Line #76 Main/TheSevenWesternPlots


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5	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/seven_western_plots_7.png]]
6	[[caption-width-right:350:♫ [[Creator/WillSmith When we trope into the wild, wild West]] ♫\
7	[[labelnote:Clockwise, starting from top]]''Film/TheGreatTrainRobbery1903'' (Outlaw story), ''Film/Vengeance1968'' (Revenge story) ''Film/ThereWillBeBlood'' (Empire story), ''Film/BlazingSaddles'' (Marshal story), and ''Film/ComancheTerritory'' (Indian story). Not pictured: Union Pacific story and Ranch Story.[[/labelnote]]]]
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12	TheWestern has many tropes and traditions that make it unique amongst adventure story genres, and has developed many different conventions. Just as [[WesternCharacters many character archetypes developed just for the Wild West]], so too did archetypal plots. Author and screenwriter Frank Gruber codified seven such basic plots for TheWestern:
13
14	# ''Union Pacific story'' - the plot concerns either [[RailroadPlot the construction of a railroad, a telegraph line, or some other type of modern technology or transportation]], or follows an event happening at a pre-existing railroad. Wagon train stories fall into this category.
15	# ''Ranch story'' - the plot follows a ranch and the people working on it, and often concerns threats to the ranch from rustlers or large landowners attempting to force out the proper owners. It often stars a DeterminedHomesteader and features a CattleBaron or a RailroadBaron as antagonists. The hero is usually TheDrifter or some other outsider.
16	# ''Empire story'' - the plot involves building a ranch empire or an oil empire from scratch, a classic RagsToRiches plot. This is the kind of story where a RailroadBaron, CattleBaron, etc., is an HonestCorporateExecutive rather than a corrupt one, if this character isn’t an AntiHero or a VillainProtagonist.
17	# ''Revenge story'' - the plot often involves an elaborate chase and pursuit of a villain by an individual he wronged, but it may also include elements of the classic mystery story.
18	# ''Cavalry and Indian story'' - the plot revolves around "taming" the wilderness for white settlers. In its classic form, a DiscreditedTrope nowadays; modern versions will typically be more sympathetic to the Native people.
19	# ''Outlaw story'' - outlaw gangs dominate the action, either as {{Lovable Rogue}}s, {{Villain Protagonist}}s, or [[TheAntagonist the bad guys]].
20	# ''Marshal story'' - the lawman, his deputies, and the challenges they face drive the plot. The above outlaws are the natural antagonists in this kind of story, so expect a lot of overlap.
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22	See also WesternCharacters for another important Western trope, TheMagnificentSevenSamurai and AFistfulOfRehashes for other common Western plots, and Literature/TheSevenBasicPlots for seven basic plots that aren't restricted to Westerns.
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24	----
25	!!Examples:
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27	[[foldercontrol]]
28
29	[[folder:Anime and Manga]]
30	* ''Manga/{{Trigun}}'' is a revenge story as Vash the Stampede hunts down his brother Millions Knives who sabotaged humanity's [[SpaceWestern space colonizing ships]] and killed their mother surrogate Rem Sabrem.
31	[[/folder]]
32
33	[[folder:Comic Books]]
34	* ''ComicBook/TheLifeAndTimesOfScroogeMcDuck'' is an empire story chronicling Scrooge [=McDuck=]'s rise to becoming the richest duck in the world, and much of the early story is actually set in the old west where Scrooge works on a riverboat in Louisville, as a cowboy in Montana, and in copper mining when the cattle boom ends.
35	* ''ComicBook/{{Varmints}}'' is a revenge story chronicling the misadventures of young kids Opie and Ned trying to find the man who shot their mother.
36	* ''ComicBook/CrowJane'' is a revenge story, focusing on a Native American girl with a HealingFactor who is gunned down by her fiance and after shooting him seeks revenge against the guy who put him up to it.
37	* The ''ComicBook/JonahHex2005'' series was largely composed of done-in-ones so by it's nature it covered quite a few of these plots, sometimes repeatedly. Issues #13 - 15 for example are mainly a revenge story of Hex tracking down some corrupt ex-Union officers who crucified him during the UsefulNotes/AmericanCivilWar.
38	[[/folder]]
39
40	[[folder:Films — Animated]]
41	* ''WesternAnimation/{{Rango}}'' is a Marshal story, where the titular character becomes the sheriff of [[UnfortunateNames Dirt]] and [[MilesGloriosus tries to uphold his image as a badass gunslinger when he's really just a former housepet in over his head]].
42	* ''WesternAnimation/ToyStory2'' has an in-universe example with the [[ShowWithinAShow fictional TV show]] ''Woody's Round-Up'', which - from what we see - appears to be a marshal story with elements of ranch story.
43	* ''WesternAnimation/AnAmericanTailFievelGoesWest'' is a mix of ranch and marshal stories. Fievel and his family are new arrivals in the frontier town of Green River, and Fievel teams up with the local sheriff to protect the town from outlaws.
44	[[/folder]]
45
46	[[folder:Films — Live-Action]]
47	* ''Film/TheGreatTrainRobbery1903'' and ''Film/{{Stagecoach}}'', the respective UrExample and the TropeCodifier of the modern Western, are both railroad stories, making that particular story the oldest of the Western plots.
48	* ''Film/TheIronHorse'' chronicles the construction of the Transcontinental Railroad in the 1860s, making it a railroad story.
49	* ''Film/ThreeTenToYuma1957'' is a hybrid of the Ranch story and Marshal story. Rancher Dan Evans is struggling financially due to a three-year drought. So when the local sheriff offers a $200 reward to anyone who'll help transport the recently arrested outlaw Ben Wade to the prison train, Evans jumps at the opportunity. [[Film/ThreeTenToYuma2007 The 2007 remake]] also mixes in the Outlaw story, as it gives increased screen time to Ben Wade, as well as his gang's attempts to free him.
50	* ''Film/HighNoon'' is a hybrid marshal/outlaw/revenge story, where the marshal has to face a band of outlaws who want revenge on him for arresting them previously.
51	* ''Film/RioBravo'' is also a hybrid marshal/outlaw/revenge story, only it’s more of TakeThat to High Noon above.
52	* ''Film/AFistfulOfDollars'' and ''Film/LastManStanding'', both adaptations of ''Film/{{Yojimbo}}'' focus on two gangs terrorizing a town and one lone badass who plays both sides in order to save the few innocents caught in the middle of it, making both movies and the entire AFistfulOfRehashes plot an outlaw story. However, ''Film/AFistfulOfDollars'' takes place in the actual old west while ''Film/LastManStanding'' [[NewOldWest updates the setting]] to TheRoaringTwenties.
53	** ''Film/{{Django}}'' also follows this plot, although Django's [[ItsPersonal personal grudge]] against one of the villains makes it a revenge story as well.
54	* ''Film/ForAFewDollarsMore'': Colonel Mortimer's character arc is a revenge story, as he's hunting down [[BigBad El Indio]] [[spoiler: for killing his brother-in-law and raping his sister [[DrivenToSuicide who killed herself in remorse]].]] In their climactic duel, Indio taunts him by playing [[spoiler: his sister's]] musical pocketwatch and daring him to draw his weapon by the time the music ends, [[spoiler: and [[BigDamnHeroes Manco]] plays Mortimer's own musical pocketwatch and throws him his gunbelt, [[HeroicSecondWind allowing Mortimer to finish Indio off.]]]]
55	* ''Film/TheGoodTheBadAndTheUgly'': Despite the film being a deconstruction of the genre, the film itself is largely a mixture of a revenge and outlaw story, following Blondie ([[AntiHero the Good]]), [[HiredGuns Angel Eyes]] ([[BigBad the Bad]]), and [[{{Bandito}} Tuco]] ([[AntiVillain the Ugly]]), as they pursue a chest of Confederate gold while constantly betraying and trying to kill each other along the way.
56	* ''Film/Black47'', while actually set in [[TheFamine Potato Famine]]-era Ireland, is very much structured and paced as a western with a revenge storyline. An Irish soldier returns home to Connemara to find that his mother has starved to death and his brother has been hanged. After trying and failing to save his surviving relatives, the soldier wages a one-man war against the local colonial government. There's also a marshal story in the form of a SympatheticInspectorAntagonist on his trail.
57	* ''Film/TheWildBunch'' is a {{Deconstructed\|trope}} outlaw story, starring a gang of aging outlaws in the TwilightOfTheOldWest getting caught up in the Mexican Revolution.
58	* ''Film/OnceUponATimeInTheWest'' is a long enough movie that it ends up sampling most of the western plots. It follows the enigmatic Man With The Harmonica, teams up with the good-hearted outlaw Cheyenne to help a woman named Jill [=McBain=] hold onto the ranch she inherited from her late husband. The ostensible BigBad is a RailroadBaron named Mr. Morton, trying to force Jill off the land, which is on an ideal spot to build a train station. Jill eventually realizes that her husband knew the value of the property and had his own plans to build a station, and her arc is a fusion of Ranch, Union Pacific, and Empire stories as she works to develop the land. Cheyenne's motivation is revenge, since Morton used him as a scapegoat for the murders of Mr. [=McBain=] and [[WouldHurtAChild his children]], a crime that was actually perpetrated by Morton's [[TheDragon brutal henchman Frank]]. Harmonica's motivation is much more mysterious, though it's very clear that [[ItsPersonalWithTheDragon it's something to do with Frank as well]], though even Frank has [[ButForMeItWasTuesday no idea who he is or what he wants.]] Only in the climactic duel between the two of them do we learn Harmonica's real motivation, [[spoiler: which is, of course, revenge, for the murder of Harmonica's brother]].
59	* ''Film/BlazingSaddles'' is an AffectionateParody Western that combines Union Pacific and Marshall stories with a satire on racism. Unscrupulous railroad baron Hedley Lamarr wants to build his railway through the town of Rock Ridge and plots to run the townsfolk out, first by sending his goons to terrorize them, then by making African-American Bart their new sheriff, hoping the racist populace will leave in disgust. Bart catches on to his plan and after winning the people over, plots to defeat Lamarr.
60	* ''Film/{{Silverado}}'' combines the Outlaw and Ranch plots as a group of implied {{Retired Outlaw}}s fight to save the titular town's honest homesteaders from a wealthy, corrupt rancher and a sheriff who was once an outlaw himself.
61	* ''Film/TheWarriors'' and ''Film/StreetsOfFire'', both directed by Creator/WalterHill, bring the outlaw story to the modern day. The former deals with [[NeighborhoodFriendlyGangsters the Coney Island Warriors]] chased by every other street gang in New York, while the latter is about war veteran Tom Cody rescuing his ex-girlfriend from violent street gang the Bombers.
62	* ''Film/WildWestDays'' is a 1937 Universal serial that offers a pure example of #2, the "Ranch" plot. A brave cowboy fights to save his old buddy's ranch from the villainous speculators who want to buy up all the land on that stretch of the border with Mexico. Things get more complicated when platinum deposits are found on the ranch.
63	* The B Western ''Film/TheBeastOfHollowMountain'' starts out as a standard ranch story about a rancher's business and romantic rivalry with the less scrupulous owner of a neighboring ranch. Then a dinosaur walks into the plot for some reason.
64	* Being something of a Western pastiche, ''Film/BackToTheFuturePartIII'' works in elements of different Western plots for the sake of allusion. For example, Marty's arrival in 1885 has him seeing a Cavalry and Indian story playing out, but it's never brought up again after that. Ultimately, however, the majority of the film is an Outlaw story, with Buford Tannen and his gang serving as the primary antagonists, mixed with a Pacific Railroad story, as Doc and Marty's main goal is to figure out a way to get a steam train to run fast enough to activate the time machine and send them home.
65	* ''Film/{{Shane}}'' is an archetypal ranch story, where the title character - a mysterious hired hand - helps his DeterminedHomesteader employers fight off a hostile takeover by a larger landowner and his goons.
66	* ''Film/MadMax2TheRoadWarrior'' is a [[AfterTheEnd post-apocalyptic]] take on the ranch story, with Max wandering into a small desert community under siege from bandits.
67	* ''Film/TheMagnificentSeven1960'' and [[TheMagnificentSevenSamurai the many stories that follow in its footsteps]] are fusions of the outlaw story and the ranch story, with heroic gunslingers helping the townsfolk fight off bandits.
68	* ''Film/TheProposition'' is an Australian western that blends a few of the subcategories. Charlie's arc is an outlaw story that is structured like a revenge story (although his target hasn't wronged him, and is, indeed, someone he loves), while Captain Stanley's arc blends the marshal story and a deconstruction of the Cavalry vs. native people story.
69	* ''Film/{{Tombstone}}'' is a pretty straightforward marshal vs. outlaws movie.
70	* ''Film/ThereWillBeBlood'' is an empire story with a VillainProtagonist oil baron.
71	* ''Film/TheHarderTheyFall2021'' is a rootin' tootin' revenge story, with the hero gathering up a posse to bring down the bandit who killed his parents. There's also a marshal character who reluctantly joins up with the hero, but he's fairly secondary.
72	* ''Film/GoWest1940'' qualifies as a variation of the Union Pacific plot, the conflict revolving around the deed to Dead Man's Gulch, a plot of land that, while bereft of gold for the Gold Rush, is sought after for a new railroad.
73	* ''Film/EvilRoySlade'' and ''Film/TheVillain'' are two comedy Outlaw films, which both happen to have (presumably) unrelated protagonists named Slade.
74	* ''Film/TheBalladOfBusterScruggs'' is an anthology that samples a few of these plot structures.
75	** The first story, which is also called "The Ballad of Buster Scruggs", is a comedic outlaw story, as is the second story, "Near Algodones".
76	** "Meal Ticket", the third segment, could be called a very small-scale empire story, about the cutthroat nature of show biz in the old west carnival circuit.
77	** "All Gold Canyon" follows the structure of a ranch story, but instead of a ranch it's a {{Prospector}}'s gold claim, which he must defend from a greedy rival out in the lawless wilderness.
78	** "The Gal Who Got Rattled" and "The Mortal Remains" are both Union Pacific Stories, being about, respectively, a wagon train and a stagecoach.
79	* ''Film/TakeAHardRide'', a {{Blaxploitation}} SpaghettiWestern, is a ranch story away from the ranch, with outlaw antagonists. A wealthy CattleBaron unexpectedly falls sick and dies while on a bank run in town, leaving his African-American right-hand man to bring the next month's payroll back to the ranch. When word gets out among the racist locals that a black man is carrying a lot of money through the wilderness, every gunslinger for miles around - from outlaws to the [[CrookedCop sheriff himself]] - is on his tail.
80	* ''Film/DayOfAnger'' is an outlaw story about a [[FromNobodyToNightmare garbageman]] who becomes the protege of a notorious gunslinger.
81	* ''Film/TrackOfTheCat'' is a ranch story, where two brothers go out hunting a panther that has been preying on the family cattle, and which one of them believes [[MaybeMagicMaybeMundane to be a supernatural creature]]. However, like any good AnimalNemesis, the panther is mostly important for the stubborn monomania it brings out in the human characters, and the real threat to the ranch is mainly internal - the personal insecurities and private resentments of the ranching family, both among the two brothers who went out hunting and with the rest of the family back at the ranch house. An unusually character-driven, almost Creator/EugeneONeill-esque example.
82	* ''Film/Ravenous1999'' is a WeirdWest mix of the marshal story and a deconstructed cavalry story. In the early days of Manifest Destiny, soldiers stationed at a BleakBorderBase in the Sierra Nevadas are called to rescue the survivors of a wagon train that has gotten stuck in the snowy mountains and [[NoPartyLikeADonnerParty had to resort to cannibalism to survive]]. The "taming" of the west is shown as a far more brutal and monstrous thing than the alleged "savagery" it is eliminating, and westward expansion is presented as a metaphorical act of mass cannibalism.
83	* ''Film/OldHenry'' has the title character, a rancher, taking in a wounded marshal, who is being pursued by outlaws. The outlaws lay [[TheSiege siege]] to the ranch, unaware that Henry is [[UsefulNotes/BillyTheKid more than he seems]].
84	* ''Film/TheNightingale'' is a revenge story with the cavalry as villains. An Irishwoman in colonial Tasmania hires an Aborigine tracker to help her hunt down and kill the soldiers who raped her and murdered her family. The movie also deals with the tracker's own plight, as the British colonial presence are in the process of completely wiping out the native Tasmanian people.
85	* ''Film/JohnnyGuitar'' is mainly a blend of Union Pacific and Empire, with the heroine, Vienna, trying to expand her saloon to meet the demand that the new railroad will bring into town. She faces opposition from a posse including a reluctantly crooked marshal, and further complications from a band of outlaws.
86	[[/folder]]
87
88	[[folder: Literature]]
89	* ''Literature/BloodRiders'' by Michael Spradlin is a mixture of revenge and marshal story with the protagonist being recruited by the US government to hunt down a bunch of vampires. The RagtagBandOfMisfits includes a mixed black/Native American/Chinese man, Doctor Van Helsing, a vampire, Mr. Winchester, and Mr. Pinkerton.
90	* ''Literature/CthulhuArmageddon'' by Creator/CTPhipps is a revenge story about how the protagonist is on a mission to find out who massacred his Ranger squad. The sequel is a MagnificentSevenSamurai plot with seven gunslingers recruited to stop a Great Old One's rise with WordOfGod even saying he was inspired by the movies.
91	* ''Literature/DeadOfWinter'' by Lee Collins is a oddball Cavalry and Indian story mixed with a marshal story in that it is about Cora and her husband Ben as they set out to hunt down a {{Wendigo}}. Also a WeirdWest story, as all the villains are supernatural beings.
92	[[/folder]]
93
94	[[folder:Live-Action TV]]
95	* ''Series/{{Bonanza}}'' is the [[TropeCodifier definitive]] ranch story, following the Cartwright family's running of the Ponderosa, a huge ranch. It would also qualify as an empire story given the sheer amount of land they own except for the fact that Ben [[HonorBeforeReason refuses to control the local cattle farming industry despite having the resources to.]]
96	* ''Series/{{Gunsmoke}}'', likewise, is the [[TropeCodifier definitive]] ''marshal'' story, following the exploits of Marshal Matt Dillon and his deputies as they try to keep the peace in Dodge City, Kansas.
97	* ''Series/{{Justified}}'' is a marshal story set in the modern day, dealing with USMarshal Raylan Givens dealing with his duties as a marshal, his ex-wife, his criminal father, and criminal clans like the Crowder family and the Bennett clan.
98	* ''Series/TheRifleman'' is a ranch story chronicling Lucas [=McCain=]'s trials in raising his son Mark on his own and running a ranch in North Fork, New Mexico.
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100
101	[[folder:Video Games]]
102	* ''VideoGame/RedDeadRedemption'' is a {{Deconstructed\|Trope}} revenge story, as [[BoxedCrook John Marston]] is enlisted to help bring in his former gang that left him for dead. John makes it clear that he wouldn't even go after the Van der Linde gang if [[LawfulEvil Edgar Ross]] wasn't forcing him to, planning to [[CallToAgriculture go back to his family and farm once it's all over]]. [[spoiler: After he succeeds, Ross double-crosses him, leading an army to capture him and successfully kills him. His son Jack swears revenge, which turns him into everything John [[GiveHimANormalLife didn't want him to become]]: an outlaw with little to live for, and to add insult to injury even though he does kill Ross, ultimately history will remember [[WrittenByTheWinners Ross as a hero who tamed the West and brought criminals to justice and John as an outlaw who couldn't escape justice]].]]
103	* ''VideoGame/RedDeadRedemption2'': The prequel, on the other hand, is a deconstructed outlaw story. It chronicles the final days of the Van der Linde gang as Dutch [[SanitySlippage becomes increasingly insane]] and Arthur becomes increasingly disillusioned with the outlaw life, eventually culminating in him openly defying Dutch and [[spoiler: doing everything he can to get John and his family out of the gang before he succumbs to his tuberculosis]].
104	** There's also a subplot that gives a postcolonial take on the Cavalry vs. Indians story, showing the decline of the Wapiti Tribe at the hands of the U.S. Cavalry as a tragedy and an atrocity, rather than some great triumph.
105	** The epilogue of the game gives two ranch stories, the first one a more straightforward example with [[spoiler: John getting a job as a hired hand, and helping his employers fend off an attack from a local CattleBaron and his goons.]] In the second, [[spoiler: John starts his own ranch, trying to win back his family, and must adapt to quiet agrarian life - though once again he is forced to violence to defend his land. It ends with a revenge story as John and a few other former members of the gang track down the man responsible for selling them out to the Pinkertons.]]
106	* ''VideoGame/RedDeadRevolver'' was the spiritual prequel to ''VideoGame/RedDeadRedemption'' and is more of a straightforward revenge story. You play as Red Harlow, who is violently orphaned as a young boy by marauders attacking the family homestead. Red grows into a bounty hunter modeled after the ManWithNoName archetype bringing in various outlaws for the money until he has a chance encounter that finally reveals the men who were responsible for his parents murders culminating in a massive gunfight to finally avenge his parents by killing everyone responsible.
107	* ''VideoGame/CallOfJuarezGunslinger'' takes quite a bit of time to get to its main plot (which is initially deliberately obscured by the protagonist Silas' {{Tall Tale}}s), but when it does, it turns out to be a classic Revenge story, detailing Silas' pursuit of the three outlaws who murdered his brothers and left him for dead. [[spoiler:The last of said outlaws is actually among the audience he tells his story to, and it is [[LastSecondEndingChoice up to the player to decide]] whether Silas kills him, too, or lets go of his past.]]
108	* ''VideoGame/FalloutNewVegas'' wears its western influence on its sleeve by starting with a textbook revenge plot: Tracking down the bastard that robbed [[PlayerCharacter the Courier]] and left them for dead, and returning the favor. As the story progresses, it either [[StoryBranching concludes or outgrows]] the revenge plot and turns into a post-apocalyptic KingmakerScenario.
109	[[/folder]]
110
111	[[folder:Webcomics]]
112	* ''Webcomic/NextTownOver'' is a GaslampFantasy take on the outlaw and revenge stories, featuring ruthless BountyHunter Vane Black relentlessly chasing [[PlayingWithFire pyrokinetic outlaw]] John Henry Hunter for having wronged her in the past.
113	[[/folder]]
114
115	[[folder:Web Original]]
116	* ''WebAnimation/{{Cliffside}}'' is a WeirdWest take on the outlaw story, with outlaw wannabe [[SmallNameBigEgo "Two-Bit Jerry" Waylon]], [[BrutalHonesty Honest Jo]], and [[CuteMonsterGirl spider-girl Cordie]] meeting and fighting monsters like a Wendigo and [[TheGrimReaper Death Itself]] (who becomes the sheriff at the end after Waylon points out that law and order = less death = less work).
117	[[/folder]]
118
119	[[folder:Western Animation]]
120	* ''WesternAnimation/{{Bravestarr}}'' is a marshal story in the vein of ''Gunsmoke,'' focusing on [[MagicalNativeAmerican Marshal Bravestarr]] and [[CoolHorse Thirty-Thirty]] as they fight outlaws and keep the peace on [[SpaceWestern New Texas.]]
121	* "Californy'er Bust", a 1945 ''WesternAnimation/{{Goofy}}'' short is a combination of Union Pacific and Cavalry and Indians as it is about a large wagon train of settlers trying to reach California that come under intense attack by a large army of Native Americans.
122	* ''WesternAnimation/LooneyTunes'' have done satires of the various plots.
123	** "WesternAnimation/DripAlongDaffy" spoofs the Marshall story, with WesternAnimation/DaffyDuck taking the role of Sheriff but failing to subdue outlaw Nasty Canasta; it's actually HypercompetentSidekick WesternAnimation/PorkyPig who saves the day and is made sheriff.
124	** "WesternAnimation/InjunTrouble1938" and its color remake "WesternAnimation/WagonHeels" is a Cavalry and Indian story, pitting Porky against Injun Joe, the Superchief.
125	** The various cartoons pitting WesternAnimation/BugsBunny against WesternAnimation/YosemiteSam are classic Outlaw stories, whenever Sam is [[NewJobAsThePlotDemands actually playing a Western outlaw]], that is.
126	** "WesternAnimation/BuckarooBugs" is an Outlaw story, with Bugs as the outlaw (he mostly steals carrots, of course).
127	* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'': "[[Recap/MyLittlePonyFriendshipIsMagicS1E21OverABarrel Over a Barrel]]" is a G-rated interpretation of the taming-the-frontier story. The settlers of Appleloosa have built a town in the desert and established and apple orchard for food, and the episode itself focuses on a conflict between them and the native buffaloes (who serve as generic Plains Tribes stand-ins) over land rights.
128	* ''WesternAnimation/QuickDrawMcGraw'' and ''WesternAnimation/RicochetRabbitAndDroopALongCoyote'' are two Creator/HannaBarbera shows that parody the marshal story, respectively starring an inept horse and a rabbit who wrote the book on AbnormalAmmo as the sheriff.
129	[[/folder]]

Context Main / TheSevenWesternPlots