1 | [floatboxright: |
2 | Primary Stylistic Influences: |
3 | + NewWaveMusic, PostPunk, FolkMusic, |
4 | Folk Rock, PowerPop, UsefulNotes/TheBritishInvasion] |
5 | [floatboxright: |
6 | Secondary Stylistic Influences: |
7 | + PsychedelicRock, PunkRock, CountryMusic, Country Rock] |
8 | |
9 | Describe Jangle Pop here. Well... it's the kind of music Music/{{REM}} and Music/TheSmiths play, basically. Though there's a bit more to it than that... |
10 | |
11 | Jangle Pop (often called "college rock" in the US due to the genre's presence on 80s college radio over there) is a genre of AlternativeRock that first appeared at the tail end of TheSeventies/the beginning of TheEighties. It's characterized by jangly guitars (often, though not always, 12-string Rickenbackers), simple melodies and often [[WordSaladLyrics enigmatic]] (if not straight up [[IndecipherableLyrics indecipherable]]) lyrics. The sound can be bright and upbeat, moody and mysterious or downright trippy at times, but the aforementioned elements are pretty much always present. |
12 | |
13 | Essentially a derivative of PowerPop, the genre was also quite heavily influenced by Folk Rock (especially Music/TheByrds and Music/SimonAndGarfunkel) and (of course) The Music/VelvetUnderground (particularly that band's quieter, folkier songs). The genre was heavily influenced by {{New Wave|Music}} and PostPunk, and Jangle Pop bands can be seen as PowerPop or PostPunk bands with Folk and CountryMusic influences, in a nutshell. Jangle Pop's most immediate antecedent was Music/{{Television}}, who are cited by both of the bands mentioned at the top of the page as a key influence. |
14 | |
15 | Many of the early bands hailed from either the American west coast (particularly L.A.) or the upper South (with Athens, Georgia being a particular hotbed). The west coast scene was often referred to as the Paisley Underground (due to its heavy PsychedelicRock influence and the obvious Music/VelvetUnderground connection) and was typified by bands like Music/TheBangles, DreamSyndicate and Rain Parade; the Southern scene was rootsier (often influenced by CountryMusic) and included bands like Music/{{REM}}, The dB's, Pylon, and The Connells. In addition, other bands formed all around the country, with key examples being 10,000 Maniacs, Music/TheReplacements, Throwing Muses and Music/CamperVanBeethoven. Scenes also existed in UsefulNotes/{{Australia}} (Music/TheChurchBand, Music/HoodooGurus, Music/TheGoBetweens) and UsefulNotes/NewZealand (The Chills, The Bats, The Clean), and in England, Music/TheSmiths became massively popular and spawned many soundalike bands, effectively changing the sound of British AlternativeRock and influencing many later generations of British bands. |
16 | |
17 | The bands were sometimes influenced by genres outside of the usual FolkRock, PostPunk, New Wave and PowerPop influences - PsychedelicRock (most common in the Paisley Underground bands, but found elsewhere as well), CountryMusic (particularly some of the Southern bands), PunkRock and even weirder things like {{Ska}} and {{Funk}}. The genre's heyday was in TheEighties, and it was mostly dead (with a few exceptions, such as TheChurch, Music/ThrowingMuses and of course Music/{{REM}}) by the time Grunge happened, having been largely superseded on College Radio by harder-edged AlternativeRock genres. However, newer bands did pop up sometimes, and the genre influenced later genres, most obviously AlternativeCountry, {{Slowcore}} and many of the less aggressive Indie Rock bands. |
18 | |
19 | Bands that play jangle pop include: |
20 | |
21 | [[index]] |
22 | * 54-40 (also Roots Rock) |
23 | * Music/TenThousandManiacs |
24 | ** ''Music/InMyTribe'' (1987) |
25 | * Music/{{Accelerators}} (also PowerPop) |
26 | * Music/TheBalancingAct (also FolkRock and PsychedelicRock) |
27 | * Music/TheBangles |
28 | ** ''Music/AllOverThePlace'' (1984) |
29 | * Music/BarenakedLadies |
30 | * Music/TheBats |
31 | * Music/BeatFarmers (also Cowpunk) |
32 | * Music/TheBeatles (TropeMaker) |
33 | ** ''Music/AHardDaysNight'' (1964) |
34 | * Music/TheBible |
35 | * Music/TheBongos |
36 | * Music/TheByrds (TropeMaker) |
37 | ** ''Music/MrTambourineMan'' (1965) |
38 | * Music/CamperVanBeethoven |
39 | * Music/TheChills |
40 | * Music/TheChurchBand (also PsychedelicRock) |
41 | * Music/TheClean |
42 | * Music/TheConnells |
43 | * Music/CountingCrows |
44 | * Music/TheCranberries |
45 | * Music/CrowdedHouse |
46 | ** 1993 - ''Music/TogetherAlone'' |
47 | * The dB's (also PowerPop and {{New Wave|Music}}) |
48 | * Music/MacDeMarco |
49 | * Music/DonDixon (primarily known as a RecordProducer, but his solo work counts as well) |
50 | * Music/DreamsSoReal |
51 | * Music/DreamSyndicate (also PsychedelicRock, and the TropeMaker for the Paisley Underground movement) |
52 | * Music/{{Dumptruck}} |
53 | * Music/MitchEaster |
54 | * Music/TheFeelies |
55 | * Music/{{Felt}} (also PostPunk) |
56 | * Music/FireTown |
57 | * Music/TheFleshtones (also GarageRock) |
58 | * Game Theory |
59 | * Music/GinBlossoms |
60 | * Music/TheGoBetweens |
61 | * Music/TheGrapesOfWrath |
62 | * Music/GreenOnRed |
63 | * Music/GuadalcanalDiary |
64 | * Music/HoodooGurus (also NewWaveMusic) |
65 | * Music/HootieAndTheBlowfish |
66 | * Music/TheHousemartins (who featured [[Music/FatboySlim Norman Cook]], of all people) |
67 | ** Music/TheBeautifulSouth (also SophistiPop) |
68 | * Music/TheJeanPaulSartreExperience |
69 | * Music/JehovasWitnesses |
70 | * Music/{{Jellyfish}} (also PowerPop) |
71 | * Music/MartiJones |
72 | * Music/TheLas |
73 | * Music/TimLee |
74 | * Music/LetsActive |
75 | * Music/TheLongRyders (also Cowpunk) |
76 | * Music/LoveTractor |
77 | * Music/JohnnyMarr |
78 | * Music/MarysDanish |
79 | * Music/TheMightyLemonDrops (also PsychedelicRock, and part of the C86 movement) |
80 | * Music/MiracleLegion |
81 | * Music/{{Morrissey}} |
82 | * Music/PrimalScream (first album only) |
83 | * Music/{{Pylon}} (also PostPunk and arguably DancePunk) |
84 | * Music/RainParade (also PsychedelicRock, most notable for featuring later members of Music/MazzyStar) |
85 | ** Music/{{Opal}} |
86 | * Music/RankAndFile (also Cowpunk) |
87 | * Music/TheReivers (also FolkRock) |
88 | * Music/{{REM}} (TropeCodifier at least, possibly also the TropeMaker) |
89 | ** ''Music/{{Murmur}}'' (1983) |
90 | ** ''Music/{{Reckoning}}'' (1984) |
91 | ** ''Music/FablesOfTheReconstruction'' (1985) |
92 | ** ''Music/LifesRichPageant'' (1986) |
93 | ** ''Music/{{Document}}'' (1987) |
94 | ** ''Music/{{Green}}'' (1988) |
95 | ** ''Music/OutOfTime'' (1991) |
96 | ** ''Music/AutomaticForThePeople'' (1992) |
97 | ** ''Music/{{Monster|REMAlbum}}'' (1994) |
98 | ** ''Music/NewAdventuresInHiFi'' (1996) |
99 | ** ''Music/{{Up|REMAlbum}}'' (1998) |
100 | ** ''Music/{{Reveal}}'' (2001) |
101 | ** ''Music/AroundTheSun'' (2004) |
102 | ** ''Music/{{Accelerate}}'' (2008) |
103 | ** ''Music/CollapseIntoNow'' (2011) |
104 | * Music/TheReplacements (who started off as a HardcorePunk band, but became a Jangle Pop / PunkRock hybrid around 1983 or so) |
105 | * Music/SixpenceNoneTheRicher |
106 | * Music/SmartBrownHandbag |
107 | * Music/TheSmiths (TropeCodifier for the British wing of the genre) |
108 | ** ''Music/TheQueenIsDead'' (1986) |
109 | * Music/TheSoftBoys (especially on ''Underwater Moonlight'') |
110 | ** Music/RobynHitchcockAndTheEgyptians7 |
111 | * Music/{{Squalls}} |
112 | * Music/TheStoneRoses |
113 | ** ''[[Music/TheStoneRosesAlbum The Stone Roses]]'' |
114 | * Music/SydStraw (also FolkRock) |
115 | * Music/TheSundays |
116 | * Music/BobbySutliff |
117 | * Music/SwimmingPoolQs |
118 | * Music/TeenageFanclub (also PowerPop) |
119 | * Music/ThinWhiteRope (also borderline AlternativeCountry) |
120 | * Music/TheThreeOClock (also PsychedelicRock) |
121 | * Music/ThrowingMuses |
122 | ** Music/{{Belly|Band}} |
123 | * Music/ToadTheWetSprocket |
124 | * Music/{{Tribe}} (''very'' versatile musicians) |
125 | * Music/TrueWest |
126 | * Music/UncleGreen |
127 | * Music/TheWeddingPresent |
128 | * Music/WednesdayWeek |
129 | * Music/WildFlowers |
130 | * Music/TheWindbreakers |
131 | * Music/TheWonderStuff |
132 | * Music/{{XTC}} (borders on NewWaveMusic and Psychedelia, most prominently during the ''English Settlement''-era) |
133 | ** ''Music/{{Skylarking}}'' (1986) |
134 | [[/index]] |
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