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* HardToAdaptWork: While many fans would love to see ''The Locked Tomb'' in a visual medium, doing so in practice is next to impossible due to how reliant the books are on UnreliableNarrator. In the first book, Gideon's limited perspective and general disinterest in what's going on means that she misses out on a lot of details that would be glaringly obvious in a visual medium, while in ''Harrow'', [[spoiler:the fact that the narrator is diegetic and Gideon]] would be immediately obvious in any visual medium, and even an audiobook has a hard time not spoiling things immediately.
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** Given the [[spoiler: long standing love Palamedes has for Dulcinea]], and Camilla being an UnluckyChildhoodFriend towards her necromancer, [[spoiler: and Dulcie herself viewing both of them as dear friends]], Palamedes/Camilla/Dulcinea is a very popular grouping in fan works.

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** Given the [[spoiler: long standing love Palamedes has for Dulcinea]], Dulcinea, and Camilla being an UnluckyChildhoodFriend towards her necromancer, [[spoiler: and Dulcie herself viewing both of them as dear friends]], Palamedes/Camilla/Dulcinea friends, Camilla/Palamedes/Dulcinea is a very popular grouping in fan works.
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Misplaced, moving to the correct tab

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* IKnewIt: ''Harrow the Ninth'''s preview of Act One had sufficient hints that fans correctly guessed [[spoiler: Gideon's mother was the mysterious RebelLeader and that her father was the Emperor]] as well as expecting [[spoiler: both Palamedes and Gideon to return]]. Likewise, many fans called that Gideon's mother's ghost wasn't referring to the baby when she screamed "Gideon!", and whoever she actually meant would turn out to be important.
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** In ''Nona the Ninth'', Coronabeth has a high opinion of her sword abilities, and while Gideon didn't get to see that much in ''Gideon the Ninth'', she described what she saw of Corona's talents as being quite good. Meanwhile, in ''The Unwanted Guest'', Ianthe says that Coronabeth isn't nearly as good as she pretends to be, to the point that she'd lose to the long-deceased Magnus Quinn. Did Gideon just not see enough to correctly assess Corona's skills, or was Ianthe intentionally doing Corona down so she wouldn't have to admit that Corona would have been a valid choice as a second cavalier?
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** At first, Sister Glaurica's possessiveness and fussing over Ortus just seems like a ridiculously overprotective mother. Then you recall that almost all of the Ninth House's children are dead, and Ortus is one of two survivors. [[spoiler:And then you find out that the children were murdered, and Ortus was likely only spared so he could be Harrow's cavalier.]] Additionally, dialog in ''Harrow the Ninth'' seems to imply Glaurica was at least somewhat aware of the circumstances of her husband's death, [[spoiler:which was a suicide ordered by his necromancer.]] It's likely Glaurica saw history repeating itself when Harrow tried to order Ortus to follow her into a dangerous situation. It's likely Glaurica would have been right, too - [[spoiler:Harrow's brain re-write of ''Gideon the Ninth'' with Ortus as her cavalier casts him as "[dying] thinking it was the only gift he was capable of giving."]]

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** At first, Sister Glaurica's possessiveness and fussing over Ortus just seems like a ridiculously overprotective mother. Then you recall that almost all of the Ninth House's children are dead, and Ortus is one of two survivors. [[spoiler:And then you find out that the children were murdered, and Ortus was likely only spared so he could be Harrow's cavalier.]] Additionally, dialog in ''Harrow the Ninth'' seems to imply Glaurica was at least somewhat aware of the circumstances of her House Cavalier husband's death, [[spoiler:which was a suicide ordered by his necromancer.]] It's likely Glaurica saw history repeating itself when Harrow tried to order Ortus to follow her into a dangerous situation. It's likely situation as her cavalier. Glaurica would might have been right, too - [[spoiler:Harrow's brain re-write of ''Gideon the Ninth'' with casts Ortus as her cavalier casts him as "[dying] thinking it was the only gift he was capable of giving."]]giving" in the course of her Lyctoral ascension.]]
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** At first, Sister Glaurica's possessiveness and fussing over Ortus just seems like a ridiculously overprotective mother. Then you recall that almost all of the Ninth House's children are dead, and Ortus is one of two survivors. [[spoiler:And then you find out that the children were murdered, and Ortus was likely only spared so he could be Harrow's cavalier.]] Additionally, dialog in ''Harrow the Ninth'' seems to imply Glaurica was at least somewhat aware of [[spoiler:the circumstances of her husband's death, which was a suicide ordered by his necromancer. It's likely Glaurica saw history repeating itself when Harrow tried to order Ortus to follow her into a dangerous situation. Glaurica would have been right, too - Harrow's brain re-write of ''Gideon the Ninth'' with Ortus as her cavalier features him willingly allowing her to kill and consume him to achieve Lyctorhood.]]

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** At first, Sister Glaurica's possessiveness and fussing over Ortus just seems like a ridiculously overprotective mother. Then you recall that almost all of the Ninth House's children are dead, and Ortus is one of two survivors. [[spoiler:And then you find out that the children were murdered, and Ortus was likely only spared so he could be Harrow's cavalier.]] Additionally, dialog in ''Harrow the Ninth'' seems to imply Glaurica was at least somewhat aware of [[spoiler:the the circumstances of her husband's death, which [[spoiler:which was a suicide ordered by his necromancer. necromancer.]] It's likely Glaurica saw history repeating itself when Harrow tried to order Ortus to follow her into a dangerous situation. It's likely Glaurica would have been right, too - Harrow's [[spoiler:Harrow's brain re-write of ''Gideon the Ninth'' with Ortus as her cavalier features casts him willingly allowing her to kill and consume him to achieve Lyctorhood.]]as "[dying] thinking it was the only gift he was capable of giving."]]
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** At first, Sister Glaurica's possessiveness and fussing over Ortus just seems like a ridiculously overprotective mother. Then you recall that almost all of the Ninth House's children are dead, and Ortus is one of two survivors. [[spoiler:And then you find out that the children were murdered, and Ortus was likely only spared so he could be Harrow's cavalier.]]

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** At first, Sister Glaurica's possessiveness and fussing over Ortus just seems like a ridiculously overprotective mother. Then you recall that almost all of the Ninth House's children are dead, and Ortus is one of two survivors. [[spoiler:And then you find out that the children were murdered, and Ortus was likely only spared so he could be Harrow's cavalier.]] Additionally, dialog in ''Harrow the Ninth'' seems to imply Glaurica was at least somewhat aware of [[spoiler:the circumstances of her husband's death, which was a suicide ordered by his necromancer. It's likely Glaurica saw history repeating itself when Harrow tried to order Ortus to follow her into a dangerous situation. Glaurica would have been right, too - Harrow's brain re-write of ''Gideon the Ninth'' with Ortus as her cavalier features him willingly allowing her to kill and consume him to achieve Lyctorhood.]]
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* DracoInLeatherPants: In those exact words, the IntendedAudienceReaction for Ianthe, according to WordOfGod in her [[https://www.reddit.com/r/Fantasy/comments/i45jq6/im_tamsyn_muir_author_of_harrow_the_ninth_second/ AMA on Reddit]]. Ironically, many in the fandom defied this, fully embracing Ianthe's weird, creepy, and morally ambiguous qualities as their favorite parts of the character.

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* DracoInLeatherPants: In those exact words, the IntendedAudienceReaction for Ianthe, according to WordOfGod in her [[https://www.reddit.com/r/Fantasy/comments/i45jq6/im_tamsyn_muir_author_of_harrow_the_ninth_second/ AMA on Reddit]]. Ironically, many in the fandom defied this, fully embracing Ianthe's weird, creepy, and morally ambiguous qualities as their favorite parts of the character. (Ianthe fans don't decide she's done nothing wrong because they love her; Ianthe fans love her because she's done ''everything'' wrong.)
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** Throughout ''Nona the Ninth'', [[spoiler:we see flashbacks to the days right after all life on Earth was extinguished, leaving John as the only human survivor. His explanation of how this apocalypse came to be and his justification for how the Empire is structured and its overall purpose leaves one to wonder how much he's lying. Is John an average guy who snapped under tremendous pressure and made the worst mistake in human history, only to spend the rest of his days fixing it with necromancy while trying to cover it up to avoid facing his guilt? Or was he always a petty narcissist who, when he wasn't allowed to be the hero after being selected as earth's champion, lashed out in millennia-long rage at those who spurned him while taking the chance to rebuild society with himself worshipped as a god? Or is the truth somewhere in the middle?]]
*** Similarly, [[spoiler:how much is John lying about what he knew about the Lyctoral process as the original Lyctors researched it, and what is his motivation for lying? Is Petty Lysis riddled with imperfection and unnecessary, traumatic sacrifice because John wants to stand alone in power or because he wanted to encourage the Lyctors to consume their cavaliers so they'd get rid of people they loved more than him? Did he intentionally sabotage Anastasia when she tried to achieve a more perfect Lysis, or was her failure really an accident he had to save her from?]]
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* ContestedSequel: ''Nona the Ninth'' had a much more divisive reception from fans than ''Gideon'' or ''Harrow'' did for several reasons: Nona, the protagonist, spends most of the book completely clueless about what's going on around her and thus many readers are left completely confused by the book's events alongside her, Gideon and Harrow are (almost) completely absent from the book except via mentions from other characters, and structurally, the book is much slower-paced than previous installments, with most of the important events happening in quick succession in the last few chapters. However, it's well-regarded by many fans due to how enjoyable of a character Nona is, the world-building in it that had previously been lacking in the series, the focus on fan-favorites Camilla and [[spoiler: Palamedes]], and the fascinating dual-narrative showing Nona's life alongside the events that led to the founding of the empire (something that many fans had been eagerly awaiting).
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killing the entire human race and the earth itself is much, much worse than the stuff seen in Harrow the Ninth


* MoralEventHorizon: Harrow's parents crossed this long ago [[spoiler:when they sacrificed 200 children, an entire generation of their House, in a ritual to ensure Harrow would be born a necromancer. Harrow says she's aware nothing she does can ever justify the crime of her existence. As far as her parents are concerned, Harrow herself crossed this by entering the Locked Tomb, so much so that they were DrivenToSuicide and fully expected her to hang herself too.]]
** [[spoiler: John let his friends murder their siblings/lovers/best friends, and in Anastasia's case did it himself and then [[{{Gaslighting}} gaslighted]] her into thinking it was her fault (when really she'd cracked the secret and was about to do the same thing he'd done), knowing ''full well'' that there's a way to achieve Lyctorhood without anyone having to die. And then he threw a ''second'' generation of people into that particular pit.]]
*** ''Nona the Ninth'' reveals he crossed this earlier, several times over: [[spoiler: John set off the nukes that destroyed Earth and, using necromancy, killed everything in the solar system in what was by his own admission a vain effort to punish the rich elites fleeing in the first FTL ship. This includes all his friends and supporters, who he not only brainwashed but also forcibly renamed when he resurrected them, and ''the earth itself'', who gave him the start of that power to begin with because of his desire to save the world, only for him to use it to kill everything and force her into an existence she couldn't bear.]]

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* MoralEventHorizon: MoralEventHorizon:
**
Harrow's parents crossed this long ago [[spoiler:when they sacrificed 200 children, an entire generation of their House, in a ritual to ensure Harrow would be born a necromancer. Harrow says she's aware nothing she does can ever justify the crime of her existence. As far as her parents are concerned, Harrow herself crossed this by entering the Locked Tomb, so much so that they were DrivenToSuicide and fully expected her to hang herself too.]]
** [[spoiler: John let his friends murder their siblings/lovers/best friends, and in Anastasia's case did it himself and then [[{{Gaslighting}} gaslighted]] her into thinking it was her fault (when really she'd cracked the secret and was about to do the same thing he'd done), knowing ''full well'' that there's a way to achieve Lyctorhood without anyone having to die. And then he threw a ''second'' generation of people into that particular pit.]]
***
''Nona the Ninth'' reveals he how John crossed this earlier, several times over: it: [[spoiler: John he set off the nukes that destroyed Earth and, using necromancy, killed everything in the solar system in what was by his own admission a vain effort to punish the rich elites fleeing in the first FTL ship. This includes all his friends and supporters, who he not only brainwashed but also forcibly renamed when he resurrected them, and ''the earth itself'', who gave him the start of that power to begin with because of his desire to save the world, only for him to use it to kill everything and force her into an existence she couldn't bear.]]

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* OneTrueThreesome: Given the [[spoiler: long standing love Palamedes has for Dulcinea]], and Camilla being an UnluckyChildhoodFriend towards her necromancer, [[spoiler: and Dulcie herself viewing both of them as dear friends]], Palamedes/Camilla/Dulcinea is a very popular grouping in fan works.

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* OneTrueThreesome: OneTrueThreesome:
**
Given the [[spoiler: long standing love Palamedes has for Dulcinea]], and Camilla being an UnluckyChildhoodFriend towards her necromancer, [[spoiler: and Dulcie herself viewing both of them as dear friends]], Palamedes/Camilla/Dulcinea is a very popular grouping in fan works.
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** Palamedes' awkward interactions with "Dulcinea" become this after the end of ''Gideon the Ninth'' reveals that he's been in love with the real Dulcinea for over a decade, and doesn't understand why Cytherea (who's impersonating her) is treating him like a stranger.
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** Cow Facts/“cows watch the sunset” became memetic due to its complete mundanity out of context despite it being extremely important to the backstory of the series [[spoiler: as a line used by the media to dismiss John’s attempts to save the Earth.]]
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** Tagging fanfic and Tumblr posts involving Ianthe as "cw [content warning] Ianthe" to jokingly imply that her very presence is disturbing and not safe for work.
** "Chussy", referring to [[spoiler: Kiriona's chest wound and the potential depraved sexual uses thereof.]] Tamsyn Muir was somewhat horrified to discover this one.
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** The fact that [[spoiler:Alecto's human form was based on a Barbie John once had]] has lead to a cascade of jokes and fanart depicting her as a yellow-eyed Barbie [[MoodDissonance juxtaposed against]] necromantic murder and mayhem.
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** As of their unsettling reunion in ''Nona the Ninth'', [[spoiler: readers came away with differing interpretations as to whether the Tridentarii's relationship is merely extremely unhealthy and codependent or outright [[Twincest]].]]

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** As of their unsettling reunion in ''Nona the Ninth'', [[spoiler: readers came away with differing interpretations as to whether the Tridentarii's relationship is merely extremely unhealthy and codependent or outright [[Twincest]].{{Twincest}}.]]

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* AlternateCharacterInterpretation: At the end of ''Harrow the Ninth'', [[spoiler:Gideon is disgusted by Ianthe's decision to save the Emperor and let Augustine die, commenting that it's just like Ianthe to make the worst possible choice. But considering that Augustine and Mercy made it clear that upon the Emperor's death, the Nine Houses would all die as well, it's possible that Ianthe simply took the only option she had to save the Empire.]]

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* AlternateCharacterInterpretation: AlternateCharacterInterpretation:
**
At the end of ''Harrow the Ninth'', [[spoiler:Gideon is disgusted by Ianthe's decision to save the Emperor and let Augustine die, commenting that it's just like Ianthe to make the worst possible choice. But considering that Augustine and Mercy made it clear that upon the Emperor's death, the Nine Houses would all die as well, it's possible that Ianthe simply took the only option she had to save the Empire.]]
** As of their unsettling reunion in ''Nona the Ninth'', [[spoiler: readers came away with differing interpretations as to whether the Tridentarii's relationship is merely extremely unhealthy and codependent or outright [[Twincest]].
]]
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** Charles Stross' review quote, shown on the cover of ''Gideon the Ninth'' of "Lesbian necromancers [...] InSpace" has gone on to become used to refer to the entire series laconically, both sincerely and ironically.

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** Charles Stross' Creator/CharlesStross' review quote, shown on the cover of ''Gideon the Ninth'' of "Lesbian necromancers [...] InSpace" has gone on to become used to refer to the entire series laconically, both sincerely and ironically.ironically, including on our own Laconic Wiki page.
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** ''Gideon the Ninth'' Chapter 31, aka "the pool scene", the pivotal moment where Gideon and Harrow finally reconcile, is ''the'' scene that people reference when discussing the series as a whole and the first book in particular.

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** ''Gideon the Ninth'' Chapter 31, aka "the pool scene", the pivotal moment where Gideon and Harrow finally reconcile, is ''the'' scene that people reference when discussing the series as a whole and the first book in particular. In some ways the entire series pivots on the scene as the [[spoiler: moment where Gideon forgives Harrow, being symbolically repeated and referenced later in the series]]
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* SpoiledByTheFormat: In ''Harrow the Ninth'', although it's not hard to guess that [[spoiler:the second-person narrator is Gideon]], the audiobook narrator leaves us in no doubt by [[spoiler:using her Gideon voice throughout]] especially if you're listening to the first two books in quick succession.
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* DracoInLeatherPants: In those exact words, the IntendedAudienceReaction for Ianthe, according to WordOfGod in her [[https://www.reddit.com/r/Fantasy/comments/i45jq6/im_tamsyn_muir_author_of_harrow_the_ninth_second/ AMA on Reddit]].

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* DracoInLeatherPants: In those exact words, the IntendedAudienceReaction for Ianthe, according to WordOfGod in her [[https://www.reddit.com/r/Fantasy/comments/i45jq6/im_tamsyn_muir_author_of_harrow_the_ninth_second/ AMA on Reddit]]. Ironically, many in the fandom defied this, fully embracing Ianthe's weird, creepy, and morally ambiguous qualities as their favorite parts of the character.
Is there an issue? Send a MessageReason:
None

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*** ''Nona the Ninth'' reveals he crossed this earlier, several times over: [[spoiler: John set off the nukes that destroyed Earth and, using necromancy, killed everything in the solar system in what was by his own admission a vain effort to punish the rich elites fleeing in the first FTL ship. This includes all his friends and supporters, who he not only brainwashed but also forcibly renamed when he resurrected them, and ''the earth itself'', who gave him the start of that power to begin with because of his desire to save the world, only for him to use it to kill everything and force her into an existence she couldn't bear.]]

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