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* TheArtifact: The new ''Looney Tunes'' opening and closing was made specifically for this short, with the chimes of Big Ben at the end recognizing the short's setting in London. However, it would be used again in two cartoons, ''WesternAnimation/BartholomewVersusTheWheel'' (which is about a dog trying to get back to his home in America) and ''WesternAnimation/SenorellaAndTheGlassHuarache'' (which is ''Cinderella'' with a Mexican theme), retaining the Big Ben chimes. It is played even further when this becomes the permanent intro for the series, but the Big Ben chimes were dropped.
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* RecycledSoundtrack: In addition to a few new Bill Lava compositions, the cartoon also makes use of some older musical score snippets in Warner Bros. Pictures's archives, such as the arrangements of ''Rue Britannia''.
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This cartoon short does not look very much like classic Looney Tunes animation, instead more closely resembling the abstract animation and limited animation that was coming to dominate the art form in the early 1960s. It opens with Satan wandering around, having lost one of his horns. The horn is found by a mustachioed English gentleman who uses a battered ear trumpet. The man likes the look of the shiny horn and elects to use it instead, throwing his battered ear trumpet into the garbage. A series of bizarre and fantastical hallucinations then occur, as the sounds the man hears are greatly magnified and distorted, and they take visual form. Additionally a weird mischievous small man springs from the horn and starts screwing with the gentleman.
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This cartoon short does not look very much like classic Looney Tunes ''Looney Tunes'' animation, instead more closely resembling the abstract animation and limited animation that was coming to dominate the art form in the early 1960s. It opens with Satan wandering around, having lost one of his horns. The horn is found by a mustachioed English gentleman who uses a battered ear trumpet. The man likes the look of the shiny horn and elects to use it instead, throwing his battered ear trumpet into the garbage. A series of bizarre and fantastical hallucinations then occur, as the sounds the man hears are greatly magnified and distorted, and they take visual form. Additionally a weird mischievous small man springs from the horn and starts screwing with the gentleman.
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"'''Now Hear This'''" is a 1963 ''WesternAnimation/LooneyTunes'' cartoon, co-directed by Creator/ChuckJones and Maurice Noble.
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Not to be confused with ''Now Hare This'', a ''Looney Tunes'' cartoon featuring WesternAnimation/BugsBunny.
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Not to be confused with ''Now "Now Hare This'', This", a ''Looney Tunes'' cartoon featuring WesternAnimation/BugsBunny.
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!!Tropes:
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Not to be confused with ''Now Hare This'', a Looney Tunes cartoon featuring WesternAnimation/BugsBunny.
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Not to be confused with ''Now Hare This'', a Looney Tunes ''Looney Tunes'' cartoon featuring WesternAnimation/BugsBunny.
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* AnimatedCreditsOpening: Sure, it's a cartoon to begin with--but in the classic Looney Tunes era the title and credits were usually presented with a still title card. Chuck Jones's credit is presented on a sailing ship that has "Directed by Chuck Jones" written on it. The other credits appear first as letters on musical lines that suggest a written score (mostly notes like E and F), until all the other letters fill in.
to:
* AnimatedCreditsOpening: Sure, it's a cartoon to begin with--but in the classic Looney Tunes ''Looney Tunes'' era the title and credits were usually presented with a still title card. Chuck Jones's credit is presented on a sailing ship that has "Directed by Chuck Jones" written on it. The other credits appear first as letters on musical lines that suggest a written score (mostly notes like E and F), until all the other letters fill in.
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* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of the Warner Bros. cartoons. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be used again in ''WesternAnimation/BartholomewVersusTheWheel'' and ''WesternAnimation/SenorellaAndTheGlassHuarache'' and then be adopted permanently in 1964 and serve as the opening to every ''Looney Tunes'' short churned out in its [[SeasonalRot post-1964 era]] (particularly the [[Creator/DePatieFrelengEnterprises DePatie-Freleng]]-produced cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's [[WesternAnimation/WileECoyoteAndTheRoadRunner Road Runner]] cartoons) until the Warner animation studio was closed for good in 1969.
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* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of the Warner Bros. cartoons. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be used again in ''WesternAnimation/BartholomewVersusTheWheel'' and ''WesternAnimation/SenorellaAndTheGlassHuarache'' and then be adopted permanently in 1964 and serve as the opening to every ''Looney Tunes'' short churned out in its [[SeasonalRot post-1964 era]] (particularly the [[Creator/DePatieFrelengEnterprises DePatie-Freleng]]-produced cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, WesternAnimation/SpeedyGonzales and Rudy Larriva's [[WesternAnimation/WileECoyoteAndTheRoadRunner Road Runner]] cartoons) until the Warner animation studio was closed for good in 1969.
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* ThickLineAnimation: Another trope characteristic of the LimitedAnimation era but not of classic Looney Tunes. All the characters are drawn with thick black lines, Satan standing out the most.
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* ThickLineAnimation: Another trope characteristic of the LimitedAnimation era but not of classic Looney Tunes.''Looney Tunes''. All the characters are drawn with thick black lines, Satan standing out the most.
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* LimitedAnimation: This cartoon was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. A few years after he was fired by WB, Jones would explore limited animation even further with MGM's ''The Dot and the Line''.
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* LimitedAnimation: This cartoon was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes ''Looney Tunes'' output. A few years after he was fired by WB, Jones would explore limited animation even further with MGM's ''The Dot and the Line''.
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* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be used again in ''WesternAnimation/BartholomewVersusTheWheel'' and ''WesternAnimation/SenorellaAndTheGlassHuarache'' and then be adopted permanently in 1964 and serve as the opening to every ''Looney Tunes'' short churned out in its death throes (particularly the [[Creator/DePatieFrelengEnterprises DePatie-Freleng]]-produced cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's [[WesternAnimation/WileECoyoteAndTheRoadRunner Road Runner]] cartoons) until the Warner animation studio was closed for good in 1969.
* LimitedAnimation: This was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting back their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. A few years after he was fired by WB, Jones would explore Limited Animation even further with ''The Dot and the Line''.
* LimitedAnimation: This was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting back their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. A few years after he was fired by WB, Jones would explore Limited Animation even further with ''The Dot and the Line''.
to:
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes.the Warner Bros. cartoons. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be used again in ''WesternAnimation/BartholomewVersusTheWheel'' and ''WesternAnimation/SenorellaAndTheGlassHuarache'' and then be adopted permanently in 1964 and serve as the opening to every ''Looney Tunes'' short churned out in its death throes [[SeasonalRot post-1964 era]] (particularly the [[Creator/DePatieFrelengEnterprises DePatie-Freleng]]-produced cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's [[WesternAnimation/WileECoyoteAndTheRoadRunner Road Runner]] cartoons) until the Warner animation studio was closed for good in 1969.
* LimitedAnimation: This cartoon was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cuttingback their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. A few years after he was fired by WB, Jones would explore Limited Animation limited animation even further with MGM's ''The Dot and the Line''.
* LimitedAnimation: This cartoon was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting
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Changed line(s) 18 (click to see context) from:
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be adopted permanently in 1964 and serve as the opening to every ''Looney Tunes'' short churned out in its death throes (particularly the [[Creator/DePatieFrelengEnterprises DePatie-Freleng]]-produced cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's [[WesternAnimation/WileECoyoteAndTheRoadRunner Road Runner]] cartoons) until the Warner animation studio was closed for good in 1969.
to:
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be used again in ''WesternAnimation/BartholomewVersusTheWheel'' and ''WesternAnimation/SenorellaAndTheGlassHuarache'' and then be adopted permanently in 1964 and serve as the opening to every ''Looney Tunes'' short churned out in its death throes (particularly the [[Creator/DePatieFrelengEnterprises DePatie-Freleng]]-produced cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's [[WesternAnimation/WileECoyoteAndTheRoadRunner Road Runner]] cartoons) until the Warner animation studio was closed for good in 1969.
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"Now Hear This" is a 1963 ''WesternAnimation/LooneyTunes'' cartoon, co-directed by Creator/ChuckJones and Maurice Noble.
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* LimitedAnimation: This was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting back their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. (A few years after he was fired by WB, Jones would explore Limited Animation even further with ''WesternAnimation/TheDotAndTheLine''.
to:
* LimitedAnimation: This was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting back their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. (A A few years after he was fired by WB, Jones would explore Limited Animation even further with ''WesternAnimation/TheDotAndTheLine''.''The Dot and the Line''.
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* SpoofAesop: The small man closes out the cartoon with a sign announcing the moral: "The other fellow's trumpet always looks greener."
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"Now Hear This" is a 1963 WesternAnimation/LooneyTunes cartoon, co-directed by Creator/ChuckJones and Maurice Noble.
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"Now Hear This" is a 1963 WesternAnimation/LooneyTunes ''WesternAnimation/LooneyTunes'' cartoon, co-directed by Creator/ChuckJones and Maurice Noble.
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Not to be confused with "Now Hare This," also a Looney Tunes cartoon.
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Not to be confused with "Now ''Now Hare This," also This'', a Looney Tunes cartoon.
cartoon featuring WesternAnimation/BugsBunny.
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* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be adopted permanently in 1964 and serve as the openings to all the cartoons Looney Tunes churned out in its death throes (particularly the cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's WesternAnimation/RoadRunner cartoons) until the Warner animation studio was closed for good in 1969.
to:
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be adopted permanently in 1964 and serve as the openings opening to all the cartoons Looney Tunes every ''Looney Tunes'' short churned out in its death throes (particularly the [[Creator/DePatieFrelengEnterprises DePatie-Freleng]]-produced cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's WesternAnimation/RoadRunner [[WesternAnimation/WileECoyoteAndTheRoadRunner Road Runner]] cartoons) until the Warner animation studio was closed for good in 1969.
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Changed line(s) 18 (click to see context) from:
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be adopted permanently in 1964 and serve as the openings to all the cartoons Looney Tunes churned out in its death throes until the Warner animation studio was closed for good in 1969.
to:
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be adopted permanently in 1964 and serve as the openings to all the cartoons Looney Tunes churned out in its death throes (particularly the cartoons pairing WesternAnimation/DaffyDuck with WesternAnimation/SpeedyGonzales, and Rudy Larriva's WesternAnimation/RoadRunner cartoons) until the Warner animation studio was closed for good in 1969.
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* ThatPoorCat: When the old man tosses his old crumpled EarTrumpet into a "Keep Britain Tidy" trash can, among all the crashing that ensues a cat yowling can be heard.
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''Now Hear This'' is a 1963 WesternAnimation/LooneyTunes cartoon, co-directed by Creator/ChuckJones and Maurice Noble.
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Not to be confused with "Now Hare This," also a Looney Tunes cartoon.
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* BigRedDevil: Satan appears as his classic red-hoofed self, minus a horn.
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* {{Satan}}: His classic red-hoofed self, minus a horn.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/89269.jpg]]
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* DisneyAcidSequence: Some ''very'' trippy, hallucinatory animation.
* EarTrumpet: The old man uses one. He trades it out for a new one that he finds. It turns out to be a mistake.
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be adopted permanently in 1964 and serve as the openings to all the cartoons Looney Tunes churned out in its death throes until the Warner animation studio was closed for good in 1969.
* EarTrumpet: The old man uses one. He trades it out for a new one that he finds. It turns out to be a mistake.
* LaterInstallmentWeirdness: For starters, there's all the LimitedAnimation and ThickLineAnimation that's atypical of Looney Tunes. This is also the first cartoon to use the new opening and closing logos, with the trippy spiraling animation and the distorted theme song, as opposed to the classic bull's-eye graphic. This new graphic would be adopted permanently in 1964 and serve as the openings to all the cartoons Looney Tunes churned out in its death throes until the Warner animation studio was closed for good in 1969.
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* MimeAndMusicOnlyCartoon: No dialogue other than an "Ow!" as the O-W in "Now Hear This" appears, as well as a later "Quiet!"
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''Now Hear This'' is a 1963 WesternAnimation/LooneyTunes cartoon, co-directed by Creator/ChuckJones and Maurice Noble.
This cartoon short does not look very much like classic Looney Tunes animation, instead more closely resembling the abstract animation and limited animation that was coming to dominate the art form in the early 1960s. It opens with Satan wandering around, having lost one of his horns. The horn is found by a mustachioed English gentleman who uses a battered ear trumpet. The man likes the look of the shiny horn and elects to use it instead, throwing his battered ear trumpet into the garbage. A series of bizarre and fantastical hallucinations then occur, as the sounds the man hears are greatly magnified and distorted, and they take visual form. Additionally a weird mischievous small man springs from the horn and starts screwing with the gentleman.
----
!!Tropes:
* AnimatedCreditsOpening: Sure, it's a cartoon to begin with--but in the classic Looney Tunes era the title and credits were usually presented with a still title card. Chuck Jones's credit is presented on a sailing ship that has "Directed by Chuck Jones" written on it. The other credits appear first as letters on musical lines that suggest a written score (mostly notes like E and F), until all the other letters fill in.
* BritishStuffiness: The gentleman has the walrus mustache, he reacts with horror and confusion to all the craziness, and there's a trash can marked "Keep Britain Tidy", as well as some snatches of "Rule Britannia".
* DerangedAnimation: All kinds of crazy things happen in a manner reminiscent of ''WesternAnimation/DuckAmuck''. In one sequence the horn starts to ring. The small man pulls a phone set out of the horn, dashes over to a phone booth, and hangs the set. Since the phone is still ringing the gentleman goes over to the phone booth--which then turns into a shower stall, with the phone receiver turning into a shower head, soaking the man.
* LimitedAnimation: This was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting back their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. (A few years after he was fired by WB, Jones would explore Limited Animation even further with ''WesternAnimation/TheDotAndTheLine''.
* PowderTrail: A surreal example for a surreal cartoon. The horn starts playing music, which unspools as written sheet music, a staff with notes. The ribbon of staff then wraps around the gentleman. The small man then holds a match to the end of the ribbon, and the notes start going off like firecrackers one at a time, until they reach the man and there's a "GIGANTIC EXPLOSION".
* {{Satan}}: His classic red-hoofed self, minus a horn.
* ThickLineAnimation: Another trope characteristic of the LimitedAnimation era but not of classic Looney Tunes. All the characters are drawn with thick black lines, Satan standing out the most.
* WrittenSoundEffect: The explosion that finally leads the man to throw down the horn in disgust is accompanied by a graphic that says "GIGANTIC EXPLOSION!"
This cartoon short does not look very much like classic Looney Tunes animation, instead more closely resembling the abstract animation and limited animation that was coming to dominate the art form in the early 1960s. It opens with Satan wandering around, having lost one of his horns. The horn is found by a mustachioed English gentleman who uses a battered ear trumpet. The man likes the look of the shiny horn and elects to use it instead, throwing his battered ear trumpet into the garbage. A series of bizarre and fantastical hallucinations then occur, as the sounds the man hears are greatly magnified and distorted, and they take visual form. Additionally a weird mischievous small man springs from the horn and starts screwing with the gentleman.
----
!!Tropes:
* AnimatedCreditsOpening: Sure, it's a cartoon to begin with--but in the classic Looney Tunes era the title and credits were usually presented with a still title card. Chuck Jones's credit is presented on a sailing ship that has "Directed by Chuck Jones" written on it. The other credits appear first as letters on musical lines that suggest a written score (mostly notes like E and F), until all the other letters fill in.
* BritishStuffiness: The gentleman has the walrus mustache, he reacts with horror and confusion to all the craziness, and there's a trash can marked "Keep Britain Tidy", as well as some snatches of "Rule Britannia".
* DerangedAnimation: All kinds of crazy things happen in a manner reminiscent of ''WesternAnimation/DuckAmuck''. In one sequence the horn starts to ring. The small man pulls a phone set out of the horn, dashes over to a phone booth, and hangs the set. Since the phone is still ringing the gentleman goes over to the phone booth--which then turns into a shower stall, with the phone receiver turning into a shower head, soaking the man.
* LimitedAnimation: This was probably Chuck Jones trying to make a silk purse out of the sow's ear that was Warner Brothers drastically cutting back their animation budget as UsefulNotes/TheDarkAgeOfAnimation was beginning. But the entire cartoon is abstract animation against a white background in a manner that was much different from most Looney Tunes output. (A few years after he was fired by WB, Jones would explore Limited Animation even further with ''WesternAnimation/TheDotAndTheLine''.
* PowderTrail: A surreal example for a surreal cartoon. The horn starts playing music, which unspools as written sheet music, a staff with notes. The ribbon of staff then wraps around the gentleman. The small man then holds a match to the end of the ribbon, and the notes start going off like firecrackers one at a time, until they reach the man and there's a "GIGANTIC EXPLOSION".
* {{Satan}}: His classic red-hoofed self, minus a horn.
* ThickLineAnimation: Another trope characteristic of the LimitedAnimation era but not of classic Looney Tunes. All the characters are drawn with thick black lines, Satan standing out the most.
* WrittenSoundEffect: The explosion that finally leads the man to throw down the horn in disgust is accompanied by a graphic that says "GIGANTIC EXPLOSION!"
