:
** The coffer with the polished bone that Gurgi finds inside a hollow tree (because Kaw playfully dropped Fflewddur's harp key there) turns out to be [[spoiler:Morda's SoulJar]]. Even becomes a bit of an enforced ClingyMacguffin since, after Taran has Gurgi put it back because of Fflewddur's fear of "meddling with magic", Kaw goes back and takes it again.
to:
** The coffer with the polished bone that Gurgi finds inside a hollow tree (because Kaw [[ThePrankster playfully dropped Fflewddur's harp key there) there]]) turns out to be [[spoiler:Morda's SoulJar]]. Even becomes a bit of an enforced ClingyMacguffin since, after Taran has Gurgi put it back because of Fflewddur's fear of "meddling with magic", Kaw goes back and takes it again.
Changed line(s) 126 (click to see context) from:
** Back in ''Castle of Llyr'', Glew mentioned in passing that he bought the "empty book" (actually containing [[spoiler:the titular spells of Caer Colur]]) from a magician. Turns out as of the next book that that magician was Morda. Even better, it turns out the amulet he's using against the Fair Folk belonged to [[spoiler:Angharad, Eilonwy's mother, something the careful reader could have guessed after seeing Eilonwy's own jewelry and the moon iconography mentioned for the House of Llyr]], thus explaining the owner's previously-unknown fate.
to:
** Back in ''Castle of Llyr'', Glew mentioned in passing that he bought the "empty book" (actually containing [[spoiler:the titular spells of Caer Colur]]) from a magician. Turns out as of the next book that that magician was Morda. Even better, [[ContrivedCoincidence it turns out out]] the amulet he's using against the Fair Folk belonged to [[spoiler:Angharad, Eilonwy's mother, something the careful reader could have guessed after seeing Eilonwy's own jewelry and the moon iconography mentioned for the House of Llyr]], thus explaining the owner's previously-unknown fate. Although once the reader knows Morda had one magical item [[spoiler:connected with the House of Llyr]], it's easier to guess he'd have another.
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None
Changed line(s) 121,122 (click to see context) from:
* ChekhovsGun: The ring Eilonwy receives at the end of the first book ends up coming [[DeusExMachina in quite handy]] in the finale.
* ChekhovsGunman: Nearly everyone Taran befriends on his journey in ''Taran Wanderer'' comes back to help out in the campaign against Arawn in ''The High King'', or gets [[spoiler:killed tragically]] to provide more personal drama for the final conflict.
* ChekhovsGunman: Nearly everyone Taran befriends on his journey in ''Taran Wanderer'' comes back to help out in the campaign against Arawn in ''The High King'', or gets [[spoiler:killed tragically]] to provide more personal drama for the final conflict.
to:
* ChekhovsGun: ChekhovsGun:
** The coffer with the polished bone that Gurgi finds inside a hollow tree (because Kaw playfully dropped Fflewddur's harp key there) turns out to be [[spoiler:Morda's SoulJar]]. Even becomes a bit of an enforced ClingyMacguffin since, after Taran has Gurgi put it back because of Fflewddur's fear of "meddling with magic", Kaw goes back and takes it again.
** The ring Eilonwy receives at the end of the first book ends up coming [[DeusExMachina in quite handy]] in the finale.
*ChekhovsGunman: ChekhovsGunman:
** Nearly everyone Taran befriends on his journey in ''Taran Wanderer'' comes back to help out in the campaign against Arawn in ''The High King'', or gets [[spoiler:killed tragically]] to provide more personal drama for the finalconflict.conflict.
** Back in ''Castle of Llyr'', Glew mentioned in passing that he bought the "empty book" (actually containing [[spoiler:the titular spells of Caer Colur]]) from a magician. Turns out as of the next book that that magician was Morda. Even better, it turns out the amulet he's using against the Fair Folk belonged to [[spoiler:Angharad, Eilonwy's mother, something the careful reader could have guessed after seeing Eilonwy's own jewelry and the moon iconography mentioned for the House of Llyr]], thus explaining the owner's previously-unknown fate.
** The coffer with the polished bone that Gurgi finds inside a hollow tree (because Kaw playfully dropped Fflewddur's harp key there) turns out to be [[spoiler:Morda's SoulJar]]. Even becomes a bit of an enforced ClingyMacguffin since, after Taran has Gurgi put it back because of Fflewddur's fear of "meddling with magic", Kaw goes back and takes it again.
** The ring Eilonwy receives at the end of the first book ends up coming [[DeusExMachina in quite handy]] in the finale.
*
** Nearly everyone Taran befriends on his journey in ''Taran Wanderer'' comes back to help out in the campaign against Arawn in ''The High King'', or gets [[spoiler:killed tragically]] to provide more personal drama for the final
** Back in ''Castle of Llyr'', Glew mentioned in passing that he bought the "empty book" (actually containing [[spoiler:the titular spells of Caer Colur]]) from a magician. Turns out as of the next book that that magician was Morda. Even better, it turns out the amulet he's using against the Fair Folk belonged to [[spoiler:Angharad, Eilonwy's mother, something the careful reader could have guessed after seeing Eilonwy's own jewelry and the moon iconography mentioned for the House of Llyr]], thus explaining the owner's previously-unknown fate.
Added DiffLines:
* HoistByHisOwnPetard: In ''Taran Wanderer'', Taran finds that he cannot break the enchanted bone. It's only when [[spoiler:Morda]] tries to take it from him, gripping the middle while Taran holds both ends, that it snaps. While this was an act of desperation, [[spoiler:Morda]] really should have known better.
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trope reworked; see Flawless Token
Deleted line(s) 327 (click to see context) :
* PositiveDiscrimination: Eilonwy at Taran's expense in the first three books, although she herself is pretty shrewish at the beginning.