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* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew spent $250,000 digitally superimposing Marchand's image on another actress' body. It was not convincing, with the head being lit differently than everything else and consequently looking like the equivalent of taping a cutout of someone's face onto an ex's photo.
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* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew spent $250,000 digitally superimposing Marchand's image on another actress' actress's body. It was not convincing, with the head being lit differently than everything else and consequently looking like the equivalent of taping a cutout of someone's face onto an ex's photo.
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Changed line(s) 1 (click to see context) from:
* {{Narm}}: Tony's final scene with his mother, an extremely awkward mix of new footage of Creator/JamesGandolfini and outtakes of the late Nancy Marchand which never comes close to being convincing, not least because her hairstyle quite obviously changes from one shot to the next.
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* {{Narm}}: Tony's final scene with his mother, an extremely awkward mix of new footage of Creator/JamesGandolfini and outtakes of the late Nancy Marchand Creator/NancyMarchand which never comes close to being convincing, not least because her hairstyle quite obviously changes from one shot to the next.
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Changed line(s) 2 (click to see context) from:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew spent $250,000 digitally superimposing Marchand's image on another actress' body. It was not convincing, with the head being lit differently than everything else and consequently looking like the equivalent of taping a cutout of someone's face onto an ex's photo. Marchand's hairstyle changing from shot to shot doesn't help.
to:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew spent $250,000 digitally superimposing Marchand's image on another actress' body. It was not convincing, with the head being lit differently than everything else and consequently looking like the equivalent of taping a cutout of someone's face onto an ex's photo. Marchand's hairstyle changing from shot to shot doesn't help.
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Changed line(s) 2 (click to see context) from:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew spent $250,000 digitally superimposing Marchand's image on another actress' body. It was not convincing, with the head being lit differently than everything else and consequently looking like the equivalent of taping a cutout of someone's face onto an ex's photo.
to:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew spent $250,000 digitally superimposing Marchand's image on another actress' body. It was not convincing, with the head being lit differently than everything else and consequently looking like the equivalent of taping a cutout of someone's face onto an ex's photo. Marchand's hairstyle changing from shot to shot doesn't help.
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Changed line(s) 2 (click to see context) from:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew employed CGI to superimpose Marchand's image on another actress' body. It was not convincing.
to:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew employed CGI to superimpose spent $250,000 digitally superimposing Marchand's image on another actress' body. It was not convincing.convincing, with the head being lit differently than everything else and consequently looking like the equivalent of taping a cutout of someone's face onto an ex's photo.
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Changed line(s) 2 (click to see context) from:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew employed CGI to superimpose Marchand's image on another actress' body. It was not convincing.]]
to:
* SpecialEffectFailure: Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew employed CGI to superimpose Marchand's image on another actress' body. It was not convincing.]]
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Changed line(s) 1 (click to see context) from:
* SpecialEffectFailure: The show's attempt to give Livia one final scene through 2001-era CGI was... commendable for effort.
to:
* {{Narm}}: Tony's final scene with his mother, an extremely awkward mix of new footage of Creator/JamesGandolfini and outtakes of the late Nancy Marchand which never comes close to being convincing, not least because her hairstyle quite obviously changes from one shot to the next.
* SpecialEffectFailure:The show's attempt to give Livia one final scene through 2001-era Tony's last conversation with Livia. [[RealLifeWritesThePlot Nancy Marchand's death]] necessitated that the character be written out, so the crew employed CGI was... commendable for effort.to superimpose Marchand's image on another actress' body. It was not convincing.]]
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* SpecialEffectFailure:
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Added DiffLines:
* SpecialEffectFailure: The show's attempt to give Livia one final scene through 2001-era CGI was... commendable for effort.
