| 1 | ---- |
| 2 | !!Works with their own pages |
| 3 | [[index]] |
| 4 | * ''WhatCouldHaveBeen/StarTrekTheOriginalSeries'' |
| 5 | * ''WhatCouldHaveBeen/StarTrekTheNextGeneration'' |
| 6 | * ''WhatCouldHaveBeen/StarTrekDeepSpaceNine'' |
| 7 | * ''WhatCouldHaveBeen/StarTrekVoyager'' |
| 8 | * ''WhatCouldHaveBeen/StarTrekEnterprise'' |
| 9 | [[/index]] |
| 10 | ---- |
| 11 | [[foldercontrol]] |
| 12 | !!Films |
| 13 | [[folder:''Star Trek: The Motion Picture'']] |
| 14 | * This film's script was based on the intended pilot episode of ''Star Trek: Phase II'', a SequelSeries to the original show that never materialized (primarily because the planned Paramount TV network it was supposed to be the anchor for didn't happen, as the head of Gulf & Western, Paramount's owner at the time, thought it would lose too much cash; Paramount would eventually launch Creator/{{UPN}} with ''[[Series/StarTrekVoyager Voyager]]'' as its first series). The fact that it was written for a 90-minute (at most) pilot episode explains all the [[LeaveTheCameraRunning padding]] in the filmed version. Also, Decker and Ilia would have been major characters in the show, which is why they get more lines than half the actual people the audience came to see. The project had sets built, test footage shot and scripts for thirteen episodes written before being scrapped. The latter ended up coming in handy when the second season of ''Next Generation'' was able to pull several of the scripts out of storage during the 1988 writers' strike. |
| 15 | * Also, What Could Have NOT Been: Creator/LeonardNimoy was in a production of ''Theatre/{{Equus}}'' and by then, hated Creator/GeneRoddenberry due to his refusal to support Nimoy in a lawsuit over unauthorized use of his likeness in merchandising. Nimoy had earlier turned down ''Phase II'' due to not wanting to have just a guest role, and wouldn't read the script offers due to the aforementioned lawsuit, feeling it would be inappropriate to do so. Eisner's protege Jeffrey Katzenberg was on his hands and knees to bring Nimoy back into the picture, agreeing to settle the lawsuit if he at least read the script. He finally accepted, which gave the character of Spock new life. |
| 16 | * Chekov would have been killed by an exploding console during V'Ger's attack on the ''Enterprise''. It was later changed so that he was just injured, and Lieutenant Ilia uses her telepathic/empathic ability to stop the pain in his burned hand. |
| 17 | * Creator/LanceHenriksen and Creator/AndrewRobinson auditioned for the role of Commander Willard Decker. Robinson would later play Elim Garak on ''Series/StarTrekDeepSpaceNine''. |
| 18 | * Ralph [=McQuarrie=], who designed concept art for ''Star Wars'', was asked to design a new ''Enterprise'' for the movie. He drew one that [[https://i.kinja-img.com/gawker-media/image/upload/s--FUyEiLpU--/c_scale,fl_progressive,q_80,w_800/18lsjl7zu3nqljpg.jpg resembled a Star Destroyer]]. This would inspire the design of the USS ''Discovery'' on ''Series/StarTrekDiscovery''. |
| 19 | * An early version of the film pitted the crew against a shapeshifting alien that would assume the forms of various biblical figures. In the climactic scene, Kirk would have had a fistfight with an alien who had assumed the image of Jesus Christ (anticipating the fifth movie by about ten years?). |
| 20 | * The scene where Spock enters the inner sanctum of V'ger was originally a spacewalk scene with actors hanging from wires. It was so obviously fake-looking that they reshot the entire scene. |
| 21 | * Gene Roddenberry tried to convince his wife Majel Barret to reprise her role as M'Ress from ''Star Trek: The Animated Series''. Barret was unwilling to be in make-up long enough to be M'Ress. If she had, it would have affirmed that The Animated Series was indeed canon. |
| 22 | [[/folder]] |
| 23 | |
| 24 | [[folder:''Star Trek II: The Wrath of Khan'']] |
| 25 | * Spock's HeroicSacrifice was originally placed at the middle of the movie, in an attempt to mimic the ''Film/{{Psycho}}'' gambit. When they wisely decided to make it the emotional climax of the film instead, Peter Preston's sacrifice was put in its place instead. Relics of the original plan can still be seen in the finished film (this is why Spock does not accompany Kirk, Bones, and Saavik to the planet -- because in earlier drafts he was already dead). Similarly, the whole ordeal was practically spoiled before the movie began filming because it was what lured him back to the franchise. The ''Kobayashi Maru'' sequence was intended as a way to throw off expectations. An early version of the script got leaked, including the fact that Spock died. Afterwards, the ''Kobayashi Maru'' sequence, which included Spock fake-dying, was added to fake-out moviegoers and make them think that that was the "death" that had been promised. Kirk even point-blank asks Spock "Aren't you dead?" and gets a quizzical raised eyebrow in response. |
| 26 | * Creator/RicardoMontalban considered turning down reprising the role of Khan due to lack of screen time. When he realized how much of an impact Khan has (even when he's not on screen, Khan is affecting every action every character in the movie takes), he signed onto the film. |
| 27 | * The [[http://images1.wikia.nocookie.net/__cb20100429162614/memoryalpha/en/images/2/24/Reliant_original_design_sketches.jpg preliminary design]] for the U.S.S. ''Reliant'' was initially much different than what was eventually seen in the film, with the "roll-bar" torpedo bay missing and the warp nacelles above the dish, like on the ''Enterprise''. However, when Harve Bennett received the design for approval, he viewed the drawing upside-down and assumed that was ''Reliant'''s intended look. The production team debated whether or not to send the drawing back to Bennett right-side-up, but he was shooting in Israel by then and there was little time to contact him. They added the roll bar and repositioned the nacelles, resulting in the ''Reliant'' we are familiar with. |
| 28 | * Even before that stage, they originally considered having the ''Reliant'' be another ''Constitution''-class starship (it was the only class of Federation ship seen on ''Trek'' before that time), but then realized the audience would have trouble telling it apart from the ''Enterprise'' during the battle sequences. Thus it was decided to make ''Reliant'' a ''Miranda''-class vessel. |
| 29 | * Spock's death was originally intended to be permanent, as Nimoy had grown tired of the franchise and even almost didn't come back for the first film, so he signed on for ''Wrath'' with the understanding that Spock would die. However, working on this film was such a good experience he rethought his decision. |
| 30 | -->'''Nimoy:''' As it came time to film the scene [Spock's death], I thought "I may have made a big mistake here." I had no idea this thing would ever go again, but here it was, cooking on all four burners, and I had backed Spock right out of the franchise. |
| 31 | * In an early draft, Carol Marcus' role was taken by Janet Wallace, a different scientist OldFlame of Kirk's who had appeared in the TOS episode [[Recap/StarTrekS2E12TheDeadlyYears "The Deadly Years"]]. Creator/NicholasMeyer, who was chafing from having most of the film already pre-cast, decided to invent the character of Carol Marcus specifically so he could cast Bibi Besch, an actress he had long admired, in the part (the two would work together again in ''Film/TheDayAfter'', and note that Besch does not return for the third film, which Meyer had no involvement with). |
| 32 | * The role of Lt. Marla [=McGivers=] (smitten with Khan in [[Recap/StarTrekS1E22SpaceSeed "Space Seed", and who goes into exile with them on Ceti Alpha V]]) was considered to be included in the script. She was eventually dropped either because her character's death would give Khan more motivation and justification for his RoaringRampageOfRevenge (as she is obviously his "beloved wife" who had perished), or because the actress who played Lt. [=McGivers=], Madlyn Rhue, had been diagnosed with multiple sclerosis and was not up for the physical demands of such a role (although her other credits from the time period show her retaining her mobility, she would eventually be confined to a wheelchair by the mid-1980s). Rhue ''did'' work with Creator/RicardoMontalban in a 1982 production, the ''Series/FantasyIsland'' episode "The Perfect Gentleman/Legend". |
| 33 | * Despite the TroubledProduction of the [[Film/StarTrekTheMotionPicture previous film]], Paramount actually were open to letting Creator/GeneRoddenberry produce the sequel. However, his resistance to the idea of stepping back into a more hands-off role and letting someone else supervise the day-to-day workings of the shoot, along with his outright refusal to budge away from a story idea whereby Spock would accidentally prevent the assassination of UsefulNotes/JohnFKennedy, resulted in Paramount [[KickedUpstairs kicking him upstairs]] and giving him no real say in the film's production. |
| 34 | * In Harve Bennett's original draft of the script, entitled ''The War of the Generations'', Kirk investigates a rebellion on a distant world and discovers that his son is the leader of the rebels. Khan is the mastermind behind the plot, and Kirk and son join forces to defeat the tyrant. |
| 35 | * Jack B. Sowards' draft, ''The Omega Syndrome'', involved the theft of the Federation's ultimate weapon, the "Omega system". This was changed to the Genesis Device on the suggestion of the movie's art director, Mike Minor, who thought a Star Trek movie ought to have something more positive driving the plot. |
| 36 | * Creator/KimCattrall auditioned for Saavik. She would later play Lt. Valeris, a SuspiciouslySimilarSubstitute in ''Film/StarTrekVITheUndiscoveredCountry''. |
| 37 | * In the original script, it was [=McCoy=] who told Kirk that Spock was beyond saving, by way of his CatchPhrase "He's dead, Jim." Creator/DeForestKelley objected, feeling that the use of that phrase would ruin the mood of the scene and might even cause some viewers to laugh. He and Creator/JamesDoohan ultimately decided to switch lines, making Scotty the one who tells Kirk that Spock is "dead already", with Kelley having delivered the previous line that had originally been intended for Doohan, "You'll flood the whole compartment." (This was probably for the best, as Kelley was likely right about the potential audience reaction.) |
| 38 | * According to [[https://web.archive.org/web/20150930050802/http://observationdeck.kinja.com/holy-crap-khan-had-a-baby-son-1728117002 this Kinja post]], a 1982 article from the long-defunct sci-fi magazine ''Starblazer'' had pictures showing a young child looking out the window of one of the ''Botany Bay'' cargo modules on Ceti Alpha V, and being filmed in front of the powered-up Genesis Device prop. Supposedly, the toddler in these cut scenes was the son of Khan himself. |
| 39 | ** The child is in the script. Terrell and Chekov discover him in the cargo carrier. When Chekov sees the name "Botany Bay" and says "We've got to get out of here", Terrell responds, "But what about the child, Chekov?" The child was cut from the scene, and Terrell's line redubbed as, "But what about the tricorder?" The child also appears in the novelisation. |
| 40 | * The original script had Kirk congratulating Sulu for being assigned as Captain of the ''USS Excelsior'' in a month. This occured right after Sulu's "any chance to go aboard the ''Enterprise''" line: |
| 41 | -->'''Sulu:''' However briefly, is always an excuse for nostalgia.\ |
| 42 | '''Kirk:''' I cut your new orders personally. By the first of this month, you'll have your first command: ''USS Excelsior''.\ |
| 43 | '''Sulu:''' Thank you, sir. I've looked forward to this for a long time.\ |
| 44 | '''Kirk:''' You've earned it. |
| 45 | ** It then picks up from Kirk's line about being happy having Sulu on the helm for three weeks, because "I don't think these kids can steer." |
| 46 | * It seems clear that Saavik was being set up to replace Spock after Nimoy left the franchise, essentially making her a newer, female version of Xon from the abandoned ''Phase II'' series. |
| 47 | [[/folder]] |
| 48 | |
| 49 | [[folder:''Star Trek III: The Search for Spock'']] |
| 50 | * Leonard Nimoy ''almost'' didn't get to direct the film. Despite expressing interest in doing so, it was widely believed at Paramount (and to the public at large) that his last film appearance was meant to be a permeant bow-out for him and his character (which it was up until he came to regret that decision). He had to personally speak to Micheal Eisner directly in order to clear things up. |
| 51 | * Creator/EdwardJamesOlmos was Leonard Nimoy's preference for Kruge. |
| 52 | * Early scripts have the Klingons as a rogue group who commandeered a ''Romulan'' Bird of Prey. |
| 53 | * And earlier than that, it was supposed to be ''Romulans'', period, in Harve Bennett's treatment.[[note]]It seems little about the antagonists beyond their species was changed; it's likely not coincidental that from this point on, the Klingons become the resident [[ProudWarriorRaceGuy Proud Warrior Race]] while the Romulans are duplicitous schemers, the inverse of the two races' portrayals in TOS.[[/note]] Spock's role is relatively the same, except he goes feral and kills several Romulan miners when they drill for dilithium on the Genesis planet. A subplot would have also had the Vulcans threatening to secede from the Federation over the Genesis Torpedo... [[Film/StarTrek2009 The 2009 reboot]] would have [[FromNobodyToNightmare temporally-displaced Romulan miners]] as the BigBad. |
| 54 | * The destruction of the ''Enterprise'' played out quite differently in the initial treatment, instead being depicted as a DyingMomentOfAwesome in which the ship exploded in a gigantic blast which wiped out an entire Romulan fleet surrounding Genesis. When the bad guys were changed to Klingons with just one ship, the death of the ''Enterprise'' was instead turned into more of a dramatic moment. |
| 55 | * In the novelization, Saavik and David Marcus became romantically involved (the seeds for this were planted in the [[Film/StarTrekIITheWrathOfKhan previous movie's]] novelization); this storyline was completely dropped from the films. |
| 56 | * In the novelization, Saavik became pregnant with Spock's kid. This, too, was dropped. |
| 57 | * There was some debate as to who would get killed off at the end, Saavik or David Marcus. Ultimately they chose to have David make a HeroicSacrifice to atone for the damage he had done with the Genesis Project and also to balance out the return of Spock. |
| 58 | * Creator/GeneRoddenberry would have preferred it had the ''Enterprise'' just lost its saucer and not the entire thing, envisioning the movie ending with a new saucer being attached to the old secondary hull, making it a fusion of new and old, and giving it a sense of legacy. He went on record that the destruction of the ship was a "foolish piece of waste" that was basically just an excuse for dramatic special effects, and that the ''Enterprise'' was as much a continuing character as any of her crew. |
| 59 | [[/folder]] |
| 60 | |
| 61 | [[folder:''Star Trek IV: The Voyage Home'']] |
| 62 | * Creator/EddieMurphy was originally going to play a conspiracy nut radio personality who filled Dr. Taylor's role in the story (minus the romance with Kirk, obviously). He eventually backed out of the movie, but it resulted in a massive change to the storyline. The producers were worried that Murphy's presence would have turned ''Star Trek IV'' into a guest star movie like how ''Film/SupermanIII'' became Creator/RichardPryor's movie, so they made sure Taylor was clearly a secondary character to Kirk and Spock. |
| 63 | * There was supposed to be a scene where Sulu encountered a little boy whom he would realize was actually his ancestor, but when the time came to film it the child actor who had been hired became upset and could not be made to act properly, and unable to find another child actor, the scene was cut. It's in the novelization, though. |
| 64 | * There was supposed to be a scene of Sulu stealing the helicopter, but it required him to jump into the chopper and Creator/GeorgeTakei couldn't do it because his legs were too stiff from running in the San Francisco marathon. They tried filming it with a stunt man throwing him inside, but it was cut because it didn't look right. |
| 65 | * Saavik was supposed to be revealed to be pregnant with Spock's child from the scene in the previous film where she had to, ahem, help him through puberty, which was to explain why she didn't go back to Earth with the rest of the crew to serve as a witness on their behalf at the trial. According to Creator/HarveBennett, Creator/LeonardNimoy wished the scene to be removed because it made him uncomfortable. Saavik and Spock eventually became a couple in some of the continuation novels. |
| 66 | * Producers considered bringing Roger C. Carmel back for a cameo as Harry Mudd, who would have served as a character witness for Kirk at his trial. This also would have been an ironic ContinuityNod to the TOS episode [[Recap/StarTrekS1E6MuddsWomen "Mudd's Women"]], where Kirk had promised to be a character witness at ''Mudd's'' trial. |
| 67 | * Creator/SusanSarandon was considered for Dr. Gillian Taylor. |
| 68 | * Creator/WilliamShatner and Creator/LeonardNimoy had an agreement in their contracts that any perk offered to one was offered to the other. Since Nimoy was hired to direct ''Star Trek III'', Shatner was lined up to direct this film. But since he was busy with ''Series/TJHooker'' it didn't allow him the several months of pre- and post-production work a director needs. This was the same reason he ended up directing ''Film/StarTrekVTheFinalFrontier''. |
| 69 | * Creator/GeneRoddenberry wrote [[http://www.roddenberry.com/media/vault/ST4-Outline.pdf a pitch]] for the film, which took the form of an {{interquel}} set in-between ''Film/StarTrekTheMotionPicture'' and ''Film/StarTrekIITheWrathOfKhan'', and depicted the ''Enterprise'' being thrown 15 million years into the future, with Kirk mysteriously disappearing in the process and being replaced by a new captain named Edmund West. As with all Roddenberry's ideas during this time period, Paramount politely ignored it. |
| 70 | * The ending, with Kirk demoted back to captain and given command of a new ''Enterprise'', was actually the ending of the previous film in earlier screenplay drafts. It got cut out for timing reasons and concerns that it would look like Kirk and his command crew were too EasilyForgiven, with the ending of this film at least allowing the implication that Kirk and the others involved in rescuing Spock would have been punished far worse if not for their saving Earth. |
| 71 | * Leonard Rosenman, the film's composer, originally included Alexander Courage's ''Star Trek'' theme in the main title sequence. However, Nimoy had him rewrite a new composition and Rosenman used part of the end title themes for the opening. |
| 72 | [[/folder]] |
| 73 | |
| 74 | [[folder:''Star Trek V: The Final Frontier'']] |
| 75 | * According to Creator/WilliamShatner and several others in on the original creation process of the movie, the plot would have followed the current form of the film much the same... until they met {{God}}. Instead of being a random alien, this would turn out to be ''{{Satan}}'' and [=McCoy=] would sacrifice himself to spare Spock and Kirk -- who would simply dive into Hell after their friend and drag him out of Hell with Satan nipping at their heels. |
| 76 | * This was nixed by various other people working on the film as just being too polarizing and not fitting for ''Star Trek''. Or something equally bizarre -- which resulted in a string of compromises that resulted in a script far worse for the wear. Combined with the subsequent SpecialEffectFailure... |
| 77 | ** Similarly, the scripts called for Spock and [=McCoy=] to willingly betray Kirk. Both Creator/LeonardNimoy and Creator/DeForestKelley balked at the idea, noting that it was far too out of character to even consider such a notion after everything they went through. |
| 78 | * Speaking of which, ILM were approached to do the visual effects. Unfortunately the WGA strike meant that by the time the film got into production, ILM were busy with ''Film/GhostbustersII'', ''Film/IndianaJonesAndTheLastCrusade'', and ''Film/BackToTheFuturePartII'' and ''[[Film/BackToTheFuturePartIII III]]''. The production team then approached Apogee Productions, who had provided the visual effects back on ''Film/StarTrekTheMotionPicture'' (and had recently worked on ''Film/{{Spaceballs}}''), but went with Bran Ferren's company Associates & Ferren instead for delivering a suitable "God head" effect on a low budget as described in William Shatner's book ''Star Trek Movie Memories''. |
| 79 | * It should be noted that in one episode of ''[[WesternAnimation/StarTrekTheAnimatedSeries TAS]]'', they ''did'' go to the center of the galaxy and find Satan -- though that story actually had the opposite dénouement to Shatner's idea, revealing that "Satan" was actually the sole nice guy in a world full of jerks. |
| 80 | * The "rock monster" mentioned under SpecialEffectFailure certainly also apply, at least in that it looked far better than the rest of the feature's effects. But as would be typical for this film's troubled production, it didn't work right on set and they couldn't do anything to fix it in post. |
| 81 | * They had originally been hoping to get Creator/SeanConnery (he was unavailable due to ''The Last Crusade'') to play Sybok. The planet Sha Ka Ree was named so in reference to this. Creator/MaxVonSydow was the next choice, but he was too expensive. |
| 82 | * Creator/KimCattrall tested for Vixis. She would later play Valeris in the next film. |
| 83 | * The scene where Spock sees his inner pain was originally longer. Spock claims that he resolved any tensions with his father. He then has a flashback to his childhood: when he finds out Sybok has been banished from Vulcan, Spock says he wants to go with him. |
| 84 | * Creator/WilliamShatner wanted Erik Van Lustbader to write the script. The author asked for $1 million and Paramount refused to pay up. Creator/NicholasMeyer was then approached, but was unavailable, resulting in David Loughery eventually being hired. |
| 85 | [[/folder]] |
| 86 | |
| 87 | [[folder:''Star Trek VI: The Undiscovered Country'']] |
| 88 | * Harve Bennett, the man who co-wrote and produced every ''Star Trek'' film between ''Film/{{Star Trek II|The Wrath of Khan}}'' and ''Film/{{Star Trek V|The Final Frontier}}'', originally pitched a completely different sixth movie entirely. This movie would have been a {{Prequel}}, featuring the characters of Kirk, Spock, Bones and Scotty; recast as younger actors and [[EveryoneMeetsEveryone meeting each other for the first time]] [[EveryoneWentToSchoolTogether at Starfleet academy]]. The film was pitched as "''Film/TopGun'' meets ''Film/PoliceAcademy''". This may all sound [[Film/StarTrek2009 very familiar]] with the benefit of hindsight. The story would have been about Cadet Kirk's [[LoveAtFirstSight one true love]], and her death--the thing which drives him towards adventure, and which never allowed him to settle down and have a family. The movie would have featured [[BookEnds cameos from William Shatner and Leonard Nimoy at the start and end of the film]], where they visit the grave site of the girl that Captain Kirk has never allowed himself to ever forget. An alternate framing device would've had [=DeForest=] Kelley as [=McCoy=] telling students at "present-day" Starfleet Academy about how he'd met Kirk and Spock. |
| 89 | ** The story would've involved [[BreakOutTheMuseumPiece Breaking Out the Museum Piece]] in the form of a precursor starship named ''Enterprise'', and early concept sketches showed a [[http://en.memory-alpha.org/wiki/File:Star_Trek_The_First_Adventure,_USS_Enterprise_concept.jpg saucer-shaped hull with an extended rear section instead of a full secondary hull, with the warp engines projecting upward.]] [[Series/StarTrekEnterprise Sound familiar?]] (Though it wasn't the [[Film/StarTrekFirstContact direct inspiration]] for the NX-01.) |
| 90 | * Bennett's story was seen as very risky in 1990 (recasting the roles of Captain Kirk and Mister Spock? Get outta town!), and was eventually shut down by ExecutiveMeddling--the suits simply didn't feel that the movie-going public at the time could ever accept such a radical departure. They pushed for Bennett to write a more traditional ''Star Trek'', with all the original cast. Bennett refused to do this, and walked from the project. Nicholas Meyer, Denny Martin Flynn and Leonard Nimoy knocked together the eventual version in something of a hurry (they had to have the movie out in time for the 25th anniversary of the original series), so its probably quite surprising that the final movie turned out as well as it did. |
| 91 | ** Not just executive meddling. When told about the plan to recast, some of the original cast spread rumors at cons that it was going to be a farce along the lines of "''WesternAnimation/TheJetsons'' crossed with ''Film/PoliceAcademy''." Fans rioted and the plan was scrapped. Didn't help that Gene Roddenberry was against it as well. |
| 92 | ** As for making the film in a hurry for the anniversary, an Academy film would almost certainly have never made it out in time. A prequel would've required all-new sets, costumes, and models, while a film set on the ''Enterprise''-A allowed them to reuse all of their existing assets, saving a lot of time and money. |
| 93 | ** The choice of director was a bit of a last-minute rush as well. According to Creator/LeonardNimoy, he and Creator/WilliamShatner got two of everything. As such, since Nimoy had already directed two ''Star Trek'' movies, Shatner was supposed to direct this film as well, in addition to ''The Final Frontier''. Paramount, primarily blaming that film's disastrous performance on Shatner, had no intentions of letting him direct again, and had wanted Nimoy to take up the director's chair again. Knowing full well that Shatner would have lost it, Nimoy went to Nicholas Meyer and told him the situation; if Meyer wasn't interested in the project, Nimoy would willingly take the hit and direct the film himself. When Meyer asked about a premise, Nimoy suggested "What if the wall went down in space?" And the rest is history. |
| 94 | * Even the story they eventually went with could have been a lot deeper. In the novelization, the Klingons were responsible for a massacre on the Federation colony of Kudao (which the Klingon government claimed was a rogue action), and Chang's bird-of-prey attacked a science station on the planet Themis inside Federation space, which critically injured Kirk's love interest, Carol Marcus. Had they kept this in, it would have provided more recent context for why the Klingons were so mistrusted, and another personal reason why Kirk hates the Klingons so much--considering that David's death happened ten years or so before the events of ''Star Trek VI.'' However, the idea of Marcus being injured in a Klingon raid did make it into the novel. |
| 95 | * The original idea for the opening was to have Kirk and Spock round up the officers for their final mission. This would have shown their fates and why they were so eager to return. Spock would have originally been playing Polonius in a Vulcan production of ''Hamlet''. Scotty would be struggling to understand the cloaking device on the stolen Bird-of-Prey alongside Starfleet cadets. Uhura would be hosting a talk radio show. Chekov would be playing chess with higher life forms, gloating about his "superior Russian strategies". [=McCoy=] would be surrounded by insufferable doctors. Kirk himself would be in bed with Dr. Carol Marcus. And Sulu was originally a taxi driver on some backwater alien planet instead of being captain of the ''Excelsior'' who discovers the disaster befalling the Klingons in the opening. However, the budget would not allow for such a pricey sequence, so it was scrapped. Nevertheless, the idea of Kirk gathering the crew together for a mission was explored in the [[Franchise/StarTrekExpandedUniverse novel]] "The Fearful Summons" - which was written by Denny Martin Flynn. In this novel, which was set a few months after Kirk had retired he sets off on a mission to rescue Hikaru Sulu and gathers up his Former shipmates. These include Spock, who is acting in a Vulcan Shakesphere production and Chekov who is in Russia playing chess against a Betazoid who uses her telepathic abilities to gain an advantage against Chekov. |
| 96 | * Perhaps the most famous WhatCouldHaveBeen element of the film was that the role of Valeris in the final film was originally written as Saavik. This would have packed a ''much'' greater emotional wallop, as Saavik had previously appeared in three films and her betrayal would have been a huge shock. Creator/GeneRoddenberry, though in ailing health and near death, was able to apply ExecutiveVeto against this - even though Nicholas Meyer, the director and (uncredited) screenwriter of ''ST:II'', created Saavik and unsuccessfully argued that he knew her better than Roddenberry. Before this veto was applied, the production team attempted to entice Creator/KirstieAlley to return for the role (Robin Curtis, who replaced her for ''ST:III'' and ''ST:IV'', was apparently never considered); Alley was busy filming ''Series/{{Cheers}}'' at the time but both properties were owned by Paramount and the studio could have easily arranged a way for her to appear in both. She declined anyway before Roddenberry's veto made the point moot, but had Saavik reappeared she would have been played by a ''third'' actress in just four films. |
| 97 | ** And if they'd gone with Saavik as the one to betray Starfleet, ''and'' if the film versions of ''The Wrath of Khan'' and ''The Search for Spock'' had followed the novelizations by having Saavik and David fall in love, it would have provided an excellent personal reason for Saavik to wish the Klingons dead. |
| 98 | ** Given that Saavik was strongly implied to be Spock's lover (in ''ST:III''), and pregnant with his child (in the novelization of ''ST:IV''), it would have made her betrayal of and extremely public MindRape by her husband much more distressing than the final script's version. |
| 99 | * Creator/WalterKoenig also submitted a story idea he was rather proud of titled ''[[UsefulNotes/WorldWarI In Flanders Field]]'' that would have ended with the deaths of everyone except [=McCoy=] and Spock, both of whom had already been seen alive by the time ''The Next Generation'' took place ("[[Recap/StarTrekTheNextGenerationS6E4Relics Relics]]", featuring Scotty, aired a year later). |
| 100 | * Creator/JackPalance turned down the role of Gorkon so he could star in ''Film/CitySlickers''. [[UsefulNotes/AcademyAward It worked out well for him.]] |
| 101 | * Creator/WhoopiGoldberg was going to cameo as Guinan. Ironically, she was busy filming ''Series/StarTrekTheNextGeneration''. She eventually got a role in the next film. |
| 102 | * Sulu was slated to become captain of his own ship as far back as ''Star Trek II'', in large part due to the campaigning of Creator/GeorgeTakei (he argued that Sulu had an awfully high rank for a helmsman). A line in that film has Kirk mention that Sulu is only with them for a few more weeks, a remnant of that subplot. That premise was considered for every film but eventually abandoned for one reason or another. InUniverse, Sulu WAS about to take his own command at that point in Star Trek II, but was an accomplice to Kirk's defiance of Starfleet orders in ''Star Trek III''. Even though he was ultimately pardoned for the crime in ''Star Trek IV'', it still caused a career set-back and it took him a few years to get back on track. Takei himself said he had given up trying to get that character promotion, and was delighted to see it finally happen in this film. |
| 103 | * Denny Martin Flinn originally envisioned Martia as a space pirate who was, in his words, "the dark side of [[Franchise/StarWars Han Solo]]", and he had Creator/SigourneyWeaver in mind for the part before Creator/{{Iman}} was cast. |
| 104 | [[/folder]] |
| 105 | |
| 106 | [[folder:''Star Trek Generations'']] |
| 107 | * The concept of the ''Enterprise''-D being destroyed and the saucer section crashing on a planet was devised in the sixth season of the show as a possible season cliffhanger. It was dismissed as being far too expensive and would require too much time to reestablish a new ship in the final season. |
| 108 | * The cast was supposed to receive newly-designed uniforms for this film, but the producers realized, after seeing early footage, that the new uniforms looked awful on screen (they were a hybrid of the TOS maroon jackets with the color scheme of the TNG jumpsuits, which did not look quite right). With no time or money to come up with new costumes, the producers settled on the cast wearing a combination of ''TNG'' and ''[=DS9=]'' uniforms but only made new costumes for Creator/PatrickStewart and Creator/BrentSpiner. This led to some comically ill-fitting costuming for some cast members. Creator/JonathanFrakes wore Creator/AveryBrooks' ''[=DS9=]'' uniform (which was obviously much too small[[note]]Riker's sleeves were rolled up to his elbows because, otherwise, the cuffs would only reach halfway down Jonathan Frakes' forearms[[/note]]) while Creator/LeVarBurton wore Creator/ColmMeaney's uniform (which was obviously much too big). Creator/GatesMcFadden and Creator/MarinaSirtis hated the uniforms from [=DS9=], so they stuck with their own uniforms, as would Creator/MichaelDorn. |
| 109 | * The original plans for the film involved the ''Enterprise''-A fighting the ''Enterprise''-D. Problems: a) there was no way for either crew to come out the good guy, and b) this would require budgeting, logistics, and all the other headaches for ''two full ''Enterprise'' crews at once''. The plan was scrapped. Plus, a 23rd century ''Constitution''-class starship vs a 24th century ''Galaxy''-class starship would have been an utter CurbStompBattle, advantage Picard. |
| 110 | * The original plan was to have ''all'' the TOS cast involved in the opening of the film. The producers concluded that it was all too much, and decided to whittle it down to just four former crew members, Kirk, Spock, Leonard [=McCoy=], and Sulu. This upset a lot of people, including Whoopi Goldberg, who was hoping to finally share screen time with Nyota Uhura (Nichelle Nichols), and Patrick Stewart, who wanted both sets of crew members on the project so that everyone was part of Star Trek's future. |
| 111 | ** Following the rewrite, Creator/LeonardNimoy and Creator/DeForestKelley declined to make an appearance. Kelley was in ill health at the time and would have difficulty in getting insurance, while Nimoy felt that Spock's lines were so generic they could have been spoken by anyone and when he wasn't allowed to rewrite them, he passed. In any event, both felt that the last film was a fitting end. Their roles were given to Scotty and Chekov, respectively. |
| 112 | ** Creator/GeorgeTakei also declined to return, feeling that Sulu wouldn't give up command of the ''Excelsior'' to take orders from Kirk again, so his role was given to Sulu's daughter. |
| 113 | * Nimoy was also sounded out as a possible director for the film. While he was willing to do it, he ultimately refused on the grounds that Rick Berman made it clear that he would have no script input (fellow TOS film director Creator/NicholasMeyer would later refuse to work on ''Film/StarTrekNemesis'' for much the same reason), not to mention that Paramount wouldn't budge on the release date. |
| 114 | * Antonia, Kirk's [[TheGhost mostly-unseen]] {{Love Interest|s}} in [[LotusEaterMachine the Nexus]], was originally conceived as [[Film/StarTrekIITheWrathOfKhan Carol Marcus]]. Paramount requested that the character be changed. |
| 115 | * Creator/MarlonBrando was interested in playing Tolian Soran, and his representative contacted producer Rick Berman about the role. Berman was enthusiastic about having Brando on board, and contacted Paramount CEO Sherry Lansing about the possibility. However, Brando was asking for a very high salary, which Lansing was not ready to pay. |
| 116 | * Former TNG writer/producer Maurice Hurley wrote a competing screenplay so that Paramount could have two potential stories to use. What little is known of this screenplay would have featured Kirk being recreated on the holodeck by Captain Picard to aid him in repelling an interdimensional invasion, because of his experiences in the TOS episode "[[{{Recap/StarTrekS3E9TheTholianWeb}} The Tholian Web]]". The studio ultimately went with Braga and Moore's script because it was further along. |
| 117 | * The early scripts featured large action set pieces that were later removed. Among them was the Romulan attack on the Amargosa observatory, cut when Jeri Taylor suggested something more "charming". Another major revision to the script revolved around the Duras sisters and their crew: surviving the destruction of their ship, they would have battled the ''Enterprise-D'' crew in the jungles of Veridian III. |
| 118 | * Early in development, Michael Piller (often dubbed [[MyRealDaddy TNG's real daddy]]) was approached to develop and write his own screenplay. He turned the offer down. Given his own attempt at a TNG film resulted in ''Film/StarTrekInsurrection'', we may have actually dodged a bullet there. |
| 119 | * Berman himself said that if they didn't already do "[[Recap/StarTrekTheNextGenerationS3E15YesterdaysEnterprise Yesterday's Enterprise]]" that it would have been the perfect general story for this film, just swap out the Enterprise-C for the Enterprise-A. Braga also said in a perfect world they would have had both captains on the bridge of their ships, rather than "[[DroppedABridgeOnHim a bridge on the captain]]." |
| 120 | [[/folder]] |
| 121 | |
| 122 | [[folder:''Star Trek: First Contact'']] |
| 123 | * Creator/WilliamShatner pitched a script to Paramount where Kirk was resurrected by the Borg and the Romulans as part of a revenge scheme by both parties against Kirk and Picard (the former by the Romulans for their humiliation, and the latter for the Borg for their defeat). This script would have seen Kirk team up with Spock, Scotty, and [=McCoy=] one last time, along with Picard and his crew, before giving his life to destroy the Borg once and for all (in response to the backlash against Kirk's death in ''Generations''). Paramount rejected this script, as they were no longer interested in doing films with the ''TOS'' cast, so Shatner instead rewrote it into a novel, ''The Return'', with the aid of Judith and Garfield Reeves-Stevens. |
| 124 | * The original tentative plans would have seen the Borg going back in time to the time of the Renaissance, but it was decided that such a trip would make the film too much like a historical documentary, so the time travel was instead shifted to take the Borg back to a point in the past of ''Star Trek'' without making it the past of the present day. |
| 125 | * The movie originally would have had Picard down on Earth helping to repair the warp ship while Riker would be up on the ''Enterprise'' fighting the Borg, and more emphasis was going to be placed on the Earth storyline. Some reasons for switching their roles were that Patrick Stewart felt Picard should have a more active role in defending the ''Enterprise'', while Jonathan Frakes wanted to have more time to focus on directing. Picard was also the one who had been assimilated by the Borg, so it made more sense for him to be the one to confront them. According to Braga and Moore's DVD commentary, the ''Enterprise'' plot was mostly unchanged but the Earth-based story was completely altered. Also, Lily (who was called Ruby in the early script) would have remained on Earth with Picard rather than being taken to the ''Enterprise''. |
| 126 | * The earlier drafts of the script were also quite different tonally, and more of a time-travel comedy in the same vein as ''Film/StarTrekIVTheVoyageHome''. When Picard and Riker's roles were swapped, the main storyline became much DarkerAndEdgier, with the Cochrane scenes instead used to provide moments of relief. |
| 127 | * The Borg Queen wasn't in the early drafts of the script. They started to formulate the character when [[ExecutiveMeddling executive]] [[Administrivia/TropesAreTools script notes remarked]] that they were just cyber-zombies and the movie needed a more tangible villain. |
| 128 | * The ''Defiant'' was outright destroyed in one draft of the script. Unsurprisingly, the ''[=DS9=]'' staff objected to what effects this would create for their show, so it was changed. (Incidentally, the ship would be destroyed on ''[=DS9=]'', but not for another 2 and a half years, and would be replaced by a look-alike with the same name.) |
| 129 | * Early drafts had O'Brien coming aboard from the destroyed ''Defiant'' along with Worf but during various rewrites the character was written out. In the early drafts he would have been the one gushing over being in Cochrane's presence, but instead those lines were given to Dwight Schultz who made a cameo as Barclay. |
| 130 | * Earlier drafts of the script established early on that the aliens who were supposed to make first contact with humanity were the Vulcans. The final film didn't mention their identity until they appeared. |
| 131 | * A "wish list" of actors Ron Moore wanted as Zefram Cochrane included Creator/TomHanks at the top of it, as well as Creator/ChristopherWalken. This led to rumors that both actors were considered but turned it down. The fact is that the producers knew from the beginning that both actors would have been too expensive and James Cromwell was apparently the first actor approached. |
| 132 | * In the original screenplay, Picard tells Lily her phaser was set to minimum, and would have just given him a bad rash. This original line is still found in the {{Novelization}}. |
| 133 | * The ''Enterprise''-E was originally planned to be another ''Galaxy''-class--they even repainted the four-foot model with the letters NCC-1701-E--but decided later to go with the more aggressive-looking ''Sovereign''-class. Originally, this was done because the creators feared that Paramount wouldn't let them design a new ship for budgetary constraints (even though they already destroyed the ''D'' in the last film to do just that), and were surprised they got the go-ahead. |
| 134 | ** The ''Sovereign''-class went through a number of revamps. One infamous iteration had its nacelles stuck out in a way that the ship was mocked for looking like a fried chicken. A near-final version of the ship had its bussard collectors (those red globes on front of the nacelles) uncovered, but were ultimately covered up. This version of the ship was late enough in production that the initial Playmates toy used it. |
| 135 | * The Borg Queen originally looked like [[https://i.pinimg.com/originals/38/95/b2/3895b2c88a562e76555acd1c4e42af44.png something out of Alien]]. |
| 136 | * They also drew up various alternate sketches for Borg ships, including a "Borg Obelisk". |
| 137 | * Q appeared in one draft. |
| 138 | * Creator/JohnMcTiernan and Creator/RidleyScott were both asked to direct. |
| 139 | * Creator/YaphetKotto was considered for a part, back when the film was called ''Destinies''. |
| 140 | * Susan Gibney, who'd played Dr. Leah Brahms in the TNG episodes "Booby Trap" and "Galaxy's Child", and Capt. Erika Benteen in the two-part [=DS9=] story "Homeland"/"Paradise Lost" (and also auditioned as Janeway and Seven of Nine on Voyager), auditioned to play the Borg Queen. |
| 141 | [[/folder]] |
| 142 | |
| 143 | [[folder:''Star Trek: Insurrection'']] |
| 144 | * The film was originally a WholePlotReference of ''Film/ApocalypseNow'', with Picard in the Willard role hunting down an old friend of his while Starfleet becomes akin to the American government during the Vietnam war, providing more of a justification for Picard's insurrection. As seen below, this basic concept was tried in a variety of configurations before settling on the final product. |
| 145 | * Early in the development, Creator/RonaldDMoore and Creator/BrannonBraga were both approached to write the screenplay. However, Moore passed, happy to have ''First Contact'' be his cinematic ''Trek'' swansong (in addition to being overloaded with ''Deep Space Nine''). Braga also declined, unwilling to work on the project without his old writing partner (and because as the then-new ''Voyager'' showrunner, he feared he wouldn't be able to give both projects his full attention). |
| 146 | * Creator/PatrickStewart wanted Creator/BrianBlessed to play Admiral Dougherty. Creator/WilfordBrimley and Creator/GeneHackman were also considered. |
| 147 | * Creator/ArnoldSchwarzenegger was considered for Ru'afo. |
| 148 | * Creator/SallyField was considered for Anij. |
| 149 | * In the original script, the new Chief of Security was a solidly-built Bajoran named Lt. Nara. Shades of [[Series/StarTrekLowerDecks Shaxs]]. |
| 150 | * There were some serious rumblings that fan-favorite Q would appear. That ultimately did not pan out and Jonathan Frakes is on record as being disappointed with that. |
| 151 | * According to Michael Piller's unpublished book, ''Fade In'', the first draft was about Picard hunting down his {{old friend}} from the academy, Duffy, who has [[GoingNative gone native]] and allied with the Ba'ku against the Romulans. The effect of the Fountain of Youth is amplified as the ''Enterprise'' closes in on Duffy, essentially de-aging Patrick Stewart back to Season One Picard. It eventually ended with a ''Film/MrSmithGoesToWashington'' like speech by Picard in front of the Federation council as the crew are about to be arrested, but stopped by a SlowClap started by Boothby. [[Film/StarTrekVITheUndiscoveredCountry Sound familiar]]? |
| 152 | * The chase sequences with Duffy made it into the film, with Duffy replaced by Data. This explains the incongruity of Data being invited on the planet at all, to say nothing of going berserk and buzzing around Ru'afo's ship for no reason. |
| 153 | * Speaking of ''Series/StarTrekDeepSpaceNine'', this film was produced while the Dominion War arc was playing out on that show, with many observers noting that the ''flagship of the fleet'' really should have been on the front somewhere, fighting in this ''pan-Galactic conflict'' which involved all of the galaxy's great powers. However, neither Rick Berman nor Michael Piller were fans of the Dominion War storyline, segregating the details of that conflict to RedSkiesCrossover status within the finished film. |
| 154 | * The originally-filmed ending for the film had Ru'afo escaping from the collector in an escape pod, which then fell into the planet's rings, exposing him to such a massive dose of the metaphasic radiation that he rapidly grew younger, with the implication that he eventually de-aged out of existence. The producers felt that the ending was too ambiguous, however, and wanted a more traditional demise for him, and so refilmed the ending to have Ru'afo blown up with the collector. |
| 155 | * A scene was filmed featuring Creator/ArminShimerman reprising his role as [[Series/StarTrekDeepSpaceNine Quark]], attempting to build a resort on the Ba'ku homeworld before he's escorted away by Starfleet. |
| 156 | * The intention was to explain Worf's presence on the ''Enteprise-E'' as him taking a leave of absence from ''Deep Space Nine'' following the death of his wife, Jadzia Dax, but it was cut so international viewers wouldn't have Jadzia's death spoiled, as the film was released during the time period where international airings of TV episodes and seasons tended to be months, if not ''years'' after they first aired in North America. |
| 157 | [[/folder]] |
| 158 | |
| 159 | [[folder:''Star Trek: Nemesis'']] |
| 160 | * Apparently, more than a third of the film (including most of the character moments and a great chunk of the expository dialogue) was cut before the final release. |
| 161 | * The earliest version of the script was written so that Creator/PatrickStewart would have been playing both Picard and Shinzon, and the final battle between the ''Enterprise'' and the ''Scimitar'' took place in orbit of Earth, with Data carrying out his HeroicSacrifice to prevent Shinzon from killing the entire population of Earth, rather than just the crew of the ''Enterprise''. |
| 162 | * In addition, a later draft had the small armada waiting on the Romulan border joining in on the fight to have a six on one fight. |
| 163 | * Following the release of ''Film/StarTrekInsurrection'', Patrick Stewart commented in an interview that he thought that the next film should follow up on the "corrupt Admiral" subplot with a story in which the TNG crew had to confront massive corruption in Starfleet. Given Picard's established reaction [[PatrickStewartSpeech to Starfleet officers]] who betray the ideals of the Federation, it is difficult to see how such a movie could have been anything other than awesome. 2013's ''Film/StarTrekIntoDarkness'' does contain some elements of Stewart's idea. |
| 164 | * Creator/JudeLaw was originally considered to play Shinzon. Creator/JamesMarsters was also considered, but he was busy with ''Series/BuffyTheVampireSlayer''. Creator/MichaelShanks auditioned for the role. |
| 165 | * Creator/JeriRyan was supposed to appear as Seven of Nine, but she was busy on ''Series/BostonPublic'', so Creator/KateMulgrew was given the cameo appearance as Janeway instead. |
| 166 | * Creator/CraigTNelson and Creator/AlanRickman were rumoured for the role of the Reman Viceroy. |
| 167 | * Rick Berman tried to get an 11th film with a script written by ''Series/BandOfBrothers'' screenwriter Erik Jendresen off the ground, but ''Nemesis'' was such the flop it never took off, and Berman was let go by Paramount in 2006. |
| 168 | * Creator/BrentSpiner and John Logan had their own idea, co-writing a sequel that would've been a full CrossOver with the casts of ''[[Series/StarTrekDeepSpaceNine Deep Space Nine]]'' and ''[[Series/StarTrekVoyager Voyager]]'', but the failure of ''Nemesis'' shelved those plans. |
| 169 | * As late as the shooting script, the Scimitar was supposed to have its warp core ''on the bridge'', so that Data could destroy the ship at the climax by shooting it. Technical consultant Rick Sternbach pointed out that not only was this taking NoOSHACompliance up to ridiculous levels, but Romulan starships are supposed to use different reactors which likely wouldn't go boom just by shooting them. As a result, this was changed to the ''somewhat'' less ridiculous option of sticking the thalaron beam's generator there instead. |
| 170 | * Riker originally had a PreMortemOneLiner to the Remen viceroy ("Don't worry, hell is dark.") before kicking him to his death. Creator/JonathanFrakes objected to it, feeling it was cold-blooded and OutOfCharacter, but was initially overruled. It was only removed when the script leaked and the line was widely mocked by fans. |
| 171 | * The leaked script showed a much heavier reliance on comedy, and not just comedy but concurrent comedy, like Data asking B-4 "[[Series/WhoWantsToBeAMillionaire Is that your final answer?]] when the other android says he does not know the name of the ship's captain. Also, B-4's name was initially "B-9" (get it?) and the ending was supposed to be more of a confirmation that Data was "alive" in him somewhere. Dr. Crusher was leaving to chair Starfleet Medical, and the new First Officer was an unheard-of character named Madden, who appeared in a deleted scene, played by actor Steven Culp. Wesley Crusher was supposed to be back in Starfleet, transferring to the ''Titan'' as its Chief Engineer. Some of these ideas showed up in deleted scenes, such as Culp's walk-on or the reference to Crusher going to Starfleet Medical. |
| 172 | ** One deleted line stated outright that Worf had been re-assigned to the ''Enterprise'', apparently back in his old role of Security Chief. This was nixed in the final production, and while Worf does seem to have returned to Starfleet from his diplomatic position, the idea that he had been assigned to the ''Enterprise'' or was no longer on the command track were seemingly done away with, as Worf still wears his red uniform and no mention of his being assigned there was kept, meaning he likely was there only to attend the dual weddings of Riker and Troi. |
| 173 | ** Possibly the worst change in the script were numerous references to the fact that Data cannot feel emotions. This undid all the characterization from the previous three films with Data learning how to process his new ability to feel, and in the final film these lines have all been excised. Brent Spiner portrayed Data as still emotional. Also, Data in the leaked script seemed to think that he and Lore were the only androids Dr. Soong ever created, despite having met his "mother" in the 7th Season who told him that there had been numerous androids prior to Lore; it was just that none of them had reached Lore's level of perfection. The final script made references to these previous androids and even openly suggested that B-4 was one of them. |
| 174 | * Geordi was supposed to have brought Dr. Leah Brahms (introduced as a holographic program from "Booby Trap", then the real woman for "Galaxy's Child") to the wedding, echoing the possible future from "All Good Things", which said that they ended up together. However, Susan Gibney, who played Leah, was unavailable, so their scene was rewritten with Geordi and Guinan chatting instead. |
| 175 | * Exposure to thalaron radiation was originally supposed to cause the [[ImMelting flesh to melt from its victims' bones]], but likely due to concerns that this would get the film slapped with an R rating, it was changed to have the victims TakenForGranite instead. |
| 176 | [[/folder]] |
| 177 | |
| 178 | [[folder:''Star Trek'' (2009)]] |
| 179 | * Creator/JoshuaJackson, Creator/ChrisPratt and Creator/MikeVogel screen-tested for the role of Kirk before Creator/ChrisPine was cast. |
| 180 | * Creator/AdrienBrody was approached for the part of Spock before the casting of Creator/ZacharyQuinto. |
| 181 | * Creator/JamesMarsden and Creator/GarySinise were considered for the role of [=McCoy=] before Creator/KarlUrban was cast. |
| 182 | * Creator/RickyGervais was offered the role of Scotty before Creator/SimonPegg was cast, but turned it down due to his lack of familiarity with the franchise. Creator/DanielCraig was also considered. |
| 183 | * Creator/RussellCrowe was the second choice for the part of Nero before the casting of Creator/EricBana. |
| 184 | * Creator/MattDamon and Creator/MarkWahlberg were approached to portray George Kirk before Creator/ChrisHemsworth was cast. However, Damon turned down the offer due to his instance that unknown actors should lead the movie, while Wahlberg [[TheyJustDontGetIt declined since he couldn't understand the script.]] |
| 185 | * Creator/JoshLucas was considered for Christopher Pike. |
| 186 | * Creator/KeriRussell was in talks to appear in the film. |
| 187 | * Orci and Kurtzman wrote a scene for Creator/WilliamShatner, where old Spock gives his younger self a recorded message by Kirk from the previous timeline. "It was basically a Happy Birthday wish knowing that Spock was going to go off to Romulus, and Kirk would probably be dead by the time," and it would have transitioned into Shatner reciting "Where no man has gone before". But Shatner wanted to share Nimoy's major role, and did not want a cameo, despite his character's death in ''Film/StarTrekGenerations''. He suggested the film canonize his novels where Kirk is resurrected, but Abrams decided if his character was accompanying Nimoy's, it would have become a film about the resurrection of Kirk, and not about introducing the new versions of the characters. Nimoy disliked Kirk's death, but felt resurrecting Kirk would also be detrimental to this film. |
| 188 | * Creator/NichelleNichols suggested playing Uhura's grandmother, but Abrams could not write this in due to the Writers Guild strike. |
| 189 | * The phaser fight was scripted to be a Vulcan/Romulan karate fight. |
| 190 | * Delta Vega was originally supposed to be a desert planet with Kirk and Future Spock finding Scotty in a BarFullOfAliens but they thought it was too similar to how Luke and Obi-Wan found Han Solo in ''Film/ANewHope''. |
| 191 | [[/folder]] |
| 192 | |
| 193 | [[folder:''Star Trek Into Darkness'']] |
| 194 | * Creator/BenicioDelToro was the first choice for the role of John Harrison before Creator/BenedictCumberbatch was cast, but turned down the offer due to monetary issues and scheduling commitments to ''Film/InherentVice''. |
| 195 | ** Creator/EdgarRamirez, Creator/DemianBichir, and [[Film/{{Riddick}} Jordi MollĂ ]] screen-tested for the part of John Harrison as well before the casting of Cumberbatch. |
| 196 | * Creator/HayleyAtwell, Creator/TeresaPalmer, and Creator/SophiaMyles auditioned for the role of Carol Marcus before the casting of Creator/AliceEve. |
| 197 | * Creator/MichaelDorn, who portrayed Worf in ''Series/StarTrekTheNextGeneration'', was approached for a role during the start of filming. However, the filmmakers decided against casting him since that "they didn't want to mix the old with the new". |
| 198 | * [[Creator/{{Paramount}} Paramount Pictures]] requested that Creator/JJAbrams make the film in 3-D. However, Abrams wanted to shoot it two-dimensionally on film using IMAX cameras. The two compromised, making this the first feature film to be shot in IMAX and converted to 3-D in post-production. |
| 199 | [[/folder]] |
| 200 | |
| 201 | [[folder:''Star Trek Beyond'']] |
| 202 | * Creator/EdgarWright, Creator/DuncanJones, Creator/DanielEspinosa, [[Film/RiseOfThePlanetOfTheApes Rupert Wyatt]], [[Film/Passengers2016 Morten Tyldum]], [[Film/AttackTheBlock Joe Cornish]], Creator/JonMChu, and Creator/BradBird were considered to direct the movie before Creator/JustinLin was hired. |
| 203 | * Creator/AliceEve was briefly considered to return as Carol Marcus from ''Film/StarTrekIntoDarkness'', but Pegg and Jung decided to omit her after realizing they really didn't have anything for her to do. Additionally, they wrote in a [[WrittenInAbsence line explaining that she'd left the Enterprise to work on an early stage of the Genesis project]], but it was cut from the finished film. |
| 204 | * Joseph Gatt would have also returned to reprise his role as 0718, but his role in the movie was removed in rewrites. Creator/CrypticStudios picked him up for third expansion of ''VideoGame/StarTrekOnline'' with the (probably not canon) explanation that he joined the Star'''ship''' ''Yorktown'' to help stop the [[Series/StarTrekEnterprise Sphere-Builders]] from wrecking his universe. |
| 205 | * Creator/ShohrehAghdashloo's character (and the subplot of Kirk attempting to become the Vice-Admiral for Starbase Yorktown) was only alluded to in the screenplay and initial edits of the film, with her actual on-screen appearances being added in reshoots. |
| 206 | [[/folder]] |
| 207 | |
| 208 | !!Live-Action TV Shows |
| 209 | [[folder:''Star Trek: Discovery'']] |
| 210 | * Creator/AngelaBassett was an early casting favourite, but she was busy with ''Series/AmericanHorrorStory''. |
| 211 | * Creator/TonyTodd[[note]]Known earlier as Worf's brother Kurn, plus a couple other guest roles across the franchise[[/note]] expressed interest about working on the new series and even confirmed he was on a casting list of the studio. |
| 212 | * Music/BryanAdams claims he was approached for a role. During a television appearance on Creator/TheBBC with Creator/JasonIsaacs and Sonequa Martin-Green in early November 2017, he claimed that he had received a call about a month earlier whether he would come to Toronto, the series' shooting location, but "then it went away". Adams joked he looked "like a Klingon anyway." |
| 213 | * [[Film/DevilInABlueDress Walter Mosley]] was hired as a writer for Season 3, but quit after less than a month over feeling the writer's room was overly hostile, including reporting him to HR for using the N-word in a story about how a cop said it to him. |
| 214 | * Before he left the show, Bryan Fuller's concept was that it would be an anthology with each season having an entirely new cast in different periods across the franchise's history. The move to the far future at the end of Season 2 actually retains some spirit of this idea. |
| 215 | [[/folder]] |
| 216 | |
| 217 | [[folder:''Star Trek: Picard'']] |
| 218 | * The show itself almost wasn't made since Creator/PatrickStewart, though touched to be wanted back, was hesitant to return out of concerned that his character was only being brought back for nostalgia's sake, and had actually met the producers to politely decline the chance to reprise the role. However, as he was driving home, he changed his mind and turned around, and was convinced to sign on when the production team told him that they planned to show Picard as a changed man from his experiences. |
| 219 | * Creator/PatrickStewart was initially insistent that besides Picard himself, the show should only feature new characters, wanting to make something with real substance and not just a glorified nostalgia bomb. Kurtzman and the other producers took a few days to convince him that more returning characters wouldn't prevent that. |
| 220 | * Stewart received quite a few other offers to return to the role in the years since ''Nemesis'', and turned them all down until this as he didn't feel there was enough purpose to their existence beyond pandering to the old school fans. |
| 221 | * The initial concept art for the main titles as designed by [[https://www.instagram.com/designpenn/ David Penn]] was very different than the televised sequence: [[https://www.instagram.com/p/B_dUOpXnAlC/ Image 1,]] [[https://www.instagram.com/p/B_dUM1_nvXg/ Image 2,]] [[https://www.instagram.com/p/B_dUKyenHaN/ Image 3,]] [[https://www.instagram.com/p/B_dUIM3noSr/ Image 4,]] [[https://www.instagram.com/p/B_dUGK3H_Rr/ Image 5,]] [[https://www.instagram.com/p/B_dUEQvH5Sf/ Image 6,]] [[https://www.instagram.com/p/B_dUBu-n3H2/ Image 7,]] [[https://www.instagram.com/p/B_dT-pfHnJw/ Image 8,]] [[https://www.instagram.com/p/B_dT2bsnbZ_/ Image 9.]] |
| 222 | * Evan Evagora discloses in [[https://www.youtube.com/watch?v=LpoBL6z49 this interview]] that Elnor was originally supposed to have an American accent (and he did audition with one), but a week before Evagora began filming, Creator/JonathanFrakes persuaded the showrunners to let the actor keep his Australian accent. |
| 223 | * According to Jonathan Del Arco in [[https://www.youtube.com/watch?v=wKw8SfAz-ng this interview,]] he wanted Hugh to inquire about his friend Geordi when his character meets Picard in "The Impossible Box", but the producers rejected his suggestion. Geordi would later appear in Season 3. |
| 224 | * ''VideoGame/StarTrekOnline'' creator Creator/CrypticStudios was asked for their story notes when the show was in development, and a tie-in comic shows Admiral Picard holding his flag on an ''Odyssey''-class starship from the game (albeit significantly earlier than the ship was introduced in the game's chronology). Other than that, however, almost nothing from the game ended up in the final show. At least not until Season 2, when a few of the ships from the game popped up as part of Starfleet's emergency response fleet, then again in Season 3, when the ''Enterprise-F'' herself made the jump to official canon. |
| 225 | * Robert Duncan [=McNeill=] was approached to reprise his role as ''Voyager's'' Tom Paris in season 1 but was unable to do so due to scheduling conflicts. [[WordOfSaintPaul As McNeill recalled]], it would have only been a couple of scenes but would have seen Paris interact with Picard, whether via a viewscreen or in his office. [=McNeill=] would make a voice appearance on ''WesternAnimation/StarTrekLowerDecks'' the following year. |
| 226 | * Creator/EmilyHampshire was originally cast as the Borg Queen in Season 2, but forced to turn it down due to scheduling conflicts, being ultimately replaced by Creator/AnnieWersching. |
| 227 | * After Wersching was cast, she and producer Akiva Goldsman considered having the new Queen be the assimilated version of Wersching's ''Series/StarTrekEnterprise'' character Liana, but ultimately decided against it. |
| 228 | * Initially, the showrunners considered having the parasitic aliens from Season 1's "Conspiracy" serve as the returning bad guys rather than [[spoiler:The Dominion]], but ruled against it because they felt it would be scarier to have [[spoiler:shapeshifters able to impersonate anyone]] try to take Starfleet out from the inside rather than aliens who killed their host and took over their body. |
| 229 | * An episode was planned where Ensign Naomi Wildman from ''Voyager'' would appear, having followed in Seven of Nine's footsteps as a Fenris Ranger, only to horrify her old mentor for hardened Wildman had become in the process. It was never filmed due to the 10 episode count instead of the usual 13, and Matalas felt it would have interfered with the ''TNG'' reunion. |
| 230 | * There were numerous planned cameos from other ''Trek'' characters during the Frontier Day celebration, including the reveal that the Captain of the ''Voyager''-B would be none other than Harry Kim. Unfortunately, Matalas feared he would be stepping on ''WesternAnimation/StarTrekProdigy'''s toes if they had plans to bring Harry back and scrapped the cameo, meaning Harry ''still'' hasn't gotten a promotion yet. |
| 231 | * The budget almost didn't allow for the [[spoiler:recreation of the ''Enterprise''-D set]], but Terry Matalas pushed for it to happen, wanting the ''TNG'' reunion to include [[spoiler:all of the main cast, the ship included.]] |
| 232 | * "The Last Generation" had a number of scenes and characters cut due to time and budget constraints, including Picard and Seven rescuing [[spoiler:Ro Laren, revealed to be NotQuiteDead]], [[spoiler:Data meeting with Soji]], Janeway being present for Seven's [[spoiler:promotion to Captain]] (which was denied by Paramount due to ''WesternAnimation/StarTrekProdigy'' being on at the time before it was unexpectedly cancelled, though Matalas felt it was for the best since said cameo would have taken away the impact of [[spoiler:Seven's promotion]]) and an appearance from Kira Nerys. One wonders if these scenes might have been filmed had the budget not been spent on [[spoiler:rebuilding the ''Enterprise''-D set instead]]. |
| 233 | * Creator/OrlaBrady was meant to have more scenes in the finale filmed of Laris reuniting with Picard, but it was never made due to Brady have returned to Ireland by the time. |
| 234 | * Creator/WalterKoenig's cameo as Anton Chekov was meant to be on-screen instead of a VoiceOnlyCameo, but they ran out of time to film it. |
| 235 | * One idea for the ''Titan''-A was to [[spoiler:rename it to the U.S.S. ''Picard'' at the end of the series, but it was instead changed to the ''Enterprise''-G (as Starfleet usually names vessels after its deceased officers).]] |
| 236 | * Creator/PatrickStewart's original intended ending for the series, as revealed in his autobiography, was to have Picard sitting in his office with his dog when his wife (who would have been kept ambiguous, though the plan was to have Stewart's actual wife do the voice over) calls out to him. Picard would have then gone outside with the dog, fading into history. However, the studio wouldn't' allow out, finding such a scene to be too expensive to film and deeming it unnecessary. |
| 237 | [[/folder]] |
| 238 | |
| 239 | [[folder:''Star Trek: Strange New Worlds'']] |
| 240 | * Creator/JonathanFrakes was going to direct episodes for Season 1, but the COVID-19 pandemic prevented this. He was, fortunately, allowed to direct episodes for Season 2. |
| 241 | * The strange ''Crossfield''-class in "[[Recap/StarTrekStrangeNewWorldsS2E1TheBrokenCircle The Broken Circle]]" was originally meant to be an [[Series/StarTrekEnterprise NX-class]], which likely explains its stern section looking like an inverted NX's twin-boom tail instead of ''Discovery'''s chevron-shaped secondary hull. Budget constraints forced the reuse of ''Series/StarTrekDiscovery'' sets. |
| 242 | * Creator/PaulWesley discussed with the directors making Kirk's first meeting with Spock more of a big deal, but they convinced him to leave it as it was to establish the "curiosity" that would draw the two together further. |
| 243 | * Before "Subspace Rhapsody", there were previous pushes by Ron Moore on ''TNG'' and ''Deep Space Nine'', even as far as ''Enterprise'', to develop a ''Star Trek'' musical episode, but it was all shot down. ''Picard'' also toyed with the idea of a musical episode, but nothing ever came of it. |
| 244 | [[/folder]] |
| 245 | |
| 246 | !!TV Movies |
| 247 | [[folder:''Star Trek: Section 31'']] |
| 248 | * Creator/MichelleYeoh initially made the proposal to do a spinoff series centered around her character, but it was later expanded to focus on Section 31. |
| 249 | * The film in itself was supposed to be a television series, but due to the outbreak of the COVID-19 pandemic, the decision to develop ''Strange New Worlds'', and Yeoh developing a very busy schedule, it was changed into a direct-to-streaming movie. |
| 250 | * Creator/JonathanFrakes had expressed a desire to direct the pilot episode (back when it was still being made into a tv show), but Olatunde Osunsanmi was given the chair. |
| 251 | [[/folder]] |
| 252 | |
| 253 | !!Animated TV Shows |
| 254 | [[folder: ''Star Trek: The Animated Series'']] |
| 255 | * The original proposal for this was going to have the main Enterprise crew training the teenage crew of a ship called ''Excalibur'' about space exploration; the new teenage crew included a Vulcan named Steve, an African-American boy named Bob, and a Chinese boy named Stick. This never materialised due to disagreements between Roddenberry and Creator/{{Filmation}} co-creator Lou Scheimer. |
| 256 | * Concept art in ''The Art of Star Trek'' by Judith and Garfield-Reeves Stevens shows that, for a time, it was briefly considered to have the ''Enterprise'' crew as children, or at least give them sidekicks like in the aforementioned example. It was dropped entirely, since, according to the same book, Filmation was the only studio that wasn't going to make the series into a SpinoffBabies title. |
| 257 | * Originally, only Creator/WilliamShatner, Creator/LeonardNimoy, Creator/DeforestKelley, Creator/JamesDoohan, and Creator/MajelBarrett were the only actors that were planned to be brought back for the show due to budget constraints, with Doohan and Barrett pulling TheOtherDarrin for Sulu and Uhura. Nimoy, upon learning of this, threatened to walk unless Creator/GeorgeTakei, Creator/NichelleNichols, and Creator/WalterKoenig were allowed to reprise their roles, as the cancellation of the original show had left them struggling to find work. Only Takei and Nichols came back, with Koenig having to be left out due to the same budgetary constraints that almost kept them off the show (though he did get to write an episode as a compromise. |
| 258 | ** Koenig was asked to write another episode, but he turned it down, feeling that his episode "The Infinite Vulcan" wasn't all that satisfying, and didn't want to go through the process again. |
| 259 | * In an example that almost led the series to be forgotten about, Gene Roddenberry had specifically wanted the series to last at least five seasons, but it was cancelled after one and a half seasons due to declining ratings. Out of frustration, he declared that (with the eventual exception of "Yesteryear" due to it being a fan-favorite) [[CanonDiscontinuity the series didn't count in the larger ''Star Trek'' timeline]]. Paramount and CBS reversed this decision years later after fans voted it back into continuity. |
| 260 | [[/folder]] |
| 261 | |
| 262 | !!Series that never were |
| 263 | * "[[{{Recap/StarTrekS2E26AssignmentEarth}} Assignment: Earth]]" was intended as a PoorlyDisguisedPilot for a spin-off series. We could have had an American ''Series/DoctorWho'', complete with sonic screwdriver and youthful companion! |
| 264 | * ''[[http://www.ottens.co.uk/forgottentrek/phase2.php Star Trek: Phase II]]''. |
| 265 | ** Intended as a {{Revival}} of [[Series/StarTrekTheOriginalSeries Star Trek: TOS]], but with an extensive visual update and some new characters. The show got as far as screen tests and scripts, but was mothballed when Charles Bluhdorn, head of Paramount's owner Gulf & Western, canned the new [[https://en.wikipedia.org/wiki/Paramount_Television_Service Paramount Television Service]] the show was supposed to anchor, for fears of bleeding cash. The pilot of the series and the already partially-built sets were reworked into ''The Motion Picture'', while many of the remaining scripts got recycled ten years later as early [[Series/StarTrekTheNextGeneration TNG]] episodes. |
| 266 | ** Decker and Ilia were originally going to be regular characters on ''Phase II'', but instead ended up as one-off characters for ''[[Film/StarTrekTheMotionPicture The Motion Picture]]''. Persis Khambatta was actually cast to play Ilia for the series, but ending up playing her for the movie instead. Stephen Collins, however, was not cast as Decker until after the series had turned into a movie, and he specifically joined the cast in order to work with Robert Wise. Later on, Decker and Ilia were reworked as Riker and Troi for ''The Next Generation''. |
| 267 | ** When Nimoy refused to participate in the new series, Spock was replaced by Xon, a full-blooded Vulcan to be played by David Gautreaux. When Nimoy agreed to come back for the movie, Gautreaux was recast in a cameo role, as the commander of the space station which is destroyed by V'Ger. Later on, the character of Xon was reworked as the android Data for ''The Next Generation''. |
| 268 | * A number of ''Trek'' alumni have attempted to create a new series. Back in the 90s there were steady rumors about a possible Captain Sulu and USS ''Excelsior'' show. ''[[Film/StarTrekVITheUndiscoveredCountry Star Trek VI]]'' and the [[Series/StarTrekVoyager VOY]] episode [[{{Recap/StarTrekVoyagerS3E2Flashback}} "Flashback"]] were a kind of backdoor pilot or popularity test for the idea, although there is no official word on that. The ''Excelsior'' was partially created as a possible replacement for the ''Enterprise'' for future movies. |
| 269 | * One such example was Creator/JonathanFrakes, who attempted to pitch a series, going by his comments, focusing on the now-Captain Riker of the U.S.S. ''Titan'', alluded to during ''Film/StarTrekNemesis''. Paramount execs vetoed it to prevent "franchise fatigue", which Frakes agreed made sense. Riker, Troi and the ''Titan'' would go on to "star" in a line of tie-in novels, before appearing as themselves in the animated ''WesternAnimation/StarTrekLowerDecks''. |
| 270 | * On the subject on spin-offs, there were apparently [[http://www.littlereview.com/getcritical/trektalk/darren.htm talks between CBS and James Darren for a Vic Fontaine show]] that would take place exclusively in the 60s. Darren was in but it's safe to say it didn't go anywhere. |
| 271 | * As well as the above cases, there's the long-running saga of proposals for a ''[[MilitaryAcademy Starfleet Academy]]'' teen drama series, something which began as early as the end of the original series and has repeatedly been brought up since. It's never materialised, largely because it seems to have always been something that network executives thought would be popular but which actual showrunners never had any interest in - the closest the franchise has gotten to getting this concept out there is the non canonical 1997 VideoGame ''VideoGame/StarTrekStarfleetAcademy''. Eventually, a new ''Starfleet Academy'' series entered into active development during the ''Discovery'' era. |
| 272 | * There were several attempts to have the feline Kzinti species represented in live action since the ''WesternAnimation/StarTrekTheAnimatedSeries'' episode "The Slaver Weapon," including a series guide on how the Kzinti civilization would fit in with the ''Star Trek'' universe, several rejected ''Series/StarTrekTheNextGeneration'' episodes, a planned episode of season five of ''Series/StarTrekEnterprise'', and an animated CGI movie, ''Star Trek: The Lions of the Night,'' set aboard the Enterprise-B. The Kzinti were eventually referenced in the ''Series/StarTrekPicard'' episode "Nepenthe." They would also feature a Kzinti crewmember on WesternAnimation/StarTrekLowerDecks, where he even makes the referance pose from TAS. |
| 273 | * Creator/QuentinTarantino had plans for a ''Star Trek'' movie focused on the Enterprise-C from "[[Recap/StarTrekTheNextGenerationS3E15YesterdaysEnterprise Yesterday's Enterprise]]." |
| 274 | * Additional movies in the Kelvin timeline were put on hold indefinitely when ''Film/StarTrekBeyond'' did not do as well as planned. A fourth film was in the works, but both Creator/ChrisPine and Creator/ChrisHemsworth left when Paramount wanted to cut their salaries, citing budgetary constraints. Pine still expressed hope to come back, while Hemsworth stated that, while he too wanted to come back, wasn't interested in the script they gave him, finding it "boring." |
| 275 | ** Scriptwriters [[Series/TheLordOfTheRingsTheRingsOfPower Patrick McKay and John D. Payne]] revealed that the plot of the film would have taken inspiration from both "[[Recap/StarTrekTheNextGenerationS6E4Relics Relics]]" and ''Film/IndianaJonesAndTheLastCrusade'' by having George Kirk be "resurrected" via teleporter. The two Kirks and the rest of the Enterprise crew would then team up and face off against a "wholly original" villain with no connection to the Original Series. |
| 276 | * At one point in the 1970s, Creator/GeorgeLucas, who was at the time developing [[Franchise/StarWars his own science fiction project]], approached Creator/GeneRoddenberry to ask if the franchise was for sale. |
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