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* ValuesDissonance: The neighbourhood's treatment of Anya because of her extramarital relationship with Barclay. Mrs Phillips goes so far as to say it would be better to be dead than to be so "wicked".
** Bronik entertains Gillie with a story of, ahem, "black, naked savages with knives in their mouths".
** Bronik entertains Gillie with a story of, ahem, "black, naked savages with knives in their mouths".
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* ValuesDissonance: ValuesDissonance:
** The neighbourhood's treatment of Anya because of her extramarital relationship with Barclay. Mrs Phillips goes so far as to say it would be better to be dead than to be so "wicked".
** Bronik entertains Gillie with a story of, ahem, "black, naked savages with knives in theirmouths".mouths".
** Modern audiences would find it unlikely that Bronek would be executed given that the killing was done in a heat of passion situation as he found out that his wife was cheating on him, not to mention his clear remorse and the fact that he saved a child's life.
** The neighbourhood's treatment of Anya because of her extramarital relationship with Barclay. Mrs Phillips goes so far as to say it would be better to be dead than to be so "wicked".
** Bronik entertains Gillie with a story of, ahem, "black, naked savages with knives in their
** Modern audiences would find it unlikely that Bronek would be executed given that the killing was done in a heat of passion situation as he found out that his wife was cheating on him, not to mention his clear remorse and the fact that he saved a child's life.
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* RetroactiveRecognition: Creator/HayleyMills' later films, such as ''Film/{{Pollyanna}}'' and ''Film/WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''[[Film/TheMagnificentSeven1960 The Magnificent Seven]]''.
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* RetroactiveRecognition: Creator/HayleyMills' later films, such as ''Film/{{Pollyanna}}'' ''Film/{{Pollyanna|1960}}'' and ''Film/WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''[[Film/TheMagnificentSeven1960 The Magnificent Seven]]''.
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Changed line(s) 1 (click to see context) from:
* RetroactiveRecognition: Creator/HayleyMills' later films, such as ''Film/{{Pollyanna}}'' and ''Film/WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
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* RetroactiveRecognition: Creator/HayleyMills' later films, such as ''Film/{{Pollyanna}}'' and ''Film/WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.''[[Film/TheMagnificentSeven1960 The Magnificent Seven]]''.
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Changed line(s) 1 (click to see context) from:
* RetroactiveRecognition: Hayley Mills' later films, such as ''Film/{{Pollyanna}}'' and ''Film/WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
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* RetroactiveRecognition: Hayley Mills' Creator/HayleyMills' later films, such as ''Film/{{Pollyanna}}'' and ''Film/WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
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Changed line(s) 1 (click to see context) from:
* RetroactiveRecognition: Hayley Mills' later films, such as ''Literature/{{Pollyanna}}'' and ''WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
to:
* RetroactiveRecognition: Hayley Mills' later films, such as ''Literature/{{Pollyanna}}'' ''Film/{{Pollyanna}}'' and ''WhistleDownTheWind'', ''Film/WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
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Changed line(s) 1 (click to see context) from:
* RetroactiveRecognition: Hayley Mills' later films, such as ''{{Pollyanna}}'' and ''WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
to:
* RetroactiveRecognition: Hayley Mills' later films, such as ''{{Pollyanna}}'' ''Literature/{{Pollyanna}}'' and ''WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
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* RetroactiveRecognition: Hayley Mills' later films, such as ''{{Pollyanna}}'' and ''WhistleDownTheWind'', are considerably more well-known, and Horst Buchholz is better remembered for his turn in ''Film/TheMagnificentSeven''.
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Added DiffLines:
* ValuesDissonance: The neighbourhood's treatment of Anya because of her extramarital relationship with Barclay. Mrs Phillips goes so far as to say it would be better to be dead than to be so "wicked".
** Bronik entertains Gillie with a story of, ahem, "black, naked savages with knives in their mouths".
** Bronik entertains Gillie with a story of, ahem, "black, naked savages with knives in their mouths".
