Line #19 Music/AutomaticForThePeople


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/automatic_for_the_people.jpg]]
2	[[caption-width-right:350:''Hey, kids, rock and roll\
3	Nobody tells you where to go'']]
4	->''Music/MottTheHoople and [[TabletopGame/GameOfLife The Game of Life]] (yeah yeah yeah yeah)\
5	Creator/AndyKaufman in [[Wrestling/JerryLawler the wrestling match]] (yeah yeah yeah yeah)\
6	TabletopGame/{{Monopoly}}, Twenty-One, TabletopGame/{{Checkers}}, and TabletopGame/{{Chess}} (yeah yeah yeah yeah)\
7	Mister [[Wrestling/FreddieBlassie Fred Blassie]] in a breakfast mess (yeah yeah yeah yeah)\
8	Let's play Twister, let's play TabletopGame/{{Risk}} (yeah yeah yeah yeah)\
9	I'll see you in heaven if you make the list (yeah yeah yeah yeah)\
10	\
11	Now, Andy did you hear about this one?\
12	Tell me, are you locked in the punch?\
13	Andy are you goofing on [[Music/ElvisPresley Elvis]]?\
14	Hey baby, are we losing touch?''
15	-->-- '''"Man on the Moon"'''
16
17	''Automatic for the People'' is the eighth studio album recorded by American AlternativeRock band Music/{{REM}} It was released through [[Creator/WarnerBrosRecords Warner Bros. Records]] on October 5, 1992.
18
19	Starting production on the album while ''Music/OutOfTime'', their previous effort, shot up the charts, the band initially sought out a [[DarkerAndEdgier harder, more aggressive sound]] similar to that of their late '80s output as a means of offsetting ''Out of Time''[='s=] LighterAndSofter approach, only to find themselves short on ideas. Consequently, at the suggestion of guitarist Peter Buck, they instead shifted towards a more acoustically-driven, melancholic sound featuring string arrangements by [[Music/LedZeppelin John Paul Jones]]. [[CreatorBreakdown Bleak in both sound and tone]], the album ended up becoming the band's darkest, with lyrics focusing on themes of mourning, morality, loss, nostalgia, and depression, fueled by the members of R.E.M. approaching their 30s and consequently no longer being young adults.
20
21	The end result was R.E.M.'s biggest commercial success, topping the charts in the UK and New Zealand, and peaking at No. 2 on the Billboard 200. It would end up being the second-best-selling album of 1993 in the UK, and would go on to be certified septuple-platinum in the UK and Canada, quadruple-platinum in the US and Australia, triple-platinum in the Netherlands, double-platinum in Austria, Spain, Sweden, and Switzerland, platinum in France and New Zealand, quintuple-gold in Germany, and gold in Argentina. Since its release, it has sold over 18 million copies worldwide, and currently holds the position of being the 60th best-selling album in the United Kingdom (just barely high enough to make it onto Website/{{Wikipedia}}'s [[https://en.wikipedia.org/wiki/List_of_best-selling_albums_in_the_United_Kingdom list]] on the category).
22
23	On a somewhat darker note, this album is known for the fact that Music/KurtCobain of Music/{{Nirvana}} listened to it shortly before committing suicide in 1994, similarly to what Music/IggyPop's ''Music/TheIdiot'' was to Music/JoyDivision frontman Ian Curtis back in 1980. Michael Stipe would later write "Let Me In" (off of the band's next album, ''Music/{{Monster\|REMAlbum}}'') in Cobain's memory.
24
25	''Automatic for the People'' was backed by six singles: "Drive", "Man on the Moon", "The Sidewinder Sleeps Tonite", "Everybody Hurts", "Nightswimming", and "Find the River".
26
27	!!Tracklist:
28
29	[[AC:Drive Side]]
30	# "Drive" (4:31)
31	# "Try Not to Breathe" (3:50)
32	# "The Sidewinder Sleeps Tonite" (4:06)
33	# "Everybody Hurts" (5:17)
34	# "New Orleans Instrumental No. 1" (2:13)
35	# "Sweetness Follows" (4:19)
36
37	[[AC:Ride Side]]
38	# "Monty Got a Raw Deal" (3:17)
39	# "Ignoreland" (4:24)
40	# "Star Me Kitten" (3:15)
41	# "Man on the Moon" (5:13)
42	# "Nightswimming" (4:16)
43	# "Find the River" (3:50)
44
45	!!''Every streetlight reveals the trope in reverse'':
46	* AnAesop: The message of "Everybody Hurts" is "Don't kill yourself."
47	* {{Anaphora}}: Two different ones appear in the choruses to "Drive". The first chorus starts each line with "what if," while the second and third start each line with "maybe." Each sequence is broken only by a single "tick-tock, tick-tock" inserted midway through.
48	* AtTheCrossroads: Could be invoked as a metaphor in the music video for "Everybody Hurts". It was filmed at the intersection of Interstates 10 and 35 in San Antonio, Texas, while I-10 was being turned into a double-decker freeway, and staged as a gridlocked traffic jam.
49	* BeigeProse: Done intentionally on "Everybody Hurts", a sharp contrast from Michael Stipe's typically abstract and metaphor-laden lyrical style, in order to more effectively reach the band's teenage audience with its anti-suicide message.
50	* BittersweetEnding: The album closes out with "Find the River", a song narrated by a dying old man PassingTheTorch to the new generation. As such, the sense of finality throughout the song is as hopeful as it is tragic.
51	* BookEnds: "Monty Got a Raw Deal" begins and ends with the line "Monty, this seems strange to me."
52	* BreatherEpisode: WordOfGod states that "The Sidewinder Sleeps Tonite" is an {{invoked\|Trope}} case of this, being an upbeat-sounding song in an album that's otherwise pretty bleak, both musically and lyrically, for the most part.
53	--> '''Peter Buck:''' "We included this song on ''Automatic'' in order to break the prevailing mood of the album. Given that lyrically the record dealt with mortality, the passage of time, suicide and family, we felt that a light spot was needed. In retrospect, the consensus among the band is that this might be a little too lightweight."
54	* BuffySpeak: "Monty Got a Raw Deal":
55	-->''The movies had [[ShapedLikeItself that movie thing]]''
56	* CallBack: The opening line of "Drive" ("smack, crack, bushwhacked") nods back to a newspaper advertisement Michael Stipe put out in 1988 condemning the UsefulNotes/GeorgeHWBush campaign ("Don't Get Bushwhacked. Get out and vote"). The allusion to the ad here ties into the album's release during Bush's reelection bid, noting the administration's perceived failures both in the rest of the line and in the next one ("smack, crack" referring to the War on Drugs, and "tie another one to your rack" referring to lax gun control).
57	* CensoredTitle: "Star Me Kitten". The song actually says "Fuck Me Kitten", which was in fact its ''second'' title[[note]]its first was "Hey Love"[[/note]], before Creator/MegRyan (who was filming ''Film/SleeplessInSeattle'' in... well, Seattle, where the band recorded part of ''Automatic for the People'') convinced Stipe to change it, saying that where she'd grown up, if such a swear appeared on any album, it wouldn't have been put on shelves (or at least would've gotten a "Parental Advisory" label).
58	* ColorMotif: Continuing R.E.M.'s longstanding association with the color yellow, the back cover prominently uses yellow tones, the CD label is bright translucent yellow, early CD copies feature a translucent yellow media tray, and early cassette copies sport a translucent yellow shell. The 25th anniversary deluxe edition release of the album also features a yellow banner on the top of the front cover and prominently features yellow throughout the rest of its packaging too.
59	* ConceptAlbum: Loosely; several of the songs are about death in some way or another, and the album as a whole covers themes of loss and longing, acting as a musing on the band entering their thirties.
60	* ConceptVideo: "Everybody Hurts" centers around a crowd of people caught in a traffic jam on the highway, where they come to terms with their inner demons before deciding to simply get out and walk home, having made peace with themselves.
61	* ContinuityNod: 1999's [[Film/ManOnTheMoon "The Great Beyond"]] features the lines "Here's a little agit for the never-believer/Here's a little ghost for the offering" as a CallBack to "Man on the Moon", where those lines are originally from.
62	* DarkerAndEdgier: Compared to ''Music/OutOfTime'' and even all of their prior work, the songs on ''Automatic for the People'' are decidedly more dour and introspective. The album's dark tone was so prominent and unusual by the band's standards, in fact, that it led to widespread media speculation that Stipe was seriously ill, fueled by Music/FreddieMercury's death from AIDS the previous year and the disease's informing of the similarly dark and introspective Music/{{Queen\|Band}} album ''Music/{{Innuendo}}''.
63	* DeliberatelyMonochrome: The album cover, a given considering it was designed by photographer, director, and monochrome aficionado Creator/AntonCorbijn.
64	* DrivenToSuicide: "Try Not to Breathe" may or may not be about this. "Everybody Hurts", meanwhile, is an up-front plea ''not'' to kill oneself.
65	* DroneOfDread: The combination of John Paul Jones' string arrangement and the detuned low E string on Peter Buck's guitar add this to "Drive", undoubtedly the creepiest song R.E.M. ever wrote.
66	* EchoingAcoustics: Done frequently throughout the album to add on to the chamber-like feeling of its mix of acoustic guitar and strings.
67	* {{Epiphora}}: In "Man on the Moon", every line in the verses ends with an interjection of "yeah, yeah, yeah, yeah."
68	* GratuitousPanning: The main guitar line of "New Orleans Instrumental No. 1" is panned entirely to one side. There's also a booming drum part in "Monty Got a Raw Deal" panned entirely to the right channel, placed low in the mix.
69	* IdiosyncraticEpisodeNaming: Yep, they did it again on the vinyl version, despite the format having rapidly fallen from mass popularity at this point. This time around, the sides are labeled "Drive Side" and "Ride Side". The labeling also extends to cassette releases of the album, so technically speaking the band managed to break the practice out from being associated with a dormant format.
70	* ImmoralJournalist: "Ignoreland" accuses mainstream news media of being Republican patsies, describing how "[the] TV tells a million lies [and] the paper's terrified to report anything that isn't handed on a presidential spoon."
71	* IndecipherableLyrics: Good luck understanding the chorus to "The Sidewinder Sleeps Tonite", since Stipe manages to [[MotorMouth compress the entire sentence into one second]].
72	-->''Callmewhenytrytawake her up!''
73	* IntercourseWithYou: "Star Me Kitten", the {{censored title}} of which occludes the fact that Stipe actually sings "''fuck'' me, Kitten."
74	* {{Instrumentals}}: "[[ExactlyWhatItSaysOnTheTin New Orleans Instrumental No. 1]]".
75	* IronicNurseryTune: "Drive"
76	* JustJokingJustification: From "The Sidewinder Sleeps Tonite":
77	-->''Tell her she can kiss my ass\
78	Then laugh and say that you were only kidding\
79	[[SomethingOnlyTheyWouldSay That way she'll know that it's really really really really me, me]]''
80	* LampshadeHanging: The final verse of the anti-Reagan ProtestSong "Ignoreland" includes the lines "I know that this is vitriol, no solution, spleen-venting/But I feel better having screamed, don't you?"
81	* LonelyPianoPiece: "Nightswimming".
82	* LyricalDissonance: "The Sidewinder Sleeps Tonite." It seems like a fun song, but it's actually about a breakdown in communication with a loved one. Others interpret it as being about suicide or dying in your sleep, which would make the lyrics even more jarring against the upbeat melody.
83	** The lyrics to "Drive" read like they could be the lyrics to a happy children's song, but when sung to a minor [[{{Scales}} key]]q song with an ominous string arrangement by John Paul Jones of Music/LedZeppelin and with a doomy hard rock chorus, it's very creepy indeed.
84	* MinimalisticCoverArt: Simply the band name and album title against a black-and-white photograph of a metal star sculpture.
85	* NewSoundAlbum: Acoustic rock with string backings and an overall dour tone. Incidentally, the shift in sound parallels that of Music/TenThousandManiacs' similarly soft and sour sound on ''Our Time in Eden'', released just six days before this album; given that R.E.M. and 10,000 Maniacs were closely affiliated, the parallels seem to be the result of the two bands once again influencing each another.
86	* NonAppearingTitle: "The Sidewinder Sleeps Tonite", though it comes close twice. "Star Me Kitten" also ''technically'' counts, if only because Michael Stipe actually sings "''fuck'' me, Kitten" in the song; the title is a {{censored\|Title}} one. The band themselves changed the title after their friend Creator/MegRyan noted that no record stores in her hometown would've sold an album with the F-bomb on the album sleeve.
87	* NothingLeftToDoButDie: "Try Not to Breathe" appears to be written from the perspective of someone in this frame of mind.
88	* PassingTheTorch: "Find the River" is sung from the perspective of an old man doing this in his dying moments.
89	* PepTalkSong: [[WordOfGod Mike Mills said]] that the message of "Drive" was for kids to take charge of their own lives.
90	* ProductPlacement: "The Sidewinder Sleeps Tonite" namedrops the Nescafé brand of coffee.
91	* ProductionThrowback:
92	** Mike Mills and Bill Berry's backing vocals on "Find the River" hark back to a similar technique on [[Music/{{Reckoning}} "Harborcoat"]] nearly a decade prior, a similarity that Mills confirmed to be an intentional creative decision in an interview with ''Melody Maker''.
93	** The verses of "Try Not to Breathe" reprise the melody and rhythm of [[Music/LifesRichPageant "Swan Swan H"]].
94	* ProtestSong: "Ignoreland", a humongous TakeThat at the Reagan and Bush Sr. administrations (the latter of which was seeking reelection when the song came out).
95	* RearrangeTheSong:
96	** The live version of "Try Not to Breathe" is somewhat faster and heavier, sounding more desperate and pained than the already-haunting studio version.
97	** "Drive" also sounded notably different live-- the studio version is again haunting and acoustic-based, whereas the live version they played at the time was faster, set to a funk rhythm, and featured distorted guitar. In later performances, they went back to approximating the studio arrangement though.
98	** A version of "Star Me Kitten" with Creator/WilliamSBurroughs on vocals was included on ''Songs in the Key of X'', a companion album for ''Series/TheXFiles''.
99	* {{Retraux}}: The album seems to be designed as if it was released ten years before it actually was:
100	** The DeliberatelyMonochrome cover, consisting of a gritty, stylized photograph and stark white text, seems evocative of the style of album art that was popular for AlternativeRock artists in the 1980s (particularly acts like Music/TheSmiths, Music/TenThousandManiacs, and R.E.M. themselves).
101	** The spines on the album packaging mimic the style of CD releases from Creator/WarnerMusicGroup-affiliated labels in the 1980s, with centered, taller-than-wide, plain white text on a black background.
102	** The more subdued, acoustic sound mixed with string arrangements evokes the roots rock style of groups like Music/DireStraits that was still popular in the early 80s, as evidenced by the success of albums like ''Music/MakingMovies'' (1980) and ''Music/LoveOverGold'' (1982) during that time.
103	* SandNecktie: Implied with the lines "I saw the ocean meet the man/I saw you buried in the sand" in "Monty Got a Raw Deal".
104	* ScrewThisImOuttaHere: How the video for "Everybody Hurts" ends. Everyone in the traffic jam just gets out of their cars and leaves. A [[TheStinger stinger]] shows TV footage from above the abandoned cars, and we hear a traffic reporter lamenting the scene.
105	* SequelSong:
106	** "New Orleans Instrumental No. 2", a B-side of "Man on the Moon", to "New Orleans Instrumental No. 1".
107	** "The Great Beyond" is one to "Man on the Moon", being written and recorded for the 1999 Creator/AndyKaufman {{biopic}} ''Film/ManOnTheMoon''.
108	* ShoutOut:
109	** "The Sidewinder Sleeps Tonite" is named after and interpolates the opening of "The Lion Sleeps Tonight" by the Tokens. R.E.M. actually licensed out the latter song in order to clear the interpolation, and in exchange a CoverVersion of "The Lion Sleeps Tonight" is included as a BSide to the single release. The same song also namedrops Creator/DrSeuss (leading Michael Stipe to {{corps\|ing}}e over his difficulty with pronouncing the name-- he always kept saying "Dr. Zeus") and recounts the plot of ''Literature/TheCatInTheHat Comes Back''.
110	** "Man on the Moon" was written in memory of Creator/AndyKaufman (and became so associated with him that... well, see TitledAfterTheSong below). The phrase "yeah yeah yeah yeah" at the end of each line is also a homage to Music/{{Nirvana}}, whose frontman Music/KurtCobain was friends with Michael Stipe; Stipe noted that Cobain had a tendency to interject "yeah" in his songs, and decided to try and outdo him as an inside joke, to the extent of counting the number of "yeah"s in "Man on the Moon".
111	** "Automatic for the people" is the slogan of Athens, GA eatery Weaver D's Delicious Fine Foods, which the band are fans of.
112	** David Essex's "Rock On" and Music/BillHaleyAndHisComets' "Rock Around the Clock" are quoted in "Drive".
113	** "Everybody Hurts" is an audible homage to [[Music/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars "Rock 'n' Roll Suicide"]] by Music/DavidBowie, and features a similar underlying theme of YouAreNotAlone.
114	** "Monty Got a Raw Deal" is a dual nod to actor Creator/MontgomeryClift and game show host Creator/MontyHall, best-known as the host of ''Series/LetsMakeADeal''. Clift suffered a car accident in TheFifties that led to a rapid decline in his health and career; director Robert Lewis referred to his post-accident career as "the longest suicide in Hollywood history", and he spent his last days addicted to painkillers and alcohol. According to his brother, Clift was also likely either bisexual or gay, which he was forced to conceal from the public. Creator/ElizabethTaylor, who called him her closest friend and confidant, later stated that he was gay. The song is saying, in a parallel to the game show, that Clift got a raw deal with how his life turned out.
115	* SkinnyDipping: The subject of "Nightswimming".
116	* SpecialGuest: Former Music/LedZeppelin bassist and keyboardist John Paul Jones provides string arrangements for the album.
117	* StudioChatter: A nonverbal instance occurs with "Nightswimming", which opens with the string section warming up and [[Music/LedZeppelin John Paul Jones]] tapping the conductor's podium to signify the start of the performance, right before the actual song kicks in.
118	* TalkAboutTheWeather: "Find the River" is most hardcore fans' favorite R.E.M. song for this reason. The song seems to be the last words of a dying person who is at peace with their life and is telling their relatives not to worry, PassingTheTorch to the new generation. The music fits this, not being sad but being wistful and bittersweet. Essentially then the song is relaxing with a hint of melancholy, but is a tearjerker because it's so beautiful.
119	* TitledAfterTheSong: "Man on the Moon" not only became the title of, and was used in, an Creator/AndyKaufman {{biopic}}, but R.E.M. provided the movie's instrumental underscore and a new song, "The Great Beyond".
120	* TitleOnlyChorus: "Ignoreland"
121	* UnusualEuphemism: "Star Me Kitten".
122	* YouAreNotAlone: "Everybody Hurts."
123	-->''So if you feel like you're alone... No. No. No. You are not alone.''
124	----

Context Music / AutomaticForThePeople