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* ProtestSong: "Come Home, Father!" is a real nineteenth-century song that was used to advocate for prohibition prior to the passage of the Eighteenth Amendment. The [[DryCrusader W.C.T.U.]] even adopted it as their anthem. This cartoon having been made several years after prohibition ended, it doesn't take the song's temperance message seriously.

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* ProtestSong: "Come Home, Father!" is a real nineteenth-century song that was used to advocate for prohibition prior to the passage of the Eighteenth Amendment. The [[DryCrusader W.C.T.U.]] even adopted it as their anthem. This cartoon cartoon, having been made several years after prohibition ended, it doesn't take the song's temperance message seriously.
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Spelling/grammar fix(es)


-->''At TheGay90's!''

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-->''At TheGay90's!''
TheGay90s!''
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Figured I’d get it to match up with the current trope name.


-->''At TheGayNineties!''

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-->''At TheGayNineties!''
TheGay90's!''
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*OcularGushers: Minnie sheds massive gobs of tears while seeing "Father, Dear Father" while Mickey tries to comfort her.

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tnn.png]]
[[caption-width-right:350: Hey, if this is the '90s, where are all the [[TheNineties flannel shirts]]?]]



[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tnn.png]]
[[caption-width-right:350: Hey, if this is the '90s, where are all the [[TheNineties flannel shirts]]?]]

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tnn.png]]
[[caption-width-right:350: Hey, if this is the '90s, where are all the [[TheNineties flannel shirts]]?]]

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!!Tropes:

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!!Tropes:!!Tropes associated with this short include:


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* AlliterativeTitle: "The '''N'''ifty '''N'''ineties".
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* IrisOut: Like most WesternAnimation/ClassicDisneyShorts, the cartoon ends this way.


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* StorybookOpening: Like several other Disney cartoons, the short opens this way.

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-->''A day in the ninties''

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-->''A day in the ninties''nineties''



-->''At [[TheGay90s the Gay Nineties]]!''

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-->''At [[TheGay90s the Gay Nineties]]!''TheGayNineties!''


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* ParasolOfPrettiness: Minnie carries one.
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-->''Grandpa cussed when the thing wouldn't go''

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-->''Grandpa cussed [[SirSwearsALot cussed]] when the thing wouldn't go''
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* SpiritualSuccessor: Nine years later, in 1950, a Donald Duck short entitled ''Crazy Over Daisy'' was released, using the same 1890s setting, and many of the characters make brief appearances wearing the same costumes.
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* TheCameo: During the "In the Good Old Summertime" sequence, Mickey and Minnie pass by Goofy on a pennyfarthing, and Donald, Daisy, Huey, Dewey, and Louie on a tandem bicycle.
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-->''At the Gay Nineties!''

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-->''At [[TheGay90s the Gay Nineties!''Nineties]]!''
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-->''A day in the ninties''
-->''[[WhenIWasYourAge When Grandma was a girl]]''
-->''The horseless carriage was quite a show''
-->''Grandpa cussed when the thing wouldn't go''
-->''Those days were [[HaveAGayOldTime gay days]]''
-->''When Grandma was a girl''
-->''Come and take a look in our picture book''
-->''At the Gay Nineties!''

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* AccidentalKiss: After crashing into a haystack, Mickey and Minnie try to kiss, but a cow that got caught up in the crash pops her head between them and they both end up kissing her instead.



* NoPlotNoProblem: There’s not much of a story here: Mickey and Minnie meet, go to a vaudeville show, then take a ride on Mickey’s car. The real purpose of the cartoon is to take a nostalgic look back at life some fifty years earlier.



* UniversalAdaptorCast: Mickey, Minnie, and the rest are all the same, just relocated to the 1890s.

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* UniversalAdaptorCast: Mickey, Minnie, and the rest are all the same, just relocated to the 1890s.1890s.
* {{Vaudeville}}: The middle portion of the cartoon has Mickey and Minnie attend a vaudeville show, where they see a temperance slide show and a comedy act.
* WalletMoths: A pair of moths fly out of Mickey’s money purse as he pays for tickets for the vaudeville show.
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* ProtestSong: "Come Home, Father!" is a real nineteenth-century song that was used to advocate for prohibition prior to the passage of the Eighteenth Amendment. The [[DryCrusader W.C.T.U.]] even adopted it as their anthem.

to:

* ProtestSong: "Come Home, Father!" is a real nineteenth-century song that was used to advocate for prohibition prior to the passage of the Eighteenth Amendment. The [[DryCrusader W.C.T.U.]] even adopted it as their anthem. This cartoon having been made several years after prohibition ended, it doesn't take the song's temperance message seriously.
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* AnachronisticSoundtrack: The song "In the Good Old Summer Time" is actually from 1902. The other featured songs all existed in the 1890s, although some originated earlier.

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* AnachronisticSoundtrack: The song "In the Good Old Summer Time" is actually from 1902. The other featured songs all existed in the 1890s, 1890s,[[note]]With the obvious exception of "The Gay Nineties," the opening song that was written specifically for the cartoon.[[/note]] although some originated earlier.
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* AnachronismStew: The song "In the Good Old Summer Time" is actually from 1902. The other featured songs all existed in the 1890s, although some originated earlier.

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* AnachronismStew: AnachronisticSoundtrack: The song "In the Good Old Summer Time" is actually from 1902. The other featured songs all existed in the 1890s, although some originated earlier.
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* TheCoverChangesTheGender: Well, not exactly the gender, but the cartoon's rendition of "The Fountain in the Park" does come with a pronoun change. In the original version, it's sung from the perspective of the man, who refers to himself in the first person ("I was taken by surprise"). Here, it's sung by an off-screen chorus, with both parties referred to in the third person ("He was taken by surprise").

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* TheCoverChangesTheGender: Well, not exactly the gender, but the cartoon's rendition of "The Fountain in the Park" does come with a pronoun change. In the original version, it's sung from the perspective of the man, who refers to himself in the first person ("I ("A smile was taken by surprise"). all she gave to me"). Here, it's sung by an off-screen chorus, with both parties referred to in the third person ("He ("A smile was taken by surprise").all she gave to him").
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* TheCoverChangesTheGender: Well, not exactly the gender, but the cartoon's rendition of "The Fountain in the Park" does come with a pronoun change. In the original version, it's sung from the perspective of the man, who refers to himself in the first person. Here, it's sung by an off-screen chorus, with both parties referred to in the third person.

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* TheCoverChangesTheGender: Well, not exactly the gender, but the cartoon's rendition of "The Fountain in the Park" does come with a pronoun change. In the original version, it's sung from the perspective of the man, who refers to himself in the first person. person ("I was taken by surprise"). Here, it's sung by an off-screen chorus, with both parties referred to in the third person.person ("He was taken by surprise").
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* CreatorCameo: Fred and Ward, "two clever boys from Illinois", are caricatures of animators Creator/FredMoore and Creator/WardKimball, who also provide the voices.

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* CreatorCameo: The vaudeville performers Fred and Ward, "two clever boys from Illinois", Ward are caricatures of animators Creator/FredMoore and Creator/WardKimball, who also provide the voices.
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* ArtShift: The vaudeville sequence has a non-animated slideshow done in the sketchy style of John Held, a [[RoaringTwenties Roaring '20s]] illustrator who also liked to send up TheGayNineties.

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* ArtShift: The vaudeville sequence has a non-animated slideshow done in the sketchy style of John Held, a [[RoaringTwenties Roaring '20s]] 1920s illustrator who also liked to send up TheGayNineties.the 1890s.
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[[caption-width-right:350: Hey, if this is the '90s, where are all the [[TheNineties flannel shirts]]?]]
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As the title suggests, it takes the classic Disney characters back to the olden days of the '90s -- the 1890s, that is to say. The plot, such as it is, consists of Mickey meeting Minnie in the park, taking her to a vaudeville show, and then taking her for a ride in his "horseless carriage." But really, the storyline is just an excuse to showcase and/or parody tropes associated with the Mauve Decade.

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As the title suggests, it takes the classic Disney characters Starring WesternAnimation/MickeyMouse and WesternAnimation/MinnieMouse, this cartoon places them back to in the olden days of the '90s -- the 1890s, that is to say. The plot, such as it is, consists of Mickey meeting Minnie in the park, taking her to a vaudeville show, and then taking her for a ride in his "horseless carriage." But really, the storyline is just an excuse to showcase and/or parody tropes associated with the Mauve Decade.
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None

Added DiffLines:

* CreatorCameo: Fred and Ward, "two clever boys from Illinois", are caricatures of animators Creator/FredMoore and Creator/WardKimball, who also provide the voices.
Is there an issue? Send a MessageReason:
None


* ArtShift: The vaudeville sequence has a non-animated slideshow done in the sketchy style of John Held, a RoaringTwenties illustrator who also liked to send up TheGayNineties.

to:

* ArtShift: The vaudeville sequence has a non-animated slideshow done in the sketchy style of John Held, a RoaringTwenties [[RoaringTwenties Roaring '20s]] illustrator who also liked to send up TheGayNineties.
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None

Added DiffLines:

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tnn.png]]
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''The Nifty Nineties'' is a 1941 animated short film from Creator/{{Disney}}.

As the title suggests, it takes the classic Disney characters back to the olden days of the '90s -- the 1890s, that is to say. The plot, such as it is, consists of Mickey meeting Minnie in the park, taking her to a vaudeville show, and then taking her for a ride in his "horseless carriage." But really, the storyline is just an excuse to showcase and/or parody tropes associated with the Mauve Decade.

----
!!Tropes:

* AnachronismStew: The song "In the Good Old Summer Time" is actually from 1902. The other featured songs all existed in the 1890s, although some originated earlier.
* ArtShift: The vaudeville sequence has a non-animated slideshow done in the sketchy style of John Held, a RoaringTwenties illustrator who also liked to send up TheGayNineties.
* ChickenJoke: The vaudeville audience cracks up at hearing this joke. Apparently, the 1940s writers assumed this ancient joke was still fresh in the 1890s. In reality, the joke dates from the 1840s, and it was considered old hat even in the 1890s.
* TheCoverChangesTheGender: Well, not exactly the gender, but the cartoon's rendition of "The Fountain in the Park" does come with a pronoun change. In the original version, it's sung from the perspective of the man, who refers to himself in the first person. Here, it's sung by an off-screen chorus, with both parties referred to in the third person.
* ForgottenTrope: Modern viewers may be perplexed by the inclusion of the rather morbid "Father, Dear Father" segment featuring a vaudeville slideshow version of the song "Come Home, Father!", about a little girl trying to get her drunkard father to leave the tavern and return to his family. This is a caricature of art produced by the temperance movement; the way it portrayed the effects of alcohol consumption would have been familiar to those who remembered the 1890s and who saw the short at the time it was released.
* TheGayNineties: The cartoon covers many of the tropes that a 1940s audience would have associated with the 1890s, from the newfangled "horseless carriage" (with a speedometer that only goes up to 20 mph) to vaudeville shows to maudlin temperance propaganda to penny-farthings and tandem bicycles.
* MoodWhiplash: The first segment of the vaudeville sequence is a magic lantern show entitled "Father, Dear Father", about a little girl trying to get her alcoholic father to leave the tavern as her little brother is dying at home. Minnie bawls her eyes out as Mickey tries to comfort her. The next segment features the dancing, joke-cracking duo of Fred and Ward, "two clever boys from Illinois". Mickey and Minnie share a good laugh over their antics.
* PicturePerfectPresentation: The cartoon opens with an old black-and-white photograph fading into the real scene.
* ProtestSong: "Come Home, Father!" is a real nineteenth-century song that was used to advocate for prohibition prior to the passage of the Eighteenth Amendment. The [[DryCrusader W.C.T.U.]] even adopted it as their anthem.
* UniversalAdaptorCast: Mickey, Minnie, and the rest are all the same, just relocated to the 1890s.

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