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Changed line(s) 4,6 (click to see context) from:
->"''Be seduced''"
-->-- '''{{Tagline}}'''
-->-- '''{{Tagline}}'''
to:
-->--
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Changed line(s) 7,8 (click to see context) from:
''Sirens'' is a 1993 drama film written and directed by John Duigan, starring Creator/HughGrant, Creator/TaraFitzgerald, and Creator/SamNeill.
to:
''Sirens'' is a 1993 1994 drama film written and directed by John Duigan, starring Creator/HughGrant, Creator/TaraFitzgerald, and Creator/SamNeill.
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A Date With Rosie Palms is no longer a trope
* CaughtWithYourPantsDown: Estella sees Devlin masturbating. Uniquely for this trope (with regards to male sexuality), it's not portrayed as gross.
Deleted line(s) 35 (click to see context) :
* ADateWithRosiePalms: Estella sees Devlin masturbating. Uniquely for this trope (with regards to male sexuality), it's not portrayed as gross.
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* TitleDrop: Not long after Estella and Anthony arrive, Giddy tells the myth of the Sirens, who lured sailors to their deaths agains the rocks.
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cut trope
Deleted line(s) 78 (click to see context) :
* RapunzelHair: All the models, Norman's wife included. Presumably this is to contrast with Estella's bobbed hair to show their freer personalities.
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Deleted line(s) 36 (click to see context) :
* EnthrallingSiren: Sheila and Pru act as these to Estella and Giddy with regards to their sexuality. Giddy references the Sirens themselves and tells Anthony and Estella about them.
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* GenderFlip: The painting ''Crucified Venus'', which is largely the provocation for the whole plot, is ExactlyWhatItSaysOnTheTin: the Crucifixion of Christ but with the nude Greco-Roman goddess of love nailed to the cross instead.
Changed line(s) 50,52 (click to see context) from:
-->'''Sheela''': "What's wrong with her?"
-->'''Giddy''': "She'll think we're (pause) barbarians."
-->'''Sheela''': "We are!" (Sheela and Pru laugh and start splashing Giddy.)
-->'''Giddy''': "She'll think we're (pause) barbarians."
-->'''Sheela''': "We are!" (Sheela and Pru laugh and start splashing Giddy.)
to:
-->'''Sheela''': "What's What's wrong with her?"
-->'''Giddy''': "She'llher?\\
'''Giddy''': She'll think we're (pause) barbarians."
-->'''Sheela''': "We are!" (Sheela\\
'''Sheela''': We are! ''(Sheela and Pru laugh and start splashing Giddy.))''
-->'''Giddy''': "She'll
'''Giddy''': She'll think we're (pause) barbarians.
-->'''Sheela''': "We are!" (Sheela
'''Sheela''': We are! ''(Sheela and Pru laugh and start splashing Giddy.
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* MatchCut: A blasphemous Norman Lindsay painting which features a Rasputin-like figure cuts to the inspiration of that figure, the stationmaster in the town where the artist resides.
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* CatapultNightmare: Played with in that Estella bolts upright in classic CatapultNightmare style, but it wasn't a nightmare, it was an EroticDream.
* EroticDream: Estella's character arc is completed when she has an erotic dream about floating in the lake, while the three models rise up naked out of the water and fondle her.
* FootsieUnderTheTable
** Devlin fondles Estella's thigh while sitting next to her at the dinner table.
** In the last scene a sexually liberated Estella isn't even bothering with the table, playing footsie with Anthony in the train cabin out in the open.
** Devlin fondles Estella's thigh while sitting next to her at the dinner table.
** In the last scene a sexually liberated Estella isn't even bothering with the table, playing footsie with Anthony in the train cabin out in the open.
Changed line(s) 40 (click to see context) from:
* GrowingUpSucks: A variation that also serves as a deconstruction. Anthony believes in a woman's innocence and virtue such as with Giddy and Estella, and he is notably very sad when [[spoiler: Giddy decides to pose nude]]. However the film portrays this as a natural thing. Embracing sexuality is used as positive character growth.
to:
* GrowingUpSucks: A variation that also serves as a deconstruction. Anthony believes in a woman's innocence and virtue such as with Giddy and Estella, and he is notably very sad when [[spoiler: Giddy decides to pose nude]].nude. However the film portrays this as a natural thing. Embracing sexuality is used as positive character growth.
Changed line(s) 45,47 (click to see context) from:
-->'''SHEELA''': "What's wrong with her?"
-->'''GIDDY''': "She'll think we're (pause) barbarians."
-->'''SHEELA''': "We are!" (Sheela and Pru laugh and start splashing Giddy.)
-->'''GIDDY''': "She'll think we're (pause) barbarians."
-->'''SHEELA''': "We are!" (Sheela and Pru laugh and start splashing Giddy.)
to:
Changed line(s) 55 (click to see context) from:
** A variation where Estella's bobbed hair is usually shown drawn back behind her ears but when she [[spoiler: discovers herself in the painting]] it's much looser reflecting her new attitude.
to:
** A variation where Estella's bobbed hair is usually shown drawn back behind her ears but when she [[spoiler: discovers herself in the painting]] painting it's much looser reflecting her new attitude.
* MaleFrontalNudity: A little equal-opportunity fanservice, as Devlin the ruggedly handsome handyman is shown naked twice.
Changed line(s) 59 (click to see context) from:
-->'''GIDDY''': "Sheila's got ten brothers and sisters. She wants to be an artist like Norman, but the poor girl, she's heartless."
to:
Changed line(s) 67,69 (click to see context) from:
-->'''PRU''': "Anarchy is freedom!"
-->'''TONY''': "Balls!"
* QuestionableConsent: [[spoiler: Estella gives Giddy some of her own perfume, her wedding ring and ties her hair up to make Devlin think it's her he's sleeping with]].
-->'''TONY''': "Balls!"
* QuestionableConsent: [[spoiler: Estella gives Giddy some of her own perfume, her wedding ring and ties her hair up to make Devlin think it's her he's sleeping with]].
to:
* QuestionableConsent:
* TheQuietOne: Devlin, who hardly speaks. When Norman jokes that he lost his tongue in a freak boxing accident, Devlin is content to say "Balldust, Norman."
Changed line(s) 76 (click to see context) from:
* ShrinkingViolet: Estella. Also discussed by Anthony and Lindsey. Lindsey himself admits that he is one and that he hides in his own fantasy world of his paintings.
to:
* ShrinkingViolet: Estella. Also discussed by Anthony and Lindsey. Lindsey Lindsay. Lindsay himself admits that he is one and that he hides in his own fantasy world of his paintings.
Changed line(s) 78 (click to see context) from:
* SwingLowSweetHarriet: Lindsay has a swing; the models use it.
to:
* SwingLowSweetHarriet: Lindsay has a swing; the models use it. The sexual symbolism of the swing is most obvious when Sheela is swinging while Estella is having sex with the handyman.
* SympatheticAdulterer: Estella cheats on her husband with the handsome handyman, but it isn't bad, it's just her sexual awakening.
* SympatheticAdulterer: Estella cheats on her husband with the handsome handyman, but it isn't bad, it's just her sexual awakening.
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Changed line(s) 32 (click to see context) from:
* CorruptTheCutie: Anthony is worried about Pru and Sheela doing this to Giddy. [[spoiler: When Giddy poses nude]] he appears very sad about it.
to:
* CorruptTheCutie: Anthony is worried about Pru and Sheela doing this to Giddy. [[spoiler: When Giddy poses nude]] nude he appears very sad about it.
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* {{Skinnydipping}}: Well, you wouldn't expect sexy models who seem strangely focused on awakening Estella's sexuality to wear suits when they go in the local swimming hole.
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* AffectionateNickname: Anthony and Estella call each other "[[Literature/WinnieThePooh Pooh and Piglet]]", respectively.
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Woman In White is no longer a trope
Deleted line(s) 80 (click to see context) :
* WomanInWhite: Giddy's costume is a long white dress. We notably don't see her in white [[spoiler: after she poses nude]].
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Deleted line(s) 25,26 (click to see context) :
* BigScrewedUpFamily: From the bathing scene:
-->'''GIDDY''': "Sheila's got ten brothers and sisters. She wants to be an artist like Norman, but the poor girl, she's heartless."
-->'''GIDDY''': "Sheila's got ten brothers and sisters. She wants to be an artist like Norman, but the poor girl, she's heartless."
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* MassiveNumberedSiblings: From the bathing scene:
-->'''GIDDY''': "Sheila's got ten brothers and sisters. She wants to be an artist like Norman, but the poor girl, she's heartless."
-->'''GIDDY''': "Sheila's got ten brothers and sisters. She wants to be an artist like Norman, but the poor girl, she's heartless."
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* BigScrewedUpFamily: From the bathing scene:
-->'''GIDDY''': "Sheila's got ten brothers and sisters. She wants to be an artist like Norman, but the poor girl, she's heartless."
-->'''GIDDY''': "Sheila's got ten brothers and sisters. She wants to be an artist like Norman, but the poor girl, she's heartless."
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* PrecisionFStrike: A mild version, as profanity wasn't what got the film its UsefulNotes/RestrictedRating.
to:
* PrecisionFStrike: A mild version, as profanity wasn't what got During a discussion of the film its UsefulNotes/RestrictedRating.world political scene of the time.
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* RuleOfThree
to:
* RuleOfThreeRuleOfThree: The three models.
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* AcceptableFeminineGoals: Played straight with Sheela and Giddy who wish to be an artist and actress respectively. Averted with Pru who wants to be an aviatrix.
to:
* AcceptableFeminineGoals: {{Acceptable Feminine Goals|AndTraits}}: Played straight with Sheela and Giddy who wish to be an artist and actress respectively. Averted with Pru who wants to be an aviatrix.
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* PrecisionFStrike: A mild version, as profanity wasn't what got the film its UsefulNotes/RestrictedRating.
-->'''PRU''': "Anarchy is freedom!"
-->'''TONY''': "Balls!"
-->'''PRU''': "Anarchy is freedom!"
-->'''TONY''': "Balls!"
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* InsultBackfire: Discussed. When Estella walks away after watching Sheela and Pru bathing nude, with Sheela interacting with the "blind" handyman.
-->'''SHEELA''': "What's wrong with her?"
-->'''GIDDY''': "She'll think we're (pause) barbarians."
-->'''SHEELA''': "We are!" (Sheela and Pru laugh and start splashing Giddy.)
-->'''SHEELA''': "What's wrong with her?"
-->'''GIDDY''': "She'll think we're (pause) barbarians."
-->'''SHEELA''': "We are!" (Sheela and Pru laugh and start splashing Giddy.)
Changed line(s) 47 (click to see context) from:
** Hugh Grant described Tony as such - as a man who thinks he's trendy and progressive. But who would become "hopeless" once he was confronted with a naked Elle Macpherson.
to:
** Hugh Grant described Tony as such - as a man who thinks he's trendy and progressive. But who would become "hopeless" once he was confronted with a naked Elle Macpherson.[=MacPherson=].
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Changed line(s) 9,10 (click to see context) from:
Set in Australia between the two World Wars, the film follows Anthony Campion (Grant), a British Anglican priest, on holiday in Australia with his wife Estella (Fitzgerald). Anthony has been asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models (the "sirens" of the title) flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
to:
Set in Australia between the two World Wars, the film follows Anthony Campion (Grant), a British Anglican priest, on holiday in Australia with his wife Estella (Fitzgerald). Anthony has been asked by a bishop to visit the artist Norman Lindsey Lindsay (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models (the "sirens" of the title) flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
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Norman Lindsay was a real guy. 24 years before this movie, his life inspired another movie about an Australian artist and his sexy model, ''Film/AgeOfConsent''.
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is it set in the roaring twenties?
Deleted line(s) 68 (click to see context) :
* TwentiesBobHaircut: Estella has one but, seeing LongHairIsFeminine, it's used to illustrate her repressed nature.
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* AdaptationalHeroism: A general example. The Sirens in Greek mythology were evil creatures whose songs lured sailors to their deaths on the rocks. Siren song is also used as an expression for dangerous temptation. Here the Siren analogues are instead tempting their victims to discover something wonderful and passionate about themselves.
Changed line(s) 19 (click to see context) from:
* AlphaBitch: Sheela seems to show traits of this.
to:
* AlphaBitch: Sheela seems to show traits of this.this as the ring leader of the models - but Pru is the bitchiest one, making her something of a BetaBitch. Sheila appears to be a LovableAlphaBitch by the end.
* ComingOfAgeStory: A late bloomer variation. Estella is a repressed housewife who discovers her sexuality.
* ADateWithRosiePalms: Estella sees Devlin masturbating. Uniquely for this trope (with regards to male sexuality), it's not portrayed as gross.
Changed line(s) 38 (click to see context) from:
* ItsNotPornItsArt
to:
* ItsNotPornItsArtItsNotPornItsArt: Norman Lindsay argues that the nudity and explicit content in his paintings comes from how he feels about love.
--> "There's a fierceness to it."
--> "There's a fierceness to it."
Changed line(s) 42 (click to see context) from:
* LatinLover: Devlin.
to:
* LatinLover: Devlin.Devlin, although Australian and not Latino, fits the appearance and the sensuality.
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* QuestionableConsent: [[spoiler: Estella gives Giddy some of her own perfume, her wedding ring and ties her hair up to make Devlin think it's her he's sleeping with]].
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* TheThreeFacesOfEve: The three models. Giddy - the young and naive one - is the Child. Pru - the socialism fan and best spoken of the girls - is the Wife. Sheila - sexual and free-spirited - is the Seductress.
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He catches a thrown hammer, pretty good indication he can see just fine
Changed line(s) 51 (click to see context) from:
* ObfuscatingDisability: The blind handyman can see a little.
to:
* ObfuscatingDisability: The blind handyman can see a little.isn't really blind.
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Changed line(s) 9,10 (click to see context) from:
Set in Australia between the two World Wars, the film follows Anthony Campion (Grant), a British Anglican priest, and his wife Estella (Fitzgerald) on holiday in Australia. Anthony has been asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models (the "sirens" of the title) flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
to:
Set in Australia between the two World Wars, the film follows Anthony Campion (Grant), a British Anglican priest, and on holiday in Australia with his wife Estella (Fitzgerald) on holiday in Australia.(Fitzgerald). Anthony has been asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models (the "sirens" of the title) flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
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Changed line(s) 9,10 (click to see context) from:
Set in Australia between the two World Wars, the film follows a British Anglican priest (Grant) and his wife (Fitzgerald) on holiday in Australia and asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models (the "sirens" of the title) flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
to:
Set in Australia between the two World Wars, the film follows Anthony Campion (Grant), a British Anglican priest (Grant) priest, and his wife Estella (Fitzgerald) on holiday in Australia and Australia. Anthony has been asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models (the "sirens" of the title) flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
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Changed line(s) 11,12 (click to see context) from:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as two of the models.
to:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as two of in the models.
cast.
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Changed line(s) 9,12 (click to see context) from:
Set in Australia between the two World Wars, the film follows a British Anglican priest (Grant) and his wife (Fitzgerald) on holiday in Australia and asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as two of Lindsey's models, the "sirens" of the title.
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as two of Lindsey's models, the "sirens" of the title.
to:
Set in Australia between the two World Wars, the film follows a British Anglican priest (Grant) and his wife (Fitzgerald) on holiday in Australia and asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models (the "sirens" of the title) flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as two ofLindsey's models, the "sirens" of the title.
models.
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as two of
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Changed line(s) 11,12 (click to see context) from:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as Lindsey's models, the "sirens" of the title.
to:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as two of Lindsey's models, the "sirens" of the title.
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Changed line(s) 11,12 (click to see context) from:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as Lindsey's models, "sirens" of the title.
to:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Creator/PortiaDeRossi (in her film debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]] as Lindsey's models, the "sirens" of the title.
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Changed line(s) 11,12 (click to see context) from:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Portia De Rossi in her film debut, and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]].
to:
This was one of three films that brought Hugh Grant to the attention of American audiences. Also features Portia De Rossi in Creator/PortiaDeRossi (in her film debut, debut) and [=supermodel=] [[Creator/ElleMacPherson Elle [=MacPherson=]]].
[=MacPherson=]]] as Lindsey's models, "sirens" of the title.
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Changed line(s) 4,10 (click to see context) from:
-->"''Be seduced''"
-->--{{Tagline}}
''Sirens'' is a 1993 drama film written and directed by John Duigan, starring Creator/HughGrant, Tara Fitzgerald, and Sam Neill.
Set in Australia during the two World Wars, the film follows a British Anglican priest (Grant) and his wife (Fitzgerald) on holiday in Australia and asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
-->--{{Tagline}}
''Sirens'' is a 1993 drama film written and directed by John Duigan, starring Creator/HughGrant, Tara Fitzgerald, and Sam Neill.
Set in Australia during the two World Wars, the film follows a British Anglican priest (Grant) and his wife (Fitzgerald) on holiday in Australia and asked by a bishop to visit the artist Norman Lindsey (Neill) when his paintings have been declared too vulgar and offensive to be used in an exhibition. When visiting the artist's home, the couple are baffled and almost attracted by the free and loose ways that Lindsey's models flaunt their sexuality. The film acts as a study into the psyche of Estella's mind as she fantasizes and begins to act on her impulses.
to:
''Sirens'' is a 1993 drama film written and directed by John Duigan, starring Creator/HughGrant,
Set in Australia