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* SuperfluousSolo: Marcellina and Basilio have back-to-back arias in Act 4 which don't advance the plot and may have been written just so every singer would have at least one aria.[[note]]The only characters without arias are Antonio and Don Curzio, who were originally ActingForTwo roles for the singers playing Bartolo and Basilio.[[/note]] Since the act suffers from EndingFatigue even without them, they are traditionally cut. However, the arias are usually included on complete recordings, and are sometimes restored in the theatre if an important singer is playing one of those roles.

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* SuperfluousSolo: Marcellina and Basilio have back-to-back arias in Act 4 which don't advance the plot and may have been written just so every singer would have at least one aria.[[note]]The only characters without arias are Antonio and Don Curzio, who were originally ActingForTwo roles for the singers playing Bartolo and Basilio.[[/note]] Since the act suffers from EndingFatigue even without them, they are traditionally cut. However, cut in the arias are usually included on complete recordings, and theatre, though they are sometimes restored in the theatre if an important singer is playing one of those roles.
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* SuperfluousSolo: Marcellina and Basilio have back-to-back arias in Act 4 which don't advance the plot and may have been written just so every singer would have at least one aria. [[note]]The only characters without arias are Antonio and Don Curzio, who were originally ActingForTwo roles for the singers playing Bartolo and Basilio.[[/note]] Since the act suffers from EndingFatigue even without them, they are traditionally cut. However, the arias are usually included on complete recordings, and are sometimes restored in the theatre if an important singer is playing one of those roles.

to:

* SuperfluousSolo: Marcellina and Basilio have back-to-back arias in Act 4 which don't advance the plot and may have been written just so every singer would have at least one aria. [[note]]The only characters without arias are Antonio and Don Curzio, who were originally ActingForTwo roles for the singers playing Bartolo and Basilio.[[/note]] Since the act suffers from EndingFatigue even without them, they are traditionally cut. However, the arias are usually included on complete recordings, and are sometimes restored in the theatre if an important singer is playing one of those roles.

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