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* SugarWiki/MostWonderfulSound: Varan's roar, which is quite distinctive and unique. It'd actually be reused again by Baragon in ''Film/FrankensteinConquersTheWorld'' and by several Ultraman kaiju as well.
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* SugarWiki/MostWonderfulSound: Varan's roar, which is quite distinctive and unique. unique despite being partly modified from Godzilla's roar. It'd actually be reused again by Baragon in ''Film/FrankensteinConquersTheWorld'' and by several Ultraman ''Franchise/UltraSeries'' kaiju as well.well (starting with [[Series/UltraQ Peguila]]) and even Bakuryuu Styracosaurus in ''Series/BakuryuuSentaiAbaranger''.
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* {{Padding}}: Due to the film originally being a TV movie, the l Japanese theatrical version reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
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* {{Padding}}: Due to the film originally being a TV movie, the l Japanese theatrical version reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
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* {{Padding}}: The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
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* {{Padding}}: The Due to the film originally being a TV movie, the l Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
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* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
to:
* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
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* EnsembleDarkHorse: Varan himself is this amongst the Kaiju community for his interesting backstory and unique design, with many wishing he return again in another Toho film.
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* SoOkayItsAverage: ''Varan'' is often seen as a decent Kaiju movie with some good visual effects and an amazing score, but doesn’t have the same pizazz as some of Toho’s earlier or later work.
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* AwesomeMusic: Seriously, this is Akira Ifukube's most reused and referenced score, next to his work for ''King Kong vs. Godzilla'' in 1962.
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* AwesomeMusic: SugarWiki/AwesomeMusic: Seriously, this is Akira Ifukube's most reused and referenced score, next to his work for ''King Kong vs. Godzilla'' in 1962.
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* MostWonderfulSound: Varan's roar, which is quite distinctive and unique. It'd actually be reused again by Baragon in ''Film/FrankensteinConquersTheWorld'' and by several Ultraman kaiju as well.
* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
to:
* MostWonderfulSound: SugarWiki/MostWonderfulSound: Varan's roar, which is quite distinctive and unique. It'd actually be reused again by Baragon in ''Film/FrankensteinConquersTheWorld'' and by several Ultraman kaiju as well.
* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score evenmore.more.
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* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even
----
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Work names go in italics, not bold.
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* MostWonderfulSound: Varan's roar, which is quite distinctive and unique. It'd actually be reused again by Baragon in '''Film/FrankensteinConquersTheWorld''' and by several Ultraman kaiju as well.
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* MostWonderfulSound: Varan's roar, which is quite distinctive and unique. It'd actually be reused again by Baragon in '''Film/FrankensteinConquersTheWorld''' ''Film/FrankensteinConquersTheWorld'' and by several Ultraman kaiju as well.
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Changed line(s) 11 (click to see context) from:
* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
to:
*MostWonderfulSound: Varan's roar, which is quite distinctive and unique. It'd actually be reused again by Baragon in '''Film/FrankensteinConquersTheWorld''' and by several Ultraman kaiju as well.
* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
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* {{Padding}}: ''Varan'' is perhaps the most boring, disappointing Toho monster film of the '50s. The Japanese theatrical version is literally this. They reluctantly had to pad something that was originally just an hour long. On the plus side, some of the new scenes are the fairly exciting naval battles with Varan, and Ifukube got to refine his score even more.
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*** ''The War of the Gargantuas'' - ''Wiring Complete''
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*** ''The War of the Gargantuas'' ''Film/WarOfTheGargantuas'' - ''Wiring Complete''
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Due to recent research and music listening, the earlier statement has been found to be false.
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** The first few seconds of the opening music would later be expanded and modified to become King Ghidorah's theme.
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** The first few seconds of the opening music would later be expanded and modified to become King Ghidorah's Rodan's theme.
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** Mystery of the Twentieth Century would later be used in Dogora as the music when the military is creating the synthetic wasp venom.
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** Mystery of the Twentieth Century would later be used in Dogora as the music when the military is creating the synthetic wasp venom. Hell, this theme has been featured in some form in at least ''four'' more films:
***''Ghidorah, the Three-Headed Monster'' - ''Matsumoto City and King Ghidorah''
***''The War of the Gargantuas'' - ''Wiring Complete''
***''Destroy All Monsters'' - ''Remote Control Destruction''
***''Space Amoeba'' - ''Launching of the Helios''
***''Ghidorah, the Three-Headed Monster'' - ''Matsumoto City and King Ghidorah''
***''The War of the Gargantuas'' - ''Wiring Complete''
***''Destroy All Monsters'' - ''Remote Control Destruction''
***''Space Amoeba'' - ''Launching of the Helios''
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The deleted entry really didn\'t fit into the YMMV category.
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** While not technically music, Varan's roar would later be reused as Baragon's roar in ''Frankenstein vs. Baragon''. If one also pays particular attention, Godzilla's roar in ''The Return of Godzilla'' (1984), ''Godzilla vs. Biollante'' (1989) and ''Godzilla vs. King Ghidorah'' (1991) sounds suspiciously similar to Varan's roar as well, although Godzilla's roar in ''King Ghidorah'' also utilized a reworked version of the roar from the 1954 film as well.
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** The Fierceness of Varan I and Fierceness of Varan II would both later be edited and modified to become Godzilla's theme in ''King Kong vs. Godzilla'' and ''Mothra vs. Godzilla''.
to:
** The Fierceness of Varan I and Fierceness of Varan II would both later be edited and modified to become Godzilla's theme in ''King Kong vs. Godzilla'' and ''Mothra vs. Godzilla''. Another modified version of it can be heard as the Gotengo's theme in Atragon, specifically during the test run.
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** The first twenty or so seconds of Varan Lands at Haneda Airport would later be reused in ''Godzilla vs. King Ghidorah'' when Emmi pushes the Dorats out of the ship and onto Lagos island, as well various moments inside of the Futurian Mothership and outside when the military is setting up camp around the vessel.
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* AwesomeMusic: Seriously, this is Akira Ifukube's most reused and referenced score.
to:
* AwesomeMusic: Seriously, this is Akira Ifukube's most reused and referenced score.score, next to his work for ''King Kong vs. Godzilla'' in 1962.
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** Mystery of the Twentieth Century would later be used in Dogora as the music when the military is creating the synthetic wasp venom.
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** While nto techniocally music, Varan's roar would later be reused as Baragon's roar in ''Frankenstein vs. Baragon''. If one also pays particular attention, Godzilla's roar in ''The Return of Godzilla'' (1984), ''Godzilla vs. Biollante'' (1989) and ''Godzilla vs. King Ghidorah'' (1991) sounds suspiciously similar to Varan's roar as well, although Godzilla's roar in ''King Ghidorah'' also utilized a reworked version of the roar from the 1954 film as well.
to:
** While nto techniocally not technically music, Varan's roar would later be reused as Baragon's roar in ''Frankenstein vs. Baragon''. If one also pays particular attention, Godzilla's roar in ''The Return of Godzilla'' (1984), ''Godzilla vs. Biollante'' (1989) and ''Godzilla vs. King Ghidorah'' (1991) sounds suspiciously similar to Varan's roar as well, although Godzilla's roar in ''King Ghidorah'' also utilized a reworked version of the roar from the 1954 film as well.
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** The Fierceness of Varan I and Fierceness of Varan II would both later be edited and modified to become Godzilla's theme in King Kong vs. Godzilla and Mothra vs. Godzilla.
** The first few seconds of the opening music would later become King Ghidorah's theme.
** Varan vs. Fighter-Bomber Neptune would be reused and modifed in Frankenstein vs. Baragon when the ship transporting Frankensteins heart is traveling across the ocean and again in Battle in Outer Space as the Battle in Outer Space March.
** The first few seconds of the opening music would later become King Ghidorah's theme.
** Varan vs. Fighter-Bomber Neptune would be reused and modifed in Frankenstein vs. Baragon when the ship transporting Frankensteins heart is traveling across the ocean and again in Battle in Outer Space as the Battle in Outer Space March.
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** The Fierceness of Varan I and Fierceness of Varan II would both later be edited and modified to become Godzilla's theme in King ''King Kong vs. Godzilla Godzilla'' and Mothra ''Mothra vs. Godzilla.
Godzilla''.
** The first few seconds of the opening music would later be expanded and modified to become King Ghidorah's theme.
** Varan vs. Fighter-Bomber Neptune would be reused and modifed inFrankenstein ''Frankenstein vs. Baragon Baragon'' when the ship transporting Frankensteins Frankenstein's heart is traveling across the ocean and again in Battle ''Battle in Outer Space Space'' as the Battle in Outer Space March.March.
** While nto techniocally music, Varan's roar would later be reused as Baragon's roar in ''Frankenstein vs. Baragon''. If one also pays particular attention, Godzilla's roar in ''The Return of Godzilla'' (1984), ''Godzilla vs. Biollante'' (1989) and ''Godzilla vs. King Ghidorah'' (1991) sounds suspiciously similar to Varan's roar as well, although Godzilla's roar in ''King Ghidorah'' also utilized a reworked version of the roar from the 1954 film as well.
** The first few seconds of the opening music would later be expanded and modified to become King Ghidorah's theme.
** Varan vs. Fighter-Bomber Neptune would be reused and modifed in
** While nto techniocally music, Varan's roar would later be reused as Baragon's roar in ''Frankenstein vs. Baragon''. If one also pays particular attention, Godzilla's roar in ''The Return of Godzilla'' (1984), ''Godzilla vs. Biollante'' (1989) and ''Godzilla vs. King Ghidorah'' (1991) sounds suspiciously similar to Varan's roar as well, although Godzilla's roar in ''King Ghidorah'' also utilized a reworked version of the roar from the 1954 film as well.
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* AwesomeMusic: Seriously, this is Akira Ifukube's most reused and referenced score.
** The Fierceness of Varan I and Fierceness of Varan II would both later be edited and modified to become Godzilla's theme in King Kong vs. Godzilla and Mothra vs. Godzilla.
**The first few seconds of the opening music would later become King Ghidorah's theme.
**Varan vs. Fighter-Bomber Neptune would be reused and modifed in Frankenstein vs. Baragon when the ship transporting Frankensteins heart is traveling across the ocean and again in Battle in Outer Space as the Battle in Outer Space March.
** The Fierceness of Varan I and Fierceness of Varan II would both later be edited and modified to become Godzilla's theme in King Kong vs. Godzilla and Mothra vs. Godzilla.
**The first few seconds of the opening music would later become King Ghidorah's theme.
**Varan vs. Fighter-Bomber Neptune would be reused and modifed in Frankenstein vs. Baragon when the ship transporting Frankensteins heart is traveling across the ocean and again in Battle in Outer Space as the Battle in Outer Space March.
