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* Fanvid: ''[[https://youtube.com/watch?v=0N_Yw5_NjRw Tosca as seen by Lerner and Loewe]]'' is a culture-jamming GenreMashup setting music and dialogue from ''Theatre/MyFairLady'' to the old Covent Garden film of ''Tosca'''s Act II with Maria Callas and Tito Gobbi. Not only brilliantly funny, it got compliments from Cecile Gobbi, who wrote to the creator to say her dad would have loved it.
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* {{Corpsing}}: Literally in this case. Even in this intensely tragic melodrama, sometimes things just happen. Maria Callas was blind as a bat without her glasses and in one production the set was so damn dark after Tosca kills Scarpia that at the premiere she found herself literally bumbling around trying to find her way off the stage. Tito Gobbi (who was supposed to be dead) gallantly tried to discreetly point to the exit, but started giggling, which set her off, along with people in the front row. In subsequent performances he was able to whisper some directions to her.

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*** Gianni Raimondi was another firing squad casualty. A misfiring gun left him with facial burns.



** Toscas have missed the mattress in the final jump. Poor Elisabeth Knighton Printy, for instance, fell thirty feet and broke ''both'' her legs.

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** Toscas have missed the mattress in the final jump. Poor Elisabeth Knighton Printy, for instance, fell thirty feet and broke ''both'' her legs. legs, her pelvis and ribs.
** Placido Domingo fell off the ladder of the painter's scaffold and crashed against the wall of the Attavanti Chapel. He was okay, other than a broken nose. Well, that and it was on live television.
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*** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic. At least he had some experience with the role. Fortunately all went well once the dust settled.

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*** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic. At least he had some experience with the role. Fortunately all went well once the dust settled. Sir David's production is [[https://operawire.com/metropolitan-opera-2021-22-review-tosca/ still playing at the Metropolitan in 2022]] and is loved for its "extravagance and historical accuracy".
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** Gobbi doesn't say where or when, but as Callas was shoved by a guard, she fell backwards over a small step behind her. Gobbi gave her a quick "are you okay?" look, she looked back reassuringly, and the two of them proceeded to use it. He held out his hand to her. She went for it, clutching his arm and pleading ''"Salvatelo"''! (Save him!) He responded ''"Io? Voi!"'' (I? You!) and ''dropped her.''
--> Whereupon she dropped back despairingly on the ground with such apparent helplessness and pathos that a slight gasp of indignant sympathy ran through the house. She needed no instructions, no hint of what was in my mind theatrically speaking. She knew and made the perfect completion of what I had started. With Maria it was not performing but living.
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** Jonas Kaufmann, the original Cavaradossi, withdrew only weeks after the production was announced, and was replaced by Vittorio Grigòlo, who had never sung Cavaradossi before.
** Then Kristine Opolais, the original Tosca, withdrew a few months later for personal reasons, and was replaced by Sonya Yoncheva, who had never sung Tosca before.
** After that, Andris Nelsons, the original conductor and Opolais' husband at the time, also dropped out. James Levine was then planning to replace him when [[https://www.nytimes.com/2017/12/03/arts/music/james-levine-met-opera.html?smid=fb-share&_r=0 his career was abruptly destroyed in a major sexual abuse scandal]], resulting in Emmanuel Villaume to take over.
** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic. At least he had some experience with the role. Fortunately all went well once the dust settled.

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** *** Jonas Kaufmann, the original Cavaradossi, withdrew only weeks after the production was announced, and was replaced by Vittorio Grigòlo, who had never sung Cavaradossi before.
** Then *** Then, Kristine Opolais, the original Tosca, withdrew a few months later for personal reasons, and was replaced by Sonya Yoncheva, who had never sung Tosca before.
** *** After that, Andris Nelsons, the original conductor and Opolais' husband at the time, then-husband, also dropped out. James Levine was then planning to replace him when [[https://www.nytimes.com/2017/12/03/arts/music/james-levine-met-opera.html?smid=fb-share&_r=0 his career was abruptly destroyed in a major sexual abuse scandal]], resulting in Emmanuel Villaume to take over.
** *** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic. At least he had some experience with the role. Fortunately all went well once the dust settled.
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* HeartwarmingMoments: At curtain calls on the final night of performances for ''Tosca'' at the San Francisco Opera, Sept. 5, 2021, Soloman Howard, who played Angelotti, held up his hand to ask the audience to hold their applause for a minute. [[GrandRomanticGesture He then knelt]] in front of an astonished Ailyn Pérez, that night's Tosca, and [[https://operawire.com/san-francisco-operas-tosca-ends-with-surprise-marriage-proposal/ asked her to marry him]]. Amid cheers and applause, she fervently accepted.

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* HeartwarmingMoments: SugarWiki/HeartwarmingMoments: At curtain calls on the final night of performances for ''Tosca'' at the San Francisco Opera, Sept. 5, 2021, Soloman Howard, who played Angelotti, held up his hand to ask the audience to hold their applause for a minute. [[GrandRomanticGesture He then knelt]] in front of an astonished Ailyn Pérez, that night's Tosca, and [[https://operawire.com/san-francisco-operas-tosca-ends-with-surprise-marriage-proposal/ asked her to marry him]]. Amid cheers and applause, she fervently accepted.
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* HeartwarmingMoments: At curtain calls on the final night of performances for ''Tosca'' at the San Francisco Opera, Sept. 5, 2021, Soloman Howard, who played Angelotti, held up his hand to ask the audience to hold their applause for a minute. [[GrandRomanticGesture He then knelt]] in front of an astonished Ailyn Pérez, that night's Tosca, and [[https://operawire.com/san-francisco-operas-tosca-ends-with-surprise-marriage-proposal/ asked her to marry him]]. Amid cheers and applause, she fervently accepted.

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* TroubledProduction: Sir David [=McVicar's=] production at the Met Opera for the 2017-18 season turned out to be this.
** Jonas Kaufmann, the original Cavaradossi, withdrew only weeks after the production was announced, and was replaced by Vittorio Grigòlo.
** Then Kristine Opolais, the original Tosca, withdrew a few months later for personal reasons, and was replaced by Sonya Yoncheva.
** After that, Andris Nelsons, the original conductor and Opolais' husband at the time, also dropped out. James Levine was then planning to replace him when his career was abruptly destroyed in a major sexual abuse scandal, resulting in Emmanuel Villaume to take over.
** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic.

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* TroubledProduction: Sir David [=McVicar's=] [[https://www.nytimes.com/2017/12/28/arts/music/tosca-met-opera-james-levine.html production at the Met Opera for the 2017-18 season season]] turned out to be this.
** First off, this production was set to replace 2009's notoriously godawful Luc Bondy abortion with its Brutalist sets and crude sexual antics. The pressure was on everybody, big time, to give the public a return to the classic story in all its splendor. The designers went out of their way to create an experience of beauty as well as historical accuracy. Fine so far. Then things started going pear-shaped:
** Jonas Kaufmann, the original Cavaradossi, withdrew only weeks after the production was announced, and was replaced by Vittorio Grigòlo.Grigòlo, who had never sung Cavaradossi before.
** Then Kristine Opolais, the original Tosca, withdrew a few months later for personal reasons, and was replaced by Sonya Yoncheva.
Yoncheva, who had never sung Tosca before.
** After that, Andris Nelsons, the original conductor and Opolais' husband at the time, also dropped out. James Levine was then planning to replace him when [[https://www.nytimes.com/2017/12/03/arts/music/james-levine-met-opera.html?smid=fb-share&_r=0 his career was abruptly destroyed in a major sexual abuse scandal, scandal]], resulting in Emmanuel Villaume to take over.
** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic. At least he had some experience with the role. Fortunately all went well once the dust settled.

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*** This was Fabio Armiliato, who had recently been grazed by a sword in ''Carmen''. He refused to cancel subsequent performances and continued with crutches for the next one. While he was standing backstage waiting to come in for Act II, one crutch caught in something and he fell and broke the ''other'' leg.

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*** This was Fabio Armiliato, who had recently been grazed by a sword in ''Carmen''. He refused to cancel subsequent performances and continued with crutches for the next one. While he was standing waiting backstage waiting to come in for Act II, one crutch caught in something and he fell and broke the ''other'' leg.leg.
*** A very early performance with Lina Cavalieri is said to have ended with the tenor playing Cavaradossi actually being killed. Cavalieri apparently reacted calmly and called for help. This all may be an UrbanLegend.
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*** This was Fabio Armiliato, who had recently been grazed by a sword in ''Carmen''. He refused to cancel subsequent performances and continued with crutches for the next one. While he was standing backstage waiting to come in for Act II, one crutch caught in something and he fell and broke the ''other'' leg.

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*** 1966, conducted by Lorin Maazel: Swedish soprano Birgit Nilsson as Tosca, Italian tenor Franco Corelli as Cavaradossi, and German baritone Dietrich Fischer-Dieskau as Scarpia.
*** 1972, conducted by Zubin Mehta: African-American soprano Leontyne Price as Tosca, Spanish tenor Plácido Domingo as Cavaradossi, and American baritone Sherrill Milnes as Scarpia.

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*** 1963 Decca recording, conducted by Herbert von Karajan: African-American soprano Leontyne Price as Tosca[[note]]at her young age she'd already mastered the part, she'd already done it on TV back in the '50s and southern stations tried to keep it off the air[[/note]], Giuseppe di Stefano as Mario[[note]]his acting here much better than his singing[[/note]] and Giuseppe Taddei[[note]]smooth and urbane as ever[[/note]] as Scarpia. One of the most beautiful orchestral renditions by the Vienna Philharmonic.
*** 1964 EMI recording, conducted by Georges Prêtre: Maria Callas as Tosca[[note]]in vocal decline by this time, but superb acting[[/note]], Carlo Bergonzi as Mario[[note]]at the top of his game, he sounds positively lush[[/note]] and Tito Gobbi[[note]]what, him again?[[/note]] as Scarpia.
*** 1966, conducted by Lorin Maazel: Swedish soprano Birgit Nilsson as Tosca, Italian tenor Franco Corelli as Cavaradossi, and German baritone Dietrich Fischer-Dieskau Fischer-Dieskau[[note]]best known for subtle nuance, with a velvety, lyric-baritone voice, but here he's frighteningly cold, menacing and downright ''nasty''[[/note]] as Scarpia.
*** 1972, conducted by Zubin Mehta: African-American soprano Leontyne Price as Tosca, Spanish tenor Plácido Domingo as Cavaradossi, and American baritone Sherrill Milnes as Scarpia.
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** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic.

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** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic.Lucic.
* WriteWhoYouKnow: Tosca the character is a singer, and she's obviously played on stage by a singer. We only have to assume that [[MusicalWorldHypothesis she doesn't sing all the time when she's not at work]].
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* TroubledProduction: David [=McVicar's=] production at the Met Opera for the 2017-18 season turned out to be this.

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* TroubledProduction: Sir David [=McVicar's=] production at the Met Opera for the 2017-18 season turned out to be this.
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* TroubledProduction: David McVicar's production at the Met Opera for the 2017-18 season turned out to be this.

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* TroubledProduction: David McVicar's [=McVicar's=] production at the Met Opera for the 2017-18 season turned out to be this.
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** Then, Kristine Opolais, the original Tosca, withdrew a few months later for personal reasons, and was replaced by Sonya Yoncheva.
** Then the conductor for the production, Andris Nelsons, also dropped out, and James Levine, who planned to replace him, has his career ended in a sexual abuse scandal, leaving Emmanuel Villaume to take over.

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** Then, Then Kristine Opolais, the original Tosca, withdrew a few months later for personal reasons, and was replaced by Sonya Yoncheva.
** Then the conductor for the production, After that, Andris Nelsons, the original conductor and Opolais' husband at the time, also dropped out, and out. James Levine, who planned Levine was then planning to replace him, has him when his career ended was abruptly destroyed in a major sexual abuse scandal, leaving resulting in Emmanuel Villaume to take over.
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** Similarly, the aforementioned stabbed Scarpias did very realistic death scenes. When Antonio Scotti was stabbed by Maria Jeritza back in TheRoaringTwenties at the Old Met, his cries of pain were real. And when Tito Gobbi was stabbed by Maria Callas, he acted out his death scene with his own blood.

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** Similarly, the aforementioned stabbed Scarpias did very realistic death scenes. When Antonio Scotti was stabbed by Maria Jeritza back in TheRoaringTwenties at the Old Met, his cries of pain were real. And when Tito Gobbi was stabbed by Maria Callas, he acted out his death scene with his own blood.blood.
* TroubledProduction: David McVicar's production at the Met Opera for the 2017-18 season turned out to be this.
** Jonas Kaufmann, the original Cavaradossi, withdrew only weeks after the production was announced, and was replaced by Vittorio Grigòlo.
** Then, Kristine Opolais, the original Tosca, withdrew a few months later for personal reasons, and was replaced by Sonya Yoncheva.
** Then the conductor for the production, Andris Nelsons, also dropped out, and James Levine, who planned to replace him, has his career ended in a sexual abuse scandal, leaving Emmanuel Villaume to take over.
** And lastly, Bryn Terfel, scheduled to play Scarpia, withdrew due to apparent vocal fatigue, and was replaced by Zeljko Lucic.

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*** 1953, conducted by Albert de Sabata: Greek soprano Maria Callas as Tosca, and Italians Giuseppe Di Stephano and Tito Gobbi as Cavaradossi and Scarpia, respectively.

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*** 1953, conducted by Albert Victor de Sabata: Greek soprano Maria Callas as Tosca, and Italians Giuseppe Di Stephano Stefano and Tito Gobbi as Cavaradossi and Scarpia, respectively.respectively.
***1957, conducted by Erich Leinsdorf: Croatian soprano Zinka Milanov as Tosca, Swedish tenor Jussi Bjoerling as Cavaradossi, and American baritone Leonard Warren as Scarpia.
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* ThrowItIn: One night on stage, the famous soprano Maria Jeritza tripped and fell, just before Tosca's great aria ''Vissi d'arte''. Rather than climb awkwardly back up again to sing, she chose to remain on the floor for the duration of the aria. This worked so well that it has become traditional that Tosca sings ''Vissi d'arte'' while lying on the floor.

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* ThrowItIn: One night on stage, the famous soprano Maria Jeritza tripped and fell, just before Tosca's great aria ''Vissi d'arte''. Rather than climb awkwardly back up again to sing, she chose to remain on the floor for the duration of the aria. This worked so well that it has become traditional that Tosca sings ''Vissi d'arte'' while lying on the floor.floor.
** Similarly, the aforementioned stabbed Scarpias did very realistic death scenes. When Antonio Scotti was stabbed by Maria Jeritza back in TheRoaringTwenties at the Old Met, his cries of pain were real. And when Tito Gobbi was stabbed by Maria Callas, he acted out his death scene with his own blood.
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** Toscas have missed the mattress in the final jump.

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** Toscas have missed the mattress in the final jump. Poor Elisabeth Knighton Printy, for instance, fell thirty feet and broke ''both'' her legs.
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* DawsonCasting: This isn't as bad as other examples in opera, since Tosca is at least twenty according to Sardou's play, but she's still generally played by singers with a ''lot'' of experience under their belts.
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*** 1952, conducted by Guido Picco: Greek soprano Maria Callas as Tosca, and Italians Giuseppe Di Stephano and Tito Gobbi as Cavaradossi and Scarpia, respectively.

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*** 1952, 1953, conducted by Guido Picco: Albert de Sabata: Greek soprano Maria Callas as Tosca, and Italians Giuseppe Di Stephano and Tito Gobbi as Cavaradossi and Scarpia, respectively.
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*** The famous 1992 film by Brian Large (a performance that takes place at the exact locations and times of day according to the libretto) casts American soprano as Tosca, Plácido Domingo as Cavaradossi, and Ruggero Raimondi as Scarpia.

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*** The famous 1992 film by Brian Large (a performance that takes place at the exact locations and times of day according to the libretto) casts American soprano Catherine Malfitano as Tosca, Plácido Domingo as Cavaradossi, and Ruggero Raimondi as Scarpia.

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*** Tenor Giuseppe Di Stephano and baritone Tito Gobbi have done two separate recordings with Maria Callas and Renata Tebaldi.
*** Baritone Sherrill Milnes has done separate recordings with Mirella Freni, Luciano Pavarotti, Leontyne Price, Plácido Domingo, and Raina Kabaivanska.
*** Tenor Franco Corelli has done separate recordings with Leontyne Price and Birgit Nilsson.
*** Angela Gheorghiu, Roberto Alagna, and Ruggero Raimondi have recorded together.

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*** Tenor 1952, conducted by Guido Picco: Greek soprano Maria Callas as Tosca, and Italians Giuseppe Di Stephano and baritone Tito Gobbi have done two separate recordings with Maria Callas as Cavaradossi and Renata Tebaldi.
Scarpia, respectively.
*** Baritone 1966, conducted by Lorin Maazel: Swedish soprano Birgit Nilsson as Tosca, Italian tenor Franco Corelli as Cavaradossi, and German baritone Dietrich Fischer-Dieskau as Scarpia.
*** 1972, conducted by Zubin Mehta: African-American soprano Leontyne Price as Tosca, Spanish tenor Plácido Domingo as Cavaradossi, and American baritone
Sherrill Milnes has done separate recordings with Mirella Freni, Luciano Pavarotti, Leontyne Price, Plácido Domingo, and Raina Kabaivanska.
*** Tenor Franco Corelli has done separate recordings with Leontyne Price and Birgit Nilsson.
*** Angela Gheorghiu, Roberto Alagna, and Ruggero Raimondi have recorded together.
as Scarpia.

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** Tenor Giuseppe Di Stephano and baritone Tito Gobbi have done two separate recordings with Maria Callas and Renata Tebaldi.
** Baritone Sherrill Milnes has done separate recordings with Mirella Freni, Luciano Pavarotti, Leontyne Price, Plácido Domingo, and Raina Kabaivanska.
** Tenor Franco Corelli has done separate recordings with Leontyne Price and Birgit Nilsson
** Angela Gheorghiu, Roberto Alagna, and Ruggero Raimondi have recorded and filmed a production together.

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** Recordings:
***
Tenor Giuseppe Di Stephano and baritone Tito Gobbi have done two separate recordings with Maria Callas and Renata Tebaldi.
** *** Baritone Sherrill Milnes has done separate recordings with Mirella Freni, Luciano Pavarotti, Leontyne Price, Plácido Domingo, and Raina Kabaivanska.
** *** Tenor Franco Corelli has done separate recordings with Leontyne Price and Birgit Nilsson
**
Nilsson.
***
Angela Gheorghiu, Roberto Alagna, and Ruggero Raimondi have recorded together.
** Films/Productions:
*** Benoît Jacquot's 2001 film casts Romanian soprano Angela Gheorghiu as Tosca, French tenor Roberto Alagna as Cavaradossi,
and filmed a production together.Italian bass-baritone Ruggero Raimondi as Scarpia.
*** Gianfranco De Bosio's 1976 film casts Bulgarian soprano Raina Kabaivanska as Tosca, Spanish tenor Plácido Domingo as Cavaradossi, and American baritone Sherill Milnes as Scarpia.
*** The famous 1992 film by Brian Large (a performance that takes place at the exact locations and times of day according to the libretto) casts American soprano as Tosca, Plácido Domingo as Cavaradossi, and Ruggero Raimondi as Scarpia.
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* AllStarCast: ''Tosca'' has had many famous opera singers recording and performing on stage together as Tosca, Cavaradossi, and Scarpia:
** Tenor Giuseppe Di Stephano and baritone Tito Gobbi have done two separate recordings with Maria Callas and Renata Tebaldi.
** Baritone Sherrill Milnes has done separate recordings with Mirella Freni, Luciano Pavarotti, Leontyne Price, Plácido Domingo, and Raina Kabaivanska.
** Tenor Franco Corelli has done separate recordings with Leontyne Price and Birgit Nilsson
** Angela Gheorghiu, Roberto Alagna, and Ruggero Raimondi have recorded and filmed a production together.
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** Caravadossis have been struck by shrapnel from prop guns. See an agonizing example [[https://www.youtube.com/watch?v=Uk4N8ltMAqE here]] (at 1:58).

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** Caravadossis Cavaradossis have been struck by shrapnel from prop guns. See an agonizing example [[https://www.youtube.com/watch?v=Uk4N8ltMAqE here]] (at 1:58).
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** Scarpias have been stabbed for real with malfunctioning prop knives (This happened, for instance, to Maria Callas longtime co-performer Tito Gobbi).

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** Scarpias have been stabbed for real with malfunctioning prop knives (This happened, for instance, to Maria Callas Callas' longtime co-performer Tito Gobbi).
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* FatalMethodActing: While there have been no confirmed fatalities connected with Tosca, there have been plenty of injuries over the years, to the point where people talk about a ''Tosca'' curse:
** Scarpias have been stabbed for real with malfunctioning prop knives (This happened, for instance, to Maria Callas longtime co-performer Tito Gobbi).
** Caravadossis have been struck by shrapnel from prop guns. See an agonizing example [[https://www.youtube.com/watch?v=Uk4N8ltMAqE here]] (at 1:58).
** Toscas have missed the mattress in the final jump.
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* ThrowItIn: One night on stage, the famous soprano Maria Jeritza tripped and fell, just before Tosca's great aria ''Vissi d'arte''. Rather than climb awkwardly back up again to sing, she chose to remain on the floor for the duration of the aria. This worked so well that it has become traditional that Tosca sings ''Vissi d'arte'' while lying on the floor.

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