Is there an issue? Send a MessageReason:
corrected misspellings
Changed line(s) 8,9 (click to see context) from:
[[WMG:The whole thing is in Barbara's head]]
Barbara begins the movie visiting a graveyard. Early lines of dialogue, leading up to the first encounter with one of the dead, detail how Johnny used to scare her as a child in cemeteries. When he realizes she's still afraid, he starts teasing her again, claiming that the man they see is one of the monsters "coming to get" her. This triggers a latent psychological disorder in Barbara that locks her into a fantasy about the dead coming back to life and attacking people. This explains all the moments that make little to no sense, like the Coopers suddenly appearing after she and Ben have been alone in the house for an extended period. It's her psychosis expanding, perhaps incorporating people or character archetypes from her past in the struggle against the dead.
Barbara begins the movie visiting a graveyard. Early lines of dialogue, leading up to the first encounter with one of the dead, detail how Johnny used to scare her as a child in cemeteries. When he realizes she's still afraid, he starts teasing her again, claiming that the man they see is one of the monsters "coming to get" her. This triggers a latent psychological disorder in Barbara that locks her into a fantasy about the dead coming back to life and attacking people. This explains all the moments that make little to no sense, like the Coopers suddenly appearing after she and Ben have been alone in the house for an extended period. It's her psychosis expanding, perhaps incorporating people or character archetypes from her past in the struggle against the dead.
to:
[[WMG:The whole thing is in Barbara's Barbra's head]]
Barbara Barbra begins the movie visiting a graveyard. Early lines of dialogue, leading up to the first encounter with one of the dead, detail how Johnny used to scare her as a child in cemeteries. When he realizes she's still afraid, he starts teasing her again, claiming that the man they see is one of the monsters "coming to get" her. This triggers a latent psychological disorder in Barbara Barbra that locks her into a fantasy about the dead coming back to life and attacking people. This explains all the moments that make little to no sense, like the Coopers suddenly appearing after she and Ben have been alone in the house for an extended period. It's her psychosis expanding, perhaps incorporating people or character archetypes from her past in the struggle against the dead.
Is there an issue? Send a MessageReason:
None
Changed line(s) 10,13 (click to see context) from:
* Alternatively, Barbra was the one that hit her head on the grave instead of Johnny, but instead of the blow killing her, it knocks her out, and the movie is just one long, crazy nightmare for her while she is hospitalized.
[[WMG:''Film/[[Fido]]'' is an alternate sequel for Night of the Living Dead.]]
The world has defeated all the ghouls that had risen that night, but they could not find a way to stop any people who died after the event from rising. Their solution? Closed communities and putting the dead to use as pets and companions. In this future, although civilization was restored, that night continued to have a profound effect on some of the survivors like Bill Robinson.
[[WMG:''Film/[[Fido]]'' is an alternate sequel for Night of the Living Dead.]]
The world has defeated all the ghouls that had risen that night, but they could not find a way to stop any people who died after the event from rising. Their solution? Closed communities and putting the dead to use as pets and companions. In this future, although civilization was restored, that night continued to have a profound effect on some of the survivors like Bill Robinson.
to:
* Alternatively, Barbra was the one that hit her head on the grave instead of Johnny, but instead of the blow killing her, it knocks her out, and the movie is just one long, crazy nightmare for her while she is hospitalized.
[[WMG:''Film/[[Fido]]'' is an alternate sequel for Night of the Living Dead.]]
The world has defeated all the ghouls that had risen that night, but they could not find a way to stop any people who died after the event from rising. Their solution? Closed communities and putting the dead to use as pets and companions. In this future, although civilization was restored, that night continued to have a profound effect on some of the survivors like Bill Robinson.hospitalized.
[[WMG:''Film/[[Fido]]'' is an alternate sequel for Night of the Living Dead.]]
The world has defeated all the ghouls that had risen that night, but they could not find a way to stop any people who died after the event from rising. Their solution? Closed communities and putting the dead to use as pets and companions. In this future, although civilization was restored, that night continued to have a profound effect on some of the survivors like Bill Robinson.
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
[[WMG:''Fido'' is an alternate sequel for Night of the Living Dead.]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
[[WMG:''[[Film/Fido]]'' is an alternate sequel for Night of the Living Dead.]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
[[WMG:''Film/Fido'' is an alternate sequel for Night of the Living Dead.]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 10 (click to see context) from:
* Alternatively, Barbra was the one that hit her head on the grave instead of Johnny, but instead of the blow killing her, it knocks her out, and the movie is just one long, crazy nightmare for her while she is hospitalized.
to:
* Alternatively, Barbra was the one that hit her head on the grave instead of Johnny, but instead of the blow killing her, it knocks her out, and the movie is just one long, crazy nightmare for her while she is hospitalized.hospitalized.
[[WMG:''Film/Fido'' is an alternate sequel for Night of the Living Dead.]]
The world has defeated all the ghouls that had risen that night, but they could not find a way to stop any people who died after the event from rising. Their solution? Closed communities and putting the dead to use as pets and companions. In this future, although civilization was restored, that night continued to have a profound effect on some of the survivors like Bill Robinson.
[[WMG:''Film/Fido'' is an alternate sequel for Night of the Living Dead.]]
The world has defeated all the ghouls that had risen that night, but they could not find a way to stop any people who died after the event from rising. Their solution? Closed communities and putting the dead to use as pets and companions. In this future, although civilization was restored, that night continued to have a profound effect on some of the survivors like Bill Robinson.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
Barbara begins the movie visiting a graveyard. Early lines of dialogue, leading up to the first encounter with one of the dead, detail how Johnny used to scare her as a child in cemeteries. When he realizes she's still afraid, he starts teasing her again, claiming that the man they see is one of the monsters "coming to get" her. This triggers a latent psychological disorder in Barbara that locks her into a fantasy about the dead coming back to life and attacking people. This explains all the moments that make little to no sense, like the Coopers suddenly appearing after she and Ben have been alone in the house for an extended period. It's her psychosis expanding, perhaps incorporating people or character archetypes from her past in the struggle against the dead.
to:
Barbara begins the movie visiting a graveyard. Early lines of dialogue, leading up to the first encounter with one of the dead, detail how Johnny used to scare her as a child in cemeteries. When he realizes she's still afraid, he starts teasing her again, claiming that the man they see is one of the monsters "coming to get" her. This triggers a latent psychological disorder in Barbara that locks her into a fantasy about the dead coming back to life and attacking people. This explains all the moments that make little to no sense, like the Coopers suddenly appearing after she and Ben have been alone in the house for an extended period. It's her psychosis expanding, perhaps incorporating people or character archetypes from her past in the struggle against the dead.dead.
* Alternatively, Barbra was the one that hit her head on the grave instead of Johnny, but instead of the blow killing her, it knocks her out, and the movie is just one long, crazy nightmare for her while she is hospitalized.
* Alternatively, Barbra was the one that hit her head on the grave instead of Johnny, but instead of the blow killing her, it knocks her out, and the movie is just one long, crazy nightmare for her while she is hospitalized.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
Cooper was right that staying on the ground floor was a deathtrap, and Ben does have a point about only one way out from the basement. So why not get everyone upstairs, fill the stairway with stuff (beds, mattresses, chairs and other large furniture) that would make a barricade. No easy access from the ground for the generally clumsy ghouls and plenty of escape routes via windows if necessary.
to:
Cooper was right that staying on the ground floor was a deathtrap, and Ben does have a point about only one way out from the basement. So why not get everyone upstairs, fill the stairway with stuff (beds, mattresses, chairs and other large furniture) that would make a barricade. No easy access from the ground for the generally clumsy ghouls and plenty of escape routes via windows if necessary.necessary.
[[WMG:The whole thing is in Barbara's head]]
Barbara begins the movie visiting a graveyard. Early lines of dialogue, leading up to the first encounter with one of the dead, detail how Johnny used to scare her as a child in cemeteries. When he realizes she's still afraid, he starts teasing her again, claiming that the man they see is one of the monsters "coming to get" her. This triggers a latent psychological disorder in Barbara that locks her into a fantasy about the dead coming back to life and attacking people. This explains all the moments that make little to no sense, like the Coopers suddenly appearing after she and Ben have been alone in the house for an extended period. It's her psychosis expanding, perhaps incorporating people or character archetypes from her past in the struggle against the dead.
[[WMG:The whole thing is in Barbara's head]]
Barbara begins the movie visiting a graveyard. Early lines of dialogue, leading up to the first encounter with one of the dead, detail how Johnny used to scare her as a child in cemeteries. When he realizes she's still afraid, he starts teasing her again, claiming that the man they see is one of the monsters "coming to get" her. This triggers a latent psychological disorder in Barbara that locks her into a fantasy about the dead coming back to life and attacking people. This explains all the moments that make little to no sense, like the Coopers suddenly appearing after she and Ben have been alone in the house for an extended period. It's her psychosis expanding, perhaps incorporating people or character archetypes from her past in the struggle against the dead.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
Cooper was right that staying on the ground floor was a deathtrap, and Ben does have a point about only one way out from the basement. So why not get everyone upstairs, fill the stairway with stuff (beds, mattresses chairs and other large furniture) that would make a barricade. No easy access from the ground for the generally clumsy ghouls and plenty of escape routes via windows if necessary.
to:
Cooper was right that staying on the ground floor was a deathtrap, and Ben does have a point about only one way out from the basement. So why not get everyone upstairs, fill the stairway with stuff (beds, mattresses mattresses, chairs and other large furniture) that would make a barricade. No easy access from the ground for the generally clumsy ghouls and plenty of escape routes via windows if necessary.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
The owner of the house tried to escape the house and got munched on by the ghouls. The corpse reanimated and wandered into the house. Then Cooper and Co. arrived, killed the ghoul, closed the doors and locked themselves in the cellar.
to:
The owner of the house tried to escape the house and got munched on by the ghouls. The corpse reanimated and wandered into the house. Then Cooper and Co. arrived, killed the ghoul, closed the doors and locked themselves in the cellar.cellar.
[[WMG:Why not go upstairs]]
Cooper was right that staying on the ground floor was a deathtrap, and Ben does have a point about only one way out from the basement. So why not get everyone upstairs, fill the stairway with stuff (beds, mattresses chairs and other large furniture) that would make a barricade. No easy access from the ground for the generally clumsy ghouls and plenty of escape routes via windows if necessary.
[[WMG:Why not go upstairs]]
Cooper was right that staying on the ground floor was a deathtrap, and Ben does have a point about only one way out from the basement. So why not get everyone upstairs, fill the stairway with stuff (beds, mattresses chairs and other large furniture) that would make a barricade. No easy access from the ground for the generally clumsy ghouls and plenty of escape routes via windows if necessary.
Is there an issue? Send a MessageReason:
Just adding a WMG
Added DiffLines:
[[WMG:The staircase corpse DID become a zombie]]
The owner of the house tried to escape the house and got munched on by the ghouls. The corpse reanimated and wandered into the house. Then Cooper and Co. arrived, killed the ghoul, closed the doors and locked themselves in the cellar.
The owner of the house tried to escape the house and got munched on by the ghouls. The corpse reanimated and wandered into the house. Then Cooper and Co. arrived, killed the ghoul, closed the doors and locked themselves in the cellar.
