Line #8 Main/SlipstreamGenre


1	-> ''"...this is a kind of writing which simply makes you feel very strange; the way that living in the twentieth century makes you feel, if you are a person of a certain sensibility."''
2	--> -- '''Bruce Sterling''', in the ''SF Eye'' article coining the term, July 1989
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4	Sometimes, stories crop up where there are no overt fantasy or science-fiction elements, yet odd stuff is still happening. Perhaps the hero wakes one day to find himself transformed [[Literature/TheMetamorphosis into a gigantic insect]] or that [[Film/StrangerThanFiction he's the main character of someone else's novel]], and the why of the incident never comes up. Or maybe [[Film/BigFish the lines between fantasy and reality have become so blurred that it's hard to tell one from the other.]] Or maybe, the story is just so odd that the only thing you can think about after reading it is [[Literature/HouseOfLeaves that point directly behind your head.]]
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6	That is the genre (or possibly the literary device) known as Slipstream.
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8	Originally coined by Richard Dorsett—a friend of {{Cyberpunk}} author Creator/BruceSterling—Slipstream is often referred to as "the fiction of strangeness," and that's about as clear a definition as you can get. It falls somewhere between SpeculativeFiction and mainstream or LitFic, depending on the work. Above all, Slipstream is about a feeling of surreality.
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10	Often a form of PostModernism. Similar to MagicRealism, which can also give a feeling of strangeness, but involves a little more than that. Compare also MaybeMagicMaybeMundane, NewWaveScienceFiction, BizarroFiction, and NewWeird.
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12	Not to be confused with the 1989 sci-fi movie ''[[Film/Slipstream1989 Slipstream]]''.
13	----
14	!!Examples:
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16	[[foldercontrol]]
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18	[[folder:Anime and Manga]]
19	* ''Literature/HaruhiSuzumiya'' is generally like this, by virtue of the title character being a sort of [[WeirdnessMagnet Weirdness]] ''[[RealityWarper Generator]]'', while simultaneously being too rational to notice any of the weirdness she created. So, there are time travelers, but we never get to see what time machines or time-travel look like. The "alien" characters ''appear'' completely human, but are really StarfishAliens with [[SufficientlyAdvancedAliens incomprehensible abilities]]. Other random oddities like spontaneous laser-vision or formerly extinct species of birds tend to pop up whenever Haruhi gets bored (a very frequent occurrence). All the characters have competing [[HandWave meaningless explanations]] for her abilities.
20	[[/folder]]
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22	[[folder:Film]]
23	* ''Film/BigFish'', so much so that the novel on which it was originally based is considered part of the growing slipstream canon.
24	* ''Film/StrangerThanFiction'': An anonymous man finds out that a fiction writer is controlling his life, and intends to have him die (since ''all'' of her novels have TheHeroDies endings.)
25	%%* Any film by Creator/DavidLynch (Save ''Film/TheElephantMan'' and ''Film/TheStraightStory'').
26	* In ''Film/GroundhogDay'', the protagonist is caught in a [[GroundhogDayLoop trope-naming time loop]] with no explanation whatsoever. A few theories are discussed, but story-wise his reaction to it is more important than the reason.[[note]]The original script reveals that the time loop was caused by a spell put on the protagonist by his ex-girlfriend, to help him move on from her.[[/note]]
27	* In ''{{Film/Liar Liar}}'', a child's birthday wish renders his attorney father unable to tell a lie for 24 hours. No explanation for this is ever given, and no other supernatural elements are present.
28	* ''Film/RepeatPerformance'': After shooting and killing her husband on New Year's Eve 1946 just before midnight, Sheila wishes that she could repeat the year and fix all the mistakes that led to the dissolution of her marriage and her husband's death. Right after she says this, her clock magically resets exactly one year to just after midnight on Jan. 1, 1946, with no explanation why.
29	* ''Film/TwoDistantStrangers'': Similar to ''Film/GroundhogDay'', this film revolves around a GroundhogDayLoop in which the protagonist, a young black man named Carter, has no idea how he's gotten stuck in the loop, in which Carter continually gets into confrontations with a beat cop in which Carter is killed.
30	* The 1976 ''Film/{{Freaky Friday\|1976}}'' provides no explanation for the FreakyFridayFlip; it simply happens after the mother and the daughter make a simultaneous wish that they could be in the other's shoes for a day.
31	[[/folder]]
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33	[[folder:Literature]]
34	* The collected works of Creator/FranzKafka often fall into this category.
35	* Haruki Murakami's works tend to include parallel worlds or inexplicable happenings in this manner.
36	* ''Literature/HouseOfLeaves'' is a particularly meta example.
37	* ''Literature/ASeriesOfUnfortunateEvents''. Most of the, well, events aren't strictly impossible, other than the occasional fabricated species of snake; but things get... rather odd, and more than a little sadistic, as you get further into the series. A lake filled with ravenous leeches? [[MorePredatorsThanPrey What are they subsisting off of?]] Probably the most surreal bit is when they're hunted by a sea monster shaped like a question mark. The narrator/author [[NoFourthWall breaks the fourth wall constantly]] and is supposedly a journalist of some sort within the universe; he seems to be nearly as unlucky as the protagonists. The weirdness is [[PlayedForLaughs mostly for comedy]], but it [[CerebusSyndrome gets increasingly serious]] towards the end.
38	* ''Literature/OrlandoABiography''
39	* The works of Creator/ThomasPynchon tend to start out here. They veer towards MagicRealism as the protagonists uncover more and more weirdness.
40	* Creator/BrianFrancisSlattery's ''Spaceman Blues: A Love Song''
41	[[/folder]]
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43	[[folder:Live-Action TV]]
44	* ''Series/MontyPythonsFlyingCircus'', and its associated films, is this concept PlayedForLaughs. Various incidents of surreal weirdness occur in mundane real-world locations. Most sketches are presented in a [[DeadpanSnarker deadpan]], matter-of-fact fashion as if there's nothing particularly strange about any of it, and there's often NoFourthWall.
45	* ''Series/SavedByTheBell'' has plenty moments of this, particularly in the earlier seasons. Examples includes Kevin the Sapient Robot, Screech picking up radio waves or seeing into the future, Zack's ability to plant highly convincing [[SubliminalSeduction subliminal messages]] onto cassette tapes, or various suggestions that Zack's ability to stop time may not be entirely non-diegetic. Not to mention some various joint [[DreamSequence daydream sequences]].
46	* ''Series/{{Signal}}'': Detective Park finds an old walkie-talking that once belonged to Detective Lee, missing 15 years. Despite the fact that it doesn't have a battery, it crackles to life and broadcasts a transmission from Detective Lee, from 15 years in the past. For the rest of the series the walkie-talkie acts as a PortalToThePast, with Lee and Park talking to each other over gaps of 15-26 years, with no explanation ever given.
47	* ''WebVideo/TheBoothAtTheEnd'': An anonymous figure brokering deals with, or simply making absurdly accurate predictions about, people's destinies.
48	[[/folder]]

Context Main / SlipstreamGenre