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typo fix
Changed line(s) 1 (click to see context) from:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, but rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In '''1934'''.
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* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, but rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl portrayal of a rape survivor. In '''1934'''.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process
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%% * UncannyValley: The demi-god, his father even more so.
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* NoYay: It's very easy to read sexual subtext between the demigod and the iron shadows... which only serves to make the horrific treatment they subject him to even more repellent.
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* UncannyValley: The demi-god, his father even more so.
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%% * UncannyValley: The demi-god, his father even more so.
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Changed line(s) 1 (click to see context) from:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In '''1934'''.
to:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, but rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In '''1934'''.
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Changed line(s) 1 (click to see context) from:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In **1934**.
to:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In **1934**.'''1934'''.
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Changed line(s) 1 (click to see context) from:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In ***1934***.
to:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In ***1934***.**1934**.
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Changed line(s) 1 (click to see context) from:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In 1934.
to:
* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In 1934.***1934***.
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* FairForItsDay: Howard seems to be actively trying to subvert or deconstruct the DamselInDistress trope as it existed at the time with Olivia. She requires Conan's rescue and protection, rescues him in turn, and displays admirable [[TheDeterminator determinator]] qualities. She's also the story's point-of-view character, inviting comparison on if the reader would be able to cope with the events described as well as she does. Finally, she does not fall instantly into Conan's bed at the end, and given her backstory as a SexSlave to a {{Sadist}}, this could be a rare realistic portrayl of a rape survivor. In 1934.
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* UncannyValley: The demi-god, his father even more so.
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* UncannyValley: The demi-god, his father even more so.so.
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* TheyWastedAPerfectlyGoodCharacter: The creepily FauxAffablyEvil Shah Amurath makes for a very memorable villain. He only gets about a page or so before Conan offs him.
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Changed line(s) 1 (click to see context) from:
UncannyValley: The demi-god, his father even more so.
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* UncannyValley: The demi-god, his father even more so.
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Added DiffLines:
UncannyValley: The demi-god, his father even more so.