Line #42 YMMV/IntoTheWoods


1	!!The musical
2
3	* AccidentalAesop: It's okay to be content if not happy. Act Two starts with everyone a little unsatisfied, but they take steps to solve their problems: Cinderella says she wants to sponsor a festival to deal with her boredom of being a princess and not being allowed to do anything, Jack helps his mother with some chores now that they have enough money for food and home repairs, and the Baker promises he will expand the bakery for their child. Even in the end, everyone agrees they don't have to be happy, but they can be content together.
4	* AdaptationDisplacement: The musical adapts the lesser known Grimm version of Cinderella: gold shoes, three successive nights at the ball, Cinderella's garb coming from a tree planted on her mother's grave, the stepsisters cutting pieces of their feet off to try to fit the shoe, and the stepfamily's subsequent humiliation when birds peck their eyes out. The general public is more familiar with the Perrault version (which, to be fair, is the older of the two, at least in print form), which has the glass slipper, the FairyGodmother and a ball for only two nights.
5	* AlternativeCharacterInterpretation:
6	** Are the Princes well-meaning guys with bad impulse control, spoiled by a life that has offered them no challenges at all, or sleazy, manipulative bastards who take advantage of any opportunity to get laid? [[TakeAThirdOption Or some combination of the two?]] The script leaves them open to be played in both ways, including anywhere on the spectrum between them. This is especially the case for Cinderella's Prince, who gets more screen time and has more impact on the story than his brother; he's very quick to jump on the Baker's Wife, but he ''does'' genuinely seem to care about Cinderella, and his final scene in the show shows that he has at least enough self-awareness to admit he's a bit of a dick even if he still justifies everything he does.
7	** Rapunzel's prince can come off very differently depending upon how the actor plays his reaction to her insanity, and his reaction to her death can be played as either cowardice or grief. The OBC has him calling to her before she runs in the Giantess's path, and he tries to catch up with her before she gets crushed.
8	** Cinderella's Father. In the original production, her father seems to have selfishly abandoned her to his wife and stepdaughters (and is quick to change his tune when his real daughter gets to marry the prince), whereas the revival plays him as being "not all there," implying he simply does not realize Cinderella's situation. The 2014 movie version avoids this issue by killing him off. Cinderella's Mother-In-The-Grave gets this, too. The original plays her as a StageMom whereas both the revival and the movie version plays her lines empathetically.
9	** The Baker's Wife is subject to this too. Notable is [[spoiler: her affair with the Prince]]. Is she a woman who slipped up and realized her mistake? Or is she simply never satisfied with whatever she has?
10	** The Mysterious Man is rife with ambiguity. Is he simply well acquainted with the Woods after spending decades in it (which allows him to appear and disappear at will), or is he a spirit as several characters suggest? If he's alive, [[spoiler:why does he die at the end of Act I, apparently out of nowhere? Furthermore is his appearance in "No More" - given that he's ''definitely'' dead at this point, is he a spirit of the Woods come to ensure his son returns to his family, or is the Baker imagining his presence in his moment of grief?]]
11	** In the backstory, did the Mysterious Man merely steal the Witch's rampion and beans, or did he also take her virginity, either consensually or [[RapeAsDrama otherwise]]? Is the Witch's reference to his "raping me" just [[HaveAGayOldTime using the word in the old-fashioned sense]] of "stealing," or is she hinting at the word's modern meaning too? Did the Witch's mother curse her with ugliness just for losing the beans, or for being DefiledForever? Is this what the Witch is referring to when she sings "Couldn't [Rapunzel] stay content safe behind walls, as I could not?"
12	* AwardSnub:
13	** The original production lost the "Best New Musical" Tony to ''Theatre/ThePhantomOfTheOpera'', and many theater snobs are salty about it to this day. Noticeably it won the awards for Score and Book, which typically translates to winning the top prize.
14	** While Joanna Gleeson and Robert Westenberg earned highly deserving Tony nominations, the rest of the highly acclaimed original cast went snubbed, noticeable in the cases of Chip Zien, Tom Aldridge, Kim Crosby, Ben Wright, and Danielle Ferland. Bernadette Peters was also ignored, though she had left the show early and the producers asked if they could put aside her campaign so they could clear the path to Gleeson winning their shared category. Peters gave them her blessing, was snubbed, and Gleeson won.
15	* SugarWiki/AwesomeMusic: This is Sondheim we're talking about.
16	** "Last Midnight", a whole bunch of other stuff that qualifies for TearJerker.
17	** "Agony" is a SugarWiki/{{Funny Moment\|s}} for Act 1, but then the reprise in Act 2 is even funnier.
18	** "Prologue: Into the Woods" is amazing onstage, but the 2014 movie version is really something special. Especially at the very end, where all the different voices and lyrics come together and flawlessly harmonize and flow with each other... it's enough to drive you to tears.
19	* CantUnhearIt: Joanna Gleeson as The Baker's Wife has been heralded by many as one of the most perfect joinings of character and actress in musical theatre history.
20	* ChorusOnlySong: "Children Will Listen" actually has a short introductory verse that was not used in any of the main productions. However, it was recorded for the revue "Sondheim on Sondheim" and singers occasionally use it when recording the song on its own.
21	* DiagnosedByTheAudience: Rapunzel may possibly have postpartum depression.
22	* DracoInLeatherPants: There is a certain segment of the show's fans who tend to see the Witch as someone who can do no wrong in Act 2. She ''does'' have some valid points about the rest of the protagonists and their petty squabbling, but said fanbase tends to overlook the fact that the Witch herself is still guilty of a lot. Particularly with her treatment of Rapunzel and how [[spoiler:she destroyed her life]]. And then during her GriefSong, she still refuses to take culpability, essentially [[BlamingTheVictim blaming Rapunzel]] for [[spoiler:her own insanity and death]], saying "No matter what you say, children won't listen". Yet, if you go to the comments section for any of her songs, there will be comments completely agreeing with her and even saying she isn't a villain at all.
23	* EnsembleDarkhorse: The Princes (especially Cinderella’s) are quite beloved for being hilariously hammy jerks, who get to sing what’s arguably the show’s most popular song.
24	%%** Milky White from the 2022 revival became an online fan favorite due to her unique design and Kennedy Kanagawa's puppeteering.
25	* FanPreferredCouple: A weird example, as Baker/Baker's Wife isn't ''disliked'', really, but the fandom generally agrees that after [[spoiler:the Baker's Wife dies, after some mourning, the Baker moves on with Cinderella after they agree to live platonically rebuilding a home with Red and Jack.]] About 90% of the fanfiction ships them.
26	* GeniusBonus: In the original fairy tale, Rapunzel is named after the plant her mother craves while pregnant with her. This plant is also sometimes referred to as "rampion," which the Witch is the most upset about the Baker's father stealing from her, making it a stealth reference to the original story. Knowing this also explains why Cinderella's Prince makes fun of Rapunzel's name: not many people share a name with a vegetable.
27	* HilariousInHindsight: Creator/HannahWaddingham, who played the Witch in the 2010 revival, would go on on to play The Wicked Witch of the West in ''Theatre/TheWizardOfOz2011'' the following year. She would later play the Mother Witch in the 2022 film ''Film/HocusPocus2'', a sequel to the 1993 film ''Film/HocusPocus''.
28	* JerkassWoobie:
29	** The Witch may be mean, but the interactions with her and Rapunzel...
30	** Florinda and Lucinda are jerks to Cinderella, but considering they got their feet mutilated for nothing, and then got blinded by Cinderella's birds, it's hard not to feel a little sorry for them.
31	* LoveToHate:
32	** The Witch is a horribly nasty individual who treats everyone around her like shit, [[LargeHam but she also gets quite a showcase,]] [[JerkassWoobie is surprisingly sympathetic,]] [[JerkassHasaPoint and occasionally gets to be right.]]
33	** Cinderella’s Prince is an adulterous douche, but he’s also a [[EnsembleDarkhorse huge fan favorite]] for doing every little thing as [[LargeHam grandiosely as possible,]] and getting some of the show’s greatest comedic moments. The fact that underneath all the laughs and [[LargeHam ham]] there’s actually pathos helps.
34	* OnceOriginalNowOverdone: ''Into the Woods'' was notable at the time for being one of the first mainstream works to [[FracturedFairyTale deconstruct fairy tales]]. Things such as PrinceCharming being revealed as a cheating {{Jerkass}}, the WickedWitch being more complicated than outright evil, and becoming a princess proving unfulfilling were extremely new and fresh at the time. A generation used to the FracturedFairyTale formula of ''WesternAnimation/{{Shrek}}'' and even Disney doing their own revisionist fairy tales like ''{{WesternAnimation/Frozen 2013}}'' might find ''Into the Woods'' passé (although the music itself is still held in high regard). Notably when the film adaptation came along in 2014, the tone became significantly less cynical and satirical.
35	* OneSceneWonder: The Wolf isn't around for long, but man is he memorable.
36	* RewatchBonus: In the theater, during the "One Midnight Gone" scene, the Witch says "sometimes, the things you most wish for are not to be touched". Also, the mysterious old man calls the Baker "son" when he confronts him about the gold coins.
37	* SignatureScene:
38	** “Agony” is widely regarded as the comedic high point of the show. The hamtastic battle of {{Wangst}} between [[EnsembleDarkhorse the Princes]] never fails to be a crowd pleaser.
39	** "On the Steps of the Palace" is another one of the show’s most beloved songs, for its legendary wordplay and fast pace.
40	** The opening scene, which introduces almost all of the main characters and culminates in the titular number.
41	* TheyWastedAPerfectlyGoodPlot:
42	** Cinderella's prince is in the woods in Act 2...not to slay the giant, as everyone assumes, but [[SkewedPriorities to pursue Sleeping Beauty]] and kiss any random woman that catches his eye, even if they're protesting like the Baker's wife. His own brother is actually looking for his wife while considering Snow White, and in the OBC tries to keep her from running under the giant's foot. Cinderella's prince keeps lying that he's going to do it, but isn't even there when the survivors first meet the Giantess. (Yes, this gets lampshaded by a lot of characters, including Cinderella when she hears from the birds that he kissed the Baker's wife and rolled in the hay with her.) Her prince could have gotten the same CharacterDevelopment that the others do if he had agreed to help with the climactic plan, to turn away from the challenge of finding a permanent chase in favor of actually acting like a king; it would also be a moral dilemma for Cinderella to work with him because as he puts it apologetically, "I was raised to be charming, not sincere." They could then figure out if their relationship is not worth saving. Instead, he and Cinderella have a (very mature) breakup where he apologizes for not being the man she thought he was, and she wishes him luck with his quest to find an unachievable girl. Cinderella doesn't tell anyone, instead of being focused on comforting Little Red about her family being dead and hiding her anguish about the betrayal.
43	** Rapunzel being The Baker's Sister is ''NEVER'' touched upon, outside The Baker asking about her briefly at the start of the play. One would assume that since it was a major plot point for the Witch's character, it would also be something that The Baker would ask further questions about. Especially since, to break the curse, The Baker's Wife stole some of Rapunzel's hair. It also doesn't help that The Baker actually witnesses Rapunzel's death, and yet we only focus on the Witch's reaction. Had The Baker's relationship with Rapunzel been explored, it could have helped add to an already great character; instead, it all feels like a wasted opportunity. The fact that Rapunzel and Cinderella are sisters-in-law is also never touched upon; it would be sweet to see them interact considering they have similar back-stories. This gets worse in the 2014 movie version, where Rapunzel survives and the Baker actually does implore about her whereabouts to the Witch.[[note]]It is possible that they do reconcile after the events of the story, given that the Baker's the narrator in the movie and knows Rapunzel is his sister then. This implies that they could have met up eventually (as Cinderella would probably know a bit about her brother-in-law's wife and help him put two and two together)[[/note]]
44	* ValuesDissonance: Given that the story of Little Red Riding Hood is generally accepted as being a cautionary tale about rape, it's becoming precarious in our post-Me-Too, hashtag-rape-culture society that the musical's ultimate statement on the matter is that it is up to potential victims to take responsibility for keeping themselves out of danger ("Don't be scared ... just be prepared") due to the reality that wishful thinking won't actually do anything to provide safety ("Do not put your faith in a cape and a hood; they will not protect you the way that they should").
45	* {{Wangst}}: Agony Part 1 is essentially a hammy wangst-off ("Agony!" "Misery!" "Woe!") between the two princes melodramatically comparing their situations with their princesses to the worst kind of pain [[Administrivia/TropesAreTools and it is glorious]]. Agony Part 2 is even ''worse'' when the two men remember they are married; Rapunzel's prince is at least making an effort to look for her as she wandered off, but Cinderella's prince doesn't care at all that a giant is in the woods.
46	* WhatDoYouMeanItsNotForKids:
47	** Oh, it's a cheery musical with all of our favorite fairy tale characters together! Then Act 2 comes around, most of the characters get killed by a rampaging giant, and suddenly it's not so cheery anymore. The show has enjoyed myriad SchoolPlay productions anyway, but as of TheNewTens the show's licensor now offers a "Junior" version for school and children's theater groups that drops Act 2.
48	** Plus, the message of "Children will listen" is more aimed at parents (adults).
49	* TheWoobie: When he was at a very young age, The Baker lost his entire family due to his father angering The Witch. She steals away his sister, which causes his mother to die out of grief, [[DisappearedDad and his dad to abandon him due to his guilt]]. The Baker goes on to grow up into a highly insecure man who mourns his inability to make a family with his wife. The Witch spitefully tells him of their history together, refusing to let him know anything about his sister, and goes on to reveal that his lack of children is due to a curse she placed on him, making him sterile, [[SinsOfOurFathers all because of his father's actions]]. The Witch gives him an opportunity to lift this curse, sending him on a journey where [[ButtMonkey he's scared, out of his depths, and has to deal with her constant physical and verbal abuse]]. During this journey, he comes across [[spoiler: his supposedly dead father several times, only realizing the man’s identity mere minutes before he actually passes away, cutting their reunion short.]] Succeeding in his quest, The Baker finally gets his child, who he feels unfit to parent. Some time later, over the course of a single day, The Giant destroys his home, his wife cheats on him (which he never finds out), and [[spoiler: she ends up dying due to the attack on the kingdom, with their last interaction being an argument]]. Overcome with sorrow, after initially lashing out at those around him, he gives into despair and [[spoiler: abandons his son, only being broken out of his despair when his dad's ghost convinces him to not make the same mistake he did all those years ago. Even after returning and saving the day,]] his insecurity still hasn't disappeared, as he briefly contemplates that he was never meant to have children. [[spoiler: [[ThrowTheDogABone Luckily he finishes the show on a happy note]], when he takes in Jack, Red Riding Hood, and Cinderella as his new surrogate family, with his wife's spirit also reassuring him that he’ll be a good father, bringing him newfound hope for the future.]]
50
51	!!The 2014 film
52	* {{Adorkable}}:
53	** Rapunzel's Prince looks like a massive dork, from his badly thought out attempt at swinging from Rapunzel's hair like a vine, to his awkward shirt ripping in "Agony". Both moments are very endearing.
54	** This is also what happens when you have Creator/AnnaKendrick playing Cinderella. "On the Steps of the Palace" really shows off how quirky the girl is, as well as other adorably awkward interactions with the Baker's Wife.
55	* AlternativeCharacterInterpretation: The Witch comes across as much more evil in the 2014 movie adaptation, to the point where Rapunzel seems like just another one of her victims than anything else. However, at the same time, one could also look at The Witch's actions towards Rapunzel as an old woman desperately wanting appreciation but not quite knowing how to express it properly.
56	* AwardSnub:
57	** Creator/EmilyBlunt wasn't nominated for an UsefulNotes/AcademyAward, despite many reviews acclaiming her as one of the best, if not ''the'' best, part of the 2014 movie. She ''was'' nominated for a UsefulNotes/GoldenGlobe, but that was the biggest award she was nominated for.
58	** Creator/ChrisPine got very little awards attention despite his uproarious performance being widely praised.
59	* BaseBreakingCharacter: Despite his small role, Creator/JohnnyDepp as the Big Bad Wolf has been divisive. Some don't mind him and feel he had a good mix of creepy and funny that the role requires but others decry him as the weakest of the cast and he's often compared to Creator/RussellCrowe's jarring performance in ''Film/{{Les Miserables\|2012}}''. Not to mention the constant criticism of Depp [[TypeCasting repeating his eccentric roles]].
60	* BrokenBase:
61	** Rapunzel's fate is averted in the movie. According to Sondheim, he tried to get Rapunzel to die in the 2014 movie like she did in the play. However, most likely due to the more family-oriented audience, they decided they wanted Rapunzel to live. Some are ok with the change and like her getting a [[EarnYourHappyEnding happy ending with her prince,]] but some argue that Rapunzel's death was very significant for the Witch's arc. Check [[http://www.playbill.com/news/article/sondheim-reveals-plot-changes-for-disney-into-the-woods-film-322631 here]] for the article. A counter point to this says that Rapunzel's death makes more sense in the show - where she's left to fend for herself while pregnant in the desert. In the movie, she's found the next day and so there's less time for her to go mad. Not helping matters was that a song "She'll Be Back" was written for The Witch to address this change, and then cut.
62	** The removal of a few songs. One song, "No More", is given an instrumental version and [[spoiler:The Baker running away doesn't last for very long. While others argue that it helps the pacing, others retort that it also removes any growth for the Baker. During the song in the stage show, he realizes that by running away, he'd be turning into his father. The 2014 movie, on the other hand, makes it look like he just needed a moment alone to mourn his wife's death.]] WordOfGod says they wanted to include the song, but it wouldn't make sense with the Mysterious Man's role in Act 1 being removed. To compensate for it, they built on the Baker's fear of turning into his father earlier. It's been debated whether or not it was enough.
63	** The shortening of Act 2 overall. They cut a lot compared to Act 1. It either still contains what made the message of the original or it lessens it.
64	* CriticalDissonance: Critics were mixed, but overall were leaning more on the positive side. Audiences, on the other hand, are even ''more'' mixed on the movie, with a 53% audience rating on Website/RottenTomatoes.
65	* CrossesTheLineTwice: Cinderella's stepsisters cutting parts of their feet off to try and fit into the slipper. The scene is played for as much CringeComedy as you'd expect - and the film has a fantastic moment where the prince seems genuinely impressed that Lucinda is able to walk while missing a heel.
66	* EndingFatigue: The 2014 movie version has received complaints that it really should have just been an expanded version of Act 1, especially since some of the darker elements of Act 2 are toned down anyway. Since there is no attempt of translating the story being two separate acts into movie, it also loses many of the powerful parallels of structure and song. It is argued that this is the whole point of ''Into The Woods'' - showing what happens after the supposed fairy tale endings, but it divides up much easier on the stage than in film.
67	* EnsembleDarkhorse: Lilla Crawford's portrayal of Red Riding Hood in the 2014 movie. As she had only done Broadway before this, many were impressed that she could work so well in front of the camera too - especially at the age of twelve.
68	* FanPreferredCutContent: The MovieBonusSong "She'll Be Back" was cut for pacing reasons. However, this song was written to accommodate the change in Rapunzel's fate; with The Witch trying to convince herself that Rapunzel will come back to her, and properly realising she's been such an awful mother that she's driven her daughter away permanently. Several fans found that it would have actually solved many of the pacing issues they had with Act 2, and there are fan edits restoring it. Superficially, it gives Meryl Streep a nice solo, and she kills it.
69	* SugarWiki/HeReallyCanAct: While Creator/ChrisPine had been proving his acting chops for years prior to this, he impressed people with his singing as Cinderella's Prince. Some even call foul that he didn't receive any major nominations for the role.
70	* HilariousInHindsight:
71	** Disney would release ''{{Film/Cinderella 2015}}'' only months after this one, making an interesting companion piece to the Cinderella story; ''Into the Woods'' is a {{Deconstruction}}, while ''Cinderella'' is a {{Reconstruction}}.
72	** Creator/MerylStreep and Creator/EmilyBlunt would reunite in a musical directed by Rob Marshall four years later - ''Film/MaryPoppinsReturns''. This time it's Emily playing the powerful one, but again Meryl's character requires her help.
73	** Meryl Streep would play another toxic mother who sings a lot in ''Film/RickiAndTheFlash'' a few months later. Although in that, Ricki is considerably nicer than the Witch.
74	** Emily Blunt was pregnant playing a character whose infertility is a plot point. When she was pregnant with her second child only two years later, she was again playing a character who can't have children; Rachel of ''Literature/TheGirlOnTheTrain''.
75	** Rapunzel's Prince gets AdaptationalHeroism so that he's thought to be a predator but turns out to be a NiceGuy. Billy Magnussen plays him, and six years later does the reverse of this role in ''Film/NoTimeToDie''; [[spoiler: playing TheMole and succeeding in killing an iconic Bond character]].
76	* MagnificentBitch: [[WickedWitch The Witch]] catches the Baker's father stealing her greens years before the Baker himself is born and demands to him that as payment for doing so that she let him take his newborn daughter Rapunzel to raise as her own. While treating Rapunzel well, the Witch is [[KnightTemplarParent so overprotective]] to the point that she locks her in a tower and temporarily blinds Rapunzel's prince on one of the occasions he comes to see her. Years after taking Rapunzel, needing to break the curse [[AbusiveParents her own mother]] set on her, the Witch goes to the Baker and his wife revealing she placed an infertility spell on them and that they will only be able to reverse it if they retrieve the necessary items to help her reverse her own, while noticing when the white cow they get is [[PaperThinDisguise disguised with flour]] rather than being the right color. This ultimately is successful for all parties and things are well, until the Witch insists that [[WouldHurtAChild Jack be sacrificed to the Giant's wife]] when she wants vengeance for her husband's death.
77	* MemeticMutation:
78	** One very popular comment about the 2014 movie is that for some reason, Creator/ChrisPine seems far more [[Creator/WilliamShatner Shatner-esque]] as Cinderella's Prince than when he's actually playing [[Film/StarTrek2009 Captain]] [[Film/StarTrekIntoDarkness Kirk]].
79	** "WHOOOOOOOOOOOOOOO ''cares?!?''"
80	* {{Narm}}:
81	** [[spoiler:The Baker's Wife's death, since what is shown is her slipping from a branch and the few seconds of the camera focusing on the branch.]]
82	** The Giant would probably be a lot more intimidating if her voice wasn't pitched down.
83	* NarmCharm:
84	** "Giants In The Sky " and Daniel Huttlestone's lisp got some people laughing, but also people calling it "adorable."
85	** The Agony number seems almost like a bizarre attempt to ''be'' Narm. It comes off as quite silly nonetheless.
86	* RetroactiveRecognition:
87	** Lilla Crawford, who plays Red Riding Hood in the 2014 film, later voices the title character in the Nickelodeon series ''Sunny Day''. She's also a regular on Netflix's ''The Who Was? Show''.
88	** Before this movie came out, it had been announced that Creator/JamesCorden was going to replace Creator/CraigFerguson as the host of ''Series/TheLateLateShow'', but he still wasn't very well-known to American audiences yet when he was in this movie.
89	* SugarWiki/RuleOfSeanConnery: Creator/AnnaKendrick! While there was some fear when her casting was announced, as her only musical film experience was ''Film/PitchPerfect'' (people forgot she had a Tony nomination at the age of twelve), but her performance ended up being acclaimed. Much praise went to her version of "On the Steps of the Palace", where they actually ''raised'' the key (Kim Crosby sang it in D major, Anna Kendrick sings it in Eb major), and her soprano note at the end.
90	* TheyChangedItNowItSucks: Fans who enjoyed the musical for its MetaFiction were unhappy that the Narrator was AdaptedOut from the movie adaptation, since it has serious thematic consequences for the already-abridged Act 2. In the musical, the Narrator keeps the story on track for a happy ending, and the fact that the characters turn against him and kill him is what's directly responsible for the story immediately going OffTheRails. But in the movie, the lack of Narrator (and therefore, the lack of the Narrator's death) means that Act 2's darker tonal shift comes across as a sudden DiabolusExMachina without any explanation.
91	* WhatDoYouMeanItsNotForKids: The 2014 movie adaptation, being a Disney movie musical based on fairy tales. Yes, it's a somewhat LighterAndSofter adaptation of the original stage musical, but the movie still ends with a rampaging giant and the deaths of major characters. And note that they still leave in Cinderella's sisters mutilating themselves (albeit with a GoryDiscretionShot to make it more appropriate for the PG audience).
92	* WinBackTheCrowd:
93	** The first trailer for the 2014 movie showed none of the singing and was met with mixed reaction among fans. Later trailers showed the singing and increased anticipation for the movie.
94	** The film seems to have restored Rob Marshall back to the good graces of musical film directors. After reviving the genre with ''{{Film/Chicago}}'' (though ''Film/MoulinRouge'' deserves some of the credit too) and getting a Best Picture win, he suffered from ToughActToFollow with the lukewarm reception to ''{{Theatre/Nine}}''. ''Film/IntoTheWoods'' was a success critically and commercially, and led to him helming ''Film/MaryPoppinsReturns''.

Context YMMV / IntoTheWoods