Line #18 Main/Colorization


1	[[quoteright:350:[[UsefulNotes/AbrahamLincoln https://static.tvtropes.org/pmwiki/pub/images/c8191612efd7e25ab9807438fa6c3dce.jpg]]]]
2	[[caption-width-right:350:In case you forgot that history wasn't in black and white (results may vary).]]
3
4	Colorization is the use of various techniques and technologies to add color to a work that was originally made in black and white. The concept existed for a long time, even being used in some of the earliest films produced via general tints (such as purple or bronze), but the overall painstaking process and lackluster results did not do much for the field. It wasn't until digital colorization developed in the 1970s that you could make more naturalistic colors and overall pass for having been originally filmed in black and white.
5
6	The use of colorization is often controversial, as [[GeorgeLucasAlteredVersion changing the look and tone of a film after it was made]] is seen by many as equivalent to defacing art. Also, choosing the colors that are going to be used is often just guessing since there's no way to know how the movie set, props and costumes really were when the movie was filmed. In fact, the real-life color was likely chosen for how well it reads in greyscale and may not resemble explicit statements on the matter.
7
8	Like most things, it can also be used in service of the story and attract attention to an UpdatedRerelease. In comics, at worst, it can lead to complaints.
9
10	Contrast with DeliberatelyMonochrome and AlternateMonochromeVersion, the latter being a diametric opposite to this trope of rendering an already-colored work in monochrome.
11
12	----
13	!!Examples:
14
15	[[foldercontrol]]
16
17	[[folder:Comic Books & Manga]]
18	* The original 1988 Creator/EpicComics release of ''Manga/{{Akira}}'', one of the first complete English translations of a manga series, was digitally colored and flipped to read from left to right.
19	* The first four books of ''ComicBook/TheBabySittersClub'' graphic novels were in full black and white. When the series was continued past the first four volumes, they were all given new covers and colorized to match the series going forward.
20	* ''ComicBook/{{Bone}}'' was initially published (serially from 1995 to 2004) with just Jeff Smith's black-and-white line art. Then from 2005 to 2009, all the individual volumes were republished with colors added by Steve Hamaker. Fortunately, these haven't replaced the original editions of the comic, and both versions remain in print.
21	* In early 2013, Shueisha began releasing ''Manga/DragonBall'' fully colored in both digital and print formats.
22	* In late 2018, as ''Manga/DemonSlayerKimetsuNoYaiba'' had entered its final stretch with the Infinity Castle arc, Shueisha hired a professional digital colorist to begin working from Chapter 140 onwards, it followed all the way to the series’ end in Chapter 205; the effort was done in order to promote the digital print of Weekly Shounen Jump at the time.
23	* The original Mirage ''ComicBook/{{Teenage Mutant Ninja Turtles\|Mirage}}'' were printed in black and white. First Graphic Novel later released colorized collections.
24	* The first ''ComicBook/{{Titeuf}}'' comic was monochrome but later got a colorized edition. The colorized edition is recognizable by the cover as it have an added stamp showing Titeuf with various colors as if the character himself was painted over.
25	* Most of the ''Literature/WarriorCats'' manga were originally drawn and released in black-and-white. A decade later, James Barry colorized the ones he'd illustrated and they were re-released.
26	[[/folder]]
27
28	[[folder:Films -- Live-Action]]
29	* The first major controversy involving this trope occurred in the 1980s, when some library management companies such as Creator/HalRoachStudios and UsefulNotes/TedTurner's holdings started using the then-new colorization technology to alter black and white films like ''Film/MiracleOnThirtyFourthStreet'', ''Film/KingKong1933,'' and most infamously, ''Film/{{Casablanca}}''.
30	** In the case of Roach, not only were his classic films colorized, but films such as ''Film/ItsAWonderfulLife'' got the same treatment because they were in the public domain and were free to license and alter. Many film purists and actors such as Creator/JimmyStewart complained, claiming that the films were being vandalized, while defenders argued that altering the films would make them widely available as television stations gave little love to black-and-white films. (In actuality, the restoration process applied to the original black and white prints helped ''preserve'' the original films). Particularly controversial was when Turner joked about colorizing ''Film/CitizenKane''. Creator/OrsonWelles allegedly told someone shortly before he died to "keep Turner and his damn crayons away from my movie." This was before the Internet, so many feared that the colorized versions would "replace" the original black and white versions forever. The process fell out of favor after a few years, not because of criticism, but because the technology was not good enough at the time to produce color that did not look artificial, in addition to its high costs. Though hundreds of films were colorized by Turner and Hal Roach in the 1980s/early 1990s, few of these versions are available today outside ancient VHS releases and TV recordings. Ironically enough, [[TropeNamer George Lucas]] actually [[http://929nin.com/george-lucas-1988-congressional-testimony-against-altering-films/ testified in Congress]] to oppose this practice. Ted Turner eventually regretted his actions regarding colorization: the launch of the much-loved Creator/TurnerClassicMovies is considered by some to be his mea culpa to cinephiles.
31	** The origins of the controversy stemmed from a reneged agreement between Creator/FrankCapra's production company and Colorization Inc., a Toronto-based colorizing company. Capra and Colorization Inc. signed a contract in 1984 that would allow the filmmaker to oversee the color conversion of ''Film/ItsAWonderfulLife'', with both parties sharing ownership of the new version. However, when the latter party realized that the film was out of copyright, they used a legal loophole that got Capra ousted from the project, which caused him to join the anti-colorization debate.
32	* The second wave of controversy over colorization occurred in the mid-2000s when Columbia released a series of newly colorized Film/TheThreeStooges [=DVDs=]. However, the process was more accepted then because of the improved technology, and the fact that DVD/Blu-Ray format allows both colorized and black and white versions to appear on the same medium. Film purists also now understand better that the restoration process for the original black and white prints ''does'' help preserve the original films, and some industry veterans like Creator/ShirleyTemple even ''assisted'' in the colorizations of their own films. Also, odd cult film colorizations that played up the camp value of the original work, such as Legend Films' colorization of ''Film/ReeferMadness'', helped win over some skeptics and critics of the process. The fact that, in most cases, the original black and white versions remained widely available also helped alleviate concerns. These days, colorization has once again fallen out of favor, mostly due to the cost, and the fact that they did little in helping older films find new audiences. However, existing colorizations from the DVD era are sometimes still included on new releases as bonus features.
33	* ''Film/NightOfTheLivingDead1968'' deserves a mention. It's been colorized ''three'' times with varying results. It can be interesting comparing the different versions. For instance, in the 1986 colorization from Hal Roach Studios, Barbra and Johnny's car was yellow, in the 1997 version from Anchor Bay, it was blue, and in the 2005 version from Legend Films, it's red. The real color of the car? Green. Also the zombies were colored green for the 1986 and 2005 versions, but more of a greyish tint for the 1997 version.
34	* Three of Creator/RayHarryhausen's black and white films (''Film/ItCameFromBeneathTheSea'', ''Film/EarthVsTheFlyingSaucers,'' and ''Film/TwentyMillionMilesToEarth'') were colorized for their debut on Blu-ray. This is an unusual case because Harryhausen actually planned for all three of those films to be shot in color but had to settle for black and white for budget reasons, so colorizing them is actually restoring his original vision in a way. However, Harryhausen himself wasn't directly involved in the colorization process, and viewers ultimately weren't impressed with the strange color choices (rendering the octopus in ''It'' lime green probably being the biggest head-scratcher). Thankfully the Blu-rays all include the black and white versions as well.
35	* In 1977, filmmaker Luigi Cozzi created a heavily altered and colorized version of ''[[Film/GodzillaKingOfTheMonsters1956 Godzilla: King of the Monsters!]]'' (itself an altered version of ''Film/{{Gojira}}'') for Italian audiences. This version, nicknamed ''Film/{{Cozzilla}}'', was colorized using the very crude method of rephotographing the film frame by frame and animating color gel cutouts over the footage. The movie also got a new surround sound mix, spooky electronic music,[[note]]Which, oddly enough, would be later re-worked into the opening theme for Zombi2[[/note]] and footage spliced in from various other movies as well as archival war footage. The reasoning for this was that Italian theaters refused to show a black-and-white film that was less than 90 minutes long (as he could only get the shorter US cut). Additionally, Cozzi lacked the time and money to use a more in-depth colorizing--the coloured gels only covered very general areas. This may be the first ever instance of a fully black and white movie getting fully colorized for a rerelease.
36	* Critics of colorization in the 1980s pointed to the Hal Roach Studios version of ''Film/{{Suddenly}}'' as a prime example of everything wrong with the process, namely that they thought Music/FrankSinatra had ''brown'' eyes instead of blue despite him being known as "Ol' Blue Eyes." Twenty years later, another colorized version was released where Sinatra's eyes were in the proper shade of blue.
37	* Before the 1990s, any show or movie that wanted StockFootage of the ''[[UsefulNotes/RMSTitanic Titanic]]'' sinking would almost invariably take it from ''Film/ANightToRemember''. Since that movie was in black and white, the footage would often be colorized when reused.
38	* An inversion happened in some showings of ''Film/RagingBull'', which was DeliberatelyMonochrome except in [[SplashOfColor footage of a family home movie]]. The projectionist interpreted it as a mistake and had the footage altered to black and white like the rest of the movie.
39	* ''Film/TheyShallNotGrowOld'' uses colorization [[SugarWiki/VisualEffectsOfAwesome to great effect]], which along with other techniques (speed correction, framerate boosting, scratch removal) brings the footage of UsefulNotes/WorldWarOne back to life.
40	[[/folder]]
41
42	[[folder:Live-Action TV]]
43	* The first two seasons of ''Series/{{Bewitched}}'', which were filmed in black-and-white instead of color like the rest of the series, were released to DVD in two versions: colorized and B&W (which was actually just the colorized version with a B&W filter), however, only the colorized versions are available overseas and in Sony’s complete series boxset. However, when Creator/MillCreekEntertainment got the sub-license to release the series to DVD, their releases only include the black-and-white versions of those seasons. Fans have complained that the colorized versions ignored real color photos and other documentation, and that the colors are inaccurate.
44	* The same can be said word-for-word for the first season of ''Series/IDreamOfJeannie'', however the actual restored B&W version is included in Mill Creek’s Blu-ray boxset.
45	* The first season of ''Series/GilligansIsland'' was shot in black-and-white, but the second and third were shot in color. The [=DVDs=] feature the original B&W version of the first season, but those episodes were colorized for syndicated reruns back in the 1980s, and can currently be seen on [=MeTV=].
46	* ''Series/ILoveLucy'' has had several episodes colorized. Notable is the Christmas special, which aired on CBS in 1990 and 2013 onwards colorized. Interestingly, its flashback sequences were presented in their original black and white for the first two colorization jobs, while 2015 saw CBS air the entire special in color. "Lucy Goes to Scotland" was also colorized as a bonus feature for the 2007 ''I Love Lucy'' Complete Series DVD. However, the episode was originally supposed to be filmed in color, but the studio couldn't afford it, so the episode was colorized based on the color home movies shot by Desi Arnaz. When CBS televises the colorized Christmas special, they follow it up with a color version of an iconic episode -- such as "Lucy's Italian Movie", "Job Switching", "Lucy Does a TV Commercial", or "Lucy Gets In Pictures" -- to pad the timeslot to an hour. May 2015's ''I Love Lucy Superstar Special'' features color versions of "LA at Last!"[[labelnote:*]]guest-starring "superstar" Creator/WilliamHolden[[/labelnote]] and "Lucy and [[Series/TheAdventuresOfSuperman Superman]]". May 2016's ''Superstar Special'' applies this treatment to "Lucy Visits Grauman's" and "Lucy and Creator/JohnWayne". By 2019, CBS had colorized enough episodes to run a marathon in movie theaters.
47	* In December 2015, CBS aired two episodes of ''Series/TheAndyGriffithShow'' colorized: "The Christmas Story" and "The Pickle Story".
48	* In December 2016, CBS aired two episodes of ''Series/TheDickVanDykeShow'' colorized: "That's My Boy??" and "Coast to Coast Big Mouth".
49	* A single episode of ''Series/TheMunsters'', "The Munsters Family Album" has been colorized, and is included on the DVD set as a bonus feature.
50	* A rare example of colorization as an actual restoration tool occurred with ''Series/DoctorWho''. A number of early 1970s episodes survive only in black-and-white or badly color-degraded prints. Colorization processes were used to restore-- or replace (in the case of the color-degraded prints)-- color on these episodes for home video release. Usually the process was done automatically by recovering leftover color artifacts from the black-and-white prints, though for [[Recap/DoctorWhoS8E2TheMindOfEvil "The Mind of Evil"]] the network had to manually recolor the first episode due to a lack of adequate artifact information (the first episode of [[Recap/DoctorWhoS11E2InvasionOfTheDinosaurs "Invasion of the Dinosaurs"]] also lacks sufficient artifacts for an accurate recolor, but as of 2020 the BBC have chosen not to manually restore the episode in part because the serial is much more poorly regarded). The BBC would later reuse these techniques for other color programs that existed in similar states, such as ''Series/DadsArmy'' and ''Series/SteptoeAndSon''. Colorization was also employed in the 2013 episode "The Name of the Doctor" to allow character footage shot in 1964 to be integrated into new footage filmed in 2013.
51	** For the 60th anniversary of the show a heavily cut-down and colourised version of [[Recap/DoctorWhoS1E2TheDaleks "The Daleks"]] was made, with the colours being done in a style to emulate the [[StylisticSuck gaudier]] colour choices of 60's colour-TV. Ironically considering the history of this technique the colouring job itself was not the most heavily criticised part of it; the editing and pacing were so heavily sped up that the colour choices barely received any negative mention.
52	* In 1963, when German TV was still black-and-white, the NDR recorded the British vaudeville sketch ''Theatre/DinnerForOne''. It has been aired on many German TV stations each New Year's Eve since a few years later and thus become a CultClassic. Decades later, the NDR decided to colorize it. [[TheyChangedItNowItSucks Millions of viewers weren't pleased, to say the least]]. So the colorized version was shelved, and it's black-and-white again.
53	* ''Series/{{Zorro\|1957}}'': In 1991, Disney had the series digitally colorized for airing on The Disney Channel.
54	* ''Series/SeventeenMomentsOfSpring'' received a colorized update in 2009, which was moderately controversial, though mainly because the studio doing the remastering chose to cut the AspectRatio from the original 4:3 to 16:9, discarding parts of the original footage (and because Stirlitz's actor Creator/VyacheslavTikhonov disliked it with a passion).
55	[[/folder]]
56
57	[[folder:Music]]
58	* Deliberately invoked in the music video for Music/GreenDay's "Basket Case". To add to the surreal aesthetic of the visuals, the video was shot on black and white film and then colorized, save for the inmates wearing sumo masks.
59	* This was a fairly common technique in the 90s to create surreal-looking music videos. In addition to 'Basket Case' listed above, it was used the exact same way for Music/{{Hole}}'s "Celebrity Skin," and select shots in Music/{{Nirvana}}'s "Heart Shaped Box" (mostly the footage of the band playing.) Colorization was also used in a much less controlled manner in Music/TheWildhearts' video for "Just in Lust."
60	[[/folder]]
61
62	[[folder:Video Games]]
63	* Some Platform/GameBoy games have been given colourised [[UpdatedRerelease Updated Rereleases]] for the Platform/GameBoyColor. Previously, select Game Boy games have been given a less-polished colourisation (more akin to a more complex ColorWash if anything) when played on the Platform/SuperGameBoy for the Platform/SuperNintendoEntertainmentSystem. Some non-enhanced games are also given preset [[ColorWash Color Washes]] when played on the Super Game Boy or Game Boy Color. Some of the original Game Boy games to have been given colourised rereleases include:
64	** ''VideoGame/TheLegendOfZeldaLinksAwakening [[UpdatedRerelease DX]]''
65	** ''VideoGame/PokemonYellow'' (the [[RegionalBonus international releases]] have been colourised, but the original Japanese release did not have any Game Boy Color enhancements)
66	** ''VideoGame/{{Tetris}} [[UpdatedRerelease DX]]''
67	** ''VideoGame/WarioLandII'' (no DX suffix)
68	** ''VideoGame/BuraiFighter Color'' ([[MarketBasedTitle retitled]] ''Space Marauder'' in the US for some reason)
69	** Some original Game Boy games have been even given [[GameMod unofficial ROM hacks]] to make them colourised. These include:
70	*** ''VideoGame/DrMario [[https://www.romhacking.net/hacks/5281/ DX]]''
71	*** ''VideoGame/{{Galaga}} [[CompilationRerelease &]] VideoGame/{{Galaxian}} [[https://www.romhacking.net/hacks/6541/ DX]]''
72	*** ''[[Literature/TheBible King James' Bible]] [[https://www.romhacking.net/hacks/6708/ DX]]''
73	*** ''VideoGame/KirbysDreamLand [[https://www.romhacking.net/hacks/5213/ DX]]''
74	*** ''VideoGame/KirbysPinballLand [[https://www.romhacking.net/hacks/6079/ DX]]''
75	*** ''VideoGame/MetroidIIReturnOfSamus [[https://www.romhacking.net/hacks/175/ DX]]''
76	*** ''VideoGame/SuperMarioLand [[https://www.romhacking.net/hacks/4477/ DX]]''
77	*** ''VideoGame/SuperMarioLand2SixGoldenCoins [[https://www.romhacking.net/hacks/3784/ DX]]''
78	*** ''VideoGame/WarioLandSuperMarioLand3: [[https://www.romhacking.net/hacks/6683/ Color Edition]]''
79	[[/folder]]
80
81	[[folder:Western Animation]]
82	* WesternAnimation/ClassicDisneyShorts:
83	** In the early 1980s, Disney had a few Mickey Mouse shorts colorized in preparation for a planned cartoon anthology show for CBS. The show didn't get picked up, but scenes from those colorizations appeared in clip shows throughout the decade.
84	** In 1991, many black-and-white Mickey shorts (and a few Silly Symphonies) were digitally colorized for airing as part of ''Mickey's Mouse Tracks'' and ''Donald's Quack Attack'' on The Disney Channel.
85	* ''WesternAnimation/LooneyTunes'':
86	** In 1968, Warner Bros.-Seven Arts had 78 black-and-white shorts redrawn and colored in South Korea, and the results are often lambasted as sloppy and inferior to the original animation. One particularly egregious example of this sloppiness occurs in the altered version of ''Ali Baba Bound'', in which one frame was photographed with a fly trapped underneath the cel!
87	** Throughout the early 1990s, Warner Bros. had a larger number of black-and-white shorts colorized, this time by digitally coloring them frame-by-frame, thus preserving the original animation quality.
88	* ''WesternAnimation/OswaldTheLuckyRabbit'': Universal planned on colorizing several Creator/WalterLantz-produced shorts in the mid-1970s, and they commissioned a redrawn version of 1934's ''The Toy Shoppe'' as a test. Apparently, they weren't satisfied with the result, and plans for more colorized shorts were scrapped.
89	* ''ComicStrip/{{Popeye}}'': In 1987, Turner had 87 black-and-white shorts redone in color by hand in Korea, similar to the ''Looney Tunes'' example above. Again, the results are criticized for being poorly drawn and colored, especially when it came to Fleischer Studios' three-dimensional "stereoptical" backgrounds.
90	* Some select ''WesternAnimation/BettyBoop'' shorts were retraced and colorized in South Korea for a television release, but this made the cartoons look choppier and no syndicator wanted them. Clips from 35 of these shorts were redubbed, rescored, and spliced together into the feature-length ''Hurray For Betty Boop'' (also known as ''Betty Boop for President'') with an original narrative of Betty Boop becoming president of the United States. Originally assembled in 1976, it was retooled and slated for a theatrical release in 1980 but instead dumped straight to early cable and from there VHS by Creator/NewLineCinema.
91	[[/folder]]
92
93	[[folder:Web Comics]]
94	* ''Webcomic/GirlGenius'' Volume One was initially published with just black-and-white line art, then the series switched to color with Volume Two. A few years after transitioning from a print comic to a webcomic, Volume One was replaced with colorized version to better match the rest of the series. The use of color in this version ties in with the plot: pages are [[DeliberatelyMonochrome shaded but still completely grayscale]] while Agatha's wearing her PowerLimiter. Then once the limiter is gone, color seeps back in, alternately growing vibrant and diminishing in parallel with Agatha's [[ScienceRelatedMemeticDisorder Spark]] waxing and waning.
95	* After ''Webcomic/GirlsWithSlingshots'' ended in 2015, its creator Danielle Corsetto re-released the strips in color from the beginning as "GWS Chaser".
96	[[/folder]]
97
98	!!Parodies:
99
100	[[folder:Films -- Live-Action]]
101	* Parodied in ''Film/Gremlins2TheNewBatch'', when an announcement at Billy's office says that they will be showing a version of ''Film/{{Casablanca}}'' "Now in color, and with a happy ending".
102	[[/folder]]
103
104	[[folder:Literature]]
105	* Andrew-Mark Thompson's ''This Is A Fake'' includes a fake ad for a colourised version of The BBC's 1954 adaption of ''Literature/NineteenEightyFour'', which was edited into a 75-minute movie and placed on a streaming service by "[[TakeThat an shady American company in the mistaken assumption that every-thing black & white and without a © date on it is in the public domain]]".
106	[[/folder]]
107
108	[[folder:Live-Action TV]]
109	* ''Series/InLivingColor'': The ''Ted Turner's Really Colorized Classics'' skits had Turner (played by Creator/JimCarrey) introduced versions of ''Film/TheKid1921'' and ''Film/{{Casablanca}}'' "with even more color!" Rather than ''colorized'' versions, [[RaceLift the actors are replaced with "colored" people]] -- Creator/ReddFoxx replaces Creator/CharlieChaplin and Creator/BillyDeeWilliams replaces Creator/HumphreyBogart, for instance.
110	* A Russian parody sketch series "Большая разница" ("Big Difference") parodied the 2009 colorization of ''Series/SeventeenMomentsOfSpring'' (see above) by making a parody with an intentionally wacky colorization [[https://youtube.com/watch?v=VvQTu2fEAJg not matching the original series' tone in any way]].
111	[[/folder]]
112
113	[[folder:Web Animation]]
114	* In the ''WebAnimation/HomestarRunner'' April Fool 2014 cartoon, one of Homestar's ideas to update the website after years of inactivity is to take the Old-Timey cartoons and "colorarize" them. Cue a clip of an Old-Timey cartoon with ill-fitting pastel colors, where Sickly Sam (Strong Sad's Old-Timey counterpart) has also been partially redrawn with beefy human legs instead of skeleton ones and the Old-Timey Homestar comments that he is now "an affront to God and man".
115	[[/folder]]
116
117	[[folder:Western Animation]]
118	* ''WesternAnimation/FamilyGuy'': In "Screwed the Pooch", Ted Turner mentions that he plans to colorize the moon.
119	* ''WesternAnimation/TheSimpsons'': In "Bart the Lover", Bart watches an old romance movie on ''Colorization Theater'', in which the actors have purple skin.
120	[[/folder]]

Context Main / Colorization