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1[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/537559469_simon_garfunkel_793_l_answer_9_xlarge_2548.jpg]]
2[[caption-width-right:350:''When you're down and out, when you're on the street\
3When evening falls so hard, I will comfort you'']]
4->''Then I'm laying out my winter clothes\
5And wishing I was gone, going home\
6Where the New York City winters aren't bleeding me\
7Leading me, going home\
8\
9In the clearing stands a boxer and a fighter by his trade\
10And he carries the reminders of every glove that laid him down\
11Or cut him 'til he cried out in his anger and his shame\
12"I am leaving, I am leaving," but the fighter still remains''
13-->'''"The Boxer"'''
14
15''Bridge Over Troubled Water,'' released in 1970, is the fifth and final studio album by Music/SimonAndGarfunkel, as well as one of the best-selling albums of all time. Its track list includes hits like "El Condor Pasa (If I Could)", "The Boxer" and "Cecilia." The album won the 1971 UsefulNotes/GrammyAward for ''Album Of The Year.''
16
17Yet despite the album's success, the duo decided to split up shortly after its release, as tensions between the two had finally reached breaking point.
18
19Fun fact: former US President UsefulNotes/LyndonJohnson listened to this album a lot in the final years of his life because it cheered him up when he felt down.
20
21----
22!! Tracklist:
23
24[[AC:Side One]]
25# "Bridge Over Troubled Water" (4:52)
26# "El Condor Pasa (If I Could)" (3:06)
27# "Cecilia" (2:55)
28# "Keep the Customer Satisfied" (2:33)
29# "So Long, Frank Lloyd Wright" (3:41)
30
31[[AC:Side Two]]
32# "The Boxer" (5:08)
33# "Baby Driver" (3:14)
34# "The Only Living Boy in New York" (3:58)
35# "Why Don't You Write Me?" (2:45)
36# "Bye Bye Love (Live)" (2:55)
37# "Song for the Asking" (1:49)
38
39----
40!! Bonus Tracks (2001 Reissue):
41
42# "Feuilles-O" (1:45)
43# "Bridge Over Troubled Water (Demo)" (4:46)
44
45----
46!!Principal Members:
47
48* Art Garfunkel - lead vocals
49* Music/PaulSimon - lead vocals, guitar
50
51----
52!! Song for the Troping:
53
54* BigApplesauce: "The Only Living Boy in New York".
55* BigGuyLittleGuy: The album cover goes out of its way to emphasize this dynamic, with the front cover photo showing Simon barely getting to Garfunkel's chin, while the [[https://cdn.shopify.com/s/files/1/0902/5612/products/simon_garfunkel_bridge_over_troubled_water_vinyl_back_cover_1024x1024.JPG?v=1557532862 back cover photo]] also shows the two of them walking together with Garfunkel being much taller.
56* BreakupSong: "Cecilia" and "Bye Bye Love". Most of the album has a feeling of breaking up and saying goodbye. Not surprising seeing that [[RealitySubtext the band itself wasn't getting along as well as they used to]]. "So Long, Frank Lloyd Wright" was for instance written by Simon as a veiled reference to Garfunkel, something Garfunkel himself wasn't informed about at the time.
57* CoverVersion: The 1913 Daniel Alomía Robles song "El Condor Pasa (If I Could)" and Music/TheEverlyBrothers song "Bye Bye Love". A version of the Haitian folk song "Feuilles-O" was recorded but was left off the album (but has since been released as a bonus track)--Garfunkel would later record his own solo version.
58* DepartmentOfRedundancyDepartment: The affirmations in the verses of "El Condor Pasa (If I Could)":
59--> ''I'd rather be a sparrow than a snail\
60Yes I would, if I could, I surely would\
61I'd rather be a hammer than a nail\
62Yes I would, if I only could, I surely would''
63* EchoingAcoustics: The backing vocals on "The Only Living Boy in New York," recorded in an echo chamber.
64* FaceOnTheCover: Simon and Garfunkel are shown in full frontal close-up, walking behind each other.
65* AFriendInNeed: "Bridge Over Troubled Water"
66--> ''I'm on your side / When times get rough / And friends just can't be found''
67* GospelChoirsAreJustBetter: "Bridge Over Troubled Water" was influenced by gospel music, specifically the Swan Silvertones' "Mary Don't You Weep", which has an immediate lyrical inspiration in the song. Despite that the song has no huge choir, but the piano work is certainly similar to a gospel tune.
68* HeterosexualLifePartners: This is most notably expressed in "The Only Living Boy in New York" which is basically about Paul missing Art (the "Tom" in the song; in the early days when they performed as "Tom and Jerry", Art was "Tom") when the latter went to Mexico to film ''Film/CatchTwentyTwo''.
69* InTheStyleOf: The arrangement of the title track used Music/PhilSpector's productions for The Righteous Brothers as a model, particularly their version of "Ol' Man River".
70* IntercourseWithYou:
71** "Cecilia"
72--->''Making love in the afternoon\
73With Cecilia up in my bedroom\
74I get up to wash my face\
75When I come back to bed, someone's taken my place''
76** "Baby Driver"
77--->''There's no-one home, we're all alone\
78Oh come into my room and play\
79Yes we can play.\
80I'm not talking about your pigtails\
81But I'm talking 'bout your sex appeal\
82Hit the road and I'm gone ah\
83What's my number?\
84I wonder how your engine feels?''
85* LyricalDissonance:
86** "Baby Driver", which sounds like an innocent children's song if you look at the title, but is actually about a boy who lives a comfortable life in a protected home, but who searches for adventures and one day decides to have his first sexual experience.
87** If you don't pay attention to the lyrics, "Bye Bye Love" sounds very upbeat. The lyrics sound like they're nearing the DespairEventHorizon.
88* MinisculeRocking: "Song for the Asking" is under two minutes.
89* MoodWhiplash:
90** The mournful "The Boxer" is followed by the far more upbeat in tone "Baby Driver".
91** A less extreme example is that the rather upbeat-sounding ([[LyricalDissonance despite its lyrics]]) "Bye Bye Love" fades directly into the warm but wistful "Song for the Asking".
92* ObsessionSong: "Why Don't You Write Me", complete with a threat of suicide near the end.
93* OneHeadTaller: Put to good use on the album cover.
94* OneManSong: "So Long, Frank Lloyd Wright".
95* OneWomanSong: "Cecilia".
96* PepTalkSong: "Bridge Over Troubled Water".
97-->''When you're weary, feeling small\
98When tears are in your eyes, I will dry them all\
99I'm on your side when times get rough\
100And friends just can't be found\
101Like a bridge over troubled water, I will lay me down''
102* QuestioningTitle: "Why Don't You Write Me?".
103* {{Rockumentary}}: ''Simon And Garfunkel: Songs Of America'' is a rather unique television special that aired on Creator/{{CBS}} in 1969. Much of the special is a fairly conventional rockumentary featuring interviews with the duo, footage of the duo working in the studio, and film from the 1969 tour. This portion includes {{Early Bird Cameo}}s of "The Boxer", "Bridge Over Troubled Water", and "So Long, Frank Lloyd Wright". The rest of the film is a series of montages of the social and historical upheavals of TheSixties (civil rights protest, UsefulNotes/RobertFKennedy's funeral train, etc), with Simon and Garfunkel songs as the musical accompaniment.
104* {{Scatting}}: "The Boxer" and its "Lie la lie" chorus.
105* ShoutOut:
106** The TitleTrack was inspired by this lyric from the Swan Silvertones' GospelMusic Song "Mary Don't You Weep":
107--->''I'll be your bridge over deep water if you trust in me''
108** The "silver girl" in "Bridge Over Troubled Water" is a reference to Simon's wife Peggy.
109** "So Long, Frank Lloyd Wright" is a tribute to architect Frank Lloyd Wright.
110* StockSoundEffects: "Baby Driver" has car noises.
111* {{Streetwalker}}: The speaker in "The Boxer" says he tried to get a job but all he got was "a come-on from the whores on Seventh Avenue."
112-->''I do declare\
113There were times when I was so lonesome I took some comfort there''
114* StudioChatter: While Garfunkel sings "So Long, Frank Lloyd Wright"'s fade-out to the words ''so long'' producer Roy Halee is heard on the recording calling out: ''So long already, Artie!''
115* TakeThatAudience: "Keep the Customer Satisfied".
116-->''Everywhere I go, I get slandered, libeled\
117I hear [[AsTheGoodBookSays words I never heard in the Bible]]\
118And I'm one step ahead of the shoe shine\
119Two steps away from the county line\
120Just trying to keep my customers satisfied''
121* TitledAfterTheSong:
122** 2017 saw the release of ''two'' films named after songs on this album, ''Film/BabyDriver'' and ''Film/TheOnlyLivingBoyInNewYork''.
123** Music/ShiningNorway's first album ''Where the Ragged People Go'' takes its title from "The Boxer":
124--->''When I left my home and my family, I was no more than a boy\
125In the company of strangers, in the quiet of the railway station, running scared, laying low\
126Seeking out the poorer quarters ''where the ragged people go''\
127Looking for the places only they would know''
128** Overlapping with PopCulturePunEpisodeTitle, ''WesternAnimation/BobsBurgers'' has done episodes called "[[Recap/BobsBurgersS9E6BobbyDriver Bobby Driver]]" and "[[Recap/BobsBurgersS11E19BridgeOverTroubledRudy Bridge Over Troubled Rudy]]".
129* WorldMusic:
130** "El Cóndor Pasa (If I Could)" has a decidedly Peruvian atmosphere, down to the panflute playing. Simon based the song on a traditional Peruvian folk tune--or so he thought. It was actually what amounted to a Peruvian show tune, composed by writer[=/=]musician Daniel Alomía Robles in 1913 for a ''zarzuela'' (a musical play based on Spanish theatrical traditions) called ''El Cóndor Pasa'' ("The Condor Passes"), about a miners in an Andes village.
131** Simon has said that "Why Don't You Write Me?" was conceived as a {{Reggae}} song, but by the time it was recorded the arrangement had gotten watered-down.

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