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* AuthorsSavingThrow: The sequel film focusing on Mikazuki Munechika and Yamanbagiri Kunihiro's relationship after complaints about the pair having a distant relationship in the first film can likely be interpreted as this.
* CreatorBacklash: "Backlash" may be a bit strong, but Hiroki Suzuki and Yoshihiko Aramaki, who play Yamanbagiri and Mikazuki in the live-action film and the stageplays, respectively, both expressed disappointment that their characters were no longer close in the film. They had both grown very invested in their characters and their relationship, even though they knew going in that the movie followed a different plot than the plays. As a result, they were both saddened when asked to portray their relationship as distant. Given that the sequel depicts the two as having a closer relationship--so much so that part of the plot involves Mikazuki going back in time to find Yamanbagiri after he disappears--it is likely that the sequel was written in response to their disappointment.

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* AuthorsSavingThrow: The sequel film focusing on Although there was no major scandal surrounding it, fans and even the actors expressed some worry about how far apart Yamanbagiri Kunihiro and Mikazuki Munechika and Yamanbagiri Kunihiro's relationship after complaints about were in the pair having a distant first live-action movie, given their close relationship in the first film can likely be interpreted stage plays. The second movie would make up for this by showing Mikazuki and Yamanbagiri as this.
being closer, with much of the plot centering on Mikazuki's search for Yamanbagiri after he went missing during a mission.
* CreatorBacklash: "Backlash" may be a bit strong, but Hiroki Suzuki and Yoshihiko Aramaki, who play Yamanbagiri and Mikazuki in the live-action film and the stageplays, respectively, both expressed disappointment that their characters were no longer close in the film. They had both grown very invested in their characters and their relationship, even though they knew going in that the movie followed a different plot than the plays. As a result, they were both saddened when asked to portray their relationship as distant. Given that the sequel depicts the two as having a closer relationship--so much so that part of the plot involves Mikazuki going back in time to find Yamanbagiri after he disappears--it is likely that the sequel was written in response to their disappointment.
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** Hiroki Suzuki, Mikazuki Munechika’s actor, claims that because the swords aren’t samurai or humans, instead sword Tsukumogami given human form, they wanted to portray that by depicting them as iron-hearted when they fight, showing how cutting they can be, and how they keep fighting after they take a hit. You’re also meant to see the coldness in their eyes when they fight.

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** Hiroki Suzuki, Mikazuki Munechika’s Munechika's actor, claims that because the swords aren’t aren't samurai or humans, instead but rather sword Tsukumogami given human form, they wanted to portray that by depicting them as iron-hearted when they fight, showing demonstrating how cutting they can be, and how they keep fighting continue to fight after they take taking a hit. You’re You're also meant supposed to see notice the coldness in their eyes when they fight.
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*** Uguisumaru's fighting style is mostly about evading attacks and striking his opponent with his sword at the last moment. He was the most difficult person to choreograph for.

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*** Uguisumaru's fighting style is mostly about evading attacks and striking his opponent with his sword at the last moment. He was the most difficult person to choreograph for.for.
*** The stunt coordinator was a little frustrated that the actors had such a good grasp on their characters and thusly could make the moves their own with little practice, even if he taught them something a little advanced. He also claims that everyone was more agile than even some stuntmen.
** Hiroki Suzuki, Mikazuki Munechika’s actor, claims that because the swords aren’t samurai or humans, instead sword Tsukumogami given human form, they wanted to portray that by depicting them as iron-hearted when they fight, showing how cutting they can be, and how they keep fighting after they take a hit. You’re also meant to see the coldness in their eyes when they fight.
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*** As stated in WaggingTheDirector, the stunt coordinator had a completely different image in mind for Hasebe when he was planning his stunts, believing Hasebe was the embodiment of Jidaigeki, only for his actor Wada to reject the idea when presented with it, correcting him by telling him he's more cavalier, like a knight. After rethinking it, the director decided that instead of making Hasebe solely a knight, they'd incorporate Chinese-style sword-fighting into his moves.

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*** As stated in WaggingTheDirector, WagTheDirector, the stunt coordinator had a completely different image in mind for Hasebe when he was planning his stunts, believing Hasebe was the embodiment of Jidaigeki, only for his actor Wada to reject the idea when presented with it, correcting him by telling him he's more cavalier, like a knight. After rethinking it, the director decided that instead of making Hasebe solely a knight, they'd incorporate Chinese-style sword-fighting into his moves.
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** The Saniwa baton pass from old man to child represents how emperors were allowed to ascend the throne before they could even walk. It also represents the cycle of life and death, as the old Saniwa had to die in order for someone new and young to take his place.

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** The Saniwa baton pass from old man to child represents how emperors were allowed to ascend the throne before they could even walk. It also represents the cycle of life and death, as the old Saniwa had to die in order for someone new and young to take his place.place.
** Hibari Daisuke, the first film's stunt coordinator, summarized the inspiration behind the Touken Danshi's distinct fighting styles in Ginmaku no Touken Danshi, the behind-the-scenes special:
*** Mikazuki Munechika's moves were choreographed to be graceful and beautiful, similar to those performed in [[https://en.m.wikipedia.org/wiki/Nihon-buy%C5%8D Nichibu]].
*** Yamanbagiri Kunihiro fights with a sword and a metal scabbard, using the sword to kill enemies and the scabbard to deal blows in a not-quite dual wielding fashion. [[https://en.m.wikipedia.org/wiki/Batt%C5%8Djutsu Battoujutsu]] was also incorporated in his fighting style.
*** Yagen Toushirou is a tantou, which means he fights at close range. Because his actor is agile, the coordinator increased the number of jumps to maximize his performance.
*** The coordinator incorporated Drunken Boxing for tantou in Fudou Yukimitsu's fighting style to match the range of stunts his actor could do.
*** As stated in WaggingTheDirector, the stunt coordinator had a completely different image in mind for Hasebe when he was planning his stunts, believing Hasebe was the embodiment of Jidaigeki, only for his actor Wada to reject the idea when presented with it, correcting him by telling him he's more cavalier, like a knight. After rethinking it, the director decided that instead of making Hasebe solely a knight, they'd incorporate Chinese-style sword-fighting into his moves.
*** The coordinator originally intended to make Nohongou whirl his weapon around because he is a pole arm, but changed his mind after realizing that the Japanese spear is not like a Chinese staff; you do not swing it around, but rather stab people with it. After considering how many stunts he could pull off with stabbing, he decided Nihongou could get physical with his opponent if they got too close, so he wouldn't be completely helpless when that happened.
*** Uguisumaru's fighting style is mostly about evading attacks and striking his opponent with his sword at the last moment. He was the most difficult person to choreograph for.
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* CreatorBacklash: "Backlash" is probably too strong a word, but Yoshihiko Aramaki and Hiroki Suzuki, who portray Yamanbagiri and Mikazuki in the stageplays as well as the live action film, both expressed disappointment that their characters no longer had a close bond in the movie. Although they both went in knowing that the movie had a different continuity to the plays, they had both become extremely invested and attached to their characters and their relationship, and couldn't help but feel saddened when asked to play their relationship as being distant and cold.

to:

* CreatorBacklash: "Backlash" is probably too strong may be a word, bit strong, but Hiroki Suzuki and Yoshihiko Aramaki and Hiroki Suzuki, Aramaki, who portray play Yamanbagiri and Mikazuki in the stageplays as well as live-action film and the live action film, stageplays, respectively, both expressed disappointment that their characters were no longer had a close bond in the movie. Although they both went in knowing that the movie had a different continuity to the plays, they film. They had both become extremely grown very invested and attached to in their characters and their relationship, and couldn't help but feel even though they knew going in that the movie followed a different plot than the plays. As a result, they were both saddened when asked to play portray their relationship as being distant and cold.distant. Given that the sequel depicts the two as having a closer relationship—so much so that part of the plot involves Mikazuki going back in time to find Yamanbagiri after he disappears—it is likely that the sequel was written in response to their disappointment.

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** Theatre/StageToukenRanbu actors Yoshihiko Aramaki, Masanari Wada, Hiroki Suzuki, Ryou Kitamura, and Taino Shiina reprise their roles as Yamanbagiri Kunihiro, Heshikiri Hasebe, Mikazuki Munechika, Yagen Toushirou, and Fudou Yukimitsu, respectively.
** In the sequel, stage play actors Yuki Tamaki, Reo Honda, and Mizuki Umetsu reprise their roles as Kogarasumaru, Ichigo Hitofuri, and Yamanbagiri Chougi, respectively. There are also a number of other stage play actors who cameo as their original characters during the ending battle. Most notable among them, Ishikirimaru is played by his ''Theatre/MusicalToukenRanbu'' actor Tsubasa Sakiyama.

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** Theatre/StageToukenRanbu ''Theatre/ToukenRanbuStage'' actors Yoshihiko Aramaki, Masanari Wada, Hiroki Suzuki, Ryou Kitamura, and Taino Shiina reprise their roles as Yamanbagiri Kunihiro, Heshikiri Hasebe, Mikazuki Munechika, Yagen Toushirou, and Fudou Yukimitsu, respectively.
** In the sequel, stage play actors Yuki Tamaki, Reo Honda, and Mizuki Umetsu reprise their roles as Kogarasumaru, Ichigo Hitofuri, and Yamanbagiri Chougi, respectively. There are also a number of
** In both the first and second film, many
other stage Touken Danshi that didn’t play actors who a major role in the main plot cameo as at the ends of the film, most played by their original characters during the ending battle. Most stage play actors. However, most notable among them, Ishikirimaru is actually played by his ''Theatre/MusicalToukenRanbu'' actor Tsubasa Sakiyama.

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The actors face can be seen. It appears that both of Tsurumaru’s actors reprised the role for the cameo


** A few of the stage play actors (Yoshihiko Aramaki, Masanari Wada, Hiroki Suzuki, Ryou Kitamura, and Taizo Shiina) reprise their roles as Yamanbagiri, Hasebe, Mikazuki Munechika, Yagen, and Yukimitsu respectively in the live action film.
** In the sequel, stage play actors Yuki Tamaki (Kogarasumaru), Reo Honda (Ichigo Hitofuri), and Mizuki Umetsu (Yamanbagiri Chougi) all reprise their roles as the characters in the film.
* UncreditedRole: Tsurumaru makes a cameo alongside many other characters in the movie, all played by their stage actors, but his actor is not listed in the credits and whenever he's in shot his face is either offscreen or out of focus, making it impossible to tell if it was [[TheOriginalDarrin Toshiyuki Someya]] or [[TheOtherDarrin Kento]] playing him.
* WagTheDirector:The director wanted Heshikiri Hasebe to be quite violent and bloodthirsty in battle as a reference to the [[LudicrousGibs meaning]] of his first name. Masanari Wada, who had previously portrayed Hasebe in the stageplays and had [[RoleReprise returned]] for the movie, objected to this, arguing that Hasebe was refined and collected when fighting, and that the planned fight choreography would be extremely out of character for him since a big part of Hasebe's characterisation is his distaste for his first name and for the [[DeathOfAChild violent event]] that led to it. The director ended up agreeing and so the fight choreography was changed.

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** A few of the stage play Theatre/StageToukenRanbu actors (Yoshihiko Yoshihiko Aramaki, Masanari Wada, Hiroki Suzuki, Ryou Kitamura, and Taizo Shiina) Taino Shiina reprise their roles as Yamanbagiri, Yamanbagiri Kunihiro, Heshikiri Hasebe, Mikazuki Munechika, Yagen, Yagen Toushirou, and Yukimitsu respectively in the live action film.
Fudou Yukimitsu, respectively.
** In the sequel, stage play actors Yuki Tamaki (Kogarasumaru), Tamaki, Reo Honda (Ichigo Hitofuri), Honda, and Mizuki Umetsu (Yamanbagiri Chougi) all reprise their roles as the Kogarasumaru, Ichigo Hitofuri, and Yamanbagiri Chougi, respectively. There are also a number of other stage play actors who cameo as their original characters in during the film.
* UncreditedRole: Tsurumaru makes a cameo alongside many other characters in the movie, all
ending battle. Most notable among them, Ishikirimaru is played by their stage actors, but his ''Theatre/MusicalToukenRanbu'' actor is not listed in the credits and whenever he's in shot his face is either offscreen or out of focus, making it impossible to tell if it was [[TheOriginalDarrin Toshiyuki Someya]] or [[TheOtherDarrin Kento]] playing him.
Tsubasa Sakiyama.
* WagTheDirector:The WagTheDirector: The director wanted Heshikiri Hasebe to be quite violent and bloodthirsty in battle as a reference to the [[LudicrousGibs meaning]] of his first name. Masanari Wada, who had previously portrayed Hasebe in the stageplays and had [[RoleReprise returned]] for the movie, objected to this, arguing that Hasebe was refined and collected when fighting, and that the planned fight choreography would be extremely out of character for him since a big part of Hasebe's characterisation is his distaste for his first name and for the [[DeathOfAChild violent event]] that led to it. The director ended up agreeing and so the fight choreography was changed.

Added: 425

Changed: 236

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* RoleReprise: A few of the stage play actors (Yoshihiko Aramaki, Masanari Wada, Hiroki Suzuki, Ryou Kitamura, and Taizo Shiina) reprise their roles as Yamanbagiri, Hasebe, Mikazuki Munechika, Yagen, and Yukimitsu respectively in the live action film.

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* RoleReprise: RoleReprise:
**
A few of the stage play actors (Yoshihiko Aramaki, Masanari Wada, Hiroki Suzuki, Ryou Kitamura, and Taizo Shiina) reprise their roles as Yamanbagiri, Hasebe, Mikazuki Munechika, Yagen, and Yukimitsu respectively in the live action film.
** In the sequel, stage play actors Yuki Tamaki (Kogarasumaru), Reo Honda (Ichigo Hitofuri), and Mizuki Umetsu (Yamanbagiri Chougi) all reprise their roles as the characters in the
film.
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Added DiffLines:

* AuthorsSavingThrow: The sequel film focusing on Mikazuki Munechika and Yamanbagiri Kunihiro's relationship after complaints about the pair having a distant relationship in the first film can likely be interpreted as this.
Is there an issue? Send a MessageReason:
None


* WagTheDirector:The director wanted Heshikiri Hasebe to be quite violent and bloodthirsty in battle as a reference to the [[LudicrousGibs meaning]] of his first name. Masanari Wada, who had previously portrayed Hasebe in the stageplays and had [[RoleReprise returned]] for the movie, objected to this, arguing that Hasebe was refined and collected when fighting, and that the planned fight choreography would be extremely out of character for him since a big part of Hasebe's characterisation is his distaste for his first name and for the [[DeathOfAChild violent event]] that led to it. The director ended up agreeing and so the fight choreography was changed.

to:

* WagTheDirector:The director wanted Heshikiri Hasebe to be quite violent and bloodthirsty in battle as a reference to the [[LudicrousGibs meaning]] of his first name. Masanari Wada, who had previously portrayed Hasebe in the stageplays and had [[RoleReprise returned]] for the movie, objected to this, arguing that Hasebe was refined and collected when fighting, and that the planned fight choreography would be extremely out of character for him since a big part of Hasebe's characterisation is his distaste for his first name and for the [[DeathOfAChild violent event]] that led to it. The director ended up agreeing and so the fight choreography was changed.changed.
* WordOfGod:
** The new Saniwa is played by the director's daughter, who thought it would be fun to have her make a cameo appearance in the film.
** The Saniwa baton pass from old man to child represents how emperors were allowed to ascend the throne before they could even walk. It also represents the cycle of life and death, as the old Saniwa had to die in order for someone new and young to take his place.

Added: 1017

Changed: 239

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None


* RoleReprise: Except for Nihongou's actor, every actor who played Touken Danshi in the stage play reprised their roles in the live action film.

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* RoleReprise: Except for Nihongou's actor, every actor who played Touken Danshi in A few of the stage play reprised actors (Yoshihiko Aramaki, Masanari Wada, Hiroki Suzuki, Ryou Kitamura, and Taizo Shiina) reprise their roles as Yamanbagiri, Hasebe, Mikazuki Munechika, Yagen, and Yukimitsu respectively in the live action film.film.
* UncreditedRole: Tsurumaru makes a cameo alongside many other characters in the movie, all played by their stage actors, but his actor is not listed in the credits and whenever he's in shot his face is either offscreen or out of focus, making it impossible to tell if it was [[TheOriginalDarrin Toshiyuki Someya]] or [[TheOtherDarrin Kento]] playing him.
* WagTheDirector:The director wanted Heshikiri Hasebe to be quite violent and bloodthirsty in battle as a reference to the [[LudicrousGibs meaning]] of his first name. Masanari Wada, who had previously portrayed Hasebe in the stageplays and had [[RoleReprise returned]] for the movie, objected to this, arguing that Hasebe was refined and collected when fighting, and that the planned fight choreography would be extremely out of character for him since a big part of Hasebe's characterisation is his distaste for his first name and for the [[DeathOfAChild violent event]] that led to it. The director ended up agreeing and so the fight choreography was changed.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* CreatorBacklash: "Backlash" is probably too strong a word, but Yoshihiko Aramaki and Hiroki Suzuki, who portray Yamanbagiri and Mikazuki in the stageplays as well as the live action film, both expressed disappointment that their characters no longer had a close bond in the movie. Although they both went in knowing that the movie had a different continuity to the plays, they had both become extremely invested and attached to their characters and their relationship, and couldn't help but feel saddened when asked to play their relationship as being distant and cold.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* NoExportForYou: Despite the fact that the film was successful enough to warrant a sequel, it was never released outside of Japan, making it difficult for Touken Ranbu fans outside of Japan to watch it.
* RoleReprise: Except for Nihongou's actor, every actor who played Touken Danshi in the stage play reprised their roles in the live action film.

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