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** His first hit, “It’s Only Make Believe” was covered by dozens of artists. Two notable versions were by Glen Campbell (top 10 country, pop and adult contemporary in 1970), and Ronnie McDowell in 1988, on which Twitty himself sang the final refrain as a guest vocal. Twitty also recorded a duet version with Loretta Lynn in the early 1970s.
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** His first hit, “It’s Only Make Believe” was covered by dozens of artists. Two notable versions were by Glen Campbell (top 10 country, pop and adult contemporary in 1970), and Ronnie McDowell [=McDowell=] in 1988, on which Twitty himself sang the final refrain as a guest vocal. Twitty also recorded a duet version with Loretta Lynn in the early 1970s.
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More Conway covers
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** His first hit, “It’s Only Make Believe” was covered by dozens of artists. Two notable versions were by Glen Campbell (top 10 country, pop and adult contemporary in 1970), and Ronnie McDowell in 1988, on which Twitty himself sang the final refrain as a guest vocal. Twitty also recorded a duet version with Loretta Lynn in the early 1970s.
** “Hello Darlin’” was covered by George Jones, and although never released as a single was critically well received and some say rivaled the Twitty original.
** Elvis Presley recorded a version of “There’s a Honky-Tonk Angel (Who’ll Take Me Back In)” in December 1973, around the time Twitty released his version. Nearly six years later, two years after his death, “The King” could be heard on the radio once again with yet another top 10 hit, this time covering the man that once rivaled him as the teen heartthrob of the 1950s.
** “Hello Darlin’” was covered by George Jones, and although never released as a single was critically well received and some say rivaled the Twitty original.
** Elvis Presley recorded a version of “There’s a Honky-Tonk Angel (Who’ll Take Me Back In)” in December 1973, around the time Twitty released his version. Nearly six years later, two years after his death, “The King” could be heard on the radio once again with yet another top 10 hit, this time covering the man that once rivaled him as the teen heartthrob of the 1950s.
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** “Heartache Tonight,” a top-10 hit for Twitty in 1983, was a rockin’ remake of The Eagles No. 1 pop hit from 1979.
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** “The Rose” was a top 5 pop hit by Bette Midler in 1980, three years before Twitty’s version topped the country chart.
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** “Three Times a Lady,” from the winter of 1984, successfully covered The Commodores’ pop and R&B No. 1 hit from 1978.
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** "Ain't She Somethin' Else" was a cover of Eddy Raven.
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** Music/KennyRogers did a cover of "Crazy In Love" in 1990, and actually got some (rare for the time for a country artist) pop radio airplay.
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** ''Music/{{Alabama}}'' recorded "I Want To Know You Before We Make Love" in 1984 (for their album ''40 Hour Week''), three years before it became a No. 2 country hit for Twitty.
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** ''Music/{{Alabama}}'' Music/{{Alabama}} recorded "I Want To Know You Before We Make Love" in 1984 (for their album ''40 Hour Week''), three years before it became a No. 2 country hit for Twitty.
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Alabama
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** ''Music/{{Alabama}}'' recorded "I Want To Know You Before We Make Love" in 1984 (for their album ''40 Hour Week''), three years before it became a No. 2 country hit for Twitty.
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* TearJerker: [[http://www.youtube.com/watch?v=5gRplQQV3H4 "That's My Job"]].
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* TearJerker: [[http://www.youtube.com/watch?v=5gRplQQV3H4 "That's My Job"]].Job"]].
** Let's put this one simply. Each verse of the song tells of a time in the song's protagonist's life where and when his father was very prominent, such as letting him sleep in his daddy's room when he had a nightmare about his father dying, offering to help pay half of his sons money to "fly out west" during his teenage years, even though he and his father argue over the sons future notstop, and the protagonist talking to his father's grave after he's done made a life from himself and "settled down within a mile or two", most like referencing his home being near the grave, and asking how he can make up a song to say "I love you", now realizing that it's HIS job to be a grown man for his family.
** Let's put this one simply. Each verse of the song tells of a time in the song's protagonist's life where and when his father was very prominent, such as letting him sleep in his daddy's room when he had a nightmare about his father dying, offering to help pay half of his sons money to "fly out west" during his teenage years, even though he and his father argue over the sons future notstop, and the protagonist talking to his father's grave after he's done made a life from himself and "settled down within a mile or two", most like referencing his home being near the grave, and asking how he can make up a song to say "I love you", now realizing that it's HIS job to be a grown man for his family.
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** "She's Got a Man on Her Mind" was released by Curtis Wright only one year prior to Conway's version.
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trivia
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* ColbertBump: Now-a-days, when people think Conway, they think ''FamilyGuy.''
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* ColbertBump: Now-a-days, when people think Conway, they think ''FamilyGuy.''
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* MemeticMutation: All the cutaways on ''FamilyGuy''.
