History Theatre / MusicalToukenRanbu

* LetsDuet: Since the second act is the shortest portion of the main story performances, not every character is able to sing a solo. Instead, two characters (or, less often, three) are selected to sing the solos, seemingly based on main story relevance or popularity, with the remaining characters being paired off in duets or the uncommon trio song. Some of these duet pairs are pretty arbitrary, as some the characters that end up singing together have minimal or no relevant interactions beyond being in the same team, yet interact during their songs seeming uncharacteristically close.
* LimitedWardrobe: Usually PlayedStraight in the main story, as the characters are almost always shown wearing the same outfit no matter how much time passes in the story. Every character also has an Uchiban outfit, although these have only been used twice in the entire series and are only seen when the characters spend an extended period of time in the citadel.

* ''Sengo Muramasa Tonbokiri - Souki Shutsujin -'' (2023) -- A play focusing on Sengo Muramasa and Tonbokiri. Unlike the previous plays, it's more of an artistic journey than a proper story.

The first three musicals eventually received adaptations in print media; {{Novelization}}s of the first three musicals have been released with illustrations done by Creator/SuiIshida of ''Manga/TokyoGhoul'' fame, while ''Atsukashiyama Ibun'' and ''Bakamatsu Tenrouden'' got manga adaptations drawn by Kyo Yamazaki and serialized in ''[[Magazine/ShonenJump Tonari no Young Jump]]''. There is also a series of official playbooks for the series, currently up to ''Kishou Hongi''.

* PragmaticAdaptation: The manga adaptation removes all musical numbers and Live segments where the Touken Danshi become idols, leaving only a mostly straight retelling of the main story of each play being adapted.

The first three musicals eventually received adaptations in print media; {{Novelization}}s of the first three musicals have been released with illustrations done by Creator/SuiIshida of ''Manga/TokyoGhoul'' fame, while ''Atsukashiyama Ibun'' and ''Bakamatsu Tenrouden'' got manga adaptations drawn by Kyo Yamazaki and serialized in ''[[Magazine/ShonenJump Tonari no Young Jump]]''.

* IntercourseWithYou: "can you guess what?" is one of the few team concert set songs with this theme, as they talk about joining bodies, a night of passion, and not stopping until morning. Tonbokiri's solo concert song "Real Love" also counts. "Secret Sign" creeps as close as possible to this trope by referring to all the passionate love the singers want to do as "kissing".

* ColorCodedCharacters: Like real idols, each Touken Danshi is assigned a member color, which is reflected in their penlights so that fans can cheer them on during concerts. When the production started out, Toumyu initially used simple colors like blue, yellow, green, pink, purple, and red, but as more Touken Danshi appeared in musicals, the team became more creative with color selection, leading to penlight colors like Opal Green, Vermillion, and Smoky Purple, and so on. Even then, some colors have minimal differences, especially for white-aligned characters like Horikawa, Tsurumaru, and Yamanbagiri Kunihiro. Good luck trying to see the difference between White, Pearl White, and Ivory in the dark.

*** ''Tokyo Kokoro Oboe'' was the first play in the series to feature eight Touken Danshi instead of six, with four slots occupied by Gou swords, Buzen, Kuwana, Samidare, and Murakumo. [[spoiler: This is especially noteworthy because the play was set up to explain the gradually unfolding overarching story involving Mikazuki Munechika, which had been hinted at in previous musicals. The play's use of Suishinshi and Minamoto can be explained by their connections to the abandoned world plot, and Oodenta is related to Mikazuki as one of the Tenka Goken, and Sohayanotsurugi is related to him. However, the Gou swords have no personal connection to Mikazuki, no interactions with him, and no prior involvement in the overarching story, with Samidare and Murakumo in particular appearing to be added to the line-up solely for the purpose of being introduced into the musical continuity. This makes the end of the play, when Mikazuki assigns them significant roles, seem arbitrary because there is no explanation for why he chose them other than them being there at the time]].

* ''The 808 Towns of Hizakurige'' (2024) -- First side story in the series to follow a trio of swords, this time focusing on Izuminokami Kanesada, Horikawa Kunihiro, and Yamanbagiri Kunihiro.