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* In BackStory to "[[Literature/{{Kane}} Lynortis Reprise"]], two-year-long siege of Lynortis was a nightmare for everyone involved, the attackers, the defenders and the civilians. Soldiers died by the thousands, killed by siege engines, burnt by white phosphorus or deadly poisonous gases, while civilians starved. There was no way to bury or burn all the dead, so plagues raged. It was so bad that the half-men--maimed survivors from both sides of the conflict, who decided to stay in Lynortis's ruins--worship "The Bringer of Peace", that is the traitor who finally led Masale's armies into the city through hidden passages, even thought it ended in a massacre. The traitor [[spoiler: Kane himself]] thought it was a HopelessWar and just wanted everything to end.
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* ''Discworld/MonstrousRegiment'' is a surprisingly dark Literature/{{Discworld}} novel dealing with war. Topics include execution of prisoners of war, intentional friendly fire, rape and murder of civilians, corruption in the supply chains, starvation, field surgery, mental illness, etc.
** "Discworld/NightWatch" is another novel from the series which becomes a very dark condemnation of war, but where 'Monstrous Regiment' was a response to long-term meaningless border squabbles (along with sexism and religious extremism), 'Night Watch' dealt with meaningless ''[[TheRevolutionWillNotBeVilified revolutions]]''. The main theme is the tragedy of good people giving up their lives, hoping for a better future, only for the terrible leaders manipulating them to lead to a FullCircleRevolution.
** "Discworld/{{Jingo}}" comes down hard that War, any war, is a ''Crime'', resulting in Vimes arresting both armies.

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* ''Discworld/MonstrousRegiment'' ''Literature/MonstrousRegiment'' is a surprisingly dark Literature/{{Discworld}} novel dealing with war. Topics include execution of prisoners of war, intentional friendly fire, rape and murder of civilians, corruption in the supply chains, starvation, field surgery, mental illness, etc.
** "Discworld/NightWatch" "Literature/NightWatchDiscworld" is another novel from the series which becomes a very dark condemnation of war, but where 'Monstrous Regiment' was a response to long-term meaningless border squabbles (along with sexism and religious extremism), 'Night Watch' dealt with meaningless ''[[TheRevolutionWillNotBeVilified revolutions]]''. The main theme is the tragedy of good people giving up their lives, hoping for a better future, only for the terrible leaders manipulating them to lead to a FullCircleRevolution.
** "Discworld/{{Jingo}}" "Literature/{{Jingo}}" comes down hard that War, any war, is a ''Crime'', resulting in Vimes arresting both armies.
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* ''Literature/{{Redwall}}'': For a children's series, Redwall doesn't hold back too many punches. In the first book, at the end of the first battle with Cluny's horde, mention is made of the price of the battle - freshly dug graves and a filled infirmary.
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* ''Literature/XandriCorelel'': The battle in ''Tone of Voice'' between the [[AbsoluteXenophobe Last Hope for Humanity]] and the [[TheFederation Starsystems Alliance]] takes place on two fronts, in the ocean and in the jungle. The ocean battle sees massive casualties on both sides, with many humans and Voices killed and mangled. The jungle battle goes a lot better for the Alliance, but Xandri is still traumatized from seeing her allies dead or wounded.
--> All the gunfire filled the air with smoke and vile smell, and as the sun began to climb above the horizon, shedding reddish-orange light beneath the canopy, I began to grasp the Christian image of Hell.
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* In ''Literature/NineGoblins'', the war is depicted not so much as horrific (though it has its moments) as wasteful and tragic, and caused mainly by misunderstandings and meaningless discrimination.
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* ''Literature/TheAngloSaxonChronicle'' partially subverts the assertion on the main page that "not many" of the common people could write about their experiences, or knew anyone who could write that cared. Its entry for the year 1137 is a harrowing litany of the horrors experienced by great and humble alike in the anarchy associated with the dynastic war between Stephen and Maud, rivals for the crown.

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* ''Literature/TheAngloSaxonChronicle'' partially subverts the assertion on the main Analysis page that "not many" of the common people could write about their experiences, or knew anyone who could write that cared. Its entry for the year 1137 is a harrowing litany of the horrors experienced by great and humble alike in the anarchy associated with the dynastic war between Stephen and Maud, Matilda, rivals for the crown.
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* Creator/MarkTwain's "[[https://warprayer.org/ The War Prayer]]" is about a PrayerOfMalice being delivered in a church, beseeching God protect and aid the soldiers going off to battle. And then comes in an aged stranger, delivering the ''un''spoken portion of the prayer in which he describes, in lurid detail, the iniquities that will be visited on their foes if God were to grant the spoken portion of the prayer.
-->''O Lord our God, help us tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended in the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames in summer and the icy winds of winter, broken in spirit, worn with travail, imploring thee for the refuge of the grave and denied it.''

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* Creator/WilfredOwen's poems. The most famous example is probably ''Dulce et Decorum Est'', which happens to be loaded with enough horror and powerful messages to completely convince someone that war is an awful thing.

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* Creator/WilfredOwen's Wilfred Owen, a British soldier who was killed in action during World War I (tragically a week before the war ended), wrote many anti-war poems. The most famous example is probably ''Dulce et Decorum Est'', which happens to be loaded is about a man haunted in his nightmares by memories of one of his fellow soldiers [[CruelAndUnusualDeath dying in a gas attack]].
-->''If you could hear, at every jolt, the blood\\
Come gargling from the froth-corrupted lungs,\\
Obscene as cancer, bitter as the cud\\
Of vile, incurable sores on innocent tongues,—\\
My friend, you would not tell
with enough horror such high zest\\
To children ardent for some desperate glory,\\
The old Lie: ''Dulce et decorum est\\
Pro patria mori.[[note]]A quote from the Roman poet Horace: "It is sweet
and powerful messages fitting to completely convince someone that war is an awful thing.die for one's country."[[/note]]
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* ''Sarny'' takes place during and after UsefulNotes/TheAmericanCivilWar. It doesn't sugarcoat the events. Sarny comes across numerous soldiers from both sides (many who were [[ChildSoldiers only teenagers]]), civilians, and horses brutally injured or dead because of the war. One chapter has her and Lucy staying with four dying soldiers who were shot in the stomach. It took them less than two days to die. Another has them come across an [[RapePillageAndBurn abandoned house]] where everyone was killed [[SoleSurvivor except]] for a toddler who is too traumatized after the events to speak.

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* ''Sarny'' ''Literature/{{Sarny}}'' takes place during and after UsefulNotes/TheAmericanCivilWar. It doesn't sugarcoat the events. Sarny comes across numerous soldiers from both sides (many who were [[ChildSoldiers only teenagers]]), civilians, and horses brutally injured or dead because of the war. One chapter has her and Lucy staying with four dying soldiers who were shot in the stomach. It took them less than two days to die. Another has them come across an [[RapePillageAndBurn abandoned house]] where everyone was killed [[SoleSurvivor except]] for a toddler who is too traumatized after the events to speak.
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* Zigzaged all over the place in Literature/TheHeroes. The author explains in the foreword that he didn't just want to show that War is Hell, but to explore why it nevertheless has such a hold on human imagination. Thus, we get to see both the stupidity and waste and horror of it and the way it can [[BloodKnight turn men into monsters,]] but also examples of how it brings out the best in some people, and how the constant danger and [[TrueCompanions the bonds among soldiers]] can be so addictive as to make someone who's gotten used to them feel like a peaceful civilian life is hardly worth living.

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* Zigzaged all over the place in Literature/TheHeroes. ''Literature/TheHeroes.'' The author explains in the foreword that he didn't just want to show that War is Hell, but to explore why it nevertheless has such a hold on human imagination. Thus, we get to see both the stupidity and waste and horror of it and the way it can [[BloodKnight turn men into monsters,]] but also examples of how it brings out the best in some people, and how the constant danger and [[TrueCompanions the bonds among soldiers]] can be so addictive as to make someone who's gotten used to them feel like a peaceful civilian life is hardly worth living.
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* Zigzaged all over the place in Literature/TheHeroes. The author explains in the foreword that he didn't just want to show that War is Hell, but to explore why it nevertheless has such a hold on human imagination. Thus, we get to see both the stupidity and waste and horror of it and the way it can [[BloodKnight turn men into monsters,]] but also examples of how it brings out the best in some people, and how the constant danger and [[TrueCompanions the bonds among soldiers]] can be so addictive as to make someone who's gotten used to them feel like a peaceful civilian life is hardly worth living.
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** "Discworld/{{Jingo}}" comes down hard that War, any war, is a ''Crime'', resulting in Vimes arresting both armies.
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* Readily acknowledged by Captain Reilly in [[Literature/{{Okuyyuki}} "Okuyyuki"]], as he faces TheWarOnTerror. In spite of that, [[BloodKnight he still wants to be in it]], though he knows that won't be true for everyone.
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* ''Dogfight--1973'' by Mack Reynolds. Used for the punchline of this 1953 sci-fi story; TheReveal is that the dogfight is actually being fought by remote piloted drones, and the war is hell because he'll be late for dinner because of the debriefing. Becomes HarsherInHindsight given the use of drones now, not to mention all-too-real air combat was taking place in the Middle East in 1973.

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* ''Dogfight--1973'' by Mack Reynolds. Used for the punchline of this 1953 sci-fi story; TheReveal is that the dogfight is actually being fought by remote piloted drones, and the war is hell because he'll the 'pilot' will be late for dinner because of the debriefing. Becomes HarsherInHindsight given the use of drones now, not to mention all-too-real air combat was taking place in the Middle East in 1973.
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* ''Dogfight--1973'' by Mack Reynolds. Used for the punchline of this sci-fi story; TheReveal is that the dogfight is actually being fought by remote piloted drones, and the war is hell because he'll be late for dinner because of the debriefing. Becomes HarsherInHindsight given the use of drones now, not to mention all-too-real air combat was taking place in the Middle East in 1973.

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* ''Dogfight--1973'' by Mack Reynolds. Used for the punchline of this 1953 sci-fi story; TheReveal is that the dogfight is actually being fought by remote piloted drones, and the war is hell because he'll be late for dinner because of the debriefing. Becomes HarsherInHindsight given the use of drones now, not to mention all-too-real air combat was taking place in the Middle East in 1973.
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* ''Dogfight--1973'' by Mack Reynolds. Used for the punchline of this sci-fi story; TheReveal is that the dogfight is actually being fought by remote piloted drones, and the war is hell because he's going to miss out on his wife's dinner because of the debriefing. Becomes HarsherInHindsight given the use of drones now, not to mention all-too-real air combat was taking place in the Middle East in 1973.

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* ''Dogfight--1973'' by Mack Reynolds. Used for the punchline of this sci-fi story; TheReveal is that the dogfight is actually being fought by remote piloted drones, and the war is hell because he's going to miss out on his wife's he'll be late for dinner because of the debriefing. Becomes HarsherInHindsight given the use of drones now, not to mention all-too-real air combat was taking place in the Middle East in 1973.
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* ''Dogfight--1973'' by Mack Reynolds. Used for the punchline of this sci-fi story; TheReveal is that the dogfight is actually being fought by remote piloted drones, and the war is hell because he's going to miss out on his wife's dinner because of the debriefing. Becomes HarsherInHindsight given the use of drones now, not to mention all-too-real air combat was taking place in the Middle East in 1973.
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* The non-fiction ''Literature/StormOfSteel'', a [[UsefulNotes/ImperialGermany Imperial German]] officer's account of UsefulNotes/WorldWarI, is a pretty gruelling account of what day to day life was like for the average soldier. Unlike many other people writing about this particular war, the author doesn't see it as a brutal and pointless slaughter. While he often fears for his life, and would of course prefer not to have to kill anyone, he nevertheless seems to portray combat as a kind of boys' own adventure, not "fun," exactly, but still very exciting and preferable to dull civilian life, making ''Storm of Steel'' in some ways a subversion despite all the horrible things described in it.

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* The non-fiction ''Literature/StormOfSteel'', a [[UsefulNotes/ImperialGermany Imperial German]] officer's [[Creator/ErnstJunger officer]]'s account of UsefulNotes/WorldWarI, is a pretty gruelling account of what day to day life was like for the average soldier. Unlike many other people writing about this particular war, the author doesn't see it as a brutal and pointless slaughter. While he often fears for his life, and would of course prefer not to have to kill anyone, he nevertheless seems to portray combat as a kind of boys' own adventure, not "fun," exactly, but still very exciting and preferable to dull civilian life, making ''Storm of Steel'' in some ways a subversion despite all the horrible things described in it.
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* ''Literature/TheDresdenFiles'' and ''Literature/CodexAlera'' books (both by JimButcher) employ this trope in UrbanFantasy and HighFantasy settings. While the combat provides many opportunities for the protagonists to do no end of [[Awesome/TheDresdenFiles ridiculously]] [[Awesome/CodexAlera awesome]] things, neither do the books shy away from showing how much mental and physical damage conflict does both to the combatants and the civilians. While various candidates for BigBad may use war for their own ambition, they never believe WarIsGlorious (and anyone who does espouse that mindset is either seen as an idiot or is deliberately using it to manipulate others) and however cool the battles may be, the books do not for a moment suggest that the awesomeness outweighs the suffering and brutality.

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* ''Literature/TheDresdenFiles'' and ''Literature/CodexAlera'' books (both by JimButcher) Creator/JimButcher) employ this trope in UrbanFantasy and HighFantasy settings. While the combat provides many opportunities for the protagonists to do no end of [[Awesome/TheDresdenFiles ridiculously]] [[Awesome/CodexAlera awesome]] things, neither do the books shy away from showing how much mental and physical damage conflict does both to the combatants and the civilians. While various candidates for BigBad may use war for their own ambition, they never believe WarIsGlorious (and anyone who does espouse that mindset is either seen as an idiot or is deliberately using it to manipulate others) and however cool the battles may be, the books do not for a moment suggest that the awesomeness outweighs the suffering and brutality.
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** Unusually, the series also addresses how the ''end'' of warfare is also Hell, with the too-abrupt cessation of hostilities causing an economic and racial upheaval, a wave of authoritarian crackdowns by the government, and a new generation of upper-class snots who've never learned that ''they'' bleed as easily as the underclasses. And that's for the nation that ''won'' the war: the opposing empire is rumored to have fallen into complete chaos, with former troops pillaging their own homeland or languishing as permanent POWs because their rulers are in too much disarray to petition for their release.

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** Unusually, the series also addresses how the ''end'' of warfare is also Hell, with the too-abrupt cessation of hostilities causing an economic and racial upheaval, a wave of authoritarian crackdowns by the government, and a new generation of upper-class snots who've never learned that ''they'' bleed as easily as the underclasses. And that's for the nation that ''won'' the war: the opposing empire is rumored to have fallen into complete chaos, with former troops pillaging their own homeland or languishing as permanent POWs [=POWs=] because their rulers are in too much disarray to petition for their release.
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** Unusually, the series also addresses how the ''end'' of warfare is also Hell, with the too-abrupt cessation of hostilities causing an economic and racial upheaval, a wave of authoritarian crackdowns by the government, and a new generation of upper-class snots who've never learned that ''they'' bleed as easily as the underclasses. And that's for the nation that ''won'' the war: the opposing empire is rumored to have fallen into complete chaos, with former troops pillaging their own homeland or languishing as permanent POWs because their rulers are in too much disarray to petition for their release.
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* ''Literature/{{Mahabharata}}'' might be one of the oldest example of the trope, despite the kshatriya caste constant insistence that WarIsGlorious (beside being their noble obligation). Many honorable characters abandoned their virtues when push becomes shove, hundreds of thousands dead from both sides of the war, the Kuru dynasty is left with only one heir that only because of a divine intervention he survives before dying of another curse, the bitterness caused by the deaths creates a CycleOfRevenge that destroys more dynasties. And everyone goes to hell anyway because of the sins committed at the war.
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* In ''Literature/TheMachineriesOfEmpire'', Cheris knowingly sends thousands of soldiers to their deaths, loses more by bad luck or simple wartime activities, and has to do some very questionable things to achieve victory. Suffice to say, it takes its toil on her.
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* Almost any ''Franchise/{{Starcraft}}'' novel where the main characters are soldiers will have this as one of its themes. The notable examples are ''Speed of Darkness'' (in which a forcibly-conscripted Confederate marine takes part in one of the first engagements with the Zerg) and ''Heaven's Devils'', featuring Jim Raynor as a fresh Confederate recruit who bought into the WarIsGlorious propaganda before finding out for himself that it's far from it. The latter case actually takes place ''before'' the game's storyline and features the war between the Confederacy of Man and the Kel-Morian Combine, with both governments being full of corruption and greed. There is plenty of both heroic and senseless deaths (such as one of the main characters' LoveInterest being suddenly shot [[EyeScream through the eye]] by a sniper).

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* Almost any ''Franchise/{{Starcraft}}'' ''VideoGame/StarCraft'' novel where the main characters are soldiers will have this as one of its themes. The notable examples are ''Speed of Darkness'' (in which a forcibly-conscripted Confederate marine takes part in one of the first engagements with the Zerg) and ''Heaven's Devils'', featuring Jim Raynor as a fresh Confederate recruit who bought into the WarIsGlorious propaganda before finding out for himself that it's far from it. The latter case actually takes place ''before'' the game's storyline and features the war between the Confederacy of Man and the Kel-Morian Combine, with both governments being full of corruption and greed. There is plenty of both heroic and senseless deaths (such as one of the main characters' LoveInterest being suddenly shot [[EyeScream through the eye]] by a sniper).
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* Pretty much the primary theme of SpaceOpera series ''Literature/LucifersStar'' that does a {{Deconstruction}} of typical good vs. evil. Its protagonist was an EliteMook of TheEmpire and we follow his story after the war as he witnesses terrorism, popular uprising, cycles of revenge, and more.
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* The non-fiction ''Literature/StormOfSteel'', a [[UsefulNotes/ImperialGermany Imperial German]] officer's account of UsefulNotes/WorldWarI, is a pretty gruelling account of what day to day life was like for the average soldier. Unlike many other people writing about this particular war, the author doesn't see it as a brutal and pointless slaughter. While he often fears for his life, and would of course prefer not to have to kill anyone, he nevertheless seems to portray combat as a kind of boys' own adventure, not "fun," exactly, but still very exciting and preferable to dull civilian life, making ''Storm of Steel'' in some ways a subversion despite all the horrible things described in it.
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* DaleBrown tears strips out of ElitesAreMoreGlamorous in his works. You may be a member of a top secret unit with the BiggerStick, but the numbers will always be on the enemy's side. Plan for every contingency, do your best, and at best the enemy will still get licks in. At worst, friends and trusted comrades will die. Succeed and no one will know your name; fail and at best you die, at worst you are disavowed, thrown to the wolves of public opinion as a sacrifice by uncaring superiors. War is never pretty even from behind a drone control station.

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* DaleBrown Creator/DaleBrown tears strips out of ElitesAreMoreGlamorous in his works. You may be a member of a top secret unit with the BiggerStick, but the numbers will always be on the enemy's side. Plan for every contingency, do your best, and at best the enemy will still get licks in. At worst, friends and trusted comrades will die. Succeed and no one will know your name; fail and at best you die, at worst you are disavowed, thrown to the wolves of public opinion as a sacrifice by uncaring superiors. War is never pretty even from behind a drone control station.

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* ''Literature/TheAngloSaxonChronicle'' partially subverts the assertion on the main page that "not many" of the common people could write about their experiences, or knew anyone who could write that cared. Its entry for the year 1137 is a harrowing litany of the horrors experienced by great and humble alike in the anarchy associated with the dynastic war between Stephen and Maud, rivals for the crown. ''"They were all forsworn, and forgetful of their troth... Then took they those whom they supposed to have any goods, both by night and by day, labouring men and women, and threw them into prison for their gold and silver, and inflicted on them unutterable tortures.... This lasted the nineteen winters while Stephen was king; and it grew continually worse and worse. They constantly laid guilds on the towns, and called it "tenserie"; and when the wretched men had no more to give, then they plundered and burned all the towns; that well thou mightest go a whole day's journey and never shouldest thou find a man sitting in a town, nor the land tilled. Then was corn dear, and flesh, and cheese, and butter; for none was there in the land. Wretched men starved of hunger. Some had recourse to alms, who were for a while rich men, and some fled out of the land. Never yet was there more wretchedness in the land; nor ever did heathen men worse than they did: for, after a time, they spared neither church nor churchyard, but took all the goods that were therein, and then burned the church and all together."''

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* ''Literature/TheAngloSaxonChronicle'' partially subverts the assertion on the main page that "not many" of the common people could write about their experiences, or knew anyone who could write that cared. Its entry for the year 1137 is a harrowing litany of the horrors experienced by great and humble alike in the anarchy associated with the dynastic war between Stephen and Maud, rivals for the crown. ''"They
-->"They
were all forsworn, and forgetful of their troth... Then took troth, for every rich man built his castles, which they those whom held against him: and they supposed to have any goods, both by night filled the land full of castles. They cruelly oppressed the wretched men of the land with castle-works; and by day, labouring men and women, and threw when the castles were made, they filled them into prison for their gold with devils and silver, evil men.... Many thousands they wore out with hunger. I neither can, nor may I tell all the wounds and all the pains which they inflicted on them unutterable tortures....wretched men in this land. This lasted the nineteen winters while Stephen was king; and it grew continually worse and worse. They constantly laid guilds on the towns, and called it "tenserie"; and when the wretched men had no more to give, then they plundered and burned all the towns; that well thou mightest go a whole day's journey and never shouldest thou find a man sitting in a town, nor the land tilled. Then was corn dear, and flesh, and cheese, and butter; for none was there in the land. Wretched men starved of hunger. Some had recourse to alms, who were for a while rich men, and some fled out of the land. Never yet was there more wretchedness in the land; nor ever did heathen men worse than they did: for, after a time, they spared neither church nor churchyard, but took all the goods that were therein, and then burned the church and all together."''"
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* ''Literature/TheAngloSaxonChronicle'' partially subverts the assertion on the main page that "not many" of the common people could write about their experiences, or knew anyone who could write that cared. Its entry for the year 1137 is a harrowing litany of the horrors experienced by great and humble alike in the anarchy associated with the dynastic war between Stephen and Maud, rivals for the crown. ''"They were all forsworn, and forgetful of their troth... Then took they those whom they supposed to have any goods, both by night and by day, labouring men and women, and threw them into prison for their gold and silver, and inflicted on them unutterable tortures.... This lasted the nineteen winters while Stephen was king; and it grew continually worse and worse. They constantly laid guilds on the towns, and called it "tenserie"; and when the wretched men had no more to give, then they plundered and burned all the towns; that well thou mightest go a whole day's journey and never shouldest thou find a man sitting in a town, nor the land tilled. Then was corn dear, and flesh, and cheese, and butter; for none was there in the land. Wretched men starved of hunger. Some had recourse to alms, who were for a while rich men, and some fled out of the land. Never yet was there more wretchedness in the land; nor ever did heathen men worse than they did: for, after a time, they spared neither church nor churchyard, but took all the goods that were therein, and then burned the church and all together."''
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* ''Literature/TheCrimsonShadow'': Luthien's father warns him that unlike in stories this is how it really turns out to be. Luthien later learns this is true for himself.

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