Line #49 Anime/LupinIIIYearlySpecials


1	[[quoteright:350: [[Anime/LupinIIIAlcatrazConnection https://static.tvtropes.org/pmwiki/pub/images/dd2a4cf4cbfbd983fb4ca38f3f07c042.jpg]] ]]
2	[[caption-width-right:350: Lupin's shirt is dark, someone's gonna die!]]
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4	The unexpected flop of 1987's ''[[Anime/TheFumaConspiracy Fuma Conspiracy]]'' was a blow to [[Creator/TMSEntertainment TMS's]] efforts to revive the ''Franchise/LupinIII'' franchise after the poor receptions of the [[Anime/LupinIIIPartIII Pink Jacket]] series and its related movie ''Anime/LegendOfTheGoldOfBabylon''. Yet the strong passions ''Fuma'' aroused proved that Japan had not yet given up on ''Lupin''; TMS just needed to take a new (or old) tack...
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6	On April 1st 1989, twenty years after the ''Anime/LupinIIIPilotFilm'' was released and four years after ''Babylon'' hit cinemas, NTV aired ''[[Anime/LupinIIIByeByeLibertyCrisis Bye Bye Liberty Crisis]]'', a 97-minute MadeForTVMovie. Featuring the return of the original music composer and voice cast, it was a big hit. Since then, TMS has made an effort to have a new ''Lupin III'' special produced every year, typically airing either in April or (more recently) in late Fall. Things slowed down in the mid-2010's with 2014, 2015, 2017, and 2018 having no specials and the 2016 one re-using footage from ''Anime/LupinIIITheItalianAdventure'', but this was likely due to the focus on ''The Italian Adventure'' and ''Anime/LupinIIIPart5'' in the main series, as well as the spin-off ''Anime/LupinIIITheWomanCalledFujikoMine'' and its own three tie-in specials. Since then, 2019 saw two yearly specials (one at the beginning and one at the end of the year) and with interest in Lupin rising again, there are probably more on the way. [[note]]There was concern that the yearly specials ending was permanent... ratings for the ''Lupin'' specials had been steadily dropping for years; had a special aired in 2014, it might have seen numbers finally fall below 10% (This finally happened with ''Goodbye Partner'' in 2019).[[/note]]
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8	Watching these specials is something of a trip through Japan's recent animation history. Unlike the old TV series, TMS does not make these specials in-house[[note]]With the lone exception of ''Seven Days Rhapsody'', which had a handful of scenes animated in-house[[/note]]. Animation is typically handled by other studios (including sister company Telecom Animation Film) or freelanced animation teams, who often adapt the ''Lupin'' house style to whatever artistic trend that studio or team is currently using, with TMS supplying [[ProductionPosse their usual support studios]] to help with minor tasks like inbetweening and photography most of the time. DependingOnTheArtist is the rule rather than the exception here. As a result, many of these specials look wildly different from each other. This trend has affected Fujiko the most, of course, but none of the cast is immune to its effects. The animation quality, while ''far'' higher than any of the TV series, also varies from special to special.
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10	In terms of content, these specials largely tread a middle ground – although they are certainly more kid-friendly than Monkey Punch's extremely violent and raunchy manga, they are nonetheless a fair bit darker than [[Anime/LupinIIIPartII Red Jacket]], or especially Pink Jacket. Still, because ''Lupin'' remains a beloved franchise in Japan, and these specials air in Japanese prime time, they usually stay at least nominally {{Shonen}} for families rather than going for a more true-to-source {{Seinen}}.
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12	One fan observation is that if Lupin's shirt is black, character deaths will involve {{Gorn}}. But if his shirt is blue, a DisneyVillainDeath is most likely.
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14	Many of these specials have found their way into the American and British market. Creator/{{Funimation}} licensed and dubbed eight of them – from 1993's ''Voyage To Danger'' to 2000's ''Missed By A Dollar'' – which they released in the early/mid 2000's, though they are now out-of-print. [[Creator/MangaEntertainment Manga UK]] dubbed and released the first special, ''Bye-Bye Liberty Crisis'', in PAL-VHS markets in the mid-90's. Creator/{{Discotek\|Media}} has picked up several specials from both before and after Funimation's block, and as of 2016, even the ones in Funimation's block have been re-entering print thanks to Discotek. [[GermansLoveDavidHasselhoff Italy]] has released a large number of them as well, but even they do not have all of them.
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16	Below is the list of each special to air since 1989. They are listed by their official English release name, if they had one, or the main title translated from Japanese, with the full title listed in parentheses for those with subtitles.[[note]] The wicks to some of the specials are truncated to avoid long URL's due to ColonCancer. Not all of these have been officially released outside of Japan, so they have no official shortened English title.[[/note]]
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18	!
19	[[index]]
20	* 1989: ''Anime/LupinIIIByeByeLibertyCrisis''
21	* 1990: ''Anime/LupinIIIMysteryOfTheHemingwayPapers''
22	* 1991: ''Anime/LupinIIIStealNapoleonsDictionary''
23	* 1992: ''Anime/LupinIIIFromSiberiaWithLove'' (''From Russia With Love'')
24	* 1993: ''Anime/LupinIIIVoyageToDanger'' (''Orders to Assassinate Lupin'')
25	* 1994: ''Anime/LupinIIIDragonOfDoom'' (''Burn, Zantetsuken!'')
26	* 1995: ''Anime/LupinIIIThePursuitOfHarimaosTreasure''
27	* 1996: ''Anime/LupinIIITheSecretOfTwilightGemini''
28	* 1997: ''Anime/LupinIIIIslandOfAssassins'' (''In Memory of the Walther-P38'')
29	* 1998: ''Anime/LupinIIICrisisInTokyo'' (''Memories of the Flame ~Tokyo Crisis~'')
30	* 1999: ''Anime/LupinIIITheColumbusFiles'' (''Da Capo of Love ~Fujiko's Unlucky Days~'')
31	* 2000: ''Anime/LupinIIIMissedByADollar'' (''$1 Money Wars'')
32	* 2001: ''Anime/LupinIIIAlcatrazConnection''
33	* 2002: ''Anime/LupinIIIEpisode0FirstContact''
34	* 2003: ''Anime/LupinIIIOperationReturnTheTreasure''
35	* 2004: ''Anime/LupinIIIStolenLupin'' (''Stolen Lupin ~The Copy Cat is a Midsummer's Butterfly~''; with Creator/ALine)
36	* 2005: ''Anime/LupinIIIAngelTactics'' (''An Angel's Tactics ~Fragments of a Dream Are the Scent of Murder~'')
37	* 2006: ''Anime/LupinIIISevenDaysRhapsody''
38	* 2007: ''Anime/LupinIIIElusivenessOfTheFog''
39	* 2008: ''Anime/LupinIIISweetLostNight'' (''Sweet Lost Night ~Magic Lamp's Nightmare Premonition~'')
40	* 2009: ''Anime/LupinIIIVsDetectiveConan'' (with Creator/{{APPP}}, Creator/{{Dogakobo}} and Creator/{{Xebec}}) [[note]]This is not considered an official yearly special by TMS since it involves its own continuity, but is included here for completeness' sake.[[/note]]
41	* 2010: ''Anime/LupinIIITheLastJob'' (with Creator/TheAnswerStudio)
42	* 2011: ''Anime/LupinIIIBloodSealEternalMermaid'' (with Creator/NipponAnimation)
43	* 2012: ''Anime/LupinIIITravelsOfMarcoPoloAnotherPage'' (''Record of Observations of the East ~Another Page~'')
44	* 2013: ''Anime/LupinIIIPrincessOfTheBreeze'' (''Princess of the Breeze ~Hidden City in the Sky~'')
45	* 2016: ''Anime/LupinIIIItalianGame''
46	* 2019:
47	** ''Anime/LupinIIIGoodbyePartner''
48	** ''Anime/LupinIIIPrisonOfThePast''
49	* 2023: ''Anime/LupinIIIVsCatsEye'' [[note]]Like the ''Detective Conan'' crossover, it may not technically be a yearly special, but again is included for completeness' sake[[/note]]
50	[[/index]]
51
52	!!Tropes Common in Each Special
53	* TwoDVisualsThreeDEffects: In the 2001 specials onward, CGI has been used in various ways. In some of those earlier specials, it stands out hard against ''Lupin III'''s retro style. Later specials have blended it in with the more traditional Lupin look to varying degrees of success. On a couple of occasions, it's used on purpose to make something, usually the [=MacGuffin=], stand out.
54	* CerebusRollercoaster: As detailed below, the specials can shift greatly from light to dark across year to year, especially since most of them have had different directors who each placed their own quirks and tones on the stories and characters.
55	* DarkerAndEdgier: A handful of specials have pushed ''Lupin'' to a darker tone than the TV series with more violence and bloodshed than seen in a standard episode. ''Island of Assassins'' is the front-runner for darkest of all of them. None of them, however, are as dark in tone as ''A Woman Named Fujiko Mine'' or its tie-in specials.
56	* DependingOnTheArtist: As mentioned above, this is the rule rather than the exception since TMS uses different directors for each special, and will farm out them out to different studios to animate on occasion. Some designs are reused from special to special, however, or are actually modeled on earlier versions of ''Lupin''.
57	* DependingOnTheWriter: Characterization tends to vary the most here in the ''Lupin'' canon, more so than any of the TV series.
58	** Minor character traits, details of their past, or other features tend to be created, ignored, or exaggerated for the sake of the plot, and then forgotten or altered in the next go around. Most fans consider each ''Lupin'' special to be something of its own canon and to not sweat the small changes in-between.
59	** One place it tends to be constantly changed is in how it affects Jigen's ImprobableAimingSkills and Goemon's ImplausibleFencingPowers, with them more limited in their skills in one special and then having near superhuman abilities in the next.
60	** Zenigata tends to get the most actual character change from special to special. In some, he's a competent ICPO officer just a step behind Lupin, sometimes he's near-inept and just there for comic relief, and sometimes he's a badass in his own right that can hold his own with the gang.
61	* {{Fanservice}}: Of course; usually provided by Fujiko and/or the Girl of the Week, but later specials have put less emphasis on female-only fan service and begun focusing on the male characters as well.
62	* GirlOfTheWeek: They come in all forms: old flames or friends, rival thieves, reluctant allies, turned enemies, having a past with the [=MacGuffin=] or villain, etc. Whoever they are, don't count on any of them to appear in anything past their one special.[[note]]The lone exception in the series history is Diana from ''Harimao's Treasure'', who makes a very brief cameo in the last episode of ''Part 5''.[[/note]] The really unfortunate ones end up KilledOffForReal.
63	* LatexPerfection: Rare is the special where Lupin and/or his gang do not make use of disguises. Rarer is the special where are least one of those disguises [[RunningGag is]] ''[[RunningGag not]]'' [[RunningGag Inspector Zenigata]].
64	* LighterAndSofter: They're still not as dark as [[Manga/LupinIII the original manga]] or the ''Woman Named Fujiko Mine'' continuity, and often have a healthy dose of humor and gags.
65	* LongRunners: This series alone is one of the longest-lasting parts of the ''Lupin III'' franchise, with twenty-seven specials released across thirty years and counting.
66	* MacGuffin: The most common way to get the plot going in these; Lupin either steals or wants to steal a great treasure that is not what it appears to be or leads to a bigger treasure and/or a huge threat that he and the gang have to find and solve before the end of the film.
67	* MonumentalTheft: On occasion; ''Bye Bye Liberty Crisis'' is the most famous example, but heists involving other landmarks around the world have happened.
68	* SympatheticInspectorAntagonist: If there's any place in the franchise that consistently shows Zenigata's willingness to work with Lupin to stop a bigger problem, it's in the specials. As the stakes are usually bigger than they are in the TV series and often entire countries or even the ''world'' will be at stake, Zenigata will throw in with Lupin just long enough to stop the bigger threat. At the end of the special, it's back to business as usual and Zenigata will either be found chasing Lupin and company into the sunset, or working to get a recently arrested VillainOfTheWeek to the nearest police station for processing so he can get back to the chase.

Context Anime / LupinIIIYearlySpecials