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Likely
Current Version
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I would agree with timeforgot\'s narrow interpretation of this trope. In a typical TwistEnding, there is key information that is concealed from at least some of the characters (and the audience), which is then revealed, to the surprise of those characters (and the audience). When the twist is fundamental enough, TheEndingChangesEverything. What distinguishes a TomatoSurprise is that there is not surprising revelation to the characters involved, just to the audience. If any of the characters are just as surprised as the audience, it\'s just a vanilla TwistEnding.
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I would agree with timeforgot\\\'s narrow interpretation of this trope. In a typical TwistEnding, there is key information that is concealed from at least some of the characters (and the audience), which is then revealed, to the surprise of those characters (and the audience). When the twist is fundamental enough, TheEndingChangesEverything. What distinguishes a TomatoSurprise is that there is NO surprising revelation to the characters involved, just to the audience. If any of the characters are just as surprised as the audience, it\\\'s just a vanilla TwistEnding.
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I think the twists at the end of \
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I think the twists at the end of \\\"A Man Who Had No Eyes\\\" are a use of UnreliableNarrator with an extra AndThatLittleGirlWasMe twist.
