Line #70 Music/Cobalt


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/cobalt_band.jpg]]
2	[[caption-width-right:350:The band's current lineup; Erik Wunder on the left and Charlie Fell on the right]]
3
4	Cobalt is a BlackMetal band from Greeley, Colorado. To date they have released four albums, one of which is a double album, and two [=EPs=], one of which is as long as most bands' full-length albums (for that matter, it's longer than the first Cobalt album). Their style started out as fairly raw (their first album is named ''War Metal'', after a particularly raw subgenre of black metal, although it is debatable how much their music has to do with this style), but starting with ''Eater of Birds'' they began incorporating substantial amounts of influence from ProgressiveMetal acts like Music/{{Tool}} and [[DoomMetal Post-Metal]] acts like Music/{{Neurosis}}. Unsurprisingly, the songs got longer, the music got substantially more complicated, and the usage of wide dynamic range and unusual time signatures skyrocketed.
5
6	For the first three albums the band was noteworthy for featuring U.S. Army member Phil [=McSorley=] as its vocalist. [=McSorley's=] experiences in the Army strongly informed the band's sound, giving the band a uniquely American sound in a genre where many acts are accused of aping the sound of the Norwegian second-wave bands. Cobalt has been a two-man band in the studio for its entire existence, with the other member being multi-instrumentalist Erik Wunder, who has played all the instruments in the studio since [=McSorley=] joined the army, apart from on [=McSorley=]'s lengthy dark ambient composition "Ritual Use of Fire". Unfortunately, [=McSorley=] went on a misogynistic, homophobic tirade on Facebook in 2014 (which was the culmination of a long line of increasingly vicious and hateful comments that he had become notorious for), which resulted in his being ejected from the band and replaced with ex-Lord Mantis vocalist Charlie Fell (who has not avoided his own share of controversy, though his tenure in Cobalt seems to have been free from it). Perhaps surprisingly, [=McSorley=] and Wunder (and, for that matter, [=McSorley=] and Fell) remain on good terms; in [=McSorley=]'s defence, he seems to understand why his behaviour necessitated his ejection from the band, and it is also extremely possible that he was suffering [[ShellShockedVeteran post-traumatic stress disorder]] at the time of his meltdown. Thus far, Fell seems to have avoided ReplacementScrappy status, as his vocals on the band's most recent album ''Slow Forever'' have been generally well received by the band's fan base.
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8	Cobalt remains fairly obscure among people not familiar with underground black metal (although they have had some media exposure)[[note]]They had an appearance on Fox News of all places, a case of QuestionableCasting if ever there was one. The interviewer didn't seem to understand their music at all, or the appeal of extreme metal in general for that matter, but they are generally considered to have done a pretty good job explaining said appeal for laypersons[[/note]], but for people who know about them their music is quite well loved, and with good reason. Their music sounds like the work of no one else in existence.
9
10	!!Members
11	* Erik Wunder - drums, bass, guitar, backing vocals (2003-)
12	* Charlie Fell - lead vocals (2015-)
13
14	'''Past/Live'''
15	* Phil [=McSorley=] - lead vocals, guitar (2003-2014)
16	* Michael Dimmitt - bass (live, 2013)
17	* Josh Lozano - guitars (live, 2013)
18
19	!!Discography
20	* 2003 - ''Hammerfight'' (EP)
21	* 2005 - ''War Metal''
22	* 2007 - ''Eater of Birds''
23	* 2008 - ''Landfill Breastmilk Beast'' (officially classified as an EP, though it's actually longer than ''War Metal'')
24	* 2009 - ''Gin''
25	* 2016 - ''Slow Forever''
26
27	!!Tropes applicable to the band and its works:
28	* AlbumTitleDrop: One on every album, usually on the title track.
29	* AntiLoveSong: Many songs, especially on ''Gin''. "Ulcerism" is another good example.
30	* BadassBoast: In the TitleTrack of ''Eater of Birds''.
31	--> ''"I am one with the wilderness''\
32	''I stole the sky''\
33	''I am the eater of '''[[MetalScream BIIIIIIIIIIIIRDS]]'''!"''
34	* BelligerentSexualTension: A lot of the lyrics from ''Gin'' give off this impression.
35	* BoleroEffect: Starting with ''Gin'' they've used this trope extensively, possibly owing to their love of post-metal bands and Tool, both of whom also use this a lot. ''Eater of Birds'' does it somewhat too, but not as much.
36	* BreatherEpisode: The instrumental interludes are generally structured as these.
37	* BrokenRecord[=/=]MadnessMantra: Many lines get looped repeatedly. For two examples, "Arsonry" has "Burn me down, shoot me in the chest" four times followed by "Let's fuck one last time on a burning bed" four times. "Eater of Birds" repeats the last word of the title repeatedly, first with [=McSorley=]'s trademark scream and later as a creepy whispered chant.
38	* BrownNote: [=McSorley=] seems to have intended the full-length version of "Ritual Use of Fire" to be a real-life example of this trope. [[NightmareFuel He certainly succeeded]].
39	* CoverVersion: They released a cover of "Extinction" by the New York punk band Nausea.
40	* DestructiveRomance: Much of ''Gin'' seems to be about an incredibly dysfunctional relationship.
41	* DroneOfDread: Just about all of "Ritual Use of Fire".
42	* EarlyInstallmentWeirdness: ''War Metal'' will be a shock to listeners used to the band's more progressive material. ''Hammerfight'' will be even more so, given how lo-fi it is.
43	* EpicInstrumentalOpener: Several tracks have these, but "Invincible Sun" stands out as a particularly awesome example. The track goes on for more than four minutes before the vocals enter.
44	* EpicRocking: "Empire of the Moth" from ''War Metal'' provided a modest example at 8:40, but ever since ''Eater of Birds'' they've really taken to this trope, with at least one song from each album approaching or exceeding ten minutes ("Invincible Sun", 9:42; "Eater of Birds", 10:27; "Ritual Use of Fire" [EP version], '''29:31'''; "Two-Thumbed Fist", 9:57; "King Rust", 11:15; "Final Will", 11:16; "Slow Forever", 9:36). The average song length on Cobalt's last three albums, excepting interludes (which tend to be much shorter), is about eight minutes long.
45	* Creator/ErnestHemingway: That's him on the cover of ''Gin''. There are plenty of references to him in their lyrics and song titles, and the album has 61 tracks owing to that being his age when he died (50 of these are silence, so the track number is deliberate).
46	* FakeOutFadeOut: The full-length version of "Ritual Use of Fire" does some variant of this about four or five times.
47	* Creator/HunterSThompson: Another acknowledged influence on the band (''Gin'' is dedicated to Hemingway and Thompson).
48	* {{Instrumentals}}: Starting with ''Eater of Birds'', each album has a few of these.
49	* JumpScare: "Eater of Birds" starts up full blast right after the last ambient interlude on ''Eater of Birds''.
50	* LastNoteNightmare: Several of their releases end this way. "Eater of Birds" ends with [=McSorley=] creepily whispering the word "birds" [[BrokenRecord over]] and [[MadnessMantra over]]. "Ritual Use of Fire" is nearly thirty minutes of this trope. "Stew Craven / ..." is a very unsettling prison chant that ends with what sounds like the sound of a record skipping. "Siege" may outdo all of them, however; it's practically HarshNoise.
51	* LimitedLyricsSong: "Invincible Sun" again (only about three minutes of its nearly ten-minute running time have vocals), and possibly other tracks as well.
52	* LongRunnerLineup: The Wunder/[=McSorley=] lineup lasted for 11 years, not counting live-only members, although the band was inactive for quite a lot of that time.
53	* LoudnessWar: Unfortunately, releases starting with ''Landfill Breastmilk Beast'' have been badly affected by this trope, which is particularly unfortunate given the music's increased usage of dynamics. The band's first two full-lengths are also affected by this, but the clipping problems aren't as noticeable; the albums are mostly just really loud.
54	* TheMasochismTango: Another impression given off by the ''Gin'' lyrics.
55	* MindScrew: Quite a few of their lyrics could qualify.
56	* RatedMForManly: Even moreso than is normal for black metal. Probably inevitable, considering the Hemingway influence.
57	* {{Sampling}} and SpokenWordInMusic: The band has been known to use these from time to time. One of the tracks on ''Slow Forever'' samples Hemingway's Nobel Prize acceptance speech.
58	* ShellShockedVeteran: [=McSorley=], which informed much of the band's material for his tenure, and eventually resulted in him having to leave the band temporarily due to PTSD. It could also explain the eventual meltdown that resulted in him being fired from the band.
59	* SiameseTwinSongs and FadingIntoTheNextSong: They use both these tropes a lot starting with ''Eater of Birds''.
60	* SopranoAndGravel: Most of their vocals are the expected {{Metal Scream}}s but there are occasional clean vocals. "Dry Body", by contrast, uses mostly clean vocals with occasional screams.
61	* SpecialGuest: Jarboe of Music/{{Swans}} fame shows up on "Invincible Sun" and "Androids, Automatons and Nihilists" from ''Eater of Birds'' and "A Clean, Well-Lighted Place" and "Pregnant Insect" from ''Gin''.
62	* StepUpToTheMicrophone: Erik Wunder on "Dry Body".
63	* SuicideBySea: "Witherer" seems to be about this.
64	* SurprisinglyGentleSong: A lot of the interludes are played on acoustic guitar, and have the gentleness one would expect from this. Even the ones with electric guitar tend to be much less harsh than the surrounding material. This is subverted with "Ritual Use of Fire", which, despite being an ambient piece, is ''much'' scarier than the band's harder material.
65	* ThreeChordsAndTheTruth: In contrast to their later material, ''Hammerfight'' has an extremely lo-fi production. The music is still fairly complex, though.
66	* UncommonTime: As befitting a band this influenced by ProgressiveMetal, they use a lot of it. Just to give one example, "Hunt the Buffalo", the opening track on ''Slow Forever'', opens in 5/4 or 10/4, depending on how you count it. There are plenty more, though.
67	* VocalEvolution: [=McSorley=]'s screams on ''Hammerfight'' are far higher-pitched than they are on his later work with the band. It also sounds like they may have had a distortion filter or some other form of post-processing applied to them. [=McSorley=] also uses occasional Music/KingDiamond-like falsetto on some tracks, which is not present on later material.
68	* WarriorPoet: Phil [=McSorley=] himself, considering his very poetic lyrics and the fact that he was literally on duty ''in an active warzone'' while much of the band's music was being recorded.
69	* WordSaladLyrics: Some of their songs qualify, especially on ''Gin'', but "Two Thumbed Fist" is a particularly extreme example.

Context Music / Cobalt