Line #8 Awesome/TwoThousandOneASpaceOdyssey


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/bone_and_satellite_match_cut.jpg]]
2	[[caption-width-right:350:Four million years of history and technology...[[MatchCut condensed to a second.]]]]
3	* SugarWiki/AwesomeMusic: Richard Strauss ''Music/AlsoSprachZarathustra''. Even though it wasn't created for the movie. Also Johann Strauss II's ''Blue Danube Waltz'' and the Adagio from Music/AramKhachaturian's ''Gayaneh Ballet Suite'', with all three pieces achieving their latter-day fame through their use in this movie. In fact, they were only supposed to be stand-ins for actual movie music before it was ready for release, but they were deemed so fitting, they were left in.
4	** Honorable mention goes to the compositions of Gyorgy Ligeti, though they also tend to fall into the category of NightmareFuel, especially the utterly terrifying ‘Requiem’ that plays whenever the monolith is on screen. ‘Lux Aeterna’ is less majestic, but no less haunting. And then there’s ‘Atmospheres…’
5	* Dave getting from the pod back to the ship, without his helmet. Even more so in that the scene occured in total silence, just as it would naturally, being as space is a vacuum. If you look carefully, after the airlock starts to pressurize, Dave gets a big grin on his face, as if to say, "Gotcha, you bastard!" And just to nail it home, the film cuts to [[OhCrap HAL's eye.]] It's also an awesome moment for Stanley Kubrick, who used the KuleshovEffect to get a very effective OhCrap... from a ''red light.''
6	* The story begins with a tribe of apes who are easy prey for rival tribes, and leopards. Then the Monolith teaches them about tools, and the next confrontation [[CurbStompBattle goes a lot differently]].
7	** The scene where an ape discovers how to use a bone as a tool and uses one to obliterate a skeleton would just be "cool" if ''Also Sprach Zarathustra'' wasn't playing as BGM. It goes from cool to ''[[https://www.youtube.com/watch?v=mM6OIlreneA legendary]]''.
8	** [[https://www.youtube.com/watch?v=mI3s5fA7Zhk The bone-to-spaceship cut]], the greatest MatchCut of all time. Moreover, the satellite that the movie cuts to from the shot of the bone [[AllThereInTheManual is stated in the script]] to be a ''nuclear weapons platform.'' Four million years of technological advances, and man is, at his core, still a violent species.
9	* You have to admit, HAL's revelation about how he knew Dave and Frank were planning to shut him off is pretty awesome: Dave and Frank had their conversation in one of the pods and made it so HAL couldn't hear what they were saying. What they didn't count on was that HAL was reading their lips.
10	* The Stargate. Imagine the sky simply ''opening'' and you find yourself barreling down a tunnel made of streaks of light in colors, shapes, and patterns that the human eye wasn't meant to see. And you start going faster and faster and ''faster''...
11	* There is also the concluding montage afterward with Dave as the guest of the aliens of the Monolith. It might be slow and hard to understand, but it has the feel that you are not watching simply a popular film, but a genuine work of true art that is intelligent, challenging and ''important''. Given that this was released at the beginning of the UsefulNotes/NewHollywood era, it was an awesome portent of what artistic possibilities American commercial filmmakers were ready to explore.

Context Awesome / TwoThousandOneASpaceOdyssey