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** Ed and Dolores moved out of their house after not paying the rent. Dolores decided to go live with her mother, while Ed has to stay at Bella's house. They talked about bad decisions and hoped that ''Bride of the Monster'' would make a comeback on Bella's career.

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** Ed and Dolores moved out of their house after not paying the rent. Dolores decided to go live with her mother, while Ed has to stay at Bella's Bela's house. They talked about bad decisions and hoped that ''Bride of the Monster'' would make a comeback on Bella's Bela's career.
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* AwesomeDearBoy: Creator/RickBaker was a fan of Creator/EdWood and Creator/BelaLugosi, and as soon as he heard tell of the film being made, he wrote a letter to Creator/TimBurton lobbying for a job as the film's makeup artist, claiming that [[DoingItForTheArt he would have worked on this film for free.]]
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** Ed visits Tor Johnson's house for dinner and introduces his family. Ed and Tor talk about the break up he had with Doloris Fuller.

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** Ed visits Tor Johnson's house for dinner and introduces his family. Ed and Tor talk about the break up he had with Doloris Fuller.Dolores Fuller. Tor's wife, Greta, tells Ed that her husband is not a monster and shouldn't be playing scary roles.
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* DeletedScene:
** Ed talks to Bela about what movie they should make after ''Glen or Glenda''. Bela mentions he wants to play Dracula again. Ed comes up with an idea for a movie called ''Dr. Acula'', a mad scientist who dresses up as a vampire.
** Ed and Dolores moved out of their house after not paying the rent. Dolores decided to go live with her mother, while Ed has to stay at Bella's house. They talked about bad decisions and hoped that ''Bride of the Monster'' would make a comeback on Bella's career.
** Ed and company sneaks into a studio to steal a rubber octopus. They attempted to climb the gate, but Tor Johnson couldn't. He tore the chains that locked the gate with his bare hands.
** After stealing the rubber octopus, Ed and the crew got chased out of the studio by a security guard.
** Bunny shows up at the wrap party with a mariachi band. He sings ''Que Sera'' as he enters.
** Ed visits Tor Johnson's house for dinner and introduces his family. Ed and Tor talk about the break up he had with Doloris Fuller.
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* ChannelHop: The film was originally developed at Creator/ColumbiaPictures. However studio boss Mark Canton objected to making the film in black and white. Creator/TimBurton walked off with the project, shopping it around various other studios such as Creator/TwentiethCenturyFox, Creator/ParamountPictures, Creator/UniversalPictures and Creator/WarnerBros, until The Walt Disney Company picked it up under its Creator/TouchstonePictures banner (while granting Burton creative control).


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* CreatorsFavorite: Creator/JohnnyDepp named Ed Wood as one of his three favourite roles.
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* PlayingAgainstType: An oddly specific example in Creator/MauriceLaMarche, who dubbed over the physical performance of Creator/VincentDOnofrio as Creator/OrsonWelles. [=LaMarche=] has become legendary for his countless lampoonings of Welles, but this is so far the only time he's ever played him straight.[[note]]It recalls Rich Little playing Creator/JohnnyCarson for ''The Late Shift''.[[/note]]

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* PlayingAgainstType: An oddly specific example in Creator/MauriceLaMarche, who dubbed over the physical performance of Creator/VincentDOnofrio as Creator/OrsonWelles. [=LaMarche=] has become legendary for his countless lampoonings of Welles, but this is so far the only time he's ever played him straight.[[note]]It recalls Rich Little Creator/RichLittle playing Creator/JohnnyCarson for ''The Late Shift''.[[/note]]
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Spelling


** Originally the film was written as a miniseries, with Michael Lehmann attached as director as Tim Burton as executive producer. During development it was changed to being a film, and Lehmann and Burton swapped roles. Initially the screenplay tried to keep as much of the story from the miniseries as possible, which resulted in earlier drafts being so long that it would have made for a three-hour film, but it was eventually pared down to get the 127-minute running time of the end product.

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** Originally the film was written as a miniseries, with Michael Lehmann attached as director as and Tim Burton as executive producer. During development it was changed to being a film, and Lehmann and Burton swapped roles. Initially the screenplay tried to keep as much of the story from the miniseries as possible, which resulted in earlier drafts being so long that it would have made for a three-hour film, but it was eventually pared down to get the 127-minute running time of the end product.
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* AcclaimedFlop: Won two Oscars and was critically loved, but made little over $5,9 million (on an $18 million budget).[[note]]Ironically, the film cost more than all of the real Creator/EdWood's films combined.[[/note]]

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* AcclaimedFlop: Won two Oscars and was critically loved, but made little over $5,9 only about $5.9 million (on an $18 million budget).[[note]]Ironically, the film cost more than all of the real Creator/EdWood's films combined.[[/note]]
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* AcclaimedFlop: Won two Oscars and was critically loved, but made little over $5 million (on an $18 million budget).[[note]]Ironically, the film cost more than all of the real Creator/EdWood's films combined.[[/note]]

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* AcclaimedFlop: Won two Oscars and was critically loved, but made little over $5 $5,9 million (on an $18 million budget).[[note]]Ironically, the film cost more than all of the real Creator/EdWood's films combined.[[/note]]
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** Creator/DebraWinger turned down the role of Dolores Fuller.
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* BoxOfficeBomb: Budget, $18 million. Box office, $5.9 million. This was Creator/TimBurton's first film to not do well at the box office. It was also the very last movie released while Jeffrey Katzenberg was still on distributor Disney's lot; he left the lot and ended his involvement with the studio the next day. The film did win an Oscar though (Best Supporting Actor for Martin Landau's performance as Creator/BelaLugosi).

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* BoxOfficeBomb: Budget, $18 million. Box office, $5.9 million. This was Creator/TimBurton's first film to not do well at the box office. It was also the very last movie released while Jeffrey Katzenberg was still on distributor Disney's lot; he left the lot and ended his involvement with the studio the next day. The film did win an Oscar two Oscars though (Best Makeup and Best Supporting Actor for Martin Landau's performance as Creator/BelaLugosi).

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* ColbertBump: Unsurprisingly, the film helped the films of the real Ed Wood gain significantly more popularity in the mainstream (and even a significant LGBTFanbase) after they'd only been known in small circles of b-movie enthusiasts.



* CanonDiscontinuity: The films Creator/EdWood made during this time period without Creator/BelaLugosi were deliberately excluded.


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* ColbertBump: Unsurprisingly, the film helped the films of the real Ed Wood gain significantly more popularity in the mainstream (and even a significant LGBTFanbase) after they'd only been known in small circles of b-movie enthusiasts.
* CreatorsFavoriteEpisode: Creator/TimBurton regards this as his best film.
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* ColbertBump: Unsurprisingly, the film helped the films of the real Ed Wood gain significantly more popularity in the mainstream (and even a significant LGBTFanbase) after they'd only been known in small circles of b-movie enthusiasts.

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moved to creator


!!Trivia for the [[Creator/EdWood creator]]:
%%* CopiouslyCreditedCreator
* DevelopmentHell: ''Film/NightOfTheGhouls'' was shot in 1959 but didn't get a release til 1984 when a studio paid for the lab bill. Wood also toiled on a book, ''Hollywood Rat Race'', in the early 60's, but didn't get a release til a publisher took the unfinished manuscript and released it in 1998.
* NoBudget: Basically his entire filmography was this ,[[UpToEleven and boy did it show]].

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!!Trivia for the [[Creator/EdWood creator]]:
%%* CopiouslyCreditedCreator
* DevelopmentHell: ''Film/NightOfTheGhouls'' was shot in 1959 but didn't get a release til 1984 when a studio paid for the lab bill. Wood also toiled on a book, ''Hollywood Rat Race'', in the early 60's, but didn't get a release til a publisher took the unfinished manuscript and released it in 1998.
* NoBudget: Basically his entire filmography was this ,[[UpToEleven and boy did it show]].
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* CreatorRecovery: At the time, Creator/JohnnyDepp was depressed about films and filmmaking. By accepting this part, it gave him a "chance to stretch out and have some fun", and working with Martin Landau, "rejuvenated my love for acting".

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* CreatorRecovery: At the time, Creator/JohnnyDepp was depressed about films and filmmaking. By accepting this part, it gave him a "chance to stretch out and have some fun", and working with Martin Landau, Creator/MartinLandau, "rejuvenated my love for acting".



* RealLifeRelative: Averted. Martin Landau stars and his daughter [[Creator/JulietLandau Juliet]] plays Loretta King, but the two aren't related in-universe.

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* RealLifeRelative: Averted. Martin Landau Creator/MartinLandau stars and his daughter [[Creator/JulietLandau Juliet]] plays Loretta King, but the two aren't related in-universe.

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* CopiouslyCreditedCreator

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%%* CopiouslyCreditedCreator
* CopiouslyCreditedCreatorDevelopmentHell: ''Film/NightOfTheGhouls'' was shot in 1959 but didn't get a release til 1984 when a studio paid for the lab bill. Wood also toiled on a book, ''Hollywood Rat Race'', in the early 60's, but didn't get a release til a publisher took the unfinished manuscript and released it in 1998.
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None

Added DiffLines:

* BoxOfficeBomb: Budget, $18 million. Box office, $5.9 million. This was Creator/TimBurton's first film to not do well at the box office. It was also the very last movie released while Jeffrey Katzenberg was still on distributor Disney's lot; he left the lot and ended his involvement with the studio the next day. The film did win an Oscar though (Best Supporting Actor for Martin Landau's performance as Creator/BelaLugosi).

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* ActorAllusion: Tor Johnson, a professional wrestler turned actor, is played here by professional wrestler [[Wrestling/GeorgeSteele George "The Animal" Steele]].



* CastTheExpert: See Actor Allusion, above.

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* CastTheExpert: See Actor Allusion, above.Tor Johnson, a professional wrestler turned actor, is played here by professional wrestler [[Wrestling/GeorgeSteele George "The Animal" Steele]].
* CreatorRecovery: At the time, Creator/JohnnyDepp was depressed about films and filmmaking. By accepting this part, it gave him a "chance to stretch out and have some fun", and working with Martin Landau, "rejuvenated my love for acting".



* PlayingAgainstType: An oddly specific example in Creator/MauriceLaMarche, who dubbed over the physical performance of Vincent D'Onofrio as Creator/OrsonWelles. [=LaMarche=] has become legendary for his countless lampoonings of Welles, but this is so far the only time he's ever played him straight.[[note]]It recalls Rich Little playing Johnny Carson for ''The Late Shift''.[[/note]]

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* PlayingAgainstType: An oddly specific example in Creator/MauriceLaMarche, who dubbed over the physical performance of Vincent D'Onofrio Creator/VincentDOnofrio as Creator/OrsonWelles. [=LaMarche=] has become legendary for his countless lampoonings of Welles, but this is so far the only time he's ever played him straight.[[note]]It recalls Rich Little playing Johnny Carson Creator/JohnnyCarson for ''The Late Shift''.[[/note]]



* RealitySubtext: Tim Burton agreed to do this movie when he saw how much Wood's relationship with his childhood horror movie hero Bela Lugosi reminded him of his own relationship with his childhood horror movie hero Creator/VincentPrice.

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* RealitySubtext: Tim Burton Creator/TimBurton agreed to do this movie when he saw how much Wood's relationship with his childhood horror movie hero Bela Lugosi Creator/BelaLugosi reminded him of his own relationship with his childhood horror movie hero Creator/VincentPrice.
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*** Another part of the longer screenplay featured the hand that George Weiss had with the last minute production stages of ''Glen or Glenda'', including adding the porno footage to increase the film's running time to the minimum length, persuading Ed to use an alias for his credit as Glen to avoid being cast in a bad light with film producers, and mentioning how he attempted alternative titles for the movie to sound more appealing to audiences (Which failed miserably.) Tim Burton probably felt these facts were not important enough to bother putting into the movie.
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* SerendipityWritesThePlot: Why is the film shot in black and white? To evoke the kind of low-budget aesthetic Wood himself was infamous for? Probably; but it was actually because nobody working on the film had seen Bela Lugosi's one color picture: "Scared to Death" and thus did not know what he looked like in color.

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* SerendipityWritesThePlot: Why is the film shot in black and white? To evoke the kind of low-budget aesthetic Wood himself was infamous for? Probably; but it was actually because nobody working on the film had seen knew what Bela Lugosi's one color picture: "Scared to Death" and thus did not know what he Lugosi looked like in color.color (Lugosi had made exactly one obscure color picture, ''Scared To Death'').
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* SerendipityWritesThePlot: Why is the film shot in black and white? To evoke the kind of low-budget aesthetic Wood himself was infamous for? Probably; but it was actually because nobody working on the film had seen Bela Lugosi's one color picture: "Scared to Death."

to:

* SerendipityWritesThePlot: Why is the film shot in black and white? To evoke the kind of low-budget aesthetic Wood himself was infamous for? Probably; but it was actually because nobody working on the film had seen Bela Lugosi's one color picture: "Scared to Death."Death" and thus did not know what he looked like in color.
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None


* SerendipityWritesThePlot: Why is the film shot in black and white? To evoke the kind of low-budget aesthetic Wood himself was infamous for? Probably; but it was actually because nobody working on the film knew what Bela Lugosi looked like in color.

to:

* SerendipityWritesThePlot: Why is the film shot in black and white? To evoke the kind of low-budget aesthetic Wood himself was infamous for? Probably; but it was actually because nobody working on the film knew what had seen Bela Lugosi looked like in color.Lugosi's one color picture: "Scared to Death."
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None

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* NoBudget: Basically his entire filmography was this ,[[UpToEleven and boy did it show]].

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