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* TechnologyMarchesOn / UnintentionalPeriodPiece: The flip phones, fashion, and {{animesque}} appearance obviously place the comics and show in the 2000s.

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* TechnologyMarchesOn / UnintentionalPeriodPiece: TechnologyMarchesOn[=/=]UnintentionalPeriodPiece: The flip phones, fashion, and {{animesque}} appearance obviously place the comics and show in the 2000s.



** The comic series was evisioned as significantly more serious and with many horror vibes. Once Disney stepped in and then quickly removed the original creators, most of that went to the bin, the entire franchise was retooled and whatever arc plots were started got squashed. For starters, Elyon was being set up as a future BigBad with WeUsedToBeFriends angle to her. While many secondary bits and pieces of the original ideas still remained (and the comics are definitely ''not'' glitter and ditzy teen girls), it's a far cry of where the original direction was heading.

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** The comic series was evisioned as significantly more serious and with many horror vibes. vibes, with what passes as "teen" in Italy (11-16) as its designated audience. Once Disney stepped in and then quickly removed the original creators, most of that went to the bin, the entire franchise was retooled for girls 10 to 12 and whatever arc plots were already started got squashed. For starters, Elyon was being set up as a future BigBad with WeUsedToBeFriends angle to her. While many secondary bits and pieces of the original ideas still remained (and the comics are definitely ''not'' all glitter and ditzy teen girls), it's a far cry of where the original direction was heading.

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* WhatCouldHaveBeen: Until its cancellation, plans for a third season were fully mapped out and three scripts were produced shortly before production stopped. It would have loosely adapted the Crisis on Both Worlds arc with several major changes. The new season was planned to be more [[DarkerandEdgier darker, intense and serious than the previous two]]. A total of 30 episodes were set to be produced instead of 26. Phobos, Nerissa, Miranda and Cedric were to return but take on more morally ambiguous anti-heroic roles. Alchemy, Raphael Sylla, Riddle, Tony Vandom and Uriah Dunn were to be added to the main cast along with the five leads. Peter, Nigel, Eric, and Martin were also to be given larger roles. A major storyline would've been Dean and Susan officially being engaged and the girls' friends and families discovering they were Guardians and a major change from the comics was the main villain of the season was going to be a disillusioned priest who begins to develop abilities of his own.

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* WhatCouldHaveBeen: WhatCouldHaveBeen:
** The comic series was evisioned as significantly more serious and with many horror vibes. Once Disney stepped in and then quickly removed the original creators, most of that went to the bin, the entire franchise was retooled and whatever arc plots were started got squashed. For starters, Elyon was being set up as a future BigBad with WeUsedToBeFriends angle to her. While many secondary bits and pieces of the original ideas still remained (and the comics are definitely ''not'' glitter and ditzy teen girls), it's a far cry of where the original direction was heading.
**
Until its cancellation, plans for a third season of the animated series were fully mapped out and three scripts were produced shortly before production stopped. It would have loosely adapted the Crisis on Both Worlds arc with several major changes. The new season was planned to be more [[DarkerandEdgier darker, intense and serious than the previous two]]. A total of 30 episodes were set to be produced instead of 26. Phobos, Nerissa, Miranda and Cedric were to return but take on more morally ambiguous anti-heroic roles. Alchemy, Raphael Sylla, Riddle, Tony Vandom and Uriah Dunn were to be added to the main cast along with the five leads. Peter, Nigel, Eric, and Martin were also to be given larger roles. A major storyline would've been Dean and Susan officially being engaged and the girls' friends and families discovering they were Guardians and a major change from the comics was the main villain of the season was going to be a disillusioned priest who begins to develop abilities of his own.
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* AmericansHateTingle: While being a sensation across Europe and pretty popular throughout the [=00s=], for whatever reasons the comics never gained even a fraction of that following in the English-speaking countries. Hyperion eventually stopped publishing new issues quite early in the run, citing already low sales.
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** A whole lot of tie-in material for the franchise, particularly the novels, were very rarely translated to other languages. Except for the first five books by Lene Kaaberbøl (written originally in English, no less), everything else stayed either in Danish, Swedish, Italian or Polish, depending on who wrote it, never to be released outside the local market. What makes it weirder is the fact they were all published by Egmont Group, a Danish publishing house, that normally translates to variety of European languages and was also responsible for printing and translating the comics.

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* WhatCouldHaveBeen: Peter, Nigel, Eric, Martin and Alchemy were intended to play a larger role in the cartoon's cancelled third season.

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* WhatCouldHaveBeen: Until its cancellation, plans for a third season were fully mapped out and three scripts were produced shortly before production stopped. It would have loosely adapted the Crisis on Both Worlds arc with several major changes. The new season was planned to be more [[DarkerandEdgier darker, intense and serious than the previous two]]. A total of 30 episodes were set to be produced instead of 26. Phobos, Nerissa, Miranda and Cedric were to return but take on more morally ambiguous anti-heroic roles. Alchemy, Raphael Sylla, Riddle, Tony Vandom and Uriah Dunn were to be added to the main cast along with the five leads. Peter, Nigel, Eric, and Martin and Alchemy were intended also to play a be given larger role in roles. A major storyline would've been Dean and Susan officially being engaged and the cartoon's cancelled third season.girls' friends and families discovering they were Guardians and a major change from the comics was the main villain of the season was going to be a disillusioned priest who begins to develop abilities of his own.
**Also, Sylla was meant to be introduced as a hired mercenary by Dr. Theodore Riddle, to keep an eye on the girls and attempt to steal the Heart of Kandrakar. He also knows the girls are the Guardians, thanks to Riddle using his telepathy to discover their identities.
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This is more applicable to It Will Never Catch On.


** The creators of the original comic [[https://sealedinabook.tumblr.com/post/182084822152/i-cannot-for-the-life-of-me-reblog were removed]] from the series early on. Disney Italia dismissed them as soon as a project [[AndYouThoughtItWouldFail they thought was dead-on-arrival]] became a major success, and shifted the series into a softer direction than what was intended. The change is evident as early as Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.

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** The creators of the original comic [[https://sealedinabook.tumblr.com/post/182084822152/i-cannot-for-the-life-of-me-reblog were removed]] from the series early on. Disney Italia dismissed them as soon as a project [[AndYouThoughtItWouldFail [[ItWillNeverCatchOn they thought was dead-on-arrival]] became a major success, and shifted the series into a softer direction than what was intended. The change is evident as early as Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.
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* UncreditedRole: The entire voice cast is left out of the credits for the show's first season.
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** The creators of the original comic [[https://sealedinabook.tumblr.com/post/182084822152/i-cannot-for-the-life-of-me-reblog were removed]] from the series early on. Disney Italia dismissed them, leading to the remainder of rest of the story went in a different direction than what was intended. The shift is evident in Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.

to:

** The creators of the original comic [[https://sealedinabook.tumblr.com/post/182084822152/i-cannot-for-the-life-of-me-reblog were removed]] from the series early on. Disney Italia dismissed them, leading to them as soon as a project [[AndYouThoughtItWouldFail they thought was dead-on-arrival]] became a major success, and shifted the remainder of rest of the story went in series into a different softer direction than what was intended. The shift change is evident in as early as Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.



** The cartoon is the subject of an infamous book chapter by first season co-showrunner Andrew Nicholls, which details the sheer amount of executive meddling that went on during production. This chapter has been widely misinterpreted by fans and haters alike, as the writer makes clear that this has happened on every single show he's worked on and is basically the standard in the industry, and more importantly something like ''half'' of the examples listed '''actually made it into the show''', making them instances of executive meddling ''failure'' instead. (A detailed analysis can be found [[https://tvtropes.org/pmwiki/posts.php?discussion=13239784260A48118600&page=4#comment-89 here]].) Also, probably the biggest change demanded by the network was a shift in focus from more [[GirlShowGhetto girl-oriented]] comedy to more boy-oriented action, but this happened ''in pre-production'' with the existing episode scripts being rewritten, so the actual series maintained a relatively consistent tone.

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** The cartoon is An interesting example for the subject of an infamous book chapter by first season co-showrunner animated series. Co-showrunner Andrew Nicholls, which details Nicholls dedicating a section of his book "Valuable Lessons" to detailing the sheer amount of executive meddling that went on during production. This chapter has been widely misinterpreted by fans and haters alike, as the writer makes clear production of this show, but notes that this has happened on every single show he's worked on and is basically the standard in the industry, and more importantly something like ''half'' many of the examples listed '''actually made it into are par for the show''', making them instances of executive meddling ''failure'' instead. (A detailed analysis can be found course in television production. That doesn't stop many fans and forum-goers from believing the show was completely screwed at every turn. See [[https://tvtropes.org/pmwiki/posts.php?discussion=13239784260A48118600&page=4#comment-89 here]].) Also, probably this forum post]] for a good breakdown on how the biggest change demanded by contents actually relate to the network was final product, which some of the executive-mandated changes coming in so early during development that they're better categorized as WhatCouldHaveBeen more than anything else (such as a shift in focus from more [[GirlShowGhetto girl-oriented]] comedy to more boy-oriented action, but this happened ''in pre-production'' with the existing episode scripts being rewritten, so the actual series maintained a relatively consistent tone.action).
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* InternationalCoproduction: It's a show produced by [[Creator/SIPAnimation an independent French studio]] working together with [[Creator/{{Disney}} an American media giant]] ([[MegaCorp which owned 49% of it]]), based on a series of Italian comics [[MegaCorp also owned by said US conglomerate]]. All of the writing and original voice acting was done in English by Americans based in UsefulNotes/LosAngeles (who were officially employed by said French company [[LoopholeAbuse to save money]]), while all the other aspects of production like storyboards and music were handled in UsefulNotes/{{Paris}}. Oh, and Creator/{{Fox Kids}} UK ([[RuleOfThree soon purchased by]] [[MegaCorp Disney]] and turned into Jetix UK) wanted in on the action too, so the writers had to deal with input from ''[[UpToEleven four different countries]]''.

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* InternationalCoproduction: It's a show produced by [[Creator/SIPAnimation an independent French studio]] working together with [[Creator/{{Disney}} an American media giant]] ([[MegaCorp which owned 49% of it]]), based on a series of Italian comics [[MegaCorp also owned by said US conglomerate]]. All of the writing and original voice acting was done in English by Americans based in UsefulNotes/LosAngeles (who were officially employed by said French company [[LoopholeAbuse to save money]]), while all the other aspects of production like storyboards and music were handled in UsefulNotes/{{Paris}}. Oh, and Creator/{{Fox Kids}} UK ([[RuleOfThree soon purchased by]] [[MegaCorp Disney]] and turned into Jetix UK) wanted in on the action too, so the writers had to deal with input from ''[[UpToEleven four different countries]]''.countries]]'', not counting the three overseas animation contractors in [[Creator/WangFilmProductions Taiwan]], [[Creator/HongYing China]] and [[Creator/DongWooAnimation Korea]].
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* ProductionPosse: Creator/GregWeisman brought several of his ''WesternAnimation/{{Gargoyles}}'' associates with him for season 2, including Cary Bates on writing, and Creator/KathSoucie and Creator/EdAsner on voice detail.
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* NamesTheSame: Caleb is not to be confused with the guy from VideoGame/{{Blood}} even if both wear long coats and have no last names.
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* WriterConflictsWithCanon: Weisman believes that Irma is lesbian, however there isn't anything in the series that implies such and quite a bit that contradicts this. She could be closeted, though, or maybe she hasn't realized her sexuality yet. Or she could actually be [[BiTheWay bisexual]] rather than a lesbian, and Weisman used the wrong terminology.

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* WriterConflictsWithCanon: Weisman believes that Irma is lesbian, however there isn't anything in the series that implies such and quite a bit that contradicts this. She could be closeted, though, or maybe she hasn't realized her sexuality yet. Or she could actually be [[BiTheWay bisexual]] bisexual rather than a lesbian, and Weisman used the wrong terminology.
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resituate slightly stranded sentence


** The cartoon is the subject of an infamous book chapter by first season co-showrunner Andrew Nicholls, which details the sheer amount of executive meddling that went on during production. This chapter has been widely misinterpreted by fans and haters alike, as the writer makes clear that this has happened on every single show he's worked on and is basically the standard in the industry, and more importantly something like ''half'' of the examples listed '''actually made it into the show''', making them instances of executive meddling ''failure'' instead. Also, probably the biggest change demanded by the network was a shift in focus from more [[GirlShowGhetto girl-oriented]] comedy to more boy-oriented action, but this happened ''in pre-production'' with the existing episode scripts being rewritten, so the actual series maintained a consistent tone. A detailed analysis can be found [[https://tvtropes.org/pmwiki/posts.php?discussion=13239784260A48118600&page=4#comment-89 here]].

to:

** The cartoon is the subject of an infamous book chapter by first season co-showrunner Andrew Nicholls, which details the sheer amount of executive meddling that went on during production. This chapter has been widely misinterpreted by fans and haters alike, as the writer makes clear that this has happened on every single show he's worked on and is basically the standard in the industry, and more importantly something like ''half'' of the examples listed '''actually made it into the show''', making them instances of executive meddling ''failure'' instead. Also, probably the biggest change demanded by the network was a shift in focus from more [[GirlShowGhetto girl-oriented]] comedy to more boy-oriented action, but this happened ''in pre-production'' with the existing episode scripts being rewritten, so the actual series maintained a consistent tone. A (A detailed analysis can be found [[https://tvtropes.org/pmwiki/posts.php?discussion=13239784260A48118600&page=4#comment-89 here]].) Also, probably the biggest change demanded by the network was a shift in focus from more [[GirlShowGhetto girl-oriented]] comedy to more boy-oriented action, but this happened ''in pre-production'' with the existing episode scripts being rewritten, so the actual series maintained a relatively consistent tone.
Is there an issue? Send a MessageReason:
None


** The cartoon is the subject of an infamous book chapter by first season co-showrunner Andrew Nicholls, which details the sheer amount of executive meddling that went on during production. This chapter has been widely misinterpreted by fans and haters alike, as the writer makes clear that this has happened on every single show he's worked on and is basically the standard in the industry, and more importantly something like ''half'' of the examples listed '''actually made it into the show''', making them instances of executive meddling ''failure'' instead. A detailed analysis can be found [[https://tvtropes.org/pmwiki/posts.php?discussion=13239784260A48118600&page=4#comment-89 here]].

to:

** The cartoon is the subject of an infamous book chapter by first season co-showrunner Andrew Nicholls, which details the sheer amount of executive meddling that went on during production. This chapter has been widely misinterpreted by fans and haters alike, as the writer makes clear that this has happened on every single show he's worked on and is basically the standard in the industry, and more importantly something like ''half'' of the examples listed '''actually made it into the show''', making them instances of executive meddling ''failure'' instead. Also, probably the biggest change demanded by the network was a shift in focus from more [[GirlShowGhetto girl-oriented]] comedy to more boy-oriented action, but this happened ''in pre-production'' with the existing episode scripts being rewritten, so the actual series maintained a consistent tone. A detailed analysis can be found [[https://tvtropes.org/pmwiki/posts.php?discussion=13239784260A48118600&page=4#comment-89 here]].

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* ExecutiveMeddling: The creators of the original comic [[https://sealedinabook.tumblr.com/post/182084822152/i-cannot-for-the-life-of-me-reblog were removed]] from the series early on. Disney Italia dismissed them, leading to the remainder of rest of the story went in a different direction than what was intended. The shift is evident in Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.
-->'''Alessandro Barbucci & Barbara Canepa:''' "We conceived of "W.I.T.C.H." together with Elisabetta Gnone, the then-director of girls publications for Disney. We worked for three years in secret on it and she then presented the project to the big bosses at Disney. They thought that this project was crazy, a sure-fire bomb, complete waste of time, and that mangas wouldn't have a chance in Europe anyway (!!!). However, we didn't let ourselves be led astray and worked for another year on it anyway, with a tiny budget and without publicity. And then the series became a worldwide hit. The official version from Disney is, of course, that "W.I.T.C.H." is a product of their brilliant, visionary marketing strategy... the end of the series was then taken out of our hands, we actually had something a lot more intelligent planned for it. Now, as you can see, Elisabetta Gnone and the two of us no longer work for Disney... a really sad story."

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* ExecutiveMeddling: ExecutiveMeddling:
**
The creators of the original comic [[https://sealedinabook.tumblr.com/post/182084822152/i-cannot-for-the-life-of-me-reblog were removed]] from the series early on. Disney Italia dismissed them, leading to the remainder of rest of the story went in a different direction than what was intended. The shift is evident in Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.
-->'''Alessandro --->'''Alessandro Barbucci & Barbara Canepa:''' "We conceived of "W.I.T.C.H." together with Elisabetta Gnone, the then-director of girls publications for Disney. We worked for three years in secret on it and she then presented the project to the big bosses at Disney. They thought that this project was crazy, a sure-fire bomb, complete waste of time, and that mangas wouldn't have a chance in Europe anyway (!!!). However, we didn't let ourselves be led astray and worked for another year on it anyway, with a tiny budget and without publicity. And then the series became a worldwide hit. The official version from Disney is, of course, that "W.I.T.C.H." is a product of their brilliant, visionary marketing strategy... the end of the series was then taken out of our hands, we actually had something a lot more intelligent planned for it. Now, as you can see, Elisabetta Gnone and the two of us no longer work for Disney... a really sad story.""
** The cartoon is the subject of an infamous book chapter by first season co-showrunner Andrew Nicholls, which details the sheer amount of executive meddling that went on during production. This chapter has been widely misinterpreted by fans and haters alike, as the writer makes clear that this has happened on every single show he's worked on and is basically the standard in the industry, and more importantly something like ''half'' of the examples listed '''actually made it into the show''', making them instances of executive meddling ''failure'' instead. A detailed analysis can be found [[https://tvtropes.org/pmwiki/posts.php?discussion=13239784260A48118600&page=4#comment-89 here]].



* ImageSource: MagicMap (animated show)
** Cornelia serves as the picture for GreenThumb

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* ImageSource: ImageSource:
**
MagicMap (animated show)
** Cornelia serves as the picture for GreenThumbGreenThumb (comic series)

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* UnintentionalPeriodPiece: The flip phones, fashion, {{Animeseque}} appearance obviously place the comics and show in the 2000s.


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* TechnologyMarchesOn / UnintentionalPeriodPiece: The flip phones, fashion, and {{animesque}} appearance obviously place the comics and show in the 2000s.
** Much more so with the comics. In issue #2, Taranee asks Will if she can print out her biology project... from a floppy disk! Even for 2001 (still the 21st century after all), that was a bit behind the curve.
** The cartoon was actually ahead of its time in some ways, at least technologically. In episode 10 it's shown that at least one of the girls already has a cellphone with a built-in camera (albeit still a flip phone), and in "Ghosts of Elyon" HDTV is mentioned offhandedly, almost as if it were mainstream. Keep in mind that writing on season 1 started in late 2003 (though the series came out a full year later); in the US at least, the first cellphones with cameras came out in late 2002, and cable and satellite providers had only just started offering HD in 2003...
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* UnintentionalPeriodPiece: The flip phones, fashion, {{Animeseque}} appearance obviously place the comics and show in the 2000s.
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** Cornelia serves as the picture for GreenThumb

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* ImageSource:
** MagicMap (animated show)

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* ImageSource:
**
ImageSource: MagicMap (animated show)



** The cartoon has fallen to this as well, to a lesser degree. There's no shortage of places to watch it, but most of them use the same low-quality television recordings, as in most places the show never got a full DVD release. It's relatively difficult to get hold of anything in a higher resolution. In addition, most recordings use the American opening titles, and whilst there's nothing wrong with that, some fans who prefer the international theme song are going to have to look harder for versions of the show with it. (Ironically, only the international openings are ''actually available'' in high quality, since the show hasn't been released on DVD in America.)

to:

** The cartoon has fallen to this as well, to a lesser degree. There's no shortage of places to watch it, but most of them use the same low-quality television recordings, as in most places the show never got a full DVD release. It's relatively difficult to get hold of anything in a higher resolution. In addition, most recordings use the American opening titles, and whilst there's nothing wrong with that, some fans who prefer the international theme song are going to have to look harder for versions of the show with it. (Ironically, only the international openings are ''actually available'' in high quality, since the show [[NoExportForYou hasn't been released on DVD in America.America]].)



* PlayingAgainstType:
** Creator/SteveBlum as Blunk.
** Creator/DeeBradleyBaker as Cedric.

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* PlayingAgainstType:
PlayingAgainstType / TypeCasting:
** Creator/SteveBlum as Blunk.
Blunk... but also Raythor.
** Creator/DeeBradleyBaker as Cedric.Cedric and Frost... but also Martin.

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* AcclaimedFlop: The show was generally well received (more in later episodes, but still apparent early on), but low ratings meant no season 3.

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* AcclaimedFlop: The show was generally well received (more in later episodes, received, but still apparent early on), but low ratings [[ScrewedByTheNetwork network disinterest]] meant no season 3.



* KeepCirculatingTheTapes: The original Hyperion English releases of the comic are this. Creator/YenPress, under their JY label, license rescued the series, but the old releases have some [[{{Bowdlerise}} Bowdlerisations]] and a few other differences between translations, while Yen Press opted for a new translation that did away with the censorship.
** The cartoon has fallen to this as well, to a lesser degree. There's no shortage of places to watch it, but most of them use the same low-quality television recordings, as in most places the show never got a full DVD release. It's relatively difficult to get hold of anything in a higher resolution. In addition, most recordings use the American opening titles, and whilst there's nothing wrong with that, some fans who prefer the international theme song are going to have to look harder for versions of the show with it. (Ironically, only the international openings are actually available in high quality, since the show hasn't been released on DVD in America.)

to:

* KeepCirculatingTheTapes: InternationalCoproduction: It's a show produced by [[Creator/SIPAnimation an independent French studio]] working together with [[Creator/{{Disney}} an American media giant]] ([[MegaCorp which owned 49% of it]]), based on a series of Italian comics [[MegaCorp also owned by said US conglomerate]]. All of the writing and original voice acting was done in English by Americans based in UsefulNotes/LosAngeles (who were officially employed by said French company [[LoopholeAbuse to save money]]), while all the other aspects of production like storyboards and music were handled in UsefulNotes/{{Paris}}. Oh, and Creator/{{Fox Kids}} UK ([[RuleOfThree soon purchased by]] [[MegaCorp Disney]] and turned into Jetix UK) wanted in on the action too, so the writers had to deal with input from ''[[UpToEleven four different countries]]''.
* KeepCirculatingTheTapes:
**
The original Hyperion English releases of the comic are this. Creator/YenPress, under their JY label, license rescued the series, but the old releases have some [[{{Bowdlerise}} Bowdlerisations]] and a few other differences between translations, while Yen Press opted for a new translation that did away with the censorship.
** The cartoon has fallen to this as well, to a lesser degree. There's no shortage of places to watch it, but most of them use the same low-quality television recordings, as in most places the show never got a full DVD release. It's relatively difficult to get hold of anything in a higher resolution. In addition, most recordings use the American opening titles, and whilst there's nothing wrong with that, some fans who prefer the international theme song are going to have to look harder for versions of the show with it. (Ironically, only the international openings are actually available ''actually available'' in high quality, since the show hasn't been released on DVD in America.)



** The cartoon only saw full series DVD releases (including season 2) in Czechia, Poland, Hungary, Turkey, and Russia - the latter of which doesn't have the original English audio.

to:

** The cartoon only saw full series DVD releases (including season 2) in Czechia, Poland, Hungary, Turkey, and Russia - the latter of which doesn't have the original English audio.audio unlike the others.



* OutOfOrder: Season 2's Halloween episode, 'W is for Witch', which in order to air in time for the holiday, had to be shown before 'T is for Trauma'.

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* OutOfOrder: OutOfOrder:
**
Season 2's Halloween episode, 'W is for Witch', which in order to air in time for the holiday, had to be shown before 'T is for Trauma'.



* ScrewedByTheNetwork: Low ratings foiled Greg Weisman's plans for a third season of the cartoon — as per usual for him.

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* ScrewedByTheNetwork: Low ratings Network disinterest foiled Greg Weisman's plans for a third season of the cartoon — as per usual for him.
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moved from main work page

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* OutOfOrder: Season 2's Halloween episode, 'W is for Witch', which in order to air in time for the holiday, had to be shown before 'T is for Trauma'.
** Episode 16, "Walk This Way", was aired as episode 18 in the US, [[WeAllLiveInAmerica causing plenty of episode guides]] [[CowboyBebopAtHisComputer to list it as such]]. It's still 16th on the [=DVDs=] though... [[NoExportForYou if you can get them]].

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DVD info


** The cartoon has fallen to this as well, to a lesser degree. There's no shortage of places to watch it, but most of them use the same low-quality television recordings, as in most places the show never got a full DVD release. It's relatively difficult to get hold of anything in a higher resolution. In addition, most recordings use the American opening titles, and whilst there's nothing wrong with that, some fans who prefer the international theme song are going to have to look harder for versions of the show with it.

to:

** The cartoon has fallen to this as well, to a lesser degree. There's no shortage of places to watch it, but most of them use the same low-quality television recordings, as in most places the show never got a full DVD release. It's relatively difficult to get hold of anything in a higher resolution. In addition, most recordings use the American opening titles, and whilst there's nothing wrong with that, some fans who prefer the international theme song are going to have to look harder for versions of the show with it. (Ironically, only the international openings are actually available in high quality, since the show hasn't been released on DVD in America.)
* NoExportForYou:
** The cartoon only saw full series DVD releases (including season 2) in Czechia, Poland, Hungary, Turkey, and Russia - the latter of which doesn't have the original English audio.
** Even with season 1, there's no North American release, though it's on DVD throughout the rest of the world.
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** LoveBeforeFirstSight (comics)
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** MagicMap (animated show)
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* VegetarianCarnivore: While Caleb talks about his love for Roast, his voice actor is a vegetarian
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* ExecutiveMeddling: The creators of the original comic was removed from the series after the sixth issue. Disney Italia dismissed them, leading to the remainder of rest of the story went in a different direction than what was intended. The shift is evident in Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.

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* ExecutiveMeddling: The creators of the original comic was removed [[https://sealedinabook.tumblr.com/post/182084822152/i-cannot-for-the-life-of-me-reblog were removed]] from the series after the sixth issue.early on. Disney Italia dismissed them, leading to the remainder of rest of the story went in a different direction than what was intended. The shift is evident in Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.

Added: 1470

Changed: 98

Removed: 1640

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* ExecutiveMeddling: The creators of the original comic was removed from the series after the sixth issue. Disney Italia dismissed them, leading to the remainder of rest of the story went in a different direction than what was intended. The shift is evident in Issue 7, with multiple sudden plot shifts such as Elyon pulling a HeelFaceTurn and is revealed as "The Light of Meridian", the introduction of Caleb is introduced out of nowhere as Cornelia's literal dream man, the general focus change to the Crown of Light, etc.
-->'''Alessandro Barbucci & Barbara Canepa:''' "We conceived of "W.I.T.C.H." together with Elisabetta Gnone, the then-director of girls publications for Disney. We worked for three years in secret on it and she then presented the project to the big bosses at Disney. They thought that this project was crazy, a sure-fire bomb, complete waste of time, and that mangas wouldn't have a chance in Europe anyway (!!!). However, we didn't let ourselves be led astray and worked for another year on it anyway, with a tiny budget and without publicity. And then the series became a worldwide hit. The official version from Disney is, of course, that "W.I.T.C.H." is a product of their brilliant, visionary marketing strategy... the end of the series was then taken out of our hands, we actually had something a lot more intelligent planned for it. Now, as you can see, Elisabetta Gnone and the two of us no longer work for Disney... a really sad story."



* ScrewedByTheNetwork:
** The ''creators'' of the series got screwed out of it halfway through the first arc! Disney Italia dismissed them, and thus the rest of the story went in a different direction than what was intended. If one reads Issue 7, this change becomes obvious (Elyon suddenly pulls a HeelFaceTurn and is revealed as "The Light of Meridian", she and Cornelia are suddenly said to be best friends, Caleb is introduced out of nowhere as Cornelia's literal dream man, Phobos comes out of the shadows sooner than one would expect, the general story changes its focus to the Crown of Light, etc, etc.)
-->'''Alessandro Barbucci & Barbara Canepa:''' "We conceived of "W.I.T.C.H." together with Elisabetta Gnone, the then director of girls publications for Disney. We worked for three years in secret on it and she then presented the project to the big bosses at Disney. They thought that this project was crazy, a sure-fire bomb, complete waste of time, and that mangas wouldn't have a chance in Europe anyway (!!!). However, we didn't let ourselves be led astray and worked for another year on it anyway, with a tiny budget and without publicity. And then the series became a worldwide hit. The official version from Disney is, of course, that "W.I.T.C.H." is a product of their brilliant, visionary marketing strategy...the end of the series was then taken out of our hands, we actually had something a lot more intelligent planned for it. Now, as you can see, Elisabetta Gnone and the two of us no longer work for Disney...a really sad story."
** Meanwhile, low ratings foiled Greg Weisman's plans for a third season of the cartoon- as per usual for him.

to:

* ScrewedByTheNetwork:
** The ''creators'' of the series got screwed out of it halfway through the first arc! Disney Italia dismissed them, and thus the rest of the story went in a different direction than what was intended. If one reads Issue 7, this change becomes obvious (Elyon suddenly pulls a HeelFaceTurn and is revealed as "The Light of Meridian", she and Cornelia are suddenly said to be best friends, Caleb is introduced out of nowhere as Cornelia's literal dream man, Phobos comes out of the shadows sooner than one would expect, the general story changes its focus to the Crown of Light, etc, etc.)
-->'''Alessandro Barbucci & Barbara Canepa:''' "We conceived of "W.I.T.C.H." together with Elisabetta Gnone, the then director of girls publications for Disney. We worked for three years in secret on it and she then presented the project to the big bosses at Disney. They thought that this project was crazy, a sure-fire bomb, complete waste of time, and that mangas wouldn't have a chance in Europe anyway (!!!). However, we didn't let ourselves be led astray and worked for another year on it anyway, with a tiny budget and without publicity. And then the series became a worldwide hit. The official version from Disney is, of course, that "W.I.T.C.H." is a product of their brilliant, visionary marketing strategy...the end of the series was then taken out of our hands, we actually had something a lot more intelligent planned for it. Now, as you can see, Elisabetta Gnone and the two of us no longer work for Disney...a really sad story."
** Meanwhile, low
ScrewedByTheNetwork: Low ratings foiled Greg Weisman's plans for a third season of the cartoon- cartoon — as per usual for him.
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The source mentions Irma, not Cassidy


* WordOfGay: Creator/GregWeisman (Supervising Producer and Story Editor of the second season) [[http://s8.org/gargoyles/askgreg/search.php?qid=8857 believes Cassidy is a lesbian]], and that Nerissa is bisexual... once being lovers with Cassidy: "You have no idea what she meant to me."

to:

* WordOfGay: Creator/GregWeisman (Supervising Producer and Story Editor of the second season) [[http://s8.org/gargoyles/askgreg/search.php?qid=8857 believes Cassidy Irma is a lesbian]], and that Nerissa is bisexual... once being lovers with Cassidy: "You have no idea what she meant to me."
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* WordOfGay: Creator/GregWeisman (Supervising Producer and Story Editor of the second season) [[http://s8.org/gargoyles/askgreg/search.php?qid=8857 believes Irma is a lesbian]], and that Nerissa is bisexual... once being lovers with Cassidy: "You have no idea what she meant to me."

to:

* WordOfGay: Creator/GregWeisman (Supervising Producer and Story Editor of the second season) [[http://s8.org/gargoyles/askgreg/search.php?qid=8857 believes Irma Cassidy is a lesbian]], and that Nerissa is bisexual... once being lovers with Cassidy: "You have no idea what she meant to me."
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Added DiffLines:

* VegetarianCarnivore: While Caleb talks about his love for Roast, his voice actor is a vegetarian

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