1 | [[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/rattleandhum.jpg]] |
2 | [[caption-width-right:350: ''Mississippi and the cotton wool heat,\ |
3 | Sixty-six, a highway speaks'']] |
4 | |
5 | ->''Don't believe in excess\ |
6 | Success is to give\ |
7 | Don't believe in riches\ |
8 | But you should see where I live\ |
9 | I… I believe in love'' |
10 | -->-- '''"God Part II"''' |
11 | |
12 | ''Rattle and Hum'' is the sixth studio album by Irish rock band Music/{{U2}}. It was released through Creator/IslandRecords on 10 October 1988. |
13 | |
14 | It acts as the soundtrack to the documentary film of the same name, which followed the band around is it toured America. A double album, ''Rattle and Hum'' is a mixture of live performances and newly recorded songs, continuing the blues and country sounds of ''Music/TheJoshuaTree''. It's also U2's most fannish album, at least until ''Songs Of Innocence'', as it includes tributes to and collaborations with such musical heroes as Music/BBKing, Music/BobDylan, Music/JohnLennon, and Music/BillieHoliday. |
15 | |
16 | |
17 | The album spawned four singles: "Desire," "Angel of Harlem," "When Love Comes to Town," and "All I Want Is You." While all four were Top 10 hits in the United Kingdom--with "Desire" being their first UK #1--only the first two were hits on the Billboard Hot 100, with "Desire" only peaking at #3 in the United States. |
18 | |
19 | It would be followed by Music/AchtungBaby in 1991. |
20 | |
21 | !!Track listing: |
22 | #"Helter Skelter" (live from Denver) (3:07) |
23 | #"Van Diemen's Land" (3:06) |
24 | #"Desire" (2:58) |
25 | #"Hawkmoon 269" (6:22) |
26 | #"All Along The Watchtower" - (live from San Francisco) (4:24) |
27 | #"I Still Haven't Found What I'm Looking For" - (live from New York) (5:53) |
28 | #"Freedom For My People" (0:38) |
29 | #"Silver And Gold" - (live from Denver) (5:50) |
30 | #"Pride (In The Name Of Love)" - (live from Denver) (4:27) |
31 | #"Angel of Harlem" (3:49) |
32 | #"Love Rescue Me" (6:24) |
33 | #"When Love Comes To Town" (4:14) |
34 | #"Heartland" (5:02) |
35 | #"God Part II" (3:15) |
36 | #"[[Music/JimiHendrix The Star-Spangled Banner]]" (0:43) |
37 | #"Bullet The Blue Sky" - (live from Tempe) (5:37) |
38 | #"All I Want Is You" (6:30) |
39 | |
40 | !!When Tropes Come To Town: |
41 | |
42 | * AlbumTitleDrop: The album's title comes from "Bullet the Blue Sky": "In the locust wind comes a rattle and hum." |
43 | * TheAlcoholic: "Angel of Harlem" is a tribute to Music/BillieHoliday that refers to her untimely demise from alcoholism and other drug abuse: |
44 | -->Blue light on the avenue |
45 | -->God knows they got to you |
46 | -->An empty glass, the lady sings |
47 | -->Eyes swollen like a bee sting |
48 | * AnswerSong: "God Part II", a sequel to Music/JohnLennon's [[Music/JohnLennonPlasticOnoBand "God"]]. Like Lennon's song, U2's lists off various things that Bono disagrees with; unlike Lennon's song, Bono, a Catholic, chooses to direct his ire towards the devil and "his book" rather than God, the Bible, and UsefulNotes/{{Jesus}}. |
49 | * AsTheGoodBookSays: "Love Rescue Me" includes a slightly shortened version of the famous line from Psalm 23: "Yea, though I walk through the valley of the shadow (of death), I will fear no evil." The song subverts the next lines of the psalm though: "I have cursed thy rod and staff/They no longer comfort me." |
50 | ** "When Love Comes to Town" summarizes the events of the Crucifixion in the third verse. |
51 | * BerserkButton: Clearly the Enniskillen bombing pressed Bono's. |
52 | * BoDiddleyBeat: In "Desire." The Edge borrowed it from Music/TheStooges' "1969." |
53 | * BoleroEffect: "Hawkmoon 269" doesn't have a proper verse-chorus structure, it just builds and builds. |
54 | * CoverVersion: The first (and so far only) U2 studio album to include these, both of them recorded live: "Helter Skelter" by Music/TheBeatles, and "All Along the Watchtower" by Music/BobDylan. The first is introduced with Bono cracking, "This is a song UsefulNotes/CharlesManson stole from The Beatles. We're stealin' it back." |
55 | * DeliberatelyMonochrome: Some portions of the film were in black and white; a still from one such sequence is on the album cover. |
56 | * EpicRocking: "Hawkmoon 269" goes on for nearly six and a half minutes, as does "Love Rescue Me," though the latter could hardly be called ''rocking.'' "All I Want Is You" is a normal-length song with an epic instrumental coda. |
57 | * EvolvingMusic: This was the third version of "Silver and Gold" to be released, and each sounded quite different from the last. Originally Bono wrote it himself and recorded it with [[Music/TheRollingStonesBand Keith Richards and Ron Wood]], with a couple of acoustic guitars and no drummer. U2 recorded its own version as a B-side to "Where the Streets Have No Name," but the live version considerably ramps up the energy level, with a blistering new guitar solo from The Edge. (This also explains Bono's somewhat baffling command to Edge to "play the blues" even though it doesn't sound very bluesy -- the first recording definitely did.) |
58 | * GodIsLoveSong: Bono's habit of using "love" as a code word for "God" is in full force here, notably "Love Rescue Me," "God Part II"[[note]]which despite its name never mentions God, but its refrain is "I believe in love" [[/note]] and "When Love Comes to Town." The last one blows its own cover in the third verse though, by explicitly describing the Crucifixion. |
59 | * GospelChoirsAreJustBetter: While "I Still Haven't Found What I'm Looking For" was already gospelish, for the New York performance an actual gospel choir, the New Voices of Freedom, sang backup. |
60 | * GreedyTelevangelist: Referenced in the coda for the live version of "Bullet the Blue Sky": |
61 | -->''Her lover's turning off, turning on the television, and I can't tell the difference between ABC News, Hill Street Blues and a preacher on The Old Time Gospel Hour stealing money from the sick and the old. Well, the God I believe in isn't short of cash, mister.'' |
62 | * HeelRealization: The narrators of both "Love Rescue Me" and "When Love Comes to Town" realize that they're jerks in need of redemption (which they do receive). |
63 | * {{Homage}}: "God Part II" is Bono's homage to Music/JohnLennon's "God," imitating its ListSong format with a catalog of things the singer doesn't believe in. Bono adapts it to suit his own beliefs and disbeliefs, however (not surprisingly, he doesn't deny believing in God like Lennon did). |
64 | * HypocrisyNod: In "God Part II": "I don't believe in riches/But you should see where I live." |
65 | * LetsDuet: U2 teamed with B.B. King on "When Love Comes to Town." Also Bob Dylan co-wrote and sang backing vocals on "Love Rescue Me," but you can barely hear him. |
66 | * ListSong: "God Part II," like its predecessor, is a list of things the singer doesn't believe in. "Hawkmoon 269" is a list of similes for love or needing love. |
67 | -->Like a rhythm unbroken |
68 | -->Like drums in the night |
69 | -->Like sweet soul music |
70 | -->Like sunlight |
71 | -->I need your love |
72 | * LocationSong: |
73 | ** "Heartland," inspired by a visit to New Orleans, describes the Mississippi delta region. |
74 | ** "Van Diemen's Land" refers to the 19th-century British penal colony of that name, now the Australian state of Tasmania. More specifically, it was about a man who led an unsuccessful Irish uprising and was sentenced to the penal colony. |
75 | * MinisculeRocking: A 38-second clip of street musicians performing "Freedom For My People" leads into a live version of "Silver and Gold." |
76 | * NeverMyFault: Despite the fact that "When Love Comes to Town" is an "Amazing Grace"-style tale of a redeemed sinner, at the end of the chorus he still seems to be evading responsibility: "Maybe I was wrong to ever let you down/But I did what I did before love came to town." |
77 | * NonAppearingTitle: "Hawkmoon 269" and "God Part II." |
78 | * OneWordTitle: "Desire" and "Heartland." |
79 | * ThePowerOfLove: Since love is identified with God in "Love Rescue Me" and "When Love Comes to Town," it has the power to change lives and save souls. |
80 | * ThePowerOfRock: God also seems to work through music in "When Love Comes to Town": |
81 | -->I ran into a juke joint when I heard a guitar scream |
82 | -->The notes were turning blue, I was dazing in a dream |
83 | -->As the music played I saw my life turn around |
84 | -->That was the day before love came to town |
85 | ** A verse that was performed live but cut from the album also includes the line, "But my lord he played guitar the day love came to town." |
86 | * ProtestSong: "Silver and Gold" was already a protest song, as it was written for the anti-apartheid album ''Sun City'', but Bono really goes {{Anvilicious}} in this version by adding a mid-song rant against western leaders who aren't supporting sanctions. "Freedom For My People," by street musicians Satan and Adam, is a song that calls for -- well, [[ExactlyWhatItSaysOnTheTin guess]]. |
87 | * RunawayGroom: The narrator of "When Love Comes To Town": |
88 | -->Used to make love under a red sunset |
89 | -->I was making promises I was soon to forget |
90 | -->She was pale as the lace of her wedding gown |
91 | -->But I left her standing before love came to town |
92 | * {{Sampling}}: A clipping of Music/JimiHendrix playing "The Star Spangled Banner" is used in the intro to "Bullet the Blue Sky." |
93 | * SentencedToDownUnder: "Van Diemen's Land" is in the voice of 19th-century Irish rebel John Boyle O'Reilly, as he's about to be deported to an Australian penal colony. |
94 | * ShoutOut: "Angel of Harlem," an ode to Billie Holiday, also nods to Music/JohnColtrane and Music/MilesDavis. |
95 | ** "God Part II" is in a sense one long shout-out to Music/JohnLennon, but also quotes Music/BruceCockburn in passing: "I heard a singer on the radio late last night/Said he's gonna kick the darkness till it bleeds daylight." |
96 | * StepUpToTheMicrophone: The Edge sings "Van Diemen's Land," as he wrote the lyrics himself. |
97 | * TakeThat: The album starts off with one as Bono introduces "Helter Skelter": "This is a song Charles Manson stole from the Beatles. We're stealing it back." |
98 | ** "God Part II" includes one to infamous John Lennon biographer Albert Goldman: |
99 | -->I don't believe in Goldman |
100 | -->His type like a curse |
101 | -->Instant karma's gonna get him |
102 | -->If I don't get him first |
103 | ** In his live performance of "Bullet the Blue Sky," Bono adds a peculiar coda: |
104 | -->So I'm back in my hotel room with John Coltrane and ''Music/ALoveSupreme'', and in the next room I hear a woman scream out. Her lover's turning off, turning on the television, and I can't tell the difference between ABC News, ''Series/HillStreetBlues'' and a preacher on ''The Old Time Gospel Hour'' stealing money from the sick and the old. Well, the God I believe in isn't short of cash, mister. |
105 | * ThreeChordsAndTheTruth: This album's version of "All Along the Watchtower" is the TropeNamer because of a verse Bono threw in: "All I got is a red guitar/Three chords, and the truth." [[note]] It is worth noting, however, that Bono was ''not'' the first person to coin the phrase. That honor goes to songwriter Harlan Howard, who coined the phrase to describe country music. [[/note]] (Appropriately, the song does have only three chords.) |
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