The dialogue felt realistic, and Austria's reasons for helping Poland with the dress (and later the escape) were consistent and as confusing as real reasons. (He's a "gentleman," he has nothing better to do, and whether he admits it or not, he's attracted to the lightness of the task and Poland's affected nonchalance.)
Clotho, Lachesis, Atropos
The dialogue felt realistic, and Austria's reasons for helping Poland with the dress (and later the escape) were consistent and as confusing as real reasons. (He's a "gentleman," he has nothing better to do, and whether he admits it or not, he's attracted to the lightness of the task and Poland's affected nonchalance.)