Is there an issue? Send a MessageReason:
None
Added DiffLines:
* HostilityOnTheSet: Creator/StanleyDonen did not want to co-direct the movie, as he'd become an established director on his own thanks to ''Film/SevenBridesForSevenBrothers'', but Creator/GeneKelly talked him into it. The two quarreled throughout the making of the film, and it ended up dissolving their partnership and their friendship.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* NonSingingVoice: Cyd Charisse's singing was dubbed by Carol Richards, Michael Kidd's by Jud Conlon.
to:
* NonSingingVoice: Cyd Charisse's Creator/CydCharisse's singing was dubbed by Carol Richards, Michael Kidd's by Jud Conlon.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* ExecutiveMeddling: Creator/{{MGM}} forced Creator/GeneKelly to use the wide-screen CinemaScope process, which he felt did not suit dancing on the screen.
to:
* ExecutiveMeddling: Creator/{{MGM}} forced Creator/GeneKelly to use the wide-screen CinemaScope Cinemascope process, which he felt did not suit dancing on the screen.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* WhatCouldHaveBeen: The premise of this film was intended for a sequel to Gene’s Theatre/OnTheTown. MGM opted not to make this version, since the star power of that film’s third costar (Jules Munshin) had diminished so much since that film’s release.
to:
* WhatCouldHaveBeen: The premise of AcclaimedFlop: Although well received critically at the time, it was not a commercial success, possibly due to its downbeat theme and the fact that more Americans were staying at home with television than going to the movies at this time.
* DivorcedInstallment: Betty Comden and Adolph Green originally conceived this filmwas intended for as a sequel to Gene’s Theatre/OnTheTown. MGM opted ''Theatre/OnTheTown'', to reunite Creator/GeneKelly with Creator/FrankSinatra and Jules Munshin; it was to be produced as a Broadway show. At Kelly's insistence, however, they made it into an Creator/{{MGM}} musical. MGM, under new production chief Dore Schary, did not want to make this version, since hire either Sinatra or Munshin; the star power of that film’s third costar (Jules Munshin) had diminished so much since that film’s release.former due to his difficult working reputation, the latter because he was not popular with audiences anymore.
* ExecutiveMeddling: Creator/{{MGM}} forced Creator/GeneKelly to use the wide-screen CinemaScope process, which he felt did not suit dancing on the screen.
* GenreKiller: This was the last major Creator/{{MGM}} dance-oriented musical.
* NonSingingVoice: Cyd Charisse's singing was dubbed by Carol Richards, Michael Kidd's by Jud Conlon.
----
* DivorcedInstallment: Betty Comden and Adolph Green originally conceived this film
* ExecutiveMeddling: Creator/{{MGM}} forced Creator/GeneKelly to use the wide-screen CinemaScope process, which he felt did not suit dancing on the screen.
* GenreKiller: This was the last major Creator/{{MGM}} dance-oriented musical.
* NonSingingVoice: Cyd Charisse's singing was dubbed by Carol Richards, Michael Kidd's by Jud Conlon.
----
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* WhatCouldHaveBeen: The premise of this film was intended for a sequel to Gene’s Theatre/OnTheTown. MGM opted not to make this version, since the star power of that film’s third costar (Jules Munshin) had diminished so much since that film’s release.
